NATIONAL THEATRE: APRIL – AUGUST 2013 Rufus Norris directs James Baldwin’s THE AMEN CORNER, with a cast led by Marianne Jean-Baptiste and Sharon D Clarke, in the Travelex £12 Tickets season Anne-Marie Duff returns to the National in STRANGE INTERLUDE by Eugene O’Neill, directed by Simon Godwin Richard Eyre directs LIOLÀ by Luigi Pirandello, in a new version by Tanya Ronder Booking opens for EMIL AND THE DETECTIVES by Erich Kästner, in a new version by Carl Miller, directed by Bijan Sheibani THE HUSH by Matthew Herbert and Ben Power; Nadia Fall’s HOME; and Rory Mullarkey’s THE GRANDFATHERS open in The Shed A new version of ROMEO AND JULIET for younger audiences by Ben Power is directed by Bijan Sheibani National Theatre CONNECTIONS premieres ten new plays for young people NATIONAL THEATRE LIVE presents This House from the Olivier and The Audience from the Gielgud Theatre Sam Holcroft is appointed Writer in Residence; Propstore, the riverfront cafébar, returns for the summer; Platforms, Exhibitions and Learning STRANGE INTERLUDE Lyttelton Theatre Previews from 28 May, press night 4 June, continuing in repertoire until August (dates in late August will be announced with the new booking period in June) STRANGE INTERLUDE by Eugene O’Neill will be directed by Simon Godwin, opening in the Lyttelton Theatre on 4 June. Anne-Marie Duff returns to the National, where she last played the title role in Saint Joan; the cast will also include Geraldine Alexander, Patrick Drury, Charles Edwards, Darren Pettie, Wilf Scolding and Jason Watkins. The production will be designed by Soutra Gilmour, with lighting by Guy Hoare, music by Michael Bruce and sound by Christopher Shutt. 1 Following a family from the aftermath of World War One until the late 1940s, Eugene O’Neill’s audacious epic is one of the great masterpieces of American theatre. Shattered when the love of her life is killed in the war and haunted by their unconsummated passion, Nina escapes her jealous Ivy League father and embarks on a series of tawdry sexual escapades until, cajoled by her appalled, long-suffering suitor Charles, she marries the amiable young Sam. But while pregnant, Nina learns a horrifying secret that precipitates a desperate, life-changing decision and propels her fatally into the arms of another. For her role as Saint Joan, Anne-Marie Duff won Best Actress at the Evening Standard and Critics’ Circle Theatre Awards 2008 and was nominated for an Olivier; the production was named Best Theatre Production at the South Bank Awards. Her recent theatre work has included Cause Célèbre (Old Vic) and the title role in Berenice (Donmar Warehouse). Her extensive award-winning screen work includes Shameless, Parade’s End, The Accused – Mo’s Story, Margot and The History of Mr Polly. Charles Edwards (who plays Charles) is currently appearing in James Graham’s This House as Jack Weatherill, for which he was nominated for the 2012 Olivier Best Actor Award jointly with his role as Bertie in The King’s Speech (West End). His television work includes Downton Abbey; theatre includes Much Ado About Nothing (Shakespeare’s Globe) and The 39 Steps (West End and Broadway). Simon Godwin makes his NT directorial debut; he is currently an Associate Director of Bristol Old Vic and the Royal Court, where his productions include Lucy Kirkwood’s NSFW, Vivienne Franzmann’s The Witness, Luke Norris’ Goodbye to All That, Anya Reiss’ The Acid Test, and Nick Payne’s Wanderlust. His work for Bristol includes Krapp’s Last Tape/A Kind Of Alaska, The Faith Healer and Far Away; and elsewhere, The Winter’s Tale (Headlong with Nuffield Theatre and Schtanhaus/UK tour). He received the Emerging Director Award at the 2012 Evening Standard Awards. Press night: Tuesday 4 June at 6.30pm Contact: Mary Parker on 020 7452 3234 mparker@nationaltheatre.org.uk 2 THE AMEN CORNER Travelex £12 Tickets, Olivier Theatre Previews from 4 June, press night 11 June, playing in repertoire until 14 August Rufus Norris directs James Baldwin’s THE AMEN CORNER, opening in the Olivier on 11 June. The cast includes Eric Kofi Abrefa, Marianne Jean-Baptiste, Sharon D Clarke and Lucian Msamati. The production will have set designs by Ian MacNeil, costumes by Joan Wadge, lighting by Paul Anderson, music arranged and supervised by The Rev Bazil Meade, movement by Javier De Frutos and sound by Simon Baker. As