P.I.P. INDEXING RULES (Version 1.3) Revised in 2015 Table of Contents Introduction Part 1: General criteria for indexing Description and content How to deal with television / video / multimedia / internet Part 2: Rules for the different types of material to be indexed ARTICLES BEST FILMS BIBLIOGRAPHIES BIO-FILMOGRAPHIES BOOK EXTRACTS BOOK REVIEWS CONFERENCE REPORTS CORRESPONDENCE CREDITS DIARIES DISCUSSIONS DOSSIERS DVD & BLU-RAY REVIEWS EDITORIALS EXHIBITIONS, FILM FESTIVAL REPORTS FILMOGRAPHIES INTERVIEWS LISTS NECROLOGIES OBITUARIES PHOTO SECTIONS PREVIEWS PRODUCTION REPORTS REVIEWS SCRIPTS SOUNDTRACK REVIEWS SPECIAL ISSUES SPEECHES STATISTICS SYNOPSIS, FILM TRADE FAIRS page 2 2 3 4 5 5 6 7 8 9 10 11 12 12 13 14 16 18 21 22 23 24 24 25 25 26 27 27 28 29 31 32 33 36 36 37 37 Introduction The purpose of FIAF’s Periodicals Indexing Project (P.I.P.) is to publish indexing in the International Index to Film Periodicals in order to enable users to find relevant information for their film research. The quality of the indexing depends on the consistency achieved by using agreed standards and working procedures. Many archives and institutions already have their own rules for indexing periodicals. However it is important for the success and the consistency of the International Index to Film Periodicals that all our indexers are familiar with and apply the P.I.P. indexing rules. Please note that these indexing rules are written assuming that the indexer uses FIAFCat, the new web based indexing software system. Using this system has advantages for both indexer and P.I.P. staff (no potential duplication of work for the indexer; no re-keying required at the P.I.P. office) and will allow more time to be spent on improving the contents and broadening the scope of the titles covered. The P.I.P. indexing rules are of course intended to be applied by all indexers whether or not they use FIAFCat. Generally, the indexer proceeds as follows: 1. Analyses the material according to the rules for the indexing of specific material. 2. Completes the indexing entries following the instructions given in the FIAFCat Indexing Procedures. 3. The indexer notifies the P.I.P. office by email when the issue is finished in FIAFCat. At this point the indexer may include questions, comments, or suggestions about headings. PART 1: GENERAL CRITERIA FOR INDEXING The periodicals included in FIAFCat are indexed from cover to cover, with some exclusions: 1. News items and other matters likely to be of limited or short-term interest: i.e. industry news/forthcoming releases, etc. 2. Technical articles unless aimed at the general reader. 3. Very brief items are not normally indexed. However, in the case of useful information which is unlikely to appear elsewhere, it should be included. All substantial items are indexed separately. 2 Description and content In general, each indexed article should include: source information (journal name, vol., issue,) followed by pages, author, title, and ‘nature’ description 1 and 2. Nature 1 indicates the overall nature of the item being indexed: A BE BR CO CR D DS DY ED FR I L O P PH PR R S SC SI SP Y Article Book Extract(s) Book Review Correspondence Conference Report Discussion Dossier Diary Editorial Festival Report Interview List Obituary Preview Photo Section Production Report Review Short Review Script Special Issue Speech Synopsis Nature 2 indicates the presence of illustrations, credits, etc. in the article: B BF C DG DI F IL ST T TH V Bibliography Bio-filmography Credits Diagram(s) Discography Filmography Illustration(s) Statistics Teleography Theatrography Videography 3 The content of the article should be explained by a concise abstract, which explains the choice of the headings (biographical, corporate, subject, film or TV description). An abstract is obligatory except in the case of film reviews. Every entry must have at least one heading and may include as many headings as necessitated by the content of the article. This information is entered in separate fields. For a complete list of the different fields, see the step-by-step guide in the Indexing Procedures in FIAFCat. How to deal with television / video / multimedia / internet In the past, articles about television and video were indexed in a separate database and published in the International Index to TV Periodicals. From 1979 to 1998 a number of television journals were indexed. In 1998 the television journals were dropped, but articles related to television, video and multimedia were still indexed in the separate TV database. At present, articles about television, video, multimedia, and the internet are indexed in FIAFCat for inclusion in the International Index to Film Periodicals. Because film periodicals sometimes contain material on television, video (art), multimedia and the internet, this