Mary Ann Strandell
Selected Solo Exhibitions
2011
2010
2009
2008
2007
2006
2005
2004
2002
2001
1999
1997
1996
1995
1994
Other Frontiers, The Dahl Art Center, Rapid City, South Dakota, United States.
Curated by Mary Maxon
Mary Ann Strandell: Indexes of Mediated Spaces guest curated by Shannon
Fitzgerald, JRB Art at the Elms, Oklahoma City, Oklahoma, United States, May 7,
2010, catalogue
The Movable Salon, Byron C. Cohen Fine Arts and Debbie Glassberg House
Contained, Kansas City, Missouri, United States
Between Plane and Perception, Deborah Colton Gallery, Houston, Texas, United
States
The Floating Bridge; A 3D Print Installation, The String Room Gallery, Wells College,
Aurora, New York, United States, Catalogue essay by William Ganis.
Realform Project Space, Brooklyn, New York, United States
Simulation Curve, Byron C. Cohen Fine Arts, in conjunction with The Southern
Graphics Conference, Kansas City, Missouri, United States
Moveable Terrain, Michael Steinberg Fine Art, New York, New York, United States
The Big Rock Candy Mountain: A 3D Lenticular Installation. The Flow Fine Art Fair,
Miami Beach, FL, with M Percent Gallery, Cleveland, Ohio, United States
The Moving Wall, Real Form Project Space, curated by David Gibson, Brooklyn, New
York, United States
Mary Ann Strandell, Michael Steinberg Fine Art, New York, New York, United States
The Oasis Series, Gallery K-99, Cologne, Germany
Mary Ann Strandell / The Polyglot Series, Byron C. Cohen Gallery, Kansas City,
Missouri, United States
Portals; Something Soft, Something Wild, Gallery 97, Barryville, New York, United
States
Nature Unbound, The Dahl Fine Arts Center, Rapid City, South Dakota, United States
Chinoiserie and Polyglots, Elliot Smith Contemporary Art, St. Louis, Missouri, United
States
The Polyglot Series: A Project Space Exhibition, Left Bank Project Space, St. Louis,
Missouri, United States
Autonomies, Byron C. Cohen Gallery, Kansas City, Missouri, United States
Counting, Dartmouth Street Gallery, Albuquerque, New Mexico, United States
Reinventing Nature, The University of Wisconsin Gallery of Art, Platteville, Wisconsin,
United States
Excerpts on Nature and Energy, South Dakota Art Museum, Brookings, South Dakota,
United States
The North Dakota Museum of Art, Grand Forks, North Dakota, United States
Nordstrand Gallery of Art, Wayne State College, Wayne, Nebraska, United States
Momentum: Paintings From the 90’s , The Sioux City Art Center, Sioux City, Illinois,
United States
Gallery 306, Sioux Falls, South Dakota, United States
Mixed-Media Prints, The Oscar Howe Art Center, Mitchell, South Dakota, United
States
Migrations, Warren M. Lee Center for the Fine Arts, University of South Dakota,
Vermillion, South Dakota, United States
1992
1990
Mary Ann Strandell Paintings, Worthington College of Art Gallery, Worthington,
Minnesota, United States
Transit Terrain, The Apex Gallery, The South Dakota School of Mines and
Technology, Rapid City, South Dakota, United States
Three Themes: Motion, Reflection and Containment, The Sommers Gallery, The
University of New Mexico, Albuquerque, New Mexico, United States
Selected Group Exhibitions
2011
2010
2009
2008
2007
2006
Mixing the Medium, Colton & Farb Gallery – Deborah Colton Gallery, Houston, Texas,
United States
Recent Drawings, Gallery G4, Bemis Center For Contemporary Art, Omaha, Nebraska,
United States
Space Odyssey, Southern Exposure Museum, San Francisco, California
What Matters Most, ecoartspace, Exit Art Underground, New York, New York, United
States
Empire State of Mind: A Group Exhibition, Curated by Nicolette Ramirez, Chelsea
Hotel, New York, New York; United States, a pop-up exhibition with performance.