the gospel singing soars, Sister Margaret, uncompromising pastor of her Harlem church, has a congregation already in revolt against her hardline leadership. Their resentment escalates with the return of her absentee husband, a trombone-playing sinner, and the wayward conduct of her formerly paragon, musical son. Charges of hypocrisy hang in the air and Margaret’s devout world looks perilously close to falling apart. Beautifully expressed through the rousing beat of the gospel choir, the community’s sense of love, grief and spiritual survival will be given full voice in the National’s production of James Baldwin’s 1965 play. Marianne Jean-Baptiste returns to work in the UK for the first time since Mike Leigh’s 1996 film Secrets & Lies, for which she received an Academy Award nomination for Best Supporting Actress. She appeared in the long-running American television series Without a Trace and most recently in Takers, Secrets in the Walls and Harry’s Law. Sharon D Clarke was last seen at the NT in Guys and Dolls; her many lead roles in West End musicals include We Will Rock You, Hairspray, Chicago and Ghost the Musical. TV includes several series of Holby City. Rufus Norris is an Associate Director at the NT. His recent productions include London Road and Death and the King’s Horseman at the NT, Cabaret in the West End, Feast at the Young Vic, Dr Dee at the Manchester Festival and ENO, and Les Liaisons Dangereuses on Broadway; his production of Table by Tanya Ronder will open in The Shed in April. His debut feature film, Broken, won Best Film at the British Independent Film Awards. 3 Almost half the seats in the Olivier will be Travelex £12 Tickets, with the rest at £24 and £34. Media partner: The Independent. Press night: Tuesday 11 June. Contact: Martin Shippen on 020 7452 3233; mshippen@nationaltheatre.org.uk LIOLÀ Travelex £12 Tickets, Lyttelton Theatre Previews from 31 July, press night 7 August, continuing in repertoire until autumn (dates beyond August will be announced with the new booking period in June) Former NT Director Richard Eyre returns to direct LIOLÀ by Luigi Pirandello, in a new version by Tanya Ronder: a Travelex £12 Tickets production, opening in the Lyttelton Theatre on 7 August. The cast includes Lisa Dwyer Hogg, James Hayes, Rory Keenan, Carla Langley, Niamh McGowan, Roxanna Nic Liam and Jessica Regan. The production will be designed by Anthony Ward, with lighting by Neil Austin, music by Orlando Gough, choreography by Scarlett Mackmin and sound by Rich Walsh. This high-spirited drama by Pirandello defies expectations. It is not the intellectual whirlwind of his Six Characters in Search of an Author but takes us instead to the heart of a rural community where property and kinship provoke fierce passions. Liolà, a young man untroubled by tradition, takes the part of nature all the way. Written in Sicilian dialect, LIOLÀ is rarely played in the English language. Tanya Ronder’s new version is performed by an Irish cast and gypsy musicians. Tanya Ronder’s play Table will open at the National’s temporary venue, The Shed, in April; her work includes adaptations of Lorca’s Blood Wedding for the Almeida Theatre, DBC Pierre’s Vernon God Little (nominated for an Olivier Award for Best New Play) and Lope de Vega’s Peribanez for the Young Vic; Peter Pan in Kensington Gardens and the O2; and Ionesco’s Macbett for the RSC. Rory Keenan, who plays the title role, has recently appeared in The Kitchen and Damned by Despair at the National and Philadelphia Here I Come and Dublin Carol at the Donmar Warehouse; and on television in Birdsong and Law and Order. Richard Eyre was Director of the National Theatre from 1988 – 1997. His more recent productions include Welcome to Thebes, The Observer and The Reporter for the National, The Dark Earth and the Light Sky (Almeida), Quartermaine’s Terms (West End), Mary Poppins and Private Lives (West End and Broadway); and 4 Henry IV Parts I and II for the BBC’s series The Hollow Crown. His films include Iris, Stage Beauty and Notes on a Scandal. 