Noriega, Chon A., and Ana M. López. The Ethnic Eye: Latino Media Arts. Minneapolis,
Minn: University of Minnesota Press, 1996.
Contents:
Introduction / Chon A. Noriega and Ana M. Lopez -- Imagined borders: locating
Chicano cinema in America/America / Chon A. Noriega -- Moving from the margin to the center:
Puerto Rican cinema in New York / Lillian Jimenez -- Greater Cuba / Ana M. Lopez -- Drama queens: Latino gay and lesbian independent film/video / Frances Negron-Muntaner -- Crossing invisible borders: Ramon Menendez's Stand and Deliver (1987) / Ilene S. Goldman --
Reterritorializaiton in recent Chicano cinema: Edward James Olmos's American Me (1992) /
Kathleen Newman.
Ethnic ingenuity and mainstream cinema: Robert Rodriguez's Bedhead (1990) and El Mariachi
(1993) / Charles Ramirez Berg -- Flaming Latinas: Ela Troyano's Carmelita Tropicana: Your
Kunst is Your Waffen (1993) / Jose Esteban Munoz -- Docudrag, or "realness" as a documentary strategy: Felix Rodriguez's One Moment in Time (1992) / Marcos Becquer and Alisa Lebow --
From exile to ethnicity: Nestor Almendros and Orlando Jimenez-Leal's Improper Conduct (1984) /
Marvin D'Lugo -- Media destructionism: the digital/laser/videos of Raphael Montanez Ortiz / Scott
MacDonald.
Collaborative public art and multimedia installation: David Avalos, Louis Hock, and Elizabeth
Sisco's Welcome to America's Finest Tourist Plantation (1988) / C. Ondine Chavoya -- Mass media, site specificity, and the U.S.-Mexico border: Guillermo Gomez-Pena's Border Brujo
(1988,1990) / Claire F. Fox -- Forbidden kiss: Raul Ferrera-Balanquet and Enrique Novelo-
Cascante's Merida Proscrita (1990) / Christopher Ortiz -- (Re)constructing Chicana, Mestiza representation: Frances Salome Espana's Spitfire (1991) / Carmen Huaco-Nuzum
Miller, Randall M. The Kaleidoscopic Lens: How Hollywood Views Ethnic Groups.
Englewood, N.J.: Ozer, 1980.
Contents: The dark spot in the kaleidoscope: Black images in American film / Thomas Cripps --
The entertaining anachronism: Indians in American film / Gretchen Bataille and Charles L.P. Silet
-- Bandits and lovers: Hispanic images in American film / Allen L. Woll -- The fate of la famiglia:
Italian images in America film / Daniel Sembroff Golden -- Hollywood and Hibernia: the Irish in the movies / Dennis Clark and William J. Lynch -- Between two worlds: Jewish images in American film / Patricia Erens -- Stellaaaaaa......!!!!!!!!!!: the Slavic stereotype in America film / Caroline
Golab -- Deutschland, USA: German images in American film / Daniel J. Leab -- The yellow menace: Asian images in American film / Richard A. Oehling.
Bender, Steven. Greasers and Gringos: Latinos, Law, and the American Imagination.
Critical America. New York: New York University Press, 2003.
Contents:
The confluence of stereotype and law -- Latinas/os in the American imagination --
Centering Latina/o stereotypes in those of other groups -- Greasers and gangsters : Latinas/os and crime -- Mañana (is soon enough for me) : fertility and welfare -- In the U.S.A. it's English or adiós amigo : Latina/o assimilation -- One of the smart ones : Latina/o (un)intelligence -- No
Mexicans or dogs allowed: subhumanity -- Gringos in the Latina/o imagination -- Latinas/os in the mirror : intra/inter-ethnic glimpses -- Eradicating stereotypes : community-based strategies of media counterspeech and protest -- Mi familia as counterspeech -- Eradicating stereotypes : the collision of legal strategies with the First Amendment -- Beyond stereotype : movement toward social change.
Turner, Graeme. Film As Social Practice. Studies in communication. London: Routledge,
1988.
Contents:
The feature film industry -- From seventh art to social practice : a history of film studies -- Film languages -- Film narrative -- Film audiences -- Film, culture, and ideology --
Applications.