Thursday, 7. June 2012
10:00-15:30 CDE Postgraduate Forum
15:30-17:30 CDE Steering Committee Meeting
18:00-19:00 Dinner
19:00-19:20 Conference Opening
19:30-20:30 Keynote 1 Edward Bond, “The Third Crisis – The Possibility of Drama in the Future”
21:00 Conference Warming
Friday, 8. June 2012
9:00-10:30 Panel 1: Objects as/versus Bodies
Kate Katafiasz, “Staging Reality (Beyond
Representation): A Perplexing Bondian Body”
Ni ls Wilkinson, “Programmable Bodies: Active
Capacity and Passive Disposition in Ayckbourn’s
Robots and Churchill’s Clones”
Beatrix Hesse, “Dead Bodies on Stage”
10:30-11:00 Coffee Break
11:00-12:00 Keynote 2
Deirdre Osborne & SuAndi, “Interview &
Performance”
Deirdre Osborne, “Skin Deep, a Self-Revealing
Act: Monodrama, Mixedness and (I)dentity in
SuAndi’s The Story of M and Mojisola Adebayo’s
Moj of the Antarctic ”
12:00-13:30 Lunch
13.30-15:00 Panel 2: Body
Politics
Christopher Innes, “Triumphant Physical Theatre:
Undermining Ethics through the Body”
Sarah Heinz, “Staging the Body Politic in Irish
Contemporary Drama: Sebastian Barry’s
The
Pride of Parnell Street (2007) and Gianina
Carbunariu’s Kebab (2007) ”
Markus Wessendorf, “Zombie Walks and Zombie
Capitalism”
15:00-15:30 Coffee and Cake
15:30-18:00 CDE Annual General Meeting
18:00-19:00 Dinner

Saturday, 9. June 2012
9:00-10:00 Keynote 3
10:00-10:30 Coffee Break
10:30-12:00 Panel 3:
Performance(s)
Doris Kolesch,
“Staging Voices”
Daniel Schulze, “Blood, Guts and Suffering: The
Body as Communicative Agent in Wrestling and
Performance Art”
Jan Suk, “Bodies? on? Stage? Human Play of
Forced Entertainment”
Rainer Emig, “Staging the Phallus: Naked Boys
Singing ”
12:00-13:00 Lunch
13:00-14:00 Panel 4: (Post-)
Corporeality
Maria Elena Capitani, “Dealing with Bodies: The
Corporeal Dimension in Sarah Kane’s
Cleansed and Martin Crimp’s The Country ”
Michał Lachman, “Absent Bodies: Ravenhill’s
Phenomenology of Carnality
”
14:00-14:30 Coffee Break
14:30-17:00 Workshop
17:45-18:45 Dinner
19:30-22:00 Theatre
Performance at
Ringlokschuppen
Mülheim
Rona Munro, Acting Bodies on Stage
Michael Yates Crowley, Righteous
Money / Gerechtes Geld
Staged by Michael Yates Crowley/Michael Rau
(Wolf 359, New York) and Ulrich Greb
(Schlosstheater Moers)
Sunday, 10. June 2012
9:00-10:00 Keynote 4
Michael Raab, “Acting in Contemporary British and Irish Plays in the Original and in Translation ”
10:00-10:30 Coffee Break
10:30-12:00 Panel 5:
Oscillating Bodies
12:00-13:00 Lunch
13:30 End of Conference
Sarah Ablett, “The Body and the Bible in Sarah
Kane’s
Blasted
”
Sarah-Anna Wetzlmayr , “Ex-centring the Subject and Decentring the Original: Mark Ravenhill’s pool (no water) in the Context of Aktionismus
”
El żbieta Baraniecka, “Words That Matter:
Between Materiality and Immateriality in Sarah
Kane’s 4.48 Psychosis ”