400 seats for every performance will be Travelex £12 Tickets, with the rest at £24 and £34. Media partner: The Independent. Press night: Wednesday 7 August Contact: Mary Parker on 020 7452 3234 mparker@nationaltheatre.org.uk EMIL AND THE DETECTIVES Olivier Theatre Performances from November. Suitable for everyone aged 7 and over. Booking is opening early for some November and December performances of EMIL AND THE DETECTIVES by Erich Kästner, adapted by Carl Miller, in the Olivier Theatre. The production will be directed by Bijan Sheibani and designed by Bunny Christie, with lighting design by Lucy Carter, movement direction by Aline David and sound design by Ian Dickinson. Join young Emil as he says goodbye to his mother, leaves his small town and sets off on a journey that will change his life. When his money is stolen on the train by a mysterious stranger, Emil thinks he’s lost everything. But as he starts tracking down the thief, he soon discovers that he’s not alone in the big city after all. For this classic tale of a boy learning to rely on himself – and on his new friends – the Olivier stage transforms into 1920s Berlin: a place full of surprises and danger, where everything moves at the speed of your imagination. Carl Miller was the Artistic Director of the Young People's programme at the Royal Court Theatre from 1997 to 1999, and since 2002, has been the Literary Manager of the Unicorn Theatre. His plays and adaptations include White Suit, Ostrich Boys, The Three Musketeers and The London Eye Mystery. Bijan Sheibani is an Associate Director at the NT, where his credits include The Kitchen, Our Class and the US touring production of War Horse. The press night is likely to be Tuesday 3 or Wednesday 4 December, to be confirmed in the next booking period. Contact: Martin Shippen on 020 7452 3233; mshippen@nationaltheatre.org.uk 5 THE SHED The Shed is a temporary venue in front of the NT from April 2013 – February 2014, providing a third stage during the Cottesloe's closure for the NT Future redevelopment. It has 225 seats at £12 and £20. THE GRANDFATHERS 9 – 13 July A Bristol Old Vic Young Company production, The Grandfathers by Rory Mullarkey was first seen in NT Connections 2012. Fifty years ago, National Service ended in the UK, but elsewhere in the world teenagers are still regularly conscripted into the armed forces. The Grandfathers follows eight boys from training camp to the battlefields of an unknown war. Rory Mullarkey’s plays include Cannibals (Royal Exchange), The Threshing Floor (Hampstead) and Remembrance Day, translated from the original play by Aleksejs ŠÄ¨erbaks (Royal Court). Contact: Laura Horton on 020 7452 3231; lhorton@nationaltheatre.org.uk THE HUSH 17 July – 3 August; press night 22 July Created by Matthew Herbert and Ben Power, with original music and sound scores by Matthew Herbert, THE HUSH is a unique aural adventure commissioned especially for The Shed. A creak, a shuffle, a footstep. A whisper, a breath, a memory. Investigating the emotions and politics of sound with wit and theatrical imagination, The Hush promises that the truth is out there, if only we listen hard enough… Matthew Herbert is a composer, DJ and electronic musician who uses everyday items to create electronic music. Previous work includes albums Herbert Complete, One Pig, Around The House and Scale as well as producing for artists such as Björk, REM and Serge Gainsbourg. He runs music label Accidental Records. Ben Power is an Associate Director of the National Theatre, where his dramaturgy includes The Effect, This House, Timon of Athens, The Doctor’s Dilemma, Antigone, Double Feature and Earthquakes in London, and an adaptation of Ibsen’s Emperor and Galilean. His new version of Romeo and Juliet for young audiences premieres at The Shed in July. 6 HOME 7 August – 7 September; press night 9 August Created and directed by Nadia Fall, with a team of musicians and actors including Michaela Coel, Kadiff Kirwan, Grace Savage, Shakka and Toby Wharton, HOME will be designed by Ruth Sutcliffe, with choreography by Jack Murphy, music by Tom Green and Shakka Philip, and sound by Mike Walker. Documentary theatre meets beatboxing, R&B and exhilarating choreography to tell the stories of the Londoners who don’t get heard. Verbatim material gathered through interviews combines with original and existing music to give voice to the dispossessed: all coming from a different place, all sharing a need for HOME. Nadia Fall’s work as a director at the National Theatre includes Hymn and The Doctor's Dilemma. She is Artistic Director of Naach Theatre Company, where her productions include The Maids (Lyric, Hammersmith and Mac