Scenters-Zapico 7-20-2015 GE Capstone Writing Intensive Course Creation Guide For faculty seeking GE Capstone Writing Intensive guidelines, suggestions, and examples to guide them with their WI proposal, this Course Creation Guide will assist them with this process. Feel free to contact the Director with any questions or to meet with him to review your proposal before you submit it. Background on WI Policy The CSULB General Education Policy states the following five points, 3.4. At least nine (9) units of the General Education program must be approved upper-division Capstone courses taken after the student achieves upperdivision standing (completion of sixty [60] semester units) and normally must be completed at California State University, Long Beach (see special requirements). All students must fulfill one (1) of their three (3) upper division GE Capstone requirements by taking a three-unit Writing Intensive Capstone (i.e., one course). 3.7. Capstone 3.7.1. The final nine (9) General Education units form the Capstone. All students, including transfer students who have completed a certified lower-division General Education program, must complete nine (9) units of Capstone courses. All students must fulfill one (1) of their three (3) upper division GE Capstone requirements by taking a three-unit Writing Intensive Capstone (i.e., one course). 7.10.8. Writing Intensive Capstone 7.10.8.1. All students must fulfill three (3) of their nine (9) upper-division GE Capstone unit requirements by taking a three-unit Writing Intensive Capstone (i.e., one course). No Writing Intensive Capstone course shall have more than thirty-five (35) enrolled students. 7.10.8.2. Instructors in all writing intensive courses will integrate into the course a substantial writing component that meets student learning writing outcomes as established by the GEGC. This is usually interpreted to mean at least a total of 5,000 words in the various assignments. The writing component is integrated throughout the courses or may be a cumulative report or project that incorporates regular opportunities for revision, ongoing evaluation, and feedback throughout the semester. The writing assignments may be in whatever form the instructor deems appropriate to the subject matter and methodology of the course, but the assignments must be a substantial factor in evaluating student performance. This is interpreted to mean at least a total of two-thirds of the final grade is based on the student’s writing. Scenters-Zapico 7.10.8.3. Faculty who teach these courses should refer students with serious writing difficulties to seek writing instruction, tutoring, or other appropriate assistance to improve their writing skills as early as possible. For this reason, there must be early (usually week three [3] of the term) feedback on student writing and further feedback throughout the term, including opportunity for revision where appropriate to the assignment. (http://web.csulb.edu/divisions/aa/grad_undergrad/senate/policy/academic/alp habetical/GeneralEducationPolicy.html) A few years ago a checklist for WI requirements was created to assist faculty in creating WI classes. The information on the checklist was straightforward and did not include details, explanations, or examples to help faculty understand how they could create a WI Capstone. To better assist faculty with their WI class proposals, we have teased out the original checklist and included examples for most of the requirements. As a teacher, you may never have had a writing class, that is, a class that focused on how to write as opposed to a class that has a lot of writing, or you may never have taught writing in your discipline (as opposed to assigning a lot of writing). This GE Capstone Writing Intensive Course Creation Guide will help you better understand what you need to do and why. Moreover, the Writing Across the Curriculum Program maintains an active website with abundant materials to assist you in integrating writing into your classes, and regularly offers an array of workshops and fellowships throughout the year (noted on the WAC homepage). The WAC Director also is available for one-on-one mentorship. Eleven Standard Course Outcomes and WI Component Requirements with Examples Standard 1: SCO showing well thought out writing outcomes (SCO SECTION IV): Example 1 Written Communication Measurable Benchmarks – Upon successful completion of the course, students should be able to demonstrate advanced writing processes as evidenced by the abilities to: 1) develop ideas; 2) draft original assignments using the conventions of standard written English; 3) revise written assignments to conform to scholarly conventions of the social and behavioral sciences; 4) synthesize source materials and original contributions as appropriate to support arguments; 5) cite the works of others in accordance with the conventions of the American Psychological Association. Example 2 Capstone: Writing Intensive Course Goals: 2 Scenters-Zapico To provide students with a writing intensive experience, affording them the opportunity to write at least 5,000 words throughout the semester, to receive instructor feedback on drafts, and to participate in peer-review writing workshops by receiving and giving feedback on drafts. Two thirds of the final course grade will be based on student writing. The course will address all of the writing learning outcomes identified by the Academic Writing Assessment Task Force and especially will concentrate (1) on the students’ ability to express and synthesize their own and others’ ideas; (2) on the students’ ability to demonstrate comprehension of literary and cultural texts through the drafting of accurate summaries, reasoned analyses, and persuasive responses; and (3) on the students’ ability to evaluate and incorporate source materials as appropriate for each assignment. During the first three weeks of the course, students will receive instructor feedback on their writing. This feedback will continue throughout the term, and there will be opportunities to revise written assignments where appropriate. Standard 2: Consistency of SCO Standards