Linking words and developing rhythm for greater fluency Introduction 3 Linking 4 Pronunciation in context Types of linking 9 11 Rhythm 17 Thought groups and pausing 26 Contractions 31 When do I use contractions? 31 Why should I use contractions? 32 Voice work – consonants 34 What is a consonant? 34 Voiced and unvoiced consonants 34 Final consonant sounds 35 Final ‘s’ word endings 37 Check your progress 39 Summary 40 Suggested responses 41 Glossary 49 3001K: 3 Focus on pronunciation 1 2005/033/003/02/2006 P0031622 2 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Introduction Having worked through Sections 1 and 2 of the module, you will now know there are many things to think about in English pronunciation. These include pronouncing individual sounds, pronouncing syllables, stressing the correct syllables in a word and stressing particular words in a sentence. In Section 2 we mainly concentrated on smaller parts of speech such as sounds, syllables and words. What you’ll learn In Section 3 you will learn about pronunciation by looking at larger chunks or parts of speech such as the sentence. This includes several important areas for effective English pronunciation including: linking rhythm thought groups pausing NOTE: The tracks have been linked to the audio files. Simply click on the words Track XX and you will be able to listen to the sound. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 3 Linking English words ‘run together’ so that a sentence often sounds like one long word. Joining the sounds at the end of one word to the beginning of the next word is a common practice in English. It is called linking. This makes English speech sound smooth and fluent. It is important because it helps you to understand other people more easily and other people will understand you more easily. Listen to the linking in the example below. Track 45 Is it an evening course? When you link words together, you keep your voice going smoothly. Linking makes English speech sound fast and fluent. In some languages, speakers do not do this but take a short breath after each word. Do you use linking when you speak in your first language? Let’s do a practice activity where we listen to linking in a natural English dialogue. Activity 1 Read the following conversation between two colleagues who arrive at work on Monday morning. Can you predict what the missing questions will be? 4 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Kate: Hi Evan. Evan: Hi there, Kate Kate: 1_____________________? Evan: Yeah, thanks. It was great. Kate: 2_____________________? Evan: Oh nothing special. Played tennis on Saturday. Went to visit my brother and his family on Sunday. You know, the usual weekend thing. Track 46 Now listen to the CD and fill in the missing words in Activity 1. Can you guess how many words were in each one? Question 1 has _____ words. Question 2 has _____ words. Compare your answer with the Suggested Responses at the end of this section. Did you catch all the words that were said? It might have been difficult to count all the words as some of the words joined other words and therefore became hard to identify while listening. In Section 2 we looked at the changes that occur when speech becomes rapid and informal and how certain words are stressed or unstressed. This practice encourages linking as we can skip quickly over unstressed words by linking them to other words in the sentence. Listen once again to the questions. Track 47 Example: Did you have a good weekend? becomes ‘Djahava goodweekend?’ 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 5 What did you do? becomes ‘Whaja do?’ Why does linking happen? Linking is not a conscious process – it mainly occurs due to the position our lips are in when we finish speaking a word in rapid speech. What happens if I don’t link when I speak? It usually isn’t a problem if you fail to link words in English. Although you may sound too formal, your English will probably still be understood by your listeners. However, if you wish to sound like a native speaker, you need to try to incorporate linking into your speech. Activity 2: Track 48 Listen to and read this conversation. All the examples of linking have been marked. There are eleven links in total. The schwa sounds have also been marked. 