Birmingham); Miss Julie (Oval House); and a site-specific production of Wild Turkey in Old Street. Contact: Susie Newbery on 020 7452 3061; snewbery@nationaltheatre.org.uk ROMEO AND JULIET in a version for young audiences (suitable for families with children aged 8 years and over) 24 July – 18 August Shakespeare’ s ROMEO AND JULIET, in a version for young audiences by Ben Power, directed by Bijan Sheibani, will tour London schools in the summer term supported by an extensive education programme and visit Derry-Londonderry for the UK City of Culture 2013 celebrations, before coming to The Shed from 24 July – 2 August. The cast includes Esh Alladi, Ashley Chin, Natalie Drew, Tendayi Jembere, Bunmi Mojekwu and Archana Ramaswamy. It will be designed by Becs Andrews, with choreography by Aline David, music by Soumik Datta, sound by Mike Winship and lighting by Paul Knott. A modern city. A deadly feud. And a pair of star-crossed lovers. Set against a vibrant urban backdrop, bursting full of excitement, colour, dancing and live song, a company of eight recreate the most famous love story of all time. A swift, contemporary celebration of Shakespeare’s much loved drama which brings Romeo and Juliet to life for a new generation. Ben Power and Bijan Sheibani are Associate Directors of the National Theatre; Bijan 7 Sheibani’s production of the classic children’s adventure story Emil and the Detectives will play in the Olivier Theatre from November. Romeo and Juliet is supported by: The Ingram Trust, The Archie Sherman, Charitable Trust, Behrens Foundation, Ernest Cook Trust, Mohamed S. Farsi Foundation Goldsmiths’ Company Charity, Worshipful Company of Grocers, Jill and David Leuw, Royal Victoria Hall Foundation, The Topinambour Trust. The Shed Partner is Neptune Investment Management. Contact: Philippa Crossman on 020 7452 3236; pcrossman@nationaltheatre.org.uk CONNECTIONS Olivier Theatre and The Shed 3 – 8 July Each year the National Theatre commissions ten writers to create new plays for performance by schools and young theatres all over the country. This year the writers are Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson and Anya Reiss. Over the past months these plays have premiered across the UK by 222 companies in 23 leading regional theatres. Ten companies will be selected to bring their productions to the National Theatre in July. Contact: Laura Horton on 020 7452 3231; lhorton@nationaltheatre.org.uk NEW VIEWS The Shed New Views is the National Theatre’s playwriting programme for 15-19 year olds, encouraging them to use theatre as a means of examining contemporary society. Hundreds of students from across the world have worked with some of the UK’s finest writers and submitted their own 30minute plays into competition, with the winner having their work staged by the NT with a professional cast. The winning play will be announced on 3 June. Performances: The Shed, 11 – 12 July at 6pm; Houses of Parliament, 15 July. Nine other shortlisted plays will have professional readings in the NT Foyers on 8 – 12 and 16 – 19 July at 12.45pm. Schools and colleges wishing to take part in the New Views 2013/14 programme can sign up now at new-views.tv/competition Contact: Philippa Crossman on 020 7452 3236; pcrossman@nationaltheatre.org.uk BEYOND THE SOUTH BANK PEOPLE on tour Siân Phillips joins original cast member Selina Cadell in Alan Bennett’s PEOPLE on tour this autumn, following a sell-out run in the Lyttelton and a record-breaking National Theatre Live broadcast. Nicholas Hytner’s production visits: Birmingham Rep Theatre (3 – 21 September), Curve, Leicester (24 – 28 September), Theatre Royal, Norwich (1 – 5 October), The Lowry, Salford (15 – 19 October), Marlowe Theatre, Canterbury (22 – 26 October), Milton Keynes Theatre (29 October – 2 November), Grand Theatre, Leeds (5 – 9 November) and Theatre Royal, Plymouth (12 – 16 November). Contact: Laura Horton on 020 7452 3231; lhorton@nationaltheatre.org.uk 8 NATIONAL THEATRE LIVE The next National Theatre Live broadcasts to cinemas worldwide will be James Graham’s sell-out play THIS HOUSE from the Olivier Theatre on 16 May; and, in a third partnership with another British theatre production, Peter Morgan’s new play THE AUDIENCE, with Helen Mirren as The Queen, broadcast live from the West End’s Gielgud Theatre on 13 June. OTHELLO will be broadcast on 