North Carolina School of the Arts
SACS-COC Faculty Courses
Instructions: Please provide information for all full-time and part-time faculty teaching credit courses during the time period requested by Commission
staff.
Full-time faculty members are defined as those whose major employment is with the institution; whose primary assignments are in teaching and/or
research; and
whose employment is based on a contract for full-time employees. Faculty should be grouped by departments or disciplines (do not group by broad areas
such as
social sciences or humanities). For a faculty member with teaching assignments in more than one department or discipline , list the faculty member in every
department or discipline in which he/she teaches. Column One. Provide the name of the faculty member and indicate full or part time status. Column Two.
List from the catalog the course prefix, course number, and course title of all credit courses taught. If appropriate for establishing the relationship between
the
course and the faculty member’s qualifications, provide the course description as well. If the institution offers graduate courses, indicate whether the course
is
undergraduate (U) or graduate (G). List each academic degree earned by the faculty member and indicate the discipline (concentration or major) of each
degree; the institution which awarded the degree; and the total number of graduate semester hours earned in each discipline in which courses have been (or
will
be) taught. Column Four. Specify qualifications such as diplomas or certificates earned (with field indicated), related work experiences in the field,
professional licensure and certifications, honors and awards, continuous documented excellence in teaching, and other demonstrated competencies and
achievements (such as publications or papers presented) that contribute to effective teaching and student learning outcomes. Make clear the relationship
between
these qualifications and the content of the courses assigned to the faculty member.
North Carolina School of the Arts
SACS-COC Faculty Courses
Name /
Status
Troy
Anthony
Brizius
Courses Taught
Academic Degrees
Earned
Other Qualifications
DEP 102-01 – U
Intro to Theatrical Production
(Scenic Tech)
1/4/11-1/27/11
B.A. Public Relations:
Augusta State University
(full-time)
DEP 115-02 - U
Welding I
Work Experience:
North Carolina School of the Arts – Faculty Technical Director
Illuminations – Production Manager
Goodspeed Musicals- Asst Technical Director
Weston Playhouse- Technical Director
Show Motion, Inc.- mechanization department
The Acting Company –Technical Director
Surflight Theatre – Technical Director
Jekyll Island Music Theatre Festival – Technical Director
Augusta Ballet- Supervised load in, tech, and performances
Augusta Opera – Supervised load in, tech, and performances
Augusta State University – Scene Shop Supervisor
DEP 245 – U
Shop Practice and Techniques
DEP 645 – G
Grad Shop Practice and
Techniques
DEP 100-01,
200-03, 300-03, 400-03, 60003, 700-03, 800-03
Production
M.F.A. Technical
Direction: North Carolina
School of the Arts
North Carolina School of the Arts
Name /
Courses Taught
Status
Howard C.
Jones
DEP 212 – U
Scene Painting I
(full-time)
DEP 252 - U
Scene Design I
DEP 312 – U/G
Scene Painting II
DEP 412 – U/G
Scene Painting III
DEP 612 - G
Grad Scenic Art I
DEP 652 – G
Grad Scene Design I
DEP 712 - G
Grad Scenic Art II
DEP 812- G
Grad Scenic Art III
DEP 200-07
300-07, 400-07,
600-05, 700-05, 800-05
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
B.A Art and
Communications:
William Jewell College
Mankato State College-Graduate Studies in Scenic Design
Work Experience:
Cobalt Studios, White Lake, NY: Master Scenic Artist
-Established apprenticeship program for professional scenic artists
-Developed and authored the curriculum and philosophy for the studio
Scenic Design Credits:
High Point Ballet, High Point, NC
North Shore Music Theatre, Beverly, MA
State Ballet of Missouri
Weston Playhouse, Weston, VT; Triad Stage Company, Greensboro, NC
Goodspeed Opera, East Haddam, CT
Merrimack Repertory Theatre, Lowell , MA
Little Theatre, Winston-Salem, NC
NYU, Frederick Lowe Theatre, New York, NY
North Carolina Dance Theatre; Folly Theatre, Kansas, MO
New Theatre, Kansas City, MO; Am. Heartland Theatre, Kansas City ,MO
Casa Manana, Fort Worth, TX; Coterie Theatre, Kansas City , MO
Boston Conservatory of Music, Boston, MA
Starlight Theatre, Kansas City, MO; MUNY, St. Louis, MO
Carousel Dinner Theatre, Akron, OH
Pittsburg Civic Light Opera, Pittsburgh, PA
Bartlesville Ballet, Bartlesville, OK
Scenic Artist Credits:
Member of USA Local 829, United Scenic Artists, IATSE
Skylight Opera, Milwaukee, MI, National Opera of England, London
Cobalt Studios, White Lake, NY, Missouri Repertory Theatre, Kansas City, MO
Starlight Theatre, Kansas City, MO,
Lyric Opera, Kansas City, MO
Mural Projects:
Coterie Theatre, KC, MO, Warner Bros. Stores, Ramsey, NJ
Henri Bendel, NY, NY, Limited Express, NY, NY
Cooper Paint Store, Monticello, NY, Stollmans’s Fish Market, Monticello, NY
Design and Painting Exhibitions:
World Stage Design Expo, Toronto, Canada
Paintings for the Theatre, an invitational exhibit, Quachita Gallery, Arkadelphia, AK
North Carolina School of the Arts
Name /
Courses Taught
Status
Bill Brewer
(full-time)