6 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 What types of words are linked in English? Track 49 Linking in English is common between: 1. A consonant and a consonant Example: run to, eat well 2 A consonant and a vowel OR a vowel and a consonant Example: an event, walk up, see her 3 A vowel and a vowel Example: you are, see again You’ll notice that when two vowels are linked together, a new sound is sometimes created. Listen to the two examples in 3. above again. What sound do we hear between the two linked words? You are = We hear a sound See again = We hear a sound 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 7 Linking between vowel sounds Activity 3: Track 50 Listen and mark the linking between the vowel sounds in the following short dialogue. If a new sound is made by the linking, write the new sound above the link. The first one has been done for you as an example. At the Immigration counter at the airport /j/ A: Are you Paul Jeffrey Thornton? B: Yes, I am. A: How long are you staying? B: I’ll stay a week or two. A: Why not any longer? [joking] B: It’s too expensive! 8 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Pronunciation in context You will now read an example dialogue which includes many examples of linking. The topic of the dialogue is a complaint somebody has about something belonging to their neighbour. It is spoken using informal (colloquial) vocabulary. Have you ever had to complain to your neighbour about anything? How did your neighbour react to your complaint? Before we start, let’s study some idioms used in the dialogue. Activity 4 Activity 4 Study the following idioms (words or phrases) from the dialogue below. Can you guess what they mean? Read the list of idioms and then read the list of meanings. Write the correct meaning (or its number) next to each of the phrases. Idioms Idiom Correct meaning Meanings potter about 1. do a bit of work getting into 2. very windy blowing a gale 3. not getting something missing out on 4. starting something Check your answers in Suggested Responses to activities at the end of this section. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 9 Activity 5: Track 51 Listen and read the first part of the dialogue. Identify any linking you hear by joining the two words together with a line. The first sentence has been done for you as an example. Listen as many times as you need. The Wind Chimes (Part One) SUSAN Example: Hi, I’m Susan. I’m from next door — number 29. OLIVER Oh right. SUSAN Howare you settlingin? OLIVER Oh yeah, good. The name’s Oliver, Oliver Stanton. How… How do you do? SUSAN How long is it since you’ve moved in now? 10 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 OLIVER Well, it’s two weeks tomorrow. SUSAN Oh! And you’re already getting into the garden? OLIVER Well I like to potter about. Compare your answers with the Suggested Responses at the end of this section. Did you identify all examples of linking? Don’t worry if you didn’t – some are difficult to catch. Now let’s look at some guidelines about linking that can help you identify it when it occurs in listening and to gradually introduce it into your speaking practice. Types of linking Track 52 There are many types of linking you can use to make English speech sound smooth and fluent. Listen as you read about them on the next page. Stop your CD after each example and practise saying the sentences with appropriate linking. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 11 12 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 There are another two types of linking that you will hear, however less often than the ones above. These are not recorded on your CD. So many different types of linking! How can you remember all the different types? One possible way could be to start trying to identify linking in different kinds of listening situations. While you are listening, try to listen for what words are linked and write these in your notebook. Analyse the words and think about why they are linked. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 13 Activity 6 Go back over the transcript of The Wind Chimes (Part One) in Activity 5 and write above each example of linking what type of linking it uses. Use the Linking Types guidelines above as your reference. An example is given below. SUSAN Linking 5 Linking 1 Linking 4 Example: Hi, I’m Susan. I’m from nextdoor—number 29. Howare you settlingin? Compare your answers with the Suggested Responses at the end of the section. Were you successful? Did you classify all the examples of linking correctly? Don’t worry if you didn’t, more practice is coming up! Activity 7: Track 53 Listen to and read Part 2 of The Wind Chimes dialogue and identify the following: Linked words. What type of linking occurs? Write the number over the linked words. Refer to the Linking Guidelines. The first sentence has been done for you as an example. The Wind Chimes (Part 2) SUSAN 4 4 4 4 2 4 Look, I feel a bit, um, awkwardabout this — can I ask a favour? 