26 September. International dates for the screenings vary. National Theatre Live is supported by Aviva. For venue information and booking details, please visit www.ntlive.com Contact: Mary Parker on mparker@nationaltheatre.org.uk CURIOUS INCIDENT… relaxed performance There will be a relaxed performance of The Curious Incident of the Dog in the NightTime at the Apollo Theatre, Shaftesbury Avenue on 22 June at 2.30pm. Tickets go on sale on 8 April. Relaxed performances are aimed at anyone who would benefit from a more relaxed performance environment including people with an Autistic Spectrum Condition, sensory or communication disorders, or a learning disability. Contact: Nada Zakula on nzakula@nationaltheatre.org.uk SAM HOLCROFT APPOINTED WRITER IN RESIDENCE The playwright Sam Holcroft will succeed Ryan Craig as Writer in Residence at the National Theatre from April 2013 for one year. Her play Edgar and Annabel was produced as part of ‘Double Feature’ at the NT’s Paintframe in 2011. The post of Writer in Residence is based at the NT Studio, where Sam Holcroft will focus on her own work as well as offering support to other creative artists and theatre-makers developing work there, and also bring a writer’s perspective to the creative planning of the National Theatre. In 2009-10 Sam Holcroft was the Pearson Playwright in Residence at the Traverse Theatre and in 2009 she won the Tom Erhardt Award for up-and-coming writers. Her theatre plays include Edgar and Annabel for the NT; Dancing Bears, part of the Charged season for Clean Break at Soho Theatre and Latitude Festival; While You Lie at the Traverse Theatre; Pink, part of the Women, Power and Politics Season at the Tricycle Theatre; Vanya, adapted from Chekhov, at The Gate; and Cockroach, co-produced by National Theatre of Scotland and the Traverse Theatre (nominated for Best New Play 2008 by the Critics’ Awards for Theatre in Scotland and shortlisted for the John Whiting Award 2009). NATIONAL THEATRE FUTURE update Fundraising for the NT Future redevelopment project has now passed £65m, following the launch of an audience appeal and a £2.5m grant from the Heritage Lottery Foundation. The first phase of construction work – a new production centre, the refurbishment of the Cottesloe (which closed in February and will re-open in spring 2014 as the Dorfman Theatre), and the creation of the Clore Learning Centre – has begun. The project is scheduled for completion at the end of 2014; the National Theatre will remain open throughout the redevelopment. A Platform on 22 April at 6pm offers the chance to learn about the redevelopment plans first-hand from the project’s leaders (see page 10). Contact: Lucinda Morrison on 020 7452 3232; lmorrison@nationaltheatre.org.uk 9 PRODUCTION AND CASTING UPDATES The full cast for Howard Davies’ production CHILDREN OF THE SUN by Maxim Gorky, in a new version by Andrew Upton, opening in the Olivier Theatre on 16 April as part of the Travelex £12 Tickets season, is: Lucy Black, Steven Blake, Matthew Flynn, Florence Hall, Jonathan Harden, Lucas Hare, Matthew Hickey, Paul Hickey, Paul Higgins, Gerald Kyd, Gemma Lawrence, Emma Lowndes, Maggie McCarthy, Justine Mitchell, Gerard Monaco, Anna O’Grady, Rhiannon Oliver, Geoffrey Streatfeild, Stephen Wilson and Karren Winchester. Nicholas Hytner directs Shakespeare’s OTHELLO, opening in the Olivier Theatre on 23 April. Adrian Lester plays the title role, with Rory Kinnear as Iago; the full cast is: Jonathan Bailey (Cassio),Sandy Batchelor, Adam Berry, David Carr, William Chubb, Robert Demeger, Jonathan Dryden Taylor, Gabriel Fleary, Rokhsaneh GhawamShahidi, Scott Karim, Rory Kinnear (Iago), David Kirkbride, Adrian Lester (Othello), Lyndsey Marshal (Emilia), Tom Radford, Tom Robertson, Nick Sampson, Chook Sibtain, Rebecca Tanwen, Olivia Vinall (Desdemona)and Joseph Wilkins. PLATFORMS An eclectic programme of talks, discussions and interviews, offering the chance to learn more about the National’s work and the arts in general. 