Fresh Start, Arena 1 Gallery, Santa Monica, California, United States
Lost Horizon II, Zane Bennett Contemporary Art Gallery, Santa Fe, New Mexico,
Unites States
AIR, The Bemis Center for Contemporary Art, Omaha, Nebraska, United States
Natural History on the Head, Kansas City Museum, curated by Christopher Leitch,
Kansas City, Missouri, United States
KC in LA, Milo Gallery, curated by Ashley McLean Emenegger, Los Angeles,
California, United States
Lost Horizon, The Herter Gallery, University of Massachusetts, curated by David
Gibson, Amherst, Massachusetts, United States
Art Omi International Residency Exhibition, Omi, New York, United States
Nurture Art at James Cohan Gallery, curated by Amy Rosenblum Martin, Lowell Pettit,
Koan Jeff-Baysa, and Lilly Wei, New York, New York, United States
Night of 1,000 Drawings, Artist Space, New York, New York, United States
Mambo Muerte!, Spaces Art Center, Cleveland, Ohio, United States
Abu Dhabi/Art Paris/Art Fair, Deborah Colton Gallery, Abu Dhabi
Ornament: Ho Hum All Ye Faithful, Bravin Lee Projects, New York, New York, United
States
Mono-print Marathon Exhibition, The San Jose Institute of Contemporary Art, San
Jose, California, United States
Arts Desire, The Contemporary Art Museum, St Louis, Missouri, United States
The Los Angeles Art Show, Santa Monica, California; United States represented by M
Percent Gallery, Cleveland, Ohio, United States
Bridge Dream Series, Flow Art Fair, Miami Beach, Florida, United Stateswith Matt
Garson Fine Arts, New York, New York, United States
Red Dot Fine Art Fair, New York, New York; United States represented by M Percent,
Cleveland, Ohio, United States
Guerilla Studio, The Siggraph Conference, San Diego, California, United States
Contemporary Masterworks; St. Louis Collects, Contemporary Art Museum, curated
by Paul Ha, Shannon Fitzgerald and Andrea Green, St. Louis, Missouri, United States
Neuroculture: Visual Arts and the Brain, Westport Art Center, curated by Suzanne
Anker and Giovanni Frazzetto, Westport, Connecticut, United States
SQUARED, Rubinstein Gallery at Educational Alliance, curated by David Gibson,
New York, New York, United States
Scope Art Fair, New York, M Percent Gallery, Cleveland, Ohio, United States
ART (212) Art Fair, New York, New York; represented by M Percent Gallery,
Cleveland, Ohio, United States
Alliance Francaise Fundraiser, Gotham Hall, New York, New York, United States
2005
2004
2003
2002
2001
FLOW Fine Art Fair, M Percent Gallery, curated by Matt Garson, Miami, Florida,
United States
The Siggraph Studio, Siggraph Conference, Boston, Massachusetts, United States
Op..ish, Samson Projects, curated by Camilo Alveraz, Boston, Massachusetts, United
States
Beautiful Dreamer, Spaces Contemporary Art Center, curated by David Gibson,
Cleveland, Ohio, United States
Insight ? In-situ: Mary Ann Strandell and Lowell Boyers, Panorama Art, Cologne,
Germany; an off-site project space by Gallerie KI-99.