14 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 OLIVER Sure you can. What is it? SUSAN It’s just, um, these wind chimes. Um, you see, I sleep in the front room over there and it’s been blowing a gale these last two nights. And the fact is, I haven’t been able to get any sleep. OLIVER Oh, I’m so sorry. I’d no idea. I find the sound very soothing myself. SUSAN Oh it’s not that, it’s not that I don’t like the sound. It’s just that they’re so close to my bedroom and … now, if they were round the back, then I could hear them when I’m cooking and that’d be very nice. OLIVER Yeah, OK, fair enough. We can’t have you missing out on your sleep, can we? Let’s get them sorted out right now. (Unhooks the wind chimes and turns towards the house) SUSAN Oh thanks so much. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 15 OLIVER Um, would you like to come in for a beer or something? SUSAN Oh, look I’d love to, but I’m in a bit of a rush and I’m supposed to be in town in about ten minutes. Um. Some other time? OLIVER Oh, of course, and it’s nice to meet you Sue. SUSAN Oh, you too. And thanks—you know—about the wind chimes. Activity 8 Practise one of the parts in the ‘Wind-Chimes’ dialogue. Speak aloud the part of Oliver or Susan if possible with a learning partner. Concentrate on making the correct linking sounds between words. Record yourself if possible. 16 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Rhythm Do you know what rhythm is? The Macquarie Dictionary defines it as ‘a movement or procedure with uniform recurrence of a beat, accent or the like’. Rhythm is the way a language sounds largely because of the pattern of stressed and unstressed syllables in speech. Some people consider that rhythm is the music of a language. Like music, languages have strong and weak beats and the pattern made by the stress is the rhythm. In English, words either have strong or weak stress – this makes the unique rhythm of English. Stress-timed and syllable-timed languages All languages have their own rhythm. These contribute to the characteristic sound languages have. We can call English a stress-timed language. This means that the ‘beat’ of the language depends on where the stress falls in particular sentences. Other languages—including many South-East Asian languages—are called syllable-timed languages. This means that each syllable is given equal importance by the speaker. Is your language stress or syllable timed? If you speak a stress-timed language, you’re lucky—you probably won’t need to work so hard to achieve native-like rhythm when you speak English. What does rhythm involve? To have good rhythm in English you need to have control of many speech areas. Apart from word and sentence stress, rhythm is affected by the use of: linking volume speed of production pausing contractions. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 17 The most important point to note about rhythm in English is that the time between strong stresses in a sentence is about the same. Mostly, it doesn’t matter how many words with weak stresses there are between each word with strong stress – an English speaker will shorten or reduce these weak words to make them fit between the words with strong stresses. These weakly stressed words are usually words that are important for grammar/structure but not for meaning and include weak sounds such as the schwa. If you are unsure which words are likely to be stressed/unstressed in a sentence, return to the part of Section 2 that deals with Recognising content words. Let’s listen to some example sentences. The words in bold have STRONG stress. Track 54 I said it on Friday. I said it on Friday morning. I said it to him on Friday morning. Can you hear what has happened to the unstressed words? They are squeezed in to fit in the space before the next stressed word, so that all three sentences take about the same time to say. This allows an English speaker to ‘save time’ between words. There is a strong beat in the all the sentences above. The strong beat occurs on the stressed word. Let’s listen to the rhythm pattern of these sentences using a weak ‘de’ and a strong ‘DA’. de DA de de DA de de DA de de DA de de de de DA de de de de DA de de de Track 55 Listen to this rhythm and make up words to fit the beat. de DA de de DA de DA de de DA de de DA de de de DA de 18 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Here are some examples: de DA de de DA a one and a two the man in the shop today I am hot de DA de de DA de a one and a two beat today I am hotter de DA de de de DA de a one and then a two beat Activity 9 Practise the three sentences above. Use both the ‘real’ words and the made-up ‘beat’ words. Record your voice. Does your voice have a noticeable English rhythm? In summary: Shortening unstressed words linking and using the schwa are essential for the rhythm of English. Activity 10: Track 56 Listen to the following five sentences and: underline the words with the strong beat highlight the schwa sounds where you hear them mark the syllable stress in the underlined words (use large and small dots). 