material is still indexed, although brief and technical articles on these subjects may be omitted. The indexer must determine their relevancy to the users of the International Index to Film Periodicals. Some general remarks: Television films Feature-length television films and documentaries are now usually created in the film section. Release year could be the premiere on tv or a festival premiere. Television films less than 60 minutes (for instance episodes of a general documentary series) continue to be created in the TV Database. Video art & installations Policy: - as a general rule we don’t create the name of the installation or video piece as a film/tv title heading - usually name of artist is mentioned in abstract; creation of a bio heading depends on profile of artist 4 PART 2: RULES FOR THE MATERIAL TO BE INDEXED DIFFERENT TYPES OF The most common types of material to be found in periodicals are listed here with advice on how they should be treated. ARTICLES Probably the most widely used category for periodical references. Articles can include material of a wide variety: theoretical essays, career overviews, historical articles, etc. Nature 1: use the abbreviation A. Example: 5 BEST FILMS Lists of favourite films, best films of the year, etc. Nature 1: use abbreviation L if only separate lists are featured, use abbreviation A in the case of a general article commenting on films. Example: 6 BIBLIOGRAPHIES Works cited and bibliographic references are usually part of an item being indexed. Nature 2: use abbreviation B. Example: 7 BIO-FILMOGRAPHIES Bio-filmographies may accompany an item being indexed (general article, interview). Generally not taken as a separate entry. Nature 2: use abbreviation BF Example: 8 BOOK EXTRACTS Should be indexed, giving the publishing details in the abstract. Nature 1: use abbreviation BE Example: 9 BOOK REVIEWS Always index separately, except if books on a similar theme are combined in one review. In the abstract the title of the book is given in single quotation marks followed by the name of the author: e.g. Of ‘Histoire(s) du cinéma’ by Jean-Luc Godard. If the title of the article consists only of the title of the reviewed book, consider the title of the book review section as the title (e.g. Books or Reviews). Heading(s) are chosen for the subject of the book as for other entries. Nature 1: use abbreviation BR Example: 10 CONFERENCE REPORTS In the abstract give the exact name of the conference in single quotation marks, and note the place, date and theme of the conference, if not evident from the conference name. Always create a subject heading composed of CONFERENCES + country + year: e.g. CONFERENCES/FRANCE. 2007 plus a subject heading for the theme of the conference. Nature 1: use abbreviation CR Example: 11 CORRESPONDENCE Often reprinted exchange of letters between film personalities. Do not index letters from readers to the journal. Nature 1: use abbreviation CO Example: CREDITS Credits are not indexed separately and are usually part of a review. Should be noted when they contain more than just the director, and a few actors. Nature 2: use abbreviation C. 12 DIARIES A daily report, i.e. of a film’s making, a festival visit, etc. (Nature 1: use abbreviation DY Example: 13 DISCUSSIONS Used for a group of two or more personalities debating a given subject. Biographical headings may be made for film workers. In the case of a round table discussion with many participants, give the names in the abstract but don’t create separate biographical headings. Nature 1: use abbreviation D Example 1: 14 Example 2: 15 DOSSIERS A dossier is a section containing a substantial number of articles (usually four or more) on one specific subject. This could include reviews, interviews, book reviews, filmographies, etc. Two or three articles devoted to one subject (for example film review plus interview) are not dossiers and are treated as individual articles. A general entry should be made for the dossier as a whole. For this general entry, only give the title of the dossier, and the name of the person(s) editing the dossier. If there is no editor, leave the author field empty. To find the title, you may have to refer to the table of contents or the cover. Give the pagination of the whole dossier (all articles included). Give a good overview of the contents of the dossier in the abstract. Be concise and not too detailed. The abstract can indicate the presence of a filmography, bibliography, etc. Make a heading for the general theme of the dossier. Nature 1: use DS and not any specific abbreviations such as A, I or R, which should be used for the entries of the separate articles (see below). Nature 2: use IL if relevant Example of a general entry for a dossier: 16 Additional entries are made for all the individual articles. We no longer combine