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
DEP 350-01 –U/G
Studio Skills-Costume
Rendering
M.F.A. Costume Design,
Carnegie-Mellon
University
DEP 762 – G
Grad Costume Design II
M.A. Scenic and Costume
Design, Emporia Kansas
State College
Professional Design Credits:
Theatre and Dance:(Representative list)
2007 Modern American Dance Company, St. Louis, Mo.,The Carpet
2006 American Stage, St. Petersburg, Florida, Suddenly Last Summer
Waterfront Playhouse, Key West, Florida, Lucky You
Minnesota Repertory Theatre, Duluth MN. God spell
Celebrazione IX Festival International, Milan, Italy Rythmic Raptures
2005 Orlando Repertory Theatre, Orlando, Florida, The Wizard of Oz
Theatre Dejazet, Paris, France, Visions of Peace, a ballet based on The Intl. Book
of Peace by Madam Chantal Bernard
2004 The Unicorn Theatre, Kansas City, Missouri, Dirty Blonde, Redwood Empire
Ballet, The Nutcracker, Rhapsody in Blue
Pittsburgh Ballet Theatre, Pittsburgh, Pennsylvania, Romeo and Juliet, The Nutcracker, The
San Jose Civic Light Opera, San Jose, California, Peter Pan, Sweeney Todd
Nebraska Repertory Theatre, Lincoln, Nebraska, Sherlock Holmes, Habeas Corpus
DEP 862 – G
Grad Costume Design III
DEP 200-02
300-02, 400-02,
600-02, 700-02, 800-02
Production
D
B.A Theatre, Emporia
State College
Film/Television:
Dance Film Project, Paris, France, Joan, a film by Michael Foley
Lucas Film, Assistant Designer, San Raphael, California, Howard the Duck, Willow, Tucker
CBS, Midnight Caller (on location in San Francisco, CA)
Academic Design Credits:
2006 Moon on a Rainbow Shawl, University of South Florida
Romeo and Juliet, University of South Florida
2005Cuban Bread, University Of South Florida
Still Life with Iris, University of Minnesota Duluth
The Odd Couple, University Of South Florida
2004 The Tempest,University of South Florida
2003 Bat Boy, University of South Florida
The Mikado, Oklahoma State University
The School for Scandal , University of Minnesota Duluth
Cabaret, University of Minnesota Duluth
Conference of the Birds, University of Minnesota Duluth
Professional Affiliations:
USA, United Scenic Artists, Local 829
United States Institute for Theatre Technology
IATSE Theatrical Wardrobe Union, San Francisco, Local 784 (inactive member)
AEA, Actor’s Equity Association (inactive member)
North Carolina School of the Arts
Name /
Courses Taught
Status
Bill Volz
(full-time)
DEP 218-01 –U
Stagecraft
DEP 218-02 –U
Stagecraft
DEP 342-01 – U/G
Intermediate CAD
DEP 540-01 – U/G
Advanced Computer Topics
DEP 200-18
300-18, 400-18,
600-13, 700-13, 800-13
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
Diploma
North Carolina School of
the Arts
Professional Experience:
Senior Consultant, F.C. Schafer Consulting – design and specs for theatrical lighting
and rigging systems
Director of Design, Production and Technology – SC Governor’s School for the Arts
& Humanities
TD Faculty – North Carolina School of the Arts
ATSE member since 1985
Freelance Production Work (selected)
Premier Medical Services – TD, Annual Employee Meetings
Reynolds Tobacco – TD, Annual Employee Meetings
Allen Tate Realtors – TD 50th Celebration
Flagstar Inc.- Production carpenter
North Carolina University-Lighting Designer Capital Gains Campaign
TW Services-Scenic Coordinator and Technical Director
Spartan Foods Inc-Scene Designer and TD for Employee Appreciation party
Jakes Women by Neil Simon – Flyman for World Premier
Lost In Yonkers by Neil Simon-Head Flyman for World Premier
Bing Crosby Celebrity Golf Tournament – Technical Coordinator
North Carolina School of the Arts
Name /
Courses Taught
Status
Pamela S.
Griffin
DEP 152-01 – U
Color & Design
(full-time)
DEP 152-02 – U
Color & Design
DEP 152-04 -U
VA Design
VIA 022-01- HS
Design
VIA 025-01 - HS
Advanced Design
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
M.F.A : Temple
University; Tyler School
of Art
Workshops & Projects:
Art Director for “Music Lessons,” a film by Eleanor Antin
Illustration Workshop with Tom Allen, Southhampton College, NY
B.F.A. : Syracuse
University; School of
Visual Arts and
Performing Arts
Professional Work Experience:
Freelance Graphic Designer
Interior Designer/Painter for the Coconuts Comedy Club, NC
Exhibitions:
26 Exhibitions from 1971-1997
Awards:
NCSA Faculty Teaching Award 2008
North Carolina School of the Arts
Name /
Courses Taught
Status
DEP 101-03 – U
Vicki Davis
Intro to Theatrical Production
(Design) 1/27/11-2/15/11
(full-time)
DEP 142-02 - U
Drafting for the Theatre
DEP 452 – U/G
Scene Design III
DEP 852 – G
Grad Scene Design III
DEP 200-06, 300-06, 400-06
600-04, 700-04, 800-04
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
B.F.A. Theater Arts
Stephens College,
Columbia , Missouri
Awards and Honor:
National Endowment for the Arts/Theater Communications
The Art Students League of New York
Design Experience:
Milwaukee Repertory Theater, Milwaukee, WI
Mint Theater Company, NYC
National Yiddish Theater, NYC
Folksbiene Yiddish Theater, NYC
Miniature Theater of Chester, MA
Georgia Shakespeare Festival, Atlanta, GA
Utah Opera Company, Salt Lake City, UT
The Victory Project NYC
Dallas Theater Center, Dallas, TX
Arena Stage, Washington, DC
Lyric Opera of Kansas City, MO
Starlight Kansas City, MO
North Carolina School of the Arts
Name /
Courses Taught
Status
Jason T.