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 19 The first one has been done for you as an example: 2 I’ve never been to Canberra. 3 I prefer to study in the library. 4 It can be hard to figure out some pronunciation. 5 A late storm meant that tennis was cancelled today. Check your answers with the Suggested Responses at the end of this section. Activity 11 Listen to the sentences again and this time clap your hands to the beat of the rhythm. This will be on every stressed word/strong beat. How many beats did you clap on each sentence? Write the number of beats here. Compare your answers with the Suggested Responses at the end of this section. Play the track again, this time saying the sentences with your CD. Do this until you can say the sentences in the same time and in the same way as on the recording. Rhymes and rhythm Let’s do some more work on English rhythm with a practice rhyme. Do you know what a rhyme is? It’s a line of verse or poetry that has agreement in its final sounds. Rhymes are good ways to practise English rhythm. 20 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Let’s listen to a traditional rhyme about tomatoes. But, before you start, it is important to learn how to pronounce the key words correctly. Track 57 Tomatoes, tomatoes Fine red tomatoes Tomatoes, tomatoes Fine red tomatoes Who will buy my tomatoes? Fine red tomatoes Ten cents, a tomato Fine red tomatoes Tomatoes, tomatoes Fine red tomatoes Did you notice that the rhyme has a strict two/three beat? The first line has two strong beats while the second has three strong beats. The three beats have to be said in the same time as the previous line to make a suitable rhythm. This pattern continues throughout the rhyme. Activity 12 Now you say the Tomatoes rhyme. Remember, that it takes about the same amount of time to read each line. Try to say the words with a strong beat at the same time as you clap your hands. To extend your practice, say the same rhyme but change the names to different fruits or vegetables. Don’t forget to change the colour too! Example Pineapples, pineapples Fine yellow pineapples… 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 21 More rhyming practice Let’s continue to practise rhythm with another, longer traditional rhyme. This rhyme is about what it means to be born on different days of the week. Do you know what day of the week you were born on? In your culture, is there any special significance attached to being born on a particular day? 22 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Activity 13 Let’s read the rhyme for the first time to focus on vocabulary. Look up any words you are unsure of in your dictionary. Try to predict what the missing words are. Remember that these words have to match the rhyme with the last word in the line before. BIRTHDAYS Monday’s child is fair of face, Tuesday’s child is full of grace, Wednesday’s child is full of woe, Thursday’s child has far to 1 ____, Friday’s child is loving and giving, Saturday’s child works hard for a 2________ And the child that is born on the seventh day Is both healthy and happy and loves to 3________ Anonymous Compare your answers with those at the end of this section. Activity 14: Track 58 Now listen to the rhyme as it is spoken and check if your predictions were correct. Listen again. This time, focus on the rhythm and answer the following question. What timing beat is the rhyme based on? Underline the strong beat. Finally, say the rhyme. And now a little fun… 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 23 We’ll read a verse by someone who was known as the father of nonsense verse in English, Edward Lear (1812 – 1888). The Owl and the Pussycat The Owl and the Pussycat went to sea In a beautiful pea green boat; They took some honey, and plenty of money Wrapped up in a five pound note. The Owl looked up to the stars above And sang to a small guitar. ‘O lovely Pussy, O Pussy my love. What a beautiful Pussy you are You are! You are! What a beautiful Pussy you are.’ Pussy said to the Owl, ‘You elegant fowl. How charmingly sweet you sing! Oh! Let us be married; too long have we tarried; But what shall we do for a ring?’ They sailed away, for a year and a day, To the land where the bong tree grows; And there in a wood a Piggy-wig stood, With a ring at the end of his nose, His nose, His nose, With a ring at the end of his nose. 24 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 ‘Dear Pig, are you willing to sell for one shilling Your ring?’ Said the Piggy, ‘I will.’ So they took it away, and were married next day By the Turkey who lives on the hill. They dined on mince and slices of quince, Which they ate with a runcible spoon; And hand in hand, on the edge of the sand, They danced by the light of the moon, The moon, The moon, They danced by the light of the moon. Activity 15 Read the verse aloud. Try to ‘catch’ the rhythm of the piece. If you have a learning partner, read alternate lines. For example, Person A reads ‘The Owl and the Pussy-Cat went to sea’, then Person B should match the rhythm and read ‘In a beautiful pea green boat.’ Make sure you maintain your English rhythm as you read it. Track 59 Listen as The Owl & the Pussy-Cat is read aloud. Extension Activity Try to find some other rhymes, limericks or songs so you can practise your English rhythm. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 25 Thought groups and pausing When speaking a sentence, native English speakers divide words into groups. Each of these groups contains one thought or idea, so we call them ‘thought groups’. A thought group often begins or finishes where we would put a comma or full stop in writing. Pausing – the number of stops or breaks in your speech – is particularly important in helping your listener understand your message. Pausing can help listeners distinguish between important and background information and can also give emphasis to certain words. However, if you use too many pauses, your English rhythm may be disrupted and your listener may find it uncomfortable to listen to you for extended periods. How can we recognise thought groups? Here are the main features: They influence the speaker’s rhythm. There is often a short pause before and after each thought/idea. The speaker uses the pause to take in air. The final syllable of the thought group is longer. A change in pitch (the voice goes up or down) before or after the thought group. Let’s look at an example. 26 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Activity 16 Read the following conversation about a neighbour’s dog that makes too much noise. A: This has been going on for years now—ever since they came along with their wretched* dog. The barking really got on my nerves and I couldn’t sleep. I was… B: So what did you end up doing? A: I got in touch with the council and they put me through to the Health Department. One of them came out and paid them a visit. *in this context ‘terrible’ Read the text again below. However, this time, the text has been broken up into thought groups. This shows how the conversation is spoken in natural speech. A: This has been going on for years now/—ever since they came along/with their wretched dog./The barking really got on my nerves/and I couldn’t sleep./I was…/ B: So what did you end up doing?/ A: I got in touch with the council/and they put me through/to the Health Department./One of them came out/and paid them a visit. Activity 17: Track 60 Now listen to the text as it is spoken. As you listen, tick the features you hear. I heard a: pause at the last sound at the end of each thought group change in pitch at the last sound at the end of each thought group lengthening of the last sound at the end of each thought group. Did you also notice that where there is a sentence with and, and is at the beginning of the thought group rather than at the end? Listen to the dialogue again if you couldn’t identify these features of thought groups. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 27 What happens if I don’t divide my speech into thought groups and use pausing? If we don’t group words into thought groups or use enough pauses, our listeners could have difficulty in understanding the message. Let’s look at an example of how thought groups contribute to meaning. Activity 18: Track 61 Listen to the two examples on your CD. Can you see how changing the position of the thought groups and pausing changes the meaning of the sentence? Sentence A meansJiang Min is late. Sentence B means Armando is late. Read below what was said on the CD to see how this is written. Note the position of the commas in Sentence A. Sentence A: Jiang Min, said Armando, is late. Sentence B: Jiang Min said Armando is late. Activity 19: Track 62 Read and listen to the conversation where the student is phoning OTEN about the pronunciation course. All punctuation and other text staging markers have been removed. Listen for the thought groups and mark them with a slash (/). The first one has been done for you as an example. Example: Good afternoon/OTEN/Peter speaking/How may I help you Hello I’d like to find out about the pronunciation course Yes we have another one starting in February can I ask you how did you find out about the course 28 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Oh there was an advertisement in a Korean magazine I’m