Lucky Draw, Phillips Du Pury Auction House, New York, sponsored by The Sculpture
Center, New York, United States
Scope 2005, New York, Michael Steinberg Fine Art, New York and M Percent Gallery,
Cleveland, Ohio, United States
The Collectors Gallery, The Albright Knox Museum, Buffalo, New York, United States
Night of A Thousand Drawings, Artists Space, New York, New York, United States
Michael Steinberg Presents, Sylvester and Co., Amagansett, New York, United
States
Gold Rush, JCCC Gallery of Art, Overland Park, Kansas, United States
In Polytechnic Color, Michael Steinberg Fine Art, New York, New York, United States
Touch and Temperature: Art in the Age of Cybernetic Totalism, Bitform Gallery, New
York, New York, Deborah Colton Gallery Houston, Texas, United States
FIAC, Paris, France, Michael Steinberg Fine Art, New York, New York, United States
Mix, M Percent Gallery, Cleveland, Ohio, United States
North Hudson’s Secret SoHo, Jersey City Museum, Jersey City, New Jersey, United
States
Michael Steinberg Fine Art Presents, SoHo House, New York, New York, United
States
Scope New York, M Percent Gallery, Gansevoort Hotel, New York, New York, United
States
Champions of Modernism II, Denise Bibro Fine Art, curated by Steven Lowy, New
York, New York, United States
Lloyd Menard Exposition, South Dakota Museum Art, Brookings, South Dakota,
United States
We Buy Art, Bank Gallery, curated by Kate Hackmam Kansas City, Missouri
The COco Seder, PS I22, New York, New York, United States
Night of a Thousand Drawings, Artists Space, New York, New York, United States
AAF Art Fair, Michael Steinberg Fine Art, Pier 92, New York, New York, United States
The High Line Contemporary Art Auction, Phillips de Pury & Co, New York, New York,
United States; catalogue.
The Starlight Ballroom Exhibition, Michael Steinberg Fine Art, Miami, Florida, United
States
Night Of A Thousand Drawings, Artists Space, New York, New York, United States
AAF Art Fair, Elizabeth Heskin Fine Arts, Pier 92, New York, New York, United States.
Scope / Miami, Byron C. Cohen Gallery, Miami, Florida, United States
The Physics of Spirituality, Westwood Gallery, New York, New York, United States
Benefit, White Columns, New York, New York, Unites States
Harlem Art Project, Saatchi & Saatchi, New York, New York, Unites States
The Last Picture Show, Elliot Smith Contemporary Art, St. Louis, Missouri, United
States
Surfacer, 111 Minna Gallery, Curated by Maria Parks and Cary Littlefield San
Francisco, California, United States
Cache, Contemporary Museum of Art, St. Louis, Missouri, United States
Silver, Johnson Community College Gallery of Art, Overland Park, Kansas, United
States
Print Exhibition, Elliot Smith Contemporary Art, St. Louis, Missouri, United States
Transpolyblu, Elliot Smith Contemporary Art, Curated by Sabina Ott., St. Louis,
Missouri; United States
2000
1999
1998
1997
1996
1995
1993
The Walnut Street Gallery, Springfield, Missouri, United States
Art Market, Elliot Smith Contemporary Art and Pegram Harrison Fine Art,
St. Louis, Missouri, United States
Bring Your Own Brain, A.D. Brown, curated by Shannon Fitzgerald, sponsored by the
Forum for Contemporary Art, St. Louis, Missouri, United States
Art Chicago, Pegram Harrison Fine Art, Navy Pier, Chicago, Illinois, United States
MOAK 4 State and Regional Exhibition, Springfield Museum of Art, Springfield,
Missouri, United States
Beyond Bounds – Beyond Borders, Johnson County Community College,
Overland Park, Kansas, United States
Magic Realism: Three Painters, The Visual Arts Center, Washington Pavilion, Sioux
Falls, South Dakota, United States
Magic Venice, Qualita Fine Arts, Las Vegas, Nevada, curated by Nancy Hoffman,
New York, New York, United States
The Art Formerly Known as Prints, Kansas City Art Institute, Kansas City, Missouri,
United States
Northern National Art, Nicolett College Gallery, juror: Chris Brown, Rhinelander,
Wisconsin, United States.