Romney
DEP 182-01– U
Intro to Theatre Sound
(full-time)
DEP 282 - U
Sound Design I
DEP 482 – U/G
Sound Design III
DEP 682 – G
Grad Sound Design I
DEP
200-13, 300-13, 400-13,
600-08, 700-08, 800-08
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
M.F.A. Sound Design:
North Carolina School of
the Arts
Professional Sound Design Credits:
Triad Stage, Greensboro, NC
Alliance Theatre Company, Atlanta, GA
Weston Playhouse Theatre Company, Weston, VT
Utah Festival Opera, Logan UT
Unicorn Theatre Company, Logan, UT
B.F.A Theatre Design and
Technology: Utah State
University
Workshops and Master Classes:
Pro Tools LE, Sound Forge, CD Architect, Reason, Patch Plots
Loudspeaker Acoustical Room Analyzer (LARA)
Bringing the Sound Designer Back to the Tech Table
Solving Acoustically Difficult Spaces, The Audiobox and MIDI Show Control
Computer Programming:
The PC-1600v
GainSet
North Carolina School of the Arts
Name /
Courses Taught
Status
David E.
Smith
DEP 382 - U/G
Sound Design II
(full-time)
DEP 385 -U/G
Audio Electronics
DEP 782 -G
Grad Sound Design II
DEP 882- G
Grad Sound Design III
DEP
200-15, 300-15, 400-15,
600-10, 700-10, 800-10
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
B.A. Honors in
Performing Arts: The
University of Kent at
Canterbury, Nonington
College, United Kingdom
Professional Work Experience:
Medical Support Systems, Cambridge, MA
Multi-Media Production Supervisor
The North Shore Music Theatre, Beverly, MA
Resident Sound Designer/Sound Supervisor
The Royal National Theatre, London, Uk
Operational Assistant, Sound Engineer
The Fulcrum Centre, Slough, UK
Audio/Visual Electrician/Sound Operator
Professional Theatre Experience:
Sound Designer/Composer, Triad Stage, Greensboro, NC,
Scarecrow Productions, Greensboro, NC, The Alliance Theatre, Atlanta, GA
Trinity Square Repertory Company, Providence RI, Arena Stage, Washington, DC
The North Shore Music Theatre, Beverly, MA, The Royal National Theatre,
London, UK
Composer, Paper Lantern Theatre Company, Winston Salem, NC
Training Workshops and Seminars Attended:
Virtual Sound Mixing, Creating the Art of Noise, Are My Shows Too Loud,
Equalization, Digital Signal Processing. Loudspeaker Coverage
Performance Systems. International Sound Designer (2 times)
If You Build It They’ll Complain. Silence, Loudspeakers 101, Wireless Mic
Mounting, Loudspeakers for Delays, Mixing Music, Sound Designer/Composer,
DAW Manufacturers Guest Session, Wireless Mic Dressing, Using DAWs for
Production Playback, Sound System Design, Automatic Microphone Mixing
Live Sound Effects, Sound Design on the Internet, Sound for CD Rom, National
Sound Designer
Professional Accreditation & Associations:
United State Institute of Technology USITT – Commissioner, Sound Commission
Audio Engineering Society AES – Executive Committee, Boston Section
Inventions and Notable Innovations:
SafeFlame, SoundPlug™, ClipCop, ConCapBox
North Carolina School of the Arts
Name /
Courses Taught
Status
Dennis Gill
Booth
DEP 142-01 – U
Drafting for the Theatre
(full-time)
DEP 318 – U/G
Technical Direction
DEP 415 - U/G
Adv. Rigging Project/Practice
DEP 610 – U/G
Graduate Technical Projects
DEP 618 – U/G
Grad Technical Direction
DMT 651 – G
Managing the Production
Process
(Team taught w/Wildman)
DEP
200-01, 300-01, 400-01,
600-01, 700-01, 800-01
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
M.F.A. Design/Technical
Theatre : University of
Washington, School of
Drama
Professional Work Experience:
Freelance Technical Production Manager, Winston-Salem Arts Community
International Alliance of Theatrical Stage Employees; Local 635
North Carolina Scenic Studios, Winston-Salem, NC
Alaska Repertory Theatre, Anchorage, AK
Berkeley Repertory Theatre, Berkeley, CA
Old Globe Theatre, San Diego, CA
Denver Center Theatre Company, Denver, CO
Arizona Theatre Company, Tucson, AZ
Intiman Theatre , Seattle, WA
Oregon Shakespeare Festival, Ashland , OR
Theatre at Monmouth, Monmouth, ME
Cooper Decoration, Syracuse, NY
B.A. Theatre : State
University of New York
at Potsdam
Technical Direction:
Piedmont Opera Theatre
Greensboro Opera
Certifications and Special Training:
OSHA Certified Trainer
Rigger and Counterweight System Inspector Training
CM Lodestar Chainmotor Application and Maintenance Course
AutoCAD Designer, Comtrex Computers
AutoCAD Level Two, Comtrex Computers
OSHA “Lock Out, Tag Out” Electrical Safety
AutoCAD Level One, Comtrex Computers
North Carolina School of the Arts
Name /
Courses Taught
Status
Norman
Coates
DEP 137– U
Intro to Lighting Design for
Non-majors
(full-time)
DEP 232 – U
Lighting Design I
DEP 332 - U/G
Lighting Design II
DEP 432 - U/G
Lighting Design III
DEP
200-05, 300-05, 400-05
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
B.A. in Theater:
Temple University
Professional Work Experience:
Selected Designs from 1973 to 2010
NASCAR Hall of Fame, Public Art Commission, Triad Stage, Idaho Shakespeare
Festival, The Princeton Festival, Piedmont Opera, Opera Carolina, Fort Worth Opera,
Opera Omaha, Virginia Opera, Greensboro Opera, American Stage Festival, WTVD
Durham, NC, WRAL TV, Great Lakes Theatre Festival, Big League Theatrical
National Tour, Encounter 500, Italian Tour, Abbot Labs Product Launch, Orlando,
FL, North Carolina Theatre, Hirschfeld Theater, Miami PBS
Circle in the Square Theater, Candlewood Playhouse
Merrill Lynch (circus night), Waldorf Astoria