ringing for a family member actually OK I need to speak to the family member to see if they are suitable for the course if they are I’ll send an enrolment package What kinds of things do you study Well the students practise pronunciation through conversation and special exercises and the teacher helps them at the same time Mmm That sounds very useful is it an evening course No it’s on Saturday mornings it’s for speakers of Korean, Spanish, Indonesian and Cantonese What do you need for the course I mean do you have to buy anything You need a dictionary the course book and a cassette player OK just a moment and I’ll get my grandfather Compare your answers with the Suggested Responses at the end of this section. Practise the dialogues in Activities 16 and 19 with appropriate pausing and use of thought groups. If possible, record yourself speaking them with a learning partner for later analysis. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 29 Extension activity Listen to a short speech on TV or the radio by a politician. Experienced or senior politicians often make very effective use of thought groups and pausing. This could be an extended answer to a journalist’s question in a news conference or delivered as a response to a current event or issue. 30 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Contractions One way English language speakers maintain a distinctive rhythm is to use contractions. Contractions occur when nouns/pronouns and verbs or verbs and ‘not’ are joined together. In this type of connected speech, some letters are left out. Using contractions is one way to make sure we can fit all the words we have to say between the strong stresses in our speech. Track 63 Listen and read the following examples: Full form Contracted form Example sentence You are You’re You’re the best dancer I’ve ever seen. We have We’ve After work, we’ve got a party to go to. Had not Hadn’t Hadn’t you better ring her with the news? When do I use contractions? Contractions are common in informal speech. They are not generally used in formal speaking or writing. They are almost never stressed except when they are used to contrast two things. Listen to the examples below. Track 64 Examples of stressed contractions: 1. We’re going out but you’re staying at home. 2. A: Can you do it? 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 B: No, I’m sorry, I can’t do it. 31 Why should I use contractions? Using contractions will improve your English rhythm and will make you sound friendlier. Native speakers rarely use the full forms in casual conversation. Activity 20: Track 65 Listen to how the following common contractions are pronounced. Practise saying them. If possible, record yourself and compare your recording to the original. Meaning Contraction Meaning Contraction I am I’m it would it’d I have I’ve we are we’re I will I’ll we have we’ve I had I’d we will we’ll I would I’d we had we’d you are you’re we would we’d you have you’ve they are they’re you will you’ll they have they’ve you had you’d they will they’ll you would you’d they had they’d he is he’s they would they’d he has he’s there is there’s he will he’ll there has there’s he had he’d there will there’ll he would he’d there had there’d she is she’s there would there’d she has she’s are not aren’t she will she’ll can not can’t she had she’d could not couldn’t she would she’d dare not daren’t it is it’s did not didn’t it has it’s does not doesn’t it had it’d do not don’t 32 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Meaning Contraction had not hadn’t has not hasn’t have not haven’t is not isn’t might not mightn’t must not mustn’t need not needn’t ought not oughtn’t shall not shan’t should not shouldn’t used not usen’t was not wasn’t were not weren’t will not won’t would not wouldn’t 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 33 Voice work – consonants What is a consonant? A consonant is any speech sound characterized by constriction or closure at one or more points in the breath channel, or a letter or symbol that represents a consonant. Have a look at the consonant chart in Section 1 again. Voiced and unvoiced consonants Consonants can be classified as either voiced or unvoiced in English. Let’s study the difference between these two different kinds of consonants. A voiced consonant is the sound that is made from the vibration of the vocal cords. The voiced consonants come from your voice-box. When you produce a voiced consonant sound you can feel your throat vibrating as the sound comes from your throat. In contrast, when you make a voiceless consonant sound your vocal cords are relaxed. Let’s look at some examples. Feel around the middle of your throat when you pronounce the voiced consonant (as in ‘zoo’). As you say the sound you should feel a buzz as your vocal cords vibrate. Now try the unvoiced consonant// (as in ‘sing’). This sound is produced without any vibration. The following table displays both voiced and unvoiced consonants. They are shown in paired groups. 