25th Anniversary Exhibitions, University Art Gallery, University of South Dakota,
Vermillion, South Dakota, United States
The Guerilla Studio, Siggraph Conference, Los Angeles, California, United States
Currents, The Leddy Volkas Art Center, Kansas City, Missouri, United States
The Studio, Siggraph Conference, Los Angeles, California, United States
La Fontaine Design, Albuquerque, New Mexico, United States
The Perrier Exhibition, Whitewater Gallery, Sturgis, South Dakota, United States
Preview, The Byron Cohen Gallery, Kansas City, Missouri, United States
Artists of the Midwest, Northern Michigan University Art Museum,
Marquette, Michigan, United States
Quick Fix, The Works Building, curated by Robert Chambers, Kansas City, Missouri,
United States
Love, The Dartmouth Street Gallery, Albuquerque, New Mexico, United States
Pressing Issues, Mid America Print Council, Cincinnati, Ohio, United States
Sound Rocks and Habitat, The Plaza Steppes Alternative Site, Kansas City, Missouri,
United States
DSG Visible, Dartmouth Street Gallery, Albuquerque, New Mexico, United States
Black Hills Works, The Dahl Fine Arts Center, Rapid City, South Dakota, United
States
Three Views, Tappio Gallery, Sapporo, Japan
Dartmouth Street Gallery, Albuquerque, New Mexico, United States
Navigations, West Virginia University, Morgantown, Virginia; traveled to University of
Montana, Missoula, Montana, United States
D.F.I.A. International Design Center, Minneapolis, Minnesota, United States
Open Studio, The Bemis Center for Contemporary Art, Omaha, Nebraska, United
States
Recent Acquisitions, Sioux City Art Center, Sioux City, Iowa, United States
Historic Taos Inn, New Mexico, curated by Caroline Lee.
New Mexico Printmakers Exchange, University of Skovde, Skovde,
Sweden
University of South Dakota Main Gallery, Vermillion, South Dakota, United States
Secondary Sources, Sioux Falls Civic Fine Arts Center, Sioux Falls, South Dakota,
United States
Love, Dartmouth Street Gallery, Albuquerque, New Mexico, United States
Art Equinox, Paris Gibson Square Museum of Art, curated by Vicki Halper of the
Seattle Museum of Art Great Falls, Montana, United States
Border to Border, University of Colorado Art Center, Boulder, Colorado, United States
Warren M. Lee Center for the Fine Arts, Vermillion, South Dakota, United States
Sioux Falls Community Theatre, Sioux Falls, South Dakota, United States
1992
1991
1990
Other Women’s Lives, The Union Gallery, The University of South Dakota, United
States
Printing Innovations, Gallery 101, University of South Dakota, Vermillion, South
Dakota, United States
The Design Center, Tirage Art, Los Angeles, California,
Close To The Border, New Mexico State University Gallery of Art, Curated by Bruce
Kurt of the Phoenix Art Museum Las Crucas, New Mexico, United States,
Calnan Gallery, Albuquerque, New Mexico, United States
Visions of Excellence, New Mexico State Fairgrounds, Albuquerque, New Mexico,
United States, juror: Jacqueline Bass of U.C. Berkeley Museum
LACE Open Studio, Los Angeles Contemporary Exhibitions, Los Angeles, California,
United States
Strandell / Najar, The Raw Space Gallery, Albuquerque, New Mexico, United States
University of New Mexico Art Museum, Albuquerque, New Mexico, United States
Graduate Student Exhibition, College of Santa Fe Gallery of Art, New Mexico, United
States, curated by Harmony Hammond & Emmy Lou Whitehorse
Water and Movement, David-Mechling Gallery, Vermillion, South Dakota, United
States
Visions of Excellence, New Mexico State Fairgrounds, Curated by Peter Frank of Los
Angeles and Jim Edwards of San Antonio Museum of Art Albuquerque, New Mexico,
United States
Focus on Printmaking, Gallery at COCA, St. Louis, Missouri, United States
Works on Paper, ASA Gallery, Albuquerque, New Mexico, United States
15th Harper College National Print and Drawing, Palatine, Illinois University,
Macombe, Illinois, United States
Invitational, The Raw Space Gallery, Albuquerque, New Mexico, United States
A Day Without Art, Museum for Contemporary Art, Baltimore, Maryland, United
States
University of N.M., Gallery of Art, Los Alamos, New Mexico, United States