Burt Reynolds Jupiter Theatre, Belasco Theatre, NYC
Riverwest Theater, Yiddish National Theater
Camelot, International Tour, Riverside Dance Festival
Playmakers Rep, Westbeth Theater, Roundabout Theater, Donnie and Marie Vegas,
MGM Grand, King Cole Loves Broadway, King Cole Room, St, Regis
One Touch of Crawford, King Cole Room, St. Regis
Cubicolo Theater, Provincetown Playhouse, Equity Library Theater
St. James Theater, Lion Theatre Company, Empire State Youth Theater
Cohoes Music Hall, Williamstown Theater Fest
Member United Scenic Artists Local 829 since 1978
North Carolina School of the Arts
Name /
Courses Taught
Status
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
Professional Work Experience:
Wicked, National Tour – Advance Electrician
Nutcracker, Carolina Ballet – Production Electrician
Jekyll and Hyde, North Carolina Theater – Pyrotechnician
Wicked, Broadway Production – Moving Light Technician
Beehive, SGH Entertainment – Lighting Designer
Luciadi Lammermoor, Greensboro Opera
V-Corporation, Minneapolis, MN – Electrician
Beauty and the Beast, National Tour – Pyrotechnician
Aida, National Tour – Head Electrician
Ragtime, Bus and Truck – Electrician
Tony ‘n Tina’s Wedding, Hey City Theater – Technical Director
Cabaret, National Tour – Electrician
Martin Guerre, Pre-Broadway Tour - Pyrotechnician
Spirit, Bus and Truck – Moving Light Technician
Jekyll and Hyde, Bus and Truck – Head Electrician
Beauty and the Beast, National Tour
Scenic Technologies, Automation Department
M. Eric
Rimes
DEP 101-03 – U
Intro to Theatrical Production
(Electric) 1/4/11-1/25/11
M.F.A. Yale School of
Drama (all but thesis)
(full-time)
DEP 235 - U
Stage Electrics
B.F.A in Theatrical
Design : Florida State
University, School of
Theater
DEP 335- U/G
Commercial Stage Electrics
DEP 435– U/G
Practical Survey Light Tech
Business
DEP 100-03,
200-12, 300-12, 400-12,
Production
Other Qualifications:
IATSE member, local 115
IATSE member, local 635
ETCP certified Electrician
ETCP Recognized Trainer – Electrics
Training Seminars in Electrics
Wharton Center, East Lansing, MI
Kennedy Center and IATSE – Local 22, Washington D.C.
State Theatre and IATSE – Local 13, Minneapolis, MN
Additional Training:
Var*lite Technical Training
Series 200 Technician
Series 300 Technician
Artisan Programming
Technician Training: Service Technician
North Carolina School of the Arts
Name /
Courses Taught
Status
Zachary
Stevenson
DEP 112-01 – U
Intro to Stagecraft
(full-time)
DEP 215–U
Welding II
DEP 315 – U/G
Advanced Theatre Technology
DEP 615– G
Graduate Advanced Theatre
Technology
DEP 695 – G
Graduate Welding &
Metalworking
DEP 200-16,
300-16, 400-16, 600-11,
700-11, 800-11
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
M.F.A. Technical
Production: University of
North Carolina School of
the Arts
Professional Work Experience:
IATSE Local 274
IATSE Local 635
IATSE Local 574
Utah Shakespearean Festival – Scenery Supervisor
North Carolina Shakespeare Festival-Technical Director
Piedmont Opera-Technical Director
B.F.A. Directing : Central
Michigan University
Additional training:
AWS Welding Educator seminar NC 2009
Rigging Seminars, Winston-Salem, NC 2002
SkyJack Scissors & Boomlift Training, Winston-Salem, NC 2000
Mitsubishi Forklift Training, Winston-Salem, NC 1998
Risk International Masters Class in Rigging III, Las Vegas, NV, 1995
CM Lodestar Application & Maintenance, Las Vegas, NV, 1994
Risk International Masters Class in Rigging II, Las Vegas, NV, 1994
USITT Masters Class in Rigging I, Durham, NC, 1991
Professional Affiliations:
Entertainment Technician Certification Program—
Rigger, Arena certification candidate
American Welding Society, member 2009-present
American Institute of Steel Construction, member 2009-present
United States Institute for Theatre Technology, member 2003- present
North Carolina School of the Arts
Name /
Courses Taught
Status
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
Greg
Shelnutt
DEP 155-01 - U
D&P Sculpture
M.F.A. Art: The
University of Georgia
Professional Work Experience:
Foundry Technician, Maxcast Foundry, Iowa City, IA
(full-time)
DEP 355 - U/G
3D Design/Sculpture for the
Theatrical Designer
B.F.A Art: East Carolina
University
Solo Exhibitions:
19 Solo Exhibitions from 1990 to 2002
VIA 032 – HS
Sculpture I
VIA 035 – HS
Sculpture II
VIA 599-01
Intensive Arts Projects
Invitational Exhibitions:
81 Exhibitions from 1988 to 2005
Traveling Exhibitions:
10 Traveling Exhibitions from 1989 to 2005
Juried Exhibitions:
40 Exhibitions from 1985-2004
Group Exhibitions:
41 Exhibitions from 1987 to 2004
Grants:
17 Grants from 1990-2004
North Carolina School of the Arts
Name /
Courses Taught
Status
Christine
Turbitt
DEP 262 - U
Costume Design I
(full-time)
DEP 365-01 – U/G
Costume Technology II
DEP 465 –U/G
Costume Technology III
DEP 662 – G
Graduate Costume Design I
DEP 665 – G
Grad. Costume Technology I
DEP 765- G
Grad. Costume Tech II
DEP
200-17, 300-17, 400-17,
600-12, 700-12, 800-12
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
M.F.A. Drama :
University of California at
Irvine, School of Fine
Arts
Professional Draper/Manager Experience:
Santa Fe Opera
Colorado Shakespeare Festival
North Carolina Shakespeare Festival
Great Lakes Shakespeare Festival
Tyler Perry Studios
B.A. Dramatic Arts:
University of California at
Berkeley
Professional Design Credits:
Georgia Shakespeare Festival
Alabama Shakespeare Festival
North Carolina Shakespeare Festival
Triad Stage
Actor’s Theatre of Atlanta
Monomoy Theatre, Cape Cod
Actor’s Ensemble
Little Theatre of Winston Salem
New Stage
New Age Theatre of Winston Salem
Southwest Virginia Ballet
North Carolina Dance Theatre
Academic Design Credits:
The Hartt School
Duke University
University of Wisconsin at Milwaukee
Radford University
North Carolina School of the Arts
Name /
Courses Taught
Status
Margaret
Joines
(part-time)
DMT 652 – G
Human Resources
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
B.S. Slippery Rock
University-Elementary
Education
Professional Experience:
Wachovia Corporation:
Senior VP, HR Director, Wealth Management – 9/01 – 6/09
Wachovia Senior
Management
Development Program –
Duke University
Strategic Human
Resources Planning –
Univ. of Michigan
Business School
Wachovia Executive
Leadership Development
Program – UNC Chapel
Hill
Senior Professional in
Human Resources
(SPHR) designation
Senior VP, HR Director, Personal Financial Services – 6/99 – 9/01
North Carolina School of the Arts
Name /
Courses Taught
Status
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
Academic Work Experience:
Instructor, Penland School – Drawing and Painting 2007
Instructor, Wake Forest University, Studio Fundamentals 2003
Instructor, Wake Forest University, Drawing and Painting 2001
Instructor, The Tougaloo Art Colony, Drawing 2000
10 instructor positions 1987-1999
Mary Ann
Zotto
DEP 152-03 – U
Color & Design
M.F.A East Carolina
University – Papermaking
(part-time)
DEP 350-02 – U
Studio Skills-Acrylic
M.A. Eastern Michigan
University – Painting and
Weaving
DEP 350-03 – U
Studio Skills-Drawing
B.S. North Texas State
University – Drawing and
Painting
Selected Exhibitions:
44 exhibitions 1986-2007
Awards and Residencies:
Cultural Corridors Design Award, Winston-Salem Tourist Bureau, 2005
7 residencies 1982-2007
Collections Purchase Awards, Publication
Work represented in 12 collections
Grants:
Women and the Arts Grant, Kenan Institute for the Arts, 2007
North Carolina School of the Arts
Name /
Courses Taught
Status
Eduardo
Sicangco
DEP 350-04 – U/G
Studio Skills – Model Making
(part-time)
DEP 352 – U
Scene Design II
DEP 362 – U
Costume Design II
DEP 462 – U/G
Costume Design III
DEP 752 – G
Grad Scene Design II
DEP
200-20, 300-20, 400-20,
600-15, 700-15, 800-15
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
B.A. Ateneo de Manila
University- Mass
Communications
Academic Work Experience:
1996-2004 Master Teacher of Design, New York University, Tisch School of the
Arts
M.F.A New York
University – Stage Design
(J.S Seidman Award for
Excellence in Design)
Selected Professional Design Credits:
National Actors Theatre, Lyceum Theatre, NYC
Broadway Cares/Equity Fights AIDS, NYC
Encores, City Center, NYC
Off Broadway
Brooklyn Academy of Music, NYC
Radio City Music Hall, NYC
New York City Opera, Lincoln Center
Juilliard Drama, Lincoln Center, NYC
Houston Grand Opera
Ordway Music Theatre, St. Paul, MN
Goodspeed Opera House
Hartford Stage
Crossroad Theatre Company
American Music Theatre Festival & the Kennedy Center
Cincinnati Playhouse in the Park
Dollywood Entertainment, Pigeon forge, TN
Ballet Florida, West palm Beach, FL
Ballet Phillipines
St Louis, MUNY
Chautauqua Opera, Chautauqua, NY
North Carolina School of the Arts
Name /
Courses Taught
Status
Robert
Wildman
DMT 532 – G
Development
(full-time)
DMT 600-01 – G
Production/Arts Mgmt
DMT 651 – G
Managing the Production
Process
(team taught w/Booth)
DMT 698 -01 - G
Issues and Aesthetics
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
M.F.A in Theatre
Administration: Yale
University, Yale School
of Drama
Academic Work Experience:
Yale School of Drama, Lecturer in Theatre Administration 1986-92
Goucher College, Adjunct Faculty, Arts Administration, 1999- current
B.A. in English: Stanford
University
Professional Work Experience:
Eugene O’Neill Theater Center – Interim Manager, May-Aug 2003
Connecticut Repertory Theatre - Managing Director, 1995-2002
Long Wharf Theatre – Director of Press and Marketing, 1992-1995
Yale Repertory Theatre/Yale School of Drama
- Director of Institutional Development , 1989-1992
- Director of Press and Marketing, 1986-1989
Mark Taper Forum, Los Angeles, CA
- Grants Manager, 1985-1986
- Press/ Development Associate, 1983-1985
American Council for the Arts – Project Coordinator, “Guide to Corporate Giving
in the Arts,” 1982 (spring/summer)
Conferences Attended (representative sampling) :
Theatre Communications Group
- 2001 TCG Conference in Philadelphia –“The Role of Live Theatre in a Digital
Culture”
- 1999 TCG Conference In San Francisco-“Crossing the Great Divides”
- 1996 TCG Conference at Princeton University
2000 ACT II (“American Congress of Theater II) Conference in Boston
Board Memberships:
Association of Arts Administration Educators (2010-), North Carolina Theatre
Conference, (2007-2010), Arts Council of Greater New Haven (1990-96)
Grant Panel Service: Connecticut Commission on the Arts (four times), Theatre
Communications Group (three times), The Adam Foundation (four times)
North Carolina School of the Arts
Name /
Courses Taught
DEP 122-01 – U
Status
William
Drawing
Taylor
(full-time)
DEP 122-02 – U
Drawing
DEP 125-01- U
VA Drawing
SACS-COC Faculty Courses
Academic Degrees
M.F.A.