34 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Voiced Consonants Unvoiced/Voiceless Consonants as in choose as inhats as in button as in people as in day as in time as in green as in kiss as in jail as in chair as in vital as in five as in those as in thought as in television as in wish Activity 21: Track 66 Listen to these sounds as they are said first by themselves and then in the example words. Practise these sounds in the pair groups shown above, by themselves and then in example words. Example: choose/hats If possible, record yourself and focus on the difference between the two sounds. Final consonant sounds It is important to say both voiced and unvoiced consonants at the ends of words. It is particularly important with some words because if you don’t pronounce the last consonant of the word, you actually say another word! Let’s listen to an example: 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 35 Track 67 Listen and repeat these words. rain ( range( If you don’t pronounce the last syllable of range, you are left with rain – which, of course, has a completely different meaning! If you have trouble with pronouncing final consonants, you may find it easier to put a word beginning with a vowel after it and imagine that the last consonant of the first word is the beginning of the second word. For example: couldn’t understand becomes couldn’ tunderstand Activity 22: Track 68 Listen, repeat and underline the word you hear. 1. car card 2. four fort 3. greed greet 4. hole hold 5. LAN* land 6. nine ninth 7. pass past 8. when went *Local Area Network Compare your answers with the Suggested Responses at the end of this section. 36 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Now practise the word pairs by yourself. If possible, record yourself and make sure you can hear the difference between the two words each time you pronounce them. Final ‘s’ word endings Another area which could cause difficulty with the pronunciation of final consonants is in the final ‘s’ word endings. We add an ‘s’ to the ends of words for two main reasons: 1 When we want to indicate more than one noun. Example: Job + ‘s’ = jobs 2 To make the third person ‘s’ for verbs. Example: I work, she works It is important to pronounce the final ‘s’ clearly in both situations. Activity 23: Track 69 Listen, repeat and underline the word you hear. The first one has been done for you as an example. 1. bank banks 2. telephone telephones 3. leave leaves 4. gift gifts 5. bottle bottles 6. swing swings 7. expect expects 8. collect collects Compare your answers with the Suggested Responses at the end of this section. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 37 Now practise the words pairs by yourself. If possible, record yourself and make sure you can hear the difference between the two words each time you pronounce them. You have now finished Section 3. Before you start the next section do the Check you progress to assess skills and knowledge you have learned in this section. 38 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Check your progress From working through Section 3, assess your abilities in the following areas. Yes No Not sure I know the importance of linking in natural English speech. I know the importance of rhythm in natural English speech. I can use some short rhymes to practise rhythm. I know about thought groups and pausing in English. I can recognise and produce some common contractions in English and know how they assist rhythm. I know how to pronounce voiced and unvoiced consonants in English. I know the importance of pronouncing final consonant sounds in English. If you ticked Not sure or No for any of the statements, find that part in this section and revise it. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 39 Summary In this section you have learnt about pronunciation by looking at larger chunks or parts of speech such as the sentence. You have learnt about several important areas for effective English pronunciation including the following: Linking Rhythm Thought groups Pausing Now you are ready to do Assignment 1. Go to the Assessment guide for instructions for this assignment. When you work in Section 4 and 5 you will need to listen to the tracks on CD 2. 40 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Suggested responses Activity 1 1 Did you have a good weekend? (6 words) 2 What did you do? (4 words) Activity 3 – Linking between vowel sounds Scene: At the Immigration counter at the Airport A: Are you Paul Jeffrey Thornton? B: Yes, I am. A: How long are you staying? B: I’ll stay a week or two. A: Why not any longer? [joking] B: It’s too expensive! 