The University of New Mexico Museum of Art, Albuquerque, New Mexico, United
States
LEAA Southwestern Regional, New Mexico College, Hobbs, New Mexico, United
States
Southwestern Regional Printmakers, Universidad de Americas, Chihuahua, Mexico
The El Paso Regional Invitational, El Paso Community College Gallery of Art, El Paso,
Texas, United States
Art Fairs
2011
The Dallas Art Fair, Colton & Farb Gallery – Deborah Colton Gallery, Dallas, Texas,
United States
Collections
The di Rosa Preserve Foundation, Napa, California, United States
The Spencer Museum of Art, Lawrence, Kanasa, United States
Sioux City Art Center, Sioux City, Iowa, United States
The Amity Art Foundation, Woodbridge, Connecticut, United States
The Johnson County Community College, Overland Park, Kansas, United States
Hallmark Corporation, Kansas City, Missouri, United States
The Visual Arts Center, Washington Pavilion of Art, Sioux Falls, South Dakota, United
States
Sprint Corporation, Overland Park, Kansas, United States
H & R Block Corporation, Kansas City, Missouri, United States
American Century Corporation, Kansas City, Missouri, United States
Blue Cross / Blue Shield, Kansas City, Missouri, United States
Heartland Spine Hospital, Kansas City, Missouri, United States
American Express Corporation Omaha, Nebraska, United States
Washington University School of Medicine, St. Louis, Missouri, United States
Deloitte and Touche, St. Louis, Missouri, United States
Enterprise Inc., St. Louis, Missouri, United States
The Westin Cupples Station Hotel, St. Louis, Missouri, United States
DST Systems, Inc., Kansas City, Missouri, United States
Stowers Medical Research Center, Kansas City, Missouri, United States
Lathrop and Gage, Kansas City, Missouri, United States
Brandes Investment, San Diego, California, United States
Access US, St. Louis, Missouri, United States
Thrivent Financial, St. Joseph, Missouri, United States
Fingerhut Corporation, Minneapolis, Minnesota, United States
The Black Hills Surgical Center, Rapid City, South Dakota, United States
Provenance Incorporated, Minneapolis, Minnesota, United States
Barbara and Ray Graham III, Albuquerque, New Mexico, United States
Margaret Ann and Hubert Everist, Sioux City, Iowa, United States
Hatch, Alan and Shepard, Albuquerque, New Mexico, United States
Rhinehart – Anderson, Minneapolis, Minnesota, United States
Rutgers University Conference Committee, New Brunswick, New Jersey, United
States
Mid America Print Council, New Albany, Indianapolis, United States
Southern Graphics Council Archive, University of Mississippi, United States
West Virginia University, Morgantown, West Virginia, United States
University of Ohio, Cincinnati, Ohio, United States
University of South Dakota, Vermillion, South Dakota, United States
University of New Mexico Printmaking Collection, Albuquerque, New Mexico, United
States
Catalogues and Publications
2009
2008
2006
2005
Loving Lenticular, PaperCity Magazine, by Catherine D. Anspon, Houston, Texas,
United States, March.
Art on the Block at the Bemis, The Omaha World Herald, Comments by Hasse
McGraw, November 16, p. 1E.
The String Theory, Ithaca Times, by Wylie Schwartz, October 1-7, p. 15.
Omi International Artists’ Residency, White Hot Magazine, by Nicollette Ramirez,
September.
This is Anything But Old Hat, The Kansas City Star, by Alice Thorson, October 5, p.
26.
Getting Art From Here to There, Review, by Theresa Bembnister, July, p.36.
Bridge to Wells, The Citizen, Auburn, New York, August 28, p. 12.
KC in LA, LA Weekly, by Peter Frank, May 21, 2008.
Art: KC in LA, Flavor Pill, by Shana Nys Dambrot, April.
Goings on About Town, The New Yorker, May 15, p. 15.
Best in Show, The Village Voice, by R.C Baker, May 12, 2006, p. 23.
Making (Brain) Waves: Neuroscience Meets Art at a Westport Exhibition, The New
York Times, by Benjamin Genocchio, May 7, p. 10.
East Meets West in Painter’s ‘Moveable Terrain,’ New York News Network, by
Thessy Mehrain, May 15.
It’s all in the mind: Westport exhibit unites art, neuroscience; The Norwalk Advocate,
by Nadia Lerne, April 13, p.3.