in Painting; Pratt
Earned
Institute, Brooklyn, NY
B.F.A University of North
Carolina at Chapel Hill
Concentration in Painting,
Minor: Creative Writing
Other Qualifications
Academic Work Experience:
Elon University, Adjunct Assistant Professor of Art, 2003-05
Drawing I, Alternative Drawing Methods, Fundamentals of Design
Wake Technical Community College, Full-time Instructor, 2003-05
Drawing I, Drawing II, Art Methods and Materials, Design I, Art Appreciation, Art
History Survey I, Art History Survey II
Campbell University (RTP Campus), Adjunct Lecturer, 2003-05
VIA 012 – HS
Drawing I
VIA 015 – HS
Drawing II
SUNY-Westchester, Adjunct Instructor of Art, 2001-03
Art Galleries of Manhattan, Painting Fundamentals, Intermediate Painting,
Advanced Painting
Filmography:
10 films from 1997-present
Selected Exhibitions:
39 exhibitions 1996-present including:
“eNTER aCTION”, Visual Art Exchange, Raleigh, NC
“Ternion”, Elon University, Elon, NC
“William Booth Taylor and Greg Shelnutt”, Theatre Art Galleries, High Point, NC
“Centipede”, 48 Hour Film Project, The Carousel Theatre, Greensboro, NC
“FIVE schools/ FIVE miles: Winston-Salem Faculty Invitational”, The Sawtooth
Center,Winston-Salem, NC
”Noir et Blanc”, 5ive and 40rty Gallery, Winston-Salem, NC
“Drawing No Conclusions: A Survey of Contemporary Drawing”, Urban Institute for
Contemporary Arts, Grand Rapids, MI
Grants:
University of North Carolina School of the Arts Faculty Development Grant
(2009)
Thomas S. Kenan Institute for the Arts’ collaborative initiative grant for
“BREATHE – The Creative Challenge Project” (2008)
University of North Carolina School of the Arts Faculty Development Grant
(2007)
North Carolina School of the Arts
Name /
Courses Taught
Status
John H.
Miller
(full-time)
DEP 115-01 – U
Welding I
DEP 592- G
Motion Control I
DEP 690, 790, 890 - G
Motion Control Seminar
DEP 692 - G
Motion Control II
DEP 792 - G
Motion Control III
DEP 892- G
Machining and Fabrication
DEP
200-11, 300-11, 400-11,
Production
DEP 710-01 – G
Grad Motion Control
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
M.F.A. Technical
Production:
Southern Illinois
University
Academic Work Experience:
Florida State University, School of Theatre
- Tenured
B.S. , Special Major in
Technical Production :
Southern Illinois
University
Professional Work Experience:
Scenic Technologies-Director of Engineering
North Carolina Scenic Studios, Inc.- Vice President and General Manager
IATSE - Local 421, Local 635
Showmotion Inc., I Weiss Inc., TPS/Vialift, J.R. Clancy Inc.
Documenta 11, Spaeth Design, United Theatrical Services
North Carolina Shakespeare Festival, National Tour
- Disney on Parade
- Peter Pan
National Bus & Truck – Sunshine Boys
ETCP Theatre Rigging Certified 2005
North Carolina School of the Arts
Name /
StatusOlson
David
Courses Taught
DMT 500 - G
Production/Arts Management
DMT 512 – G
Accounting/Financial Mgt
(full-time)
DMT 523 – G
Marketing
DMT 635 – G
Strategic Planning
SACS-COC Faculty Courses
Academic Degrees
Carlson
EarnedSchool of
Management:
MBA in Marketing and
Strategic Management
Luther College, Decorah,
Iowa:
BA in Accounting
CPA Licensed to practice
State of Minnesota;
Member Minnesota
Society of CPA’s.
Candidate for “Doctor of
Education” in
Organizational
Development
Other Qualifications
Teaching Summary Experience:
Undergraduate Level: Principles of Marketing, Organizational Behavior, MS Office
computing, Principles of Non-Profit Management, Principles of Accounting, Acting
and Improvisation to Improve Creativity and Communication in Business.
Graduate Level: Principles of Accounting and Non-Profit Financial Management;
Principles of Negotiation; Business Computer Systems.
Professional Experience:
Business start-up consultant: Blackwell Igbanugo Engen & Saffold law firm.
Strategic planning consultant: Metro Educational Cooperative Service Unit.
Marketing Consultant: Ramsey County Historical Society
Strategic Planning Consultant : Winston-Salem Youth Symphonies
Project Management:
$15 million museum construction project.
Served on Board of Directors:
Metropolitan Boy Choir, Minneapolis, MN, developing fires fundraising program for
the organization.
Capital Campaign Committee member:
Diabetes Institute for Immunization and Transplantation, University of Minnesota
Winston Salem Symphony
Twin City Stage
Representative MBA Coursework:
Principles of Marketing
Consumer Behavior
Marketing Research
Product Policy
Marketing Communications
Pricing Theory
Strategic Marketing
Strategic Management:
Strategic Management
Industry and Competitive Analysis
International Strategic Management
The process of Strategy
Organizational Behavior
Human Resources Management
Ethics
North Carolina School of the Arts
Name /
Courses Taught
Pamela Knourek
DEP 101-02 U
Costume (1/4/11-1/27/11)
(full-time)
DEP 265-01 – U/G
Costume Technology II
DEP 668 - G
Costume Shop Management
DEP 865 – G
Grad Costume Technology III
DEP 100-02,
200-08, 300-08, 400-08
600-06, 700-06, 800-06
SACS-COC Faculty Courses
Academic Degrees
MFA North Carolina
School of the Arts 1991,
Costume Technology
BA Clarke College
Dubuque 1988, Drama
Speech
Other Qualifications
Professional Work Experience:
University of Minnesota, Twin Cities Campus, Theatre Arts and Dance 1998-2002 Costume
Shop Director
Adjunct faculty Clarke College Dubuque 1990-1992
The Santa Fe Opera, New Mexico: Costume Workroom Supervisor, 1998, 2001, 2002-2004.
