Title Sequences - Submarine Channel

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Forget The Film, Watch The Titles!
Online platform SubmarineChannel.com creates a website dedicated
exclusively to the art of title sequence design.
www.submarinechannel.com/titlesequences
Both Hollywood and independent studios are spending valuable time and
resources to create the most appropriate title sequences for their films.
Sometimes the title sequence is the best part of the film, hence the title
‘Forget the Film, Watch the Titles!’.
The dedicated website is home to a growing collection of the best film title
sequences and interviews with the designers. The project is updated on a
biweekly basis and now features 45+ titles from acclaimed designers such as
Karin Fong (Imaginary Forces), Paul Donnellon (VooDooDog), Laurent Brett,
Nic Benns (Momoco) and Danny Yount (Prologue). But there are also a
number of less well-known, yet very special title sequences here. What’s
unique about this project are the many comments from the title designers
themselves, making this project an invaluable resource.
At the moment, the website features mostly contemporary title sequences. But
the goal of the creators of the project is to become the online resource for title
sequence design, featuring the very best title sequences of the past as well as
the present.
‘Forget the Film, Watch the Titles!’ is a project of the online platform
SubmarineChannel.com
Submarinechannel.com is a distribution and a production platform for crossmedia productions such as short digital films, innovative online games,
interactive animations, web documentaries, online graphic novels and other
new formats.
Unlike most channels out there today, SubmarineChannel.com offers a mix of
magazine and content delivery. By profiling artists and reporting on digital
culture, SubmarineChannel.com puts works into perspective rather than just
streaming as many videos as possible.
Forget the Film, Watch the Titles!
http://www.submarinechannel.com/titlesequences
info@submarinechannel.com
Produced by Femke Wolting & Bruno Felix
Curator/editor: Remco Vlaanderen
Interface design: Madelinde Hageman
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