6pm (45 mins), £4/£3 unless stated; BS = Platform followed by booksigning Maxim Gorky: ‘Bitter’ Realist? Thu 18 April, Lyttelton Cynthia Marsh looks at Gorky’s theatre work, including Children of the Sun, chiefly written during his brief imprisonment for revolutionary activity in 1905. Chaired by Dan Rebellato. NT Future Mon 22 April, Lyttelton A chance to learn about the National’s £70m redevelopment plans first-hand from the project’s leaders: Nick Starr (NT Executive Director), Lisa Burger (NT Chief Operating Officer) and Paddy Dillon (Associate Director, Haworth Tompkins). Chaired by Paul Gambaccini. Free, booking essential. Nicholas Hytner on Othello Thu 25 April, 5.45pm, Olivier The director discusses his new production of Othello. Peter Brook Mon 29 April, Lyttelton BS Peter Brook talks to Mark Lawson about his new book, The Quality of Mercy, a collection of essays reflecting his lifelong interest in interpreting Shakespeare’s works for contemporary audiences. Neil MacGregor Thu 2 May, 5.45pm, Olivier BS In Shakespeare’s Restless World, the Director of the British Museum explores 20 objects – from the Salcombe treasure of Moroccan gold coins to the battered trunk of a probably fake pedlar – and weaves their histories into the words of the plays, to suggest where Shakespeare’s ideas about religion, national identity, the history of England and the world may have originated. Chaired by Kate Mosse. Alan Bennett and Nicholas Hytner on People Thu 9 May, Lyttelton The writer and the director discuss their latest collaboration, People. Sold out; day seats and returns only. 10 Gorky: Social Realist Mon 10 June, Lyttelton, BS Orlando Figes looks at Gorky’s political life and his relationship with Lenin and Stalin. Rufus Norris on The Amen Corner Thu 13 June, Olivier The director talks about his production of Baldwin’s play. Re: Baldwin Tue 18 June, Olivier Bonnie Greer and Daniel Matlin discuss the work of the novelist, essayist, playwright and poet James Baldwin, his involvement in the Civil Rights movement, and his role in African-American culture and identity. Simon Godwin on Strange Interlude Mon 24 June, 5.30pm, Lyttelton The director talks about his production of O’Neill’s play. Re: O’Neill Thu 4 July, 5.30pm, Lyttelton Christopher Bigsby looks at Eugene O’Neill’s influences and his legacy, and how his play, Strange Interlude, fits in to the canon of 20th-century American drama. Othello on Screen Fri 5 July, 5.45pm, Olivier Daniel Rosenthal uses film clips to explore screen Othellos, from Olivier with the original text, to the Moor reinvented as US high-school basketball star. Connections Writers’ Forum Mon 8 July, Lyttelton Acclaimed playwrights Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson and Anya Reiss discuss their new plays for young actors. Re: Othello Tue 23 July, 5.45pm, Olivier BS Laurie Maguire examines the textual history of the play, its women’s roles, and how critics and directors have responded to its explorations of racial prejudice and sexual jealousy. Children of the Sun In Context Thu 18 April, 2 – 5pm John Lyon Education Studio, £20/£15 (inc. Platform ticket) An in-depth exploration of Gorky productions at the National, followed by the Cynthia Marsh Platform in the Lyttelton. Suffragettes on Stage Tue 25 June, 2.30pm (90mins) Lyttelton, £6/£5 BS The Actresses’ Franchise League was founded in 1908 as ‘a bond of union between all women in the Theatrical profession who are in sympathy with the Woman’s Franchise Movement’. With discussion, and extracts from Edwardian Suffrage plays, this is a chance to learn about the role of theatre in the fight for Votes for Women. Guests include Samantha Bond, Janie Dee, Maggie Gale and Naomi Paxton. In Conversation with... 3pm (1hr), £5/£4 The regular series of interviews with members of the NT company, chaired by Al Senter. Adrian Lester Mon 24 June, Olivier Anne-Marie Duff Thu 4 July, Lyttelton Sharon D Clarke and Marianne Jean-Baptiste Fri 26 July, Olivier Rory Kinnear and Lyndsey Marshal Thu 1 August, Olivier Walk in the Light A week of events, led by actor Giles Terera, honouring the rich contribution that black artists have made to British theatre over the past 50 years. In the afternoon events, 11 actors recall their favourite memories that form part of this extraordinary story. In the evenings, theatre-makers talk about their experiences of the period. Part 1: In the Wings... 1960 – 1980 Mon 15 July, 3pm & 5.45pm, Olivier The 60s brought alternative and groundbreaking voices; the 70s saw flourishing theatre writing by Matura and Soyinka, and an Arts Council subsidy for Temba Theatre. Part 2: Onto the Stage... 