articles in a single entry. Give the name of the authors and the relevant Nature 1 abbreviations in these individual entries. Nature 1: use I, R, A, etc. if relevant Introductions to dossiers are usually very brief and are not taken separately. If the introduction is substantial it should be given a separate entry. Note: the old rule was to avoid as far as possible the repetition of the subject heading(s) allocated to the main entry itself. This is no longer valid. Please use appropriate headings whenever necessary. Example of an additional entry: 17 DVD & BLU-RAY REVIEWS Reviews of new DVD and Blu-ray releases. Follow the rules for REVIEWS, but in the abstract always indicate that this is a DVD and/or Blu-ray review. Never use the subject headings DVD, FILMS ON or BLU-RAY DISCS, FILMS ON for individual reviews. Example of a DVD review: 18 DVD collections: in many cases it is preferable to use biographical or general subject headings instead of using numerous film titles. In the case of a substantial review, you may add additional film titles (no more than five). Box sets: use the appropriate headings for the general theme of the collection. Compilations of short films: do not create new film headings for these, neither the compilation title nor the individual short films. Use general subject headings (for instance ANIMATED FILMS/RUSSIA). The compilation title may be mentioned in the abstract. Example of a DVD collection review: 19 Short DVD and/or Blu-ray reviews, as opposed to reviews, are usually grouped together and are less complete than reviews. Try to combine short reviews into one entry (maximum 6 films per entry). Use the name of the section in the title field. The author is not given for short reviews, unless it is clear that one reviewer has written all of them. Caution: in the case of combining several DVD and/or Blu-ray reviews featuring a collection, make sure to mention the title of the collection in the abstract. 20 EDITORIALS As a general rule not indexed. If however the editorial takes the form of an article with original subject matter it should be indexed. Nature 1: use ED Example: 21 EXHIBITIONS, FILM This applies to film exhibitions as opposed to art exhibitions. In the abstract note the place, date and theme of the exhibition, if not evident from the exhibition title. The name of the exhibition may be given in single quotation marks. Always create a subject heading composed of EXHIBITIONS, FILM + country + year: e.g. EXHIBITIONS, FILM/SPAIN. 2007, plus a subject heading for the theme of the film exhibition. Example: 22 FESTIVAL REPORTS In the abstract give the name of the festival (without quotation marks), and note the place, year and theme of the festival, if not evident from the festival’s name. Use the capitalization appropriate to the language of the festival. Always create a subject heading composed of FESTIVALS + city + year: e.g. FESTIVALS/BERLIN. 2007. Give the name of the city in English if there is one (for example FLORENCE and not FIRENZE). Give an extra subject heading for the theme of the festival if relevant (e.g. ANIMATED FILMS). If the report contains several short film reviews which are part of the continuous text, these are not separately indexed. If however, the report contains separate, more detailed film reviews these are dealt with in the usual manner (see REVIEWS). Nature 1: use abbreviation FR Example: 23 FILMOGRAPHIES Filmographies are not indexed separately and are usually part of a general article, dossier, interview, etc. Nature 2: use F INTERVIEWS The main subjects covered in the interview should be mentioned in the abstract. Note the profession and nationality of the person interviewed unless internationally wellknown. Nature 1: I We no longer combine interviews and reviews in one common entry. Always create a separate entry for interviews. Example: 24 LISTS Can be individual films, best or worst film lists, subjects or personalities, box office reports, awards presented at a festival, highest-paid actors/actresses, etc. Lists may accompany an item being indexed (general article, interview). Only take separately if substantial. Nature 1: use L Example: NECROLOGIES General overviews, usually for a given period, of deaths of film/tv personalities. These should only be indexed if the material is relevant, e.g. for annual listings. Use subject heading OBITUARIES plus year as subheading. Nature 1: O. 25 OBITUARIES All substantial obituaries are indexed. For short obituaries, always take personalities from the country or language region of the periodical you are indexing. The profession and nationality should be given in the abstract, unless widely-known. Nature 1: O Note: obituaries taking the form of a career appraisal or tribute should be considered as an article. Use A in Nature 1. Example: 26 PHOTO SECTIONS