‘Beautiful Dreamer’ Awakens Romantics; The Plain Dealer, by Dan Tranberg,
October 9, 2005, p.
J1.
2004
2003
2002
2001
1999
1998
1997
On View / Beautiful Dreamer, Scene Culture, Cleveland, OH, by Zachary Lewis,
September 14.
Perchance to Dream: Nocturnal Fantasies Enchant in SPACES’ Beautiful Dreamer,
Free Times Ohio News, Arts and Entertainment Weekly, by Liz Bly, October 7.
Art /Carol Salmonson, Jae Hi Ahn and Mary Ann Strandell; The Brooklyn Rail, Critical
Perspectives on Art, Politics and Culture, by James Kalm, April, p. 16.
Realform Project Space / The Moving Wall, Wagmag: Williamsburg Monthly Art
Guide, March.
Art Reviews, Don’t Miss: “Touch and Temperature: Art in the Age of Cybernetic
Totalism,” Time Out New York, New York, NY, July 22-29, pg. 51.
Digital And Traditional Works Collide in ‘Touch and Temperature;’ The Houston
Chronicle, by Patricia C. Johnson, October 8.
Spatial Anomalies, The Kansas City Star, by Robin Trafton, June 18.
The Pitch (online), Art Capsule Reviews / Mary Ann Strandell; The Polyglot Series,
Kansas City, Missouri, June 10.
The River Reporter, Gallery 97 to Feature Strandell; by Charlie Buterbaugh,
Narrowsburg, New York, May 20, p. 23.
Go to Crossroad, The Kansas City Star, by Robin Trafton, Friday, May 7, p. 26.
NoHu? North Hudson’s Secret SoHo, Jersey City Museum.org, on line publication,
Jersey City, New Jersey, March, illustration.
Kansas City Home Design, The Power of Possession; by Chad Sanborn, Kansas City,
Missouri, March, p. 40-43.
Alternative Scenes: in a bar, on the sand, The Miami Herald, by Evelyn, Miami,
Florida.
McDonnell and Damarys Ocana, December 5, p. 26-27A.
Art Papers Magazine, Art Review: Mary Ann Strandell at Elliot Smith; by Jeffrey
Hughes, Atlanta, Georgia, March/ April.
On Paper, Illustration, November – December, p. 86.
Art in America, Illustration, November, p. 95.
New Art Examiner, Reviews / Missouri / Transpolublu; by Debra Riley Parr. Jul –
August, p. 89.
St. Louis Post-Dispatch, Art Review: Strandell’s Polyglots; by Margaret Keller,
November 25, p. G5
St. Louis Post-Dispatch, “Chinoiserie and Polyglots,” October 25, p. 27
St. Louis Riverfront Times, Art (on the Polyglot Series); by Ivy Schroeder, St. Louis,
Missouri, June 20, p. 37
Art Papers Magazine, Transpolyblu Exposition; by Jeffrey Hughes. May/June, p. 51.
St. Louis Post-Dispatch, Digital Exhibition Taps Into Many Media and Traditions, by
Jeff Daniel, February 11.
Realism in Bloom, by Ann Grauvogl, Sioux Falls Argus Leader, Saturday, August 14,
p.1D.
Art and It’s Abstract Economy, by Elisabeth Kirsch, The Kansas City Star, July 2, p.
28.
Studies of Artifice and Artificiality at Cohen; by James Brinsfield, Review Weekly, July,
Number 9,p.14.
Unanswered Questions, M. A. Strandell at DSG; by Jeffrey Lee, The Alibi /
Albuquerque, March 12, p. 22.
Container II, by T.D. Mobley-Martinez, The Albuquerque Tribune, March 12, p. C1.
Cohen’s Preview Unites Abstract Talents, The Kansas City Star, by Alice Thorson,
July 24, p. Preview.
Impromptu Art Makes a Wild Mix, by Alice Thorson, The Kansas City Star, February
12.
‘Visible’ Offers Grandiose to Intimate, The Albuquerque Tribune, by T.D. MobleyMartinez, June 6, p. B1
Two Women Share The Museum Spotlight, by Amanda Greslin, The Brookings
Register, September, p.2.