1980 – 2000 Thu 18 July, 3pm & 6pm, Olivier The 80s saw the NT’s all-black Measure for Measure and the formation of Talawa; the colour-blind/conscious casting debate heated up in the 90s; and the RSC cast its first black Shakespearean king in 2000. Part 3: Into the Spotlight... 2000 – 2013 Fri 19 July, 3pm & 6pm, Olivier The 21st century saw prominent playwrights emerging, a black Hamlet from Paris, a panto dame at Hackney, and a Trigorin at the Court; but many actors were lured to Hollywood. Part 4: Centre Stage... a Celebration Sun 21 July, 1pm (90 mins), Lyttelton, £10/£8 A unique performance capturing the 50-year journey of black theatre, through the words, music and people at the heart of this story. Contact: Laura Horton on 020 7452 3231; lhorton@nationaltheatre.org.uk FREE EXHIBITIONS www.nationaltheatre.org.uk/exhibitions Lifework: Norman Parkinson’s Century of Style Lyttelton Exhibition Space, 1 March – 12 May 2013 marks the centenary of Norman Parkinson’s birth. This exhibition celebrates the work of the man regarded as the father of modern fashion photography. In association with Corbis, the National Theatre’s Photographic Images Partner. Vanishing Acts Olivier Exhibition Space, 1 April – 12 May Textile artist Lalla Ward returns to the NT with her latest works, this time inspired by the natural world’s almost magical ability with camouflage. High-rise Lyttelton Exhibition Space, 3 – 30 June Using film and stills, Peter Bobby’s work explores the relationship between the newly burgeoning high-rise developments and the city below. Developed in partnership with Ffotogallery, Cardiff; The Architecture Centre, Bristol and eCPR (European Centre for Photographic Research) with support from The Arts Council. The Press Photographer’s Year Lyttelton Exhibition Space, 6 July – 31 August With a thought-provoking collection of images from 2011 and 2012, The Press Photographer’s Year returns to the NT for a seventh year. It is held in association with The British Press Photographers’ Association and supported by Diageo. Contact: Laura Horton on 020 7452 3231; lhorton@nationaltheatre.org.uk PROPSTORE 3 May – 28 September The National Theatre’s unique pop-up riverfront café-bar Propstore returns this summer for a second year, featuring a brand new collection of props and scenery from recent National Theatre productions. It will be open seven days a week throughout the summer from 3 May – 28 September from 12 noon daily, serving a 12 selection of delicious street-food, English wines, Meantime Brewery Fresh Beer and Sipsmith spirits. There will be DJs and live music playing at the weekend until 2am. The new incarnation of Propstore will include House of Commons scenery and benches from This House, the cityscape backdrop and spiral staircase from The Captain of Kopenick and the Victorian fireplace and mirror featured in The Magistrate. Scattered around the bar will be a variety of props and costumes including Luke Treadaway’s original train set from The Curious Incident of the Dog in the Night-time and Cillian Murphy’s tape deck from Misterman. Opening hours: Monday – Thursday 12 noon – 11pm, Friday, Saturday 12 noon – 2am, Sunday 12 noon – 6pm. Propstore returns in partnership with American Express. Contact Philippa Crossman on 020 7452 3236, pcrossman@nationaltheatre.org.uk LEARNING Discover theatre-making at the National with inspiring projects, events and resources for all ages. nationaltheatre.org.uk/learning For Secondary Schools and Colleges nationaltheatre.org.uk/secondary Othello Sixth Form Conference 4 July, 10am-4pm, Olivier Five masterclasses on interpreting and staging the play. With Nicholas Hytner, members of the company and Professor Tiffany Stern. £7.50 / 020 7452 3010 Introducing the Play (KS3&4) and Page-to-Stage (KS4&5) Workshops Exploring Othello’s narrative, characters, structure and form. £150/£200 Dates on request. Student Workshops and preshow Q&A available for every production. KS3+. £150/£200. For Teachers Active Shakespeare – CPD for English teachers NT Studio, Fri 24-Sat 25 May £225 nationaltheatre.org.uk/teachers Teacher Previews £5 (includes a programme and pre-show drink) For Adults Theatreworks Designed by leading theatre and training professionals, Theatreworks courses provide businesses with experiential workshops that will develop and improve communication, rapport building and presentation skills nationaltheatre.org.uk/ theatreworks