A section of photographs or stills with a minimum of text. Should be indexed when the section is more than a few pages. Nature 1: PH Example: PREVIEWS Advance information on a forthcoming film. Create a heading for the film with “[in prod.]” in the note field if the film is not yet completed. Try to determine the final release title if possible. Nature 1: use the abbreviation P 27 PRODUCTION REPORTS A report from a visit to a film set, often including interviews with cast and crew. Create a heading for the film with “[in prod.]” in the note field if the film is not yet completed. Try to determine the final release title if possible. Nature 1: use PR Example: 28 REVIEWS Reviews are substantial film or tv criticisms. Normally contain fairly complete credits, the reviewer’s name and sometimes a synopsis of the film. Use the title of the review (which may be the film title) in the title field. Give the reviewer’s name in the author field. Nature 1: use R Nature 1: use Y if relevant Nature 2: use C if relevant (when they contain more than just director, and a few actors). Example of a review: 29 Short reviews, as opposed to reviews, are usually grouped together and are less complete than reviews. Try to combine short reviews into one entry (maximum 6 reviews per entry). Use the name of the section in the title field. The author is not given for short reviews, unless it is clear that one reviewer has written all of them. Nature 1: use S Nature 2: use C if relevant (when they contain more than just director, and a few actors). Nature 2: use IL for any illustration (even if the combined entry only has one illustration) Note: The distinction between reviews and short reviews is not wholly determined by length. Try to follow the policy of the periodical in determining whether to use review (Nature 1: R) or short review. (Nature 1: S). Example of a short review: 30 SCRIPTS All scripts, substantial extracts from scripts, dialogues, shot-by-shot analyses etc. should be indexed. Nature 1: use SC. Example: 31 SOUNDTRACK REVIEWS Reviews of new soundtracks on CD. In the abstract always indicate that this is a soundtrack review. Always use the subject heading SOUNDTRACKS, plus the name of the film(s). Only use the composer name as a biographical heading for CD compilations. You may combine short soundtrack reviews into one entry. Nature 1: use A Example: 32 SPECIAL ISSUES A special issue is an issue devoted to one subject and may contain articles, essays, reviews, interviews, book reviews, filmographies, etc. A general entry should be made for the special issue as a whole. For this general entry, only give the title of the special issue, and the name of the person(s) editing the issue. If there is no editor, leave the author field empty. To find the title, you may have to refer to the table of contents or the cover. Give the pagination of the whole special issue (all articles included). Give a good overview of the contents of the special issue in the abstract. Be concise and not too detailed. The abstract can indicate the presence of a filmography, bibliography, etc. Make a heading for the general theme of the special issue. Nature 1: use SI and not any specific abbreviations such as I or R, which should be used for the entries of the separate articles (see below). Nature 2: use IL if relevant Example of a general entry: 33 Additional entries are made for all the individual articles. We no longer combine articles in a single entry. Give the name of the authors and the relevant Nature 1 abbreviations in these individual entries. Nature 1: use I, R, A, etc. if relevant Example of an additional entry: 34 Introductions to special issues (usually written by the editor) should be taken separately, unless they are brief (not more than one page) or only a short presentation of the articles. Always take introductions of 3 pages or longer. Note: the old rule was to avoid as far as possible the repetition of the subject heading(s) allocated to the main entry itself. This is no longer valid. Please use appropriate headings whenever necessary. Example of a separate introduction entry: 35 SPEECHES Give name of speaker in author field, plus title of speech, date and location (if known) in abstract. Nature 1: use SP Example: STATISTICS Could appear in the form of graphs, diagrams, pie charts, etc. Nature 2: use ST 36 SYNOPSIS, FILM Usually part of a film review, and therefore not indexed separately. Nature 1: use Y TRADE FAIRS In the abstract give the name of the trade fair (without quotation marks), and note the place and year of the trade fair. Always create a subject heading composed of TRADE FAIRS + country + year: e.g. TRADE FAIRS/USA. 2007. Note that some well-known trade fairs have been created individually: e.g. MIPCOM/2006 and do not require a general ‘TRADE FAIRS’ heading. Example: 37