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 41 Activity 4 Potter about Do a bit of work Blowing a gale Very windy Getting into Starting something Missing out on Not getting something Activity 5 and 6 The Wind Chimes (Part 1) SUSAN 5 Example: Hi, I’m Susan. I’m from next door—number 29. OLIVER Oh right. SUSAN 1 4 How are you settling in? OLIVER 4 Oh yeah, good. The name’s Oliver, Oliver Stanton. How…How 2 4 do you do? SUSAN 4 42 4 4 6 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 How long is it since you’ve moved in now? OLIVER Well, it’s two weeks tomorrow. SUSAN 9 3 4 Oh! And you’re already getting into the garden? OLIVER 4 3 Well I like to potter about. Activity 7 The Wind Chimes (Part 2) The following are suggested answers. SUSAN 4 4 4 4 2 4 Look, I feel a bit, um, awkward about this — can I ask a favour? OLIVER 4 4 Sure you can. What is it? SUSAN 4 It’s just, um, these wind chimes. Um, you see, I sleep in the front 4 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 5 6 43 over there andit’s been blowing a gale these lasttwo nights. And room 4 4 4 the fact is, I haven’t been able to get any sleep. OLIVER 1 1 Oh I’m so sorry. I’d no idea. I find the sound very soothing myself. SUSAN 1 6 6 4 I don’t like the sound. Oh it’s not that, it’s not that 4 It’s just that they’re so close to my bedroom and … now, if they were 4 4 I’m cooking and that’d round the back, then I could hear them when be very nice. 44 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 OLIVER 3 4 4 on your sleep, Yeah, OK, fair enough. We can’t have you missing out 7 can we? Let’s get 4 them sorted out right now. SUSAN 6 Oh thanks so much. OLIVER 9 4 4 4 Would you like to come in for a beer or something? SUSAN 4 4 I’mina bitofarush andI’m supposed Oh, look I’d love to but 2 4 4 4 4 4 4 4 6 4 4 to be in town in about ten minutes. Some other time? OLIVER 4 9 Oh, of course, and it’s nice to meet you Sue. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 45 SUSAN 7 Oh, you too. And thanks—you know—about the wind chimes. Activity 10 Activity 11 Sentence 1: 3 beats Sentence 2: 3 beats Sentence 3: 3 beats Sentence 4: 4 beats Sentence 5: 5 beats Activity 13 1 go 2 living 3 play Activity 14 The rhyme is based on a four-beat rhythm. The strong beats have been underlined below. 46 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 BIRTHDAYS Monday’s child is fair of face, Tuesday’s child is full of grace, Wednesday’s child is full of woe, Thursday’s child has far to go, Friday’s child is loving and giving, Saturday’s child works hard for a living And the child that is born on the seventh day Is both healthy and happy and loves to play Activity 19 Good afternoon/OTEN/Peter speaking/How may I help you? Hello/I’d like to find out about the pronunciation course. Yes/we have another one starting in February/can I ask you/how did you find out about the course? Oh/there was an advertisement in a Korean magazine/I’m ringing for a family member actually. OK/I need to speak to the family member to see if they are suitable for the course/if they are/I’ll send an enrolment package. What kinds of things do you study? Well/the students practise pronunciation through conversation and special exercises/and the teacher helps them at the same time. That sounds very useful/Is it an evening course? No/it’s on Saturday mornings/It’s for speakers of Korean, Spanish, Indonesian and Cantonese What do you need for the course?/I mean do you have to buy anything? You need a dictionary/the course book/and a cassette player. OK/just a moment/and I’ll get my grandfather. Activity 22 1 Card 2 Fort 3 Greed 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 47 4 Hold 5 Land 6 Ninth 7 Pass 8 Went Activity 23 1 Banks 2 Telephone 3 Leaves 4 Gifts 5 Bottle 6 Swing 7 Expects 8 Collects 48 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 Glossary Beat The stroke of a musical instrument, hand etc marking time in a sound-based performance. Emphasis One syllable or word that stands out/is highlighted more than other syllables or words. Linking Connected speech; joining together of the ends and beginnings of words in spoken language. Pause A short break in speaking Pitch High or low tone level on words in spoken language. Rhyme (noun) A text type featuring ends of sentences that share the same final sound. Rhyme (verb) Words rhyme if they share the same final sound. Rhythm The regular repetition of particular elements of a language. Thought group A group of words that contains one thought or idea. 3001K: 3 Focus on pronunciation 2005/033/003/02/2006 P0031622 49