Hire and manage costume staff of 70 to 100 costumers for summer opera festival producing
five operas each summer. Costume Coordinator, 2000.
BI Performances, Edina, MN: Costume Designer, Manager for Business Theatre Productions
1999-2002
The Guthrie Theater, Minneapolis, MN: Costume Workroom Manager 1991-1998. Manage
the costume build for all Main Stage and Laboratory Productions.
Mascots and Costumes, Minneapolis, MN: Costume Shop Management Consultant 2000.
Outward Spiral theater Company: Costume Design 1999, 2001
National Tour: The Phantom of the Opera, Costume Crafts, 1994.
NC Shakespeare Festival: Draper 1990-1991, Milliner 1991, Tailor Asst. 1998, Stitcher 1998.
Additional Costume Experience: Television and Film Experience:
Fringed Benefits, Co-Owner 1989-1991. Emergency studio support services for film shoots.
Films include: Sleeping With the Enemy, House of Cards, Betsy’s Wedding, Mr. Destiny
PBS Mini Series, The Civil War-The NC Story. 1990. Costume and Make-up Supervisor.
Field of Dreams, 1998. Costume Supervisor.
Workshops:
United States Institute for Theatre Technology (USITT) 2005 National Conference. Member
Costume Commission Strategic Planning Committee. Faculty Sponsor Student ChapterNCSA. Chair-Costume Design and technology Portfolio review. Panel Member “Training
Wardrobe in North America”. Active member since 1989.
South Eastern Theatre Conference (SETC). Panel Member-Costume Tech Portfolio Review.
Adjudicator-Crafts and Props Award. 2005
Other Leadership Positions:
Board of Director: The Adam Foundation-Winston-Salem, NC 2003-present.
Volunteer: The Little Theater of Winston-Salem
Chrysalis Center for Women Support Group Facilitator 1993-1996
Awards and Recognition
Who’s Who Among American Teachers 2001
North Carolina School of the Arts
Name /
Courses Taught
DEP 102-01
Status
Jamie
Call
Blankinship (Management) 2/8/11-3/3/11
(full-time)
DEP 392 – U
Stage Management II
DEP 200-04, 300-04, 400-04
Production
SACS-COC Faculty Courses
Academic Degrees
Other Experience
B.F.A., Stage
Management: North
Carolina School of the
Arts
Professional Stage Management Experience:
San Francisco Opera 1987-1991
The Washington Opera, JFK Center for Performing Arts, DC 1984-1986
North Carolina Shakespeare Festival 1982
Opening Ceremonies, 1994 World Cup Soccer at RFK Stadium
Spoleto Festival, U.S.A. 1981-1985
Nat’l Celebration of Arts Education , JFK Center for Performing Arts 1993
Lyric Opera of Kansas City, Missouri 1985, 1986
Piedmont, Charlotte, Augusta, and Anchorage Opera Companies 1982-1985, 2011
Executive Producer – Jack Morton Company, Washington D.C 1998-1999
Producer – Production Group International, Arlington, VA 1994-1996
Production Manager – Gail Stern & Assoc., Oakland, CA 1987-1990
Bay Area AGMA Executive Committee 1990-1991
Consultant/Retreat Leader for Non-Profit Boards and Arts Organizations
Professional Affiliations:
Actor’s Equity Association (AEA)
American Guild Musical Artists (AGMA)
United States Institute for Theatre Technology (USITT)
Stage Managers Association (SMA)
Attended USITT 2009, 2010 as Faculty Advisor and Conference Participant
O
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Q
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s
North Carolina School of the Arts
Name /
Michael
Status
Meyer
(full-time)
Courses Taught
DEP 279 – U
Wig Construction I
DEP - 775 - G
Grad Prosthetics
DEP 778 – G
Grad Wig Construction
DEP 875 – G
Adv. Character Creation
DEP
200-10, 300-10, 400-10,
600-07, 700-07, 800-07
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
Professional Work Experience:
1984-1987 Apprenticeship as a hairstylist Frankfurt/Germany
1989-1991 Student make-up artist Hannover State theater/ Germany
1990 2 weeks Make-up Artist Course offered by The German Stage Association.
Licenses:
1991 Make-up artist, Wig maker, Special effects artist license Awarded by the
German Stage Association. (Maskenbildner Pruefung)
1987 Cosmetology license Awarded by German state (Gessellenbrief)
Theatrical:
1991-1998 Make-up Artist Hannover State Theater, Germany
1998-2002 Wig maker and Make-up Artist San Francisco Opera.