1995-96 Arts Midwest/NEA Regional Visual Artist Fellowship Catalogue, Publ. by Arts Midwest,
Minneapolis, Minnesota.
Sioux City Art Center Annual Report, Sioux City, IA, Illustration: Many Masters, 1996.
Two SD Artists Awarded Midwest Fellowships III, South Dakotans for the Arts, Arts
Agenda, October, p. 5.
Visiting Artist Displays Works at WSC Gallery; The Wayne State Herald, by Clara
Oster, September 26, p.3A.
1995 Experiencing Life for Art; Rapid City Journal, by Mary Duffy, January 15, p.B1
1994 Migrations: Recent Paintings and Works On Paper, by Carol Gue, catalogue for
exhibition. Published by The College of Fine Art, University of South Dakota,
Vermillion, SD, May.
Art Center Will Showcase Regional Works, The Sioux City Journal, May 7, p. AB.
Artist Puts Motion Into Paintings; The Daily Globe, by Aileen Wilkinson, Worthington,
Minneapolis, September, p. 4B.
1993 Aspects of the Themes: Motion, Reflection, and Containment, M.F.A.
Thesis Catalogue for the University of New Mexico, New Mexico Studies on the Fine
Arts, New Mexico Fine Arts Library (authored)
1991 Visions of Excellence V Catalogue May 11-June 1, 1991, Fine Arts Gallery,
Albuquerque United Artists
1989 Translations and Transitions: Cross Referencing Working Methods of Painting and
Printmaking,
New Mexico Studies in the Fine Arts, University of New Mexico Fine Arts Library, Vol.
XXVII (authored).
Awards and Honors
2008
2005
2004
2002
1999
1998
1997
1996
1995
1994
1993
1992
1991
1987
Art Omi International Residency Award.
The Geraldine R Dodge Foundation Fellowship Award.
Tranformative Printmaking, Panelist, College Arts Association Annual
Conference, Atlanta, Georgia.
Alternative Media, Panelist, Southern Graphics Conference, Rutgers
University, New Brunswick, New Jersey
The Katherine Van Meter Sadock Lecture Award, Union College,
Schenectady, New York
The Artworks Fund / Art Midwest / NEA
The Patron Award, Northern National, Nicolet College, Rhinelander Wisconsin.
Juror: Christopher Brown
The Artworks Fund / Arts Midwest / NEA.
The Artworks Fund / Arts Midwest / NEA.
Arts Midwest / NEA Regional Visual Artist Fellowship Award.
Residency Fellowship: The Bemis Center for Contemporary Arts.
South Dakota Arts Council Career Development Grant Award.
Purchase Award / Honorable Mention, Sioux City Art Center, Sioux City,
IA. Juror: Terry Suhre.
Portfolio Exchange: Border to Border, Boulder, Colorado
Painting Award Visions of Excellence, Albuquerque, New Mexico, juror: Jacqueline
Bass, UC Berkeley Museum
Graduate Teaching Assistantship: University of New Mexico, Albuquerque 1998 to
1993.
Painting Award: Visions of Excellence, Albuquerque, New Mexico, juror by Peter
Frank, Critic, Los Angeles, California
Printmaking Award Annual Works, ASA Gallery, Albuquerque, New Mexico, juror:
Bill Lagatuda, Tamarind Institute, Albuquerque, New Mexico
Tamarind Institute, Albuquerque, New Mexico, Fellowship
Teaching Experience
2003
2000
1998
1997
1993
1988
The New York Institute Of Technology, New York, New York, United States
Washington University, St. Louis, Missouri, United States
The University of Notre Dame Taos Program, Taos, New Mexico, United States
Kansas City Art Institute, Kansas City, Missouri, United States
The University of South Dakota, Vermillion, South Dakota, United States
The University of New Mexico, Albuquerque/Teaching Assistantships
Education
1993
1989
1984
MFA, University of New Mexico, Albuquerque, New Mexico, United States
MA, University of New Mexico, Albuquerque, New Mexico, United States
BFA, University of South Dakota, United States
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