Income from Theatreworks supports NT Learning projects Adult Learners Week A series of lectures, demonstrations and practical workshops 18 – 24 May. nationaltheatre.org.uk/learning Digital Classroom Online Videos Short films about productions and backstage skills. nationaltheatre.org.uk/video YouTube Videos about making theatre that are embeddable in VLEs including Fronter. youtube/ntdiscovertheatre 13 iTunes U for students Free videos, podcasts, interviews and background packs. nationaltheatre.org.uk/itunesu Interactive whiteboard resources Designed by teachers for teachers. nationaltheatre.org.uk/iwr NEW Greek Theatre Resources Find films about Greek theatre, Greek tragedy and Antigone in this new collection. nationaltheatre.org.uk/greektheatre Contact: Lucinda Morrison on 020 7452 3232; lmorrison@nationaltheatre.org.uk ENDS 2 April 2013 Public Information: Public booking for The Amen Corner, Strange Interlude, Liolá and Emil and the Detectives opens on 19 April; public booking for new productions in The Shed opens on 17 May. Book tickets online at nationaltheatre.org.uk Box Office: 020 7452 3000, open 9.30am – 8pm Information: 020 7452 3400 THE NATIONAL’S SPONSORS The National Theatre would appreciate an acknowledgement in the body of the text and/or as a separate footnote following editorial copy. Travelex £12 Tickets sponsored by Media partner of Travelex £12 Tickets The National Theatre’s airline partner is American Airlines The National Theatre is working in partnership with American Express Innovation at the National Theatre is sponsored by Accenture National Theatre Live is sponsored by Aviva National Theatre Learning is supported by Goldman Sachs The National Theatre’s partner for contemporary clothing is Hugo Boss The National Theatre is a J.P.Morgan Signature Series partner The Shed Partner is Neptune Investment Management Philips and the National Theatre are working in partnership to reduce energy consumption. The National Theatre’s photographic images partner is Corbis The National Theatre wishes to acknowledge its partner National Angels Limited The National Theatre is supported using public funding by Arts Council England. 14 THE NATIONAL’S REPERTOIRE as of 2 April 2013 NATIONAL THEATRE PRESS OFFICE Tel: 020 7452 3235 Fax: 020 7452 3230 Email press@nationaltheatre.org.uk PLAY PEOPLE THEATRE Lyttelton Theatre On tour PRESS NIGHT From September 2013 CONTACT Mary Parker Laura Horton THIS HOUSE TABLE CHILDREN OF THE SUN OTHELLO BULLET CATCH Olivier Theatre The Shed Lyttelton Theatre 12 April 16 April Martin Shippen Susie Newbery Mary Parker Olivier Theatre The Shed 23 April From 22 May Mary Parker Susie Newbery STRANGE INTERLUDE MISSION DRIFT THE AMEN CORNER CONNECTIONS THE GRANDFATHERS THE HUSH ROMEO AND JULIET LIOLÀ HOME UNTOLD STORIES THE CURIOUS INCIDENT OF THE DOG IN THE NIGHTTIME ONE MAN, TWO GUVNORS Lyttelton 4 June Mary Parker The Shed Olivier The Shed/Olivier The Shed 7 June 11 June 3 – 8 July 9 – 13 July Susie Newbery Martin Shippen Laura Horton Laura Horton The Shed The Shed & tour Lyttelton The Shed Duchess Theatre Apollo Theatre 22 July 24 July – 2 August 7 August 9 August 2 April Susie Newbery Philippa Crossman Mary Parker Susie Newbery Nada Zakula Nada Zakula WAR HORSE THE DROWNED MAN: A HOLLYWOOD FABLE PLATFORMS & EXHIBITIONS NT FUTURE On tour Laura Horton, NT Theatre Royal Haymarket New London Theatre Janine Shalom, Premier Janine Shalom, Premier Nada Zakula Laura Myers, The Corner Shop UK tour Secret Zone 1 location (Punchdrunk) From Sept 2013 Laura Horton Lucinda Morrison Lucinda Morrison, Head of Press: lmorrison@nationaltheatre.org.uk 020 7452 3232 Mary Parker, Senior Press Officer: mparker@nationaltheatre.org.uk 020 7452 3234 Martin Shippen,Press Manager: mshippen@nationaltheatre.org.uk 020 7452 3233 Susie Newbery, Press Officer: snewbery@nationaltheatre.org.uk 020 7452 3061 Laura Horton, Events Press Officer: lhorton@nationaltheatre.org.uk 020 7452 3231 Philippa Crossman, Press Assistant (press tickets): pcrossman@nationaltheatre.org.uk 020 7452 3236 Nada Zakula, Head of Press War Horse/Curious Incident/Untold Stories: nzakula@nationaltheatre.org.uk 020 7452 3046 Janine Shalom, Premier: 020 7292 8330 janine.shalom@premiercomms.com; esther.beaumont@premiercomms.com; kerry.lynch@premiercomms.com Laura Myers, The Corner Shop: laura@thecornershoppr.com 020 7831 7657 15