1999 Promoted to 1st assistant wig maker San Francisco Opera.
1989-1998 Hannover State Theater, Germany
1998-2003 San Francisco Opera
Professional Design credits:
Playmakers Repertory Theater
Theatre IV
Georgia Shakespeare festival
University of North Carolina Greensboro
Godot Theater Company Taiwan
Professional film design:
2004 Salem Creek production “South of Hell,” Designer special effects make-up.
2004 Low Heat production “Sisters,” Designer special effects make-up.
2004 Prosthetics advisor “Marcus”
2007 Crimson Wolf Productions /Eyeborgs –Feature Film, Mechanical F/X
Supervisor, Special F/X Supervisor
2007 First Team Production “Sunny Side Singers” Trailer, Make-up Designer
2010 Dirty Silverware Production, Dirty Silverware Mask and Animatronic Design
North Carolina School of the Arts
Name /
Status
Courses Taught
Bland M Wade,
JR
DEP102-02 – U
Properties (2/1/11-2/8/11)
(full-time)
DEP 348 – U/G
Stage Properties
DEP 418 – U/G
Professional Career
Development
DEP 548 - G
Furniture
DEP748 - G
Graduate Stage Properties I
DEP 848 – G
Grad Adv. Stage Properties
DEP
200-19, 300-19, 400-19,
600-14, 700-14
800-14
Production
SACS-COC Faculty Courses
Academic Degrees
Earned
Other Qualifications
Diploma
North Carolina School of
the Arts
Professional Work Experience:
Society of Property Artisan Managers (S*P*A*M)
IATSE Local 635
North Carolina Shakespeare Festival High Point, NC
Actors Theatre of Louisville, Louisville KY
Heritage Repertory Theatre
Owner, Swift Wade Gallery and Studios, Turning and Furniture
Design Work:
Resident Designer , Twin City Stage, Winston-Salem, NC
Wake Forest University, Winston-Salem, NC
North Carolina Shakespeare Festival, High Point, NC
2003 Winston Cup, NASCAR Preview Series
2002 RJR Championship Golf Tournament
1993-2000 Vantage Championship Golf Tournament
1993 Sci Works, Dinosaur Exhibit, Winston-Salem
Workshops:
2010 Woodturning Workshops at Sawtooth Center for the Arts
2005 Host S*P*A*M Conference
2004 S*P*A*M Conference Saint Louis, MO
2000 Completed Computer Animated load Manifest program
2000 Completed Forklift Certification
1995-1996 Completed class in CAD (computer aided drafting)
1996 MESDA, completed three day seminar in furniture conservation and
restoration.
North Carolina School of the Arts
Name / Status
Courses Taught
SACS-COC Faculty Courses
Academic Degrees Earned
Martha Ruskai
(full-time)
DEP 101-02 – U
Wig & Makeup (2/10/11-3/3/11)
M.F.A Theater Production/Makeup
Design
DEP 178 – U
Intro to Hair History & Styling
BM Vocal Performance
University of Cincinnati
DEP 274 - U
Make-up I
DEP 350-05 – U/G
Studio Skills – Rendering Faces and Period
Hair
DEP 475-01 – U/G
Advanced Make-up
DEP 872 – G
Graduate Wig Design Seminar
DEP
200-14, 300-14, 400-14,
600-09, 700-09, 800-09
Production
Other Qualifications
Created Wig & Makeup Design Major in 1990
Organized/principal presenter: USITT 2010
Costume Commission Wig Making and Styling
Symposium
Co-Author Wig Making and Styling Focal
Press 2010 ISBN-13: 978-0240813202
External Master Classes/ Speaking
engagements:; Indiana University, USITT,
UNC-CH Playmakers, Duke University,
Cleveland Institute & Music, UNCG, NC Dance
Theater, NC Thespian Festival
Professional Work Experience:
Film and Television
Design Work:
Founding of Planters Peanut Documentary 1990
John Dickinson Plantation living history
documentary 1988
Sleeping with the Enemy- designed and styled
theatrical properties wigs for set dressing 1991
The Other Anna aka Secrets (ca 1900 made for
TV movie) period hairstylist for extras 1997
Tecumseh! TNT Production 1995
Theatrical Experience
The Pearl Theater ( NYC)
Pennsylvania Shakespeare Festival
Georgia Shakespeare Festival
Cincinnati Playhouse in the Park
Great Lakes Shakespeare 1986
Hot Summer Nights Production
Professional Opera Experience
Atlanta Opera, Cincinnati Opera, Connecticut
Opera, Greensboro Opera Company, Nashville
Opera, National Opera, Opera Carolina, Opera
Hamilton, Opera Theater of the Rockies,
Piedmont Opera Theater, Pittsburg Opera, Santa
Fe Opera, The Atlanta Opera, Toledo Opera,
Whitewater Opera
Whitewater Opera
North Carolina School of the Arts
SACS-COC Faculty Courses
Name / Status
Courses Taught
Academic Degrees
Earned
Other Qualifications
Frank Lombardi
DEP 292 – U
Stage Management I
B.A. Columbia University
English
(full time)
DEP 498 – U/G
Stage Management Seminar
Professional Experience:
AEA Stage Manager on numerous Broadway productions & regional
productions throughout the U.S. (selected list; “Behanding in Spokane,”
Schoenfeld Theatre, NYC; Hamlet, The Broadhurst Theatre NYC,
Catch Me If You Can, 5th Avenue Theatre , Seattle; Spamalot, The
Shubert Theatre, NYC, ‘Tarzan,” Richard Rogers Theatre, NYC;
Hairspray, Neil Simon Theatre NYC)
DEP 200-09, 300-09, 400-09
Production
Director; Resident, Associate and Assistant Director on Broadway,
national tours and regional Productions (selected list; The Lion King,
Pantages Theatre, L.A., “big,” Bus &Truck tour , NET works
Productions, A Little Night Music, The Signature Theatre, DC, “big”
National Tour, PACE Theatricals)
Educational Experience:
Guest Artist, UNC School of the Arts, 2009
Guest Instructor, Yale Graduate School of Drama, 2009
Guest Lecturer, Columbia University, Graduate School of Arts and
Sciences, 2009
North Carolina School of the Arts
SACS-COC Faculty Courses
Name / Status
Courses Taught
Academic Degrees
Earned
Other Qualifications
Charles Murdock
Lucas
DEP 350-06 – U/G
Studio Skills-Photoshop for Lighting
MFA – University of
North Carolina School of
the Arts (expected 2011)
Graduate Student at UNCSA