Across Sections (Section XIV) Example 1 Writing Skills Outcomes – By the end of the semester, successful students will be able to demonstrate advanced writing processes as evidenced by the abilities to: 1. develop ideas; 2. draft original writing assignments using the conventions of standard written English; 3. revise written assignments to conform to scholarly conventions of the social and behavioral sciences; 4. synthesize source materials and original contributions as appropriate to support arguments; and 5. cite the works of others in accordance with the conventions of the American Psychological Association. Example 2 Instructional Activities – Specific assignments will vary by instructor, but typical assignments include: 1) in-class introduction to writing assignments; 2) in-class practice of prewriting and drafting; 3) in-class exploratory writing; 4) in-class and takehome revision in response to instructor feedback on drafts and revisions; 5) inclass and take-home grammar exercises; 6) in-class and take-home editing exercises; 7) lecture and discussion; 8) in-class and take-home peer review activates; and 9) library exercises to hone research techniques; 10) Evaluation Strategies – Specific evaluation strategies will vary by instructor, but typical strategies include: A) completion of prewriting and drafting assignments assessed on standardized rubrics for evaluating content, organization, reasoning, rhetoric, and writing conventions; B) revision assignments assessed on standardized rubrics for evaluating content, organization, reasoning, rhetoric, and writing conventions; and C) participation in peer review and peerediting. Example 3 3 Scenters-Zapico The exact set of course assignments will vary depending on the instructor. A. Consistent with University policy, however, no single evaluation of student achievement may count for more than one-third of the student’s final grade. B. Consistent with departmental policy and the written communication GE designation of this course, at least 12 pages of original writing shall be assigned. C. Assignments may include variations or combinations of assignments from the following examples: Model 1: Weekly Essay Quizzes (5 at 3% each) 15% Three Exams (3 at 10% each) 30% Two Research Papers (at 15% each) 30% Case Study Assignment 10% Homework (editing, peer-review assignments, and/or chapter questions) 10% Attendance and Participation 05% Model 2: Four Essay Quizzes (5 at 5% each) 25% Two Research Papers (at 10% each) 30% Case Study Assignment 10% Homework (editing, peer-review assignments, and/or chapter questions) 10% Attendance and Participation 05% Final Exam (at least half of points based on essays) 20% Model 3: Two Exams (2 at 15% each) 30% Three (3) Reaction Papers/Essays (at 10% each) 30% Rough Draft Workshops 15% Research Paper 20% Attendance, Participation, and Presentation 05% The grading breakdown should include the percent (or points) that you deem appropriate for each task. The actual description of assignments that you share with the GEGC in your proposal should be congruent with the assignments you list for grades. Last, the assignments should be briefly listed on the week-to-week schedule, e.g., Tuesday, February 12: Rough Draft Workshop for Essay 1 The examples above illustrate on this part of the SCO that the proposers thought through the pedagogies for the writing components for the courses, and that these elements would serve as guides for future instructors teaching the course. By including a brief week-to-week schedule proposers also show they understand the time needed 4 Scenters-Zapico to integrate writing into their courses. Standard 3: Clear Writing Assignments Good writing assignments always start with a clear goal that we can express, usually on the syllabus, so students understand the goal as well. Then, the assignment is listed (does not need to be detailed) and paced on the day-to-day syllabus. Drawing from a study of assignments here’s our reasoning for asking for clear assignments: • “… based on (i) identified features of writing quality in writing plans, (ii) evaluative terms commonly used as criteria to measure writing performance in both large-scale and classroom assessments, and (iii) theory and research in writing, was developed and used to assess a sample of 1,797 writing plans. • Correlation and regression analyses were used to determine relationships between quality of writing plans and writing scores. • Evidence of features of writing quality in writing plans was associated with higher writing scores.” (From: C. Chai. “Writing plan quality: Relevance to writing scores.” Assessing Writing 11 (2006) 198–223) The CSULB General Education Policy states that your SCO and syllabus should show “regular opportunities for revision, ongoing evaluation, and feedback throughout the semester.” This point has been the most difficult to understand and apply because it’s packed with disciplinary understandings of what the activities mean and how they can be practiced in the classroom. While flexible, they still have some basic elements that need to be present in your proposal. So what does it mean? “Revision, ongoing evaluation, and feedback” are parts of what is commonly called process writing (or plural, writing processes). The pedagogy, drawing from empirical research, theory, history, and pedagogy, stresses that we teach students to go through certain stages (not always linear) in producing a piece of writing in the same fashion as experienced, professional writers (like us), as opposed to what our students (inexperienced writers) do now. In our teaching we stress writing as a process by oftentimes breaking assignments into scaled stages or steps for our students; this allows our students to talk and think about the writing choices they make as they develop and rewrite their ideas. A typical writing process might begin a project in class showing how the course readings and discussions are helping students understand the course’s ideas, while also getting them ready to enter into the discipline’s conversations in the form of an essay. At this point we might begin activities like