Full bibliography

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PUBLICATIONS: BOOKS
1. Clare Wallace The Theatre of David Greig. London: Methuen, 2013. ISBN
9781408157329.
PUBLICATIONS: EDITED BOOKS
1. Anja Müller and Clare Wallace eds. Cosmotopia: Transnational Identities in David
Greig’s Theatre. Prague: Litteraria Pragensia Books, 2011. ISBN 978-80-7308-355-7.
Contributors include Mark Fisher, David Greig, Marilena Zaroulia, David Pattie, Maggie
Inchley, Charlotte Thompson, Michael Raab, Dawn Fowler, Fiona Wilkie, Peter
Billingham, Sandra Heinen.
PUBLICATIONS: BOOK CHAPTERS, INTRODUCTIONS, SECTIONS
1. “Irish Drama since the 1990s: Disruptions.” The Oxford Handbook of Modern Irish
Theatre. Eds. Nicholas Grene and Chris Morash. Forthcoming June 2016. ISBN 978-019-870613-7.
2. “Writing for ‘the real national theatre’—Stewart Parker’s Plays for Television.” Irish
Theatre in Transition. Eds. Donald Morse and Csilla Bertha. Basingstoke: Palgrave
Macmillan, 2015. 216-229. ISBN: 9781137450685.
3. “Suspect Culture.” British Theatre Companies: From Fringe to Mainstream. Eds
Elizabeth Tomlin and Graham Saunders. London: Methuen, 2015. 179-206. ISBN:
9781408177273.
4. “‘The heel of the oppressor in a Ferragamo shoe’ Medium and Message in Improbable
Frequency.” Beyond Realism: Experimental and Unconventional Drama since the
Revival. Eds. Joan Dean and José Lanters. Amsterdam: Rodopi, 2015. 189-202. ISBN
9789042039193.
5.
“Intervention, Interaction, Insufficiency: Theatre’s Critical Repertoire?” (with Ondřej
Pilný) JCDE Special Issue Theatre and Politics: Theatre As Cultural Intervention 2