BUMPER YEAR FOR FILM AUSTRALIA A strong financial performance, release of some of its most acclaimed documentaries ever and improved delivery of library, facilities and distribution services have contributed to one of Film Australia Limited's most successful years, as reported in the company's Annual Report, released today. Film Australia is a Federal Government-owned company which supports production and distribution of documentaries in the national interest. Film Australia's financial result is 20 per cent above the budgeted forecast, due to increases in revenue and the achievement of operating efficiencies. Initiatives in Film Australia's library of heritage audio-visual materials have addressed some pressing preservation problems, whilst transfer and database work has significantly improved access to the collection. Revenue from the associated stock-shot sales business has increased accordingly, with income up by 37 per cent from last year's result. "Most importantly, especially in a year in which the nation celebrated its centenary, film and videotape footage recording a century of Australian life has been made more available to audiences now and in the future," Film Australia Chief Executive Sharon Connolly said. Use of Film Australia's Lindfield studio complex has increased during the year, with the number of tenancies rising from 9 to 16 by the end of the financial year and a 23 per cent growth in revenue flowing from the site. Significant improvements to company facilities, including upgrading of both the sound stage and the Roxy Cinema, were completed during the year. High-profile documentaries such as Cunnamulla, by Dennis O'Rourke, and Facing the Music, by Bob Connolly and Robin Anderson, premiered to considerable critical and audience acclaim. Facing the Music was the most popular film at the Sydney Film Festival in June, and Cunnamulla received the Film Critics Circle of Australia award for Best Documentary in February. - 2– The Diplomat, a feature documentary following José Ramos Horta in the final year of his long campaign for East Timorese independence, was released late in the 1999-2000 year. It has since won Australian Film Institute Awards for Best Documentary and Best Direction in a Documentary and was the only Australian film to be invited to screen at the prestigious Berlin International Film Festival early in 2001. "With these and numerous other productions, Film Australia has enhanced and built upon an enviable reputation for high quality Australian documentary and for support of some of the country's most esteemed filmmakers. They, their films and the efforts of the company's Promotions and Sales units have this year contributed to a strengthening awareness of the Film Australia brand in international and domestic markets," said Ms Connolly. The Federal Government recently announced that, from 2002-2003, it would provide $2.7 million annually (indexed and ongoing) to the company to support its library of heritage film and tape materials, distribution activities and its continuing provision of production facilities to the low-budget and documentary production sectors. In addition it announced that the National Interest Program agreement, under which Film Australia commissions production of documentary programs, would be renewed for five years beginning in 2003-2004. Chairman of Film Australia, Rob Fisher, said: "These commitments will enable the company to implement plans for the most effective delivery of services in the years to come. And they will facilitate better planning for the development of documentaries which record and explore Australian life and concerns." For media enquiries: Tracey Mair TM Publicity For Film Australia Ph: (02) 9362 8566 or 0419 221 493 October 31, 2001