brainstorming, listing, diagramming, freewriting, or use of a journal (if we require a journal to explore understandings of class readings). If we require outside research we might include a visit to the library and an annotated bibliography; here our students are learning research skills, reading appropriate sources, summarizing the ideas in their own words, and documenting in discipline appropriate format, e.g., APA, MLA, Chicago. We could then develop an 5 Scenters-Zapico assignment requiring a few paragraphs, making claims about the readings that would serve to springboard students to writing a rough draft. The next stage in our process could be a peer-reviewed rough draft workshop with questions we’ve developed for our students to read and evaluate each other’s essays. Here it is important for you to create workshop questions that require students to critically read and write responses to each other’s essays/projects; since our goal is revision we should not worry about mechanical issues at this stage. Once students finish the rough draft workshop they can revise according to the suggestions they receive. When we receive the essays we can comment on them and allow students to revise their projects once again based on our feedback. As you can see, writing intensive means we ask students to write a lot but we work with them to learn how to become better writers in our disciplines. The take away, which research confirms, is that quality-writing assignments foster better writers, not more writing. Here are some examples showing writing process from faculty syllabi: Example 1 Reaction Papers1 A reaction paper is an analysis and an evaluation of the material presented. If you have been asked to write a reaction paper covering a large amount of reading, such as a book chapter, you may choose to (a) select isolated concepts from the reading and craft a reaction paper that concentrates on those concepts alone, or (b) broadly address the material touching on general concepts that permeate throughout the reading. Reaction papers are popular with faculty and students since it is easier to write about something that sparks your interests in the material assigned, rather than to be asked to write an essay on a topic in which you have little interest. Your reaction paper can be written in many ways, depending on the topic. For example, you may concentrate on the reading’s concepts, theories, or philosophical ideas, or you may write about placing concepts from the reading within the context of current social issues or practices. How to Write a Reaction Paper. As a starting point for your reaction paper, summarize the material in two to three paragraphs. What was the author trying to say? What were the main points? What important concepts or ideas were presented? Endeavor to summarize the material in its broadest terms. Next, select two or three major points from the following list and write a paragraph for each point. React to the ideas presented. Are they clear and suitable? Explain the ideas, give examples of their application in the material presented, and compare/contrast the ideas with your own. 1 Adapted from “Writing a Reaction Paper,” University of Hawaii Writing Center 6 Scenters-Zapico Discuss specific insights or facts you have learned or gained from reading the material presented. Discuss each insight or fact you have learned in a detailed paragraph, using direct examples from the material presented. Include a page reference to the material to which you are reacting. Make a judgment about the material presented and support it. Did you like it? Why/why not? Elaborate on your answer by commenting on the content, style, clarity, and validity of ideas and method of presentation. Analyze the material presented. What is its purpose? How does it go about achieving its goal? What is the plan/method of presentation? Tell what others might gain from the material presented. Is it valuable? Is it informative, entertaining, or accurate? Do you think your instructor should use it again? Why/why not? In your conclusion, summarize your ideas and tie them together. Example 2 Reflection Journals. Sample prompts for reflection journals which will be formative assessment of service learning component. Assignments correspond roughly to course outline (sec. V) and possible readings. First day: Describe where your service occurs. Is it outside or inside? What are the predominant sights, sounds, smells of the place? What wildlife is there? How do others appear to perceive the place? How does the place itself condition the life (human or nonhuman) that occurs in it? Try to use some of the same descriptive techniques that we saw in the texts we’ve read so far. Second day: Describe the service that your community partner is engaged in. What are the goals of the partner? Does the group want to solve a problem? What is it? How will the group go about solving the problem? What is your role in that? Can you define the problem or the goals of the community partner using concepts that we’ve seen in the reading? Example 3 Research project and presentation based on service learning Research assignment: draw one main idea from the texts we’ve read (e.g., the Land Ethic, biophilia, biocentrism, environmental racism, stewardship, restoration, relinquishment, ecological wisdom, etc.) and connect it to the issue 7 Scenters-Zapico or problem that your community partner was concerned with. Use analysis and research to explain the concept and how it connects environmental literature to community issues. Your research may be presented in a variety of formats: a research paper, website, teaching unit, video documentary, and so on. If you choose any format other than the research paper, you will have to write an essay (about 5 pages) explaining why you chose the format you did, how you integrated the research, and what the main point of the project is. All research, regardless of format, must be documented with a standard method of documentation (MLA, APA, etc.). Students will present individually or in a small group depending on the service they performed. Presentations will cover these topics at the very least: Describe the mission and function of the community partner, what environmental issues it is concerned with. Describe your service with the community partner. What did you do, what were your responsibilities, how did you service contribute to the goals of the organization? Reflect on the service learning experience. What was difficult about it? What was most rewarding? What was most effective about the service? How would you improve it? Connect the issues that the community partner is concerned about with the course texts. What ethical stances do you use to engage in the service? What concepts from the readings helped you draw meaning from the service experience? Did you find one author in particular a good model for the service you performed? What will your final research project be and how will relate to the service learning experience? What have you discovered in your research that extends or changes the knowledge you gained from the service experience? Standard 4: Examples of Week-by-Week Schedules Your Week-by-Week schedules do not need to be extensively detailed. You do need to show where you are incorporating your writing activities, how you are pacing them, and devoting time to teaching writing in your discipline. While the first example below shows a week-by-week breakdown, the second clumps the class by subjects and activities. Both are effective. Example 1 Week # Date Event Week #1 8/ 27 Topic To-Do List Introduction to the ClassPurchase the text; review course requirements and course schedule 8/ 29 Chapter 1 Buying, Having and BeingReaction Papers discussed Week #2 9/3 Chapter 2 Perception Reaction Paper/article #1 Due to BeachBoard 8 Scenters-Zapico 9/ 5 Chapter 2 con’t Chapter 3 Week #3 9/10 Chapter 3 con’t 9/12 Library Session Week #4 9/17 Chapter 4 Perception Learning and Memory In-class rough draft workshop; bring a printout of your work to class. Learning and Memory Meet in Library – Spidel Room Motivation and Global Values Bring Laptop to class; Homework #1 Due to BeachBoard Rewrite reaction paper / article #1 and submit to BeachBoard; Study for Exam #1 9/19 Exam #1 Example 2 (Weeks 1-5) Introduction to English Studies, major issues in criticism, relevant critical terminology. Students write self-reflexive essay on skills in English Studies and do short assignments so faculty can assess writing and analytic skills as well as provide feedback on student writing in the first three weeks. Discussion of primary texts to be worked on over the course of the semester and genre issues. Library visit and introduction to research methods. Library assignment; MLA style assignments; short papers analyzing primary texts. Discussion of use of literary and non-literary evidence in constructing an argument and use of historical and cultural contexts in writing on a primary text. Students write abstracts for longer paper. … (Weeks 13-15) Completing of final papers and assembling of portfolios, which include drafts of the final paper and all shorter assignments. Students discuss and write a selfreflexive essay on their progress over the course of the semester. Students show in discussion how they will apply their acquired knowledge of critical movements and research methods to texts read in other classes. Final exam on criticism, MLA style, and relevant terminology. Standard 5: WI classes have a class cap of 35. Most departments, at the chair’s discretion, lower this to 20-25 to reflect the additional workload required to teach a WI class. Standard 6: 2/3 of students’ final grades should be based on student writing. Your grading breakdown (percent or points) should clearly show this. Standard 7: Students must produce 5,000 words (12 double-spaced pages). This reflects total page counts, including drafts, revisions, responses, summaries, journals, annotated bibliographies, etc. Example 1 9 Scenters-Zapico Consistent with departmental policy and the written communication GE designation of this course, at least 12 pages of original writing shall be assigned. Appropriate assignments may include (the proposer then lists three options). Standard 8: You must give students feedback on their writing within the first 3 weeks, and throughout the semester. Note this on the weekly syllabus, e.g., “essays returned with instructor comments.” Example 1 Moreover, the class should be designated as a Writing-Intensive one because: (a) students research and write more than 5,000 words over the course of a minimum of three assignments; (b) weekly writing instruction team-taught by criminologists and writing instructors incorporates regular opportunities for revision, ongoing evaluation, and feedback throughout the semester; (c) students receive their first instructor feedback on a written assignment within the first 2-3 weeks of class; (d) writing (both in terms of papers and essayexams) account for more than two-thirds of final grade in the course; and (e) the course is always capped at less than 30 students. Example 2 Students will begin to receive feedback on their writing by week three of the course. Standard 9: GE Capstone Writing Intensive SCO must include this statement: “Students must have scored 11 or higher on the GWAR Placement Examination or successfully completed the necessary portfolio course that is a prerequisite for a GWAR Writing Intensive Capstone.” Standard 10: The bibliography included in the Standard Course Outline should include a composition text or other materials that would be helpful to prospective instructors and students. This isn’t a mandate, but use of a writing text could be useful if you integrate at least some of it into your class plans. A text or texts could also be useful for faculty who teach this class in the future. Visit the WAC web for a list of texts; you may find one specific to your discipline. Standard 11: If your class has a research component make sure you expose students to the appropriate research tools (and show this on your syllabus, e.g., a visit to the Library for a reference training session on the best search engines in your field). Contact Tiffini Travis to schedule a workshop (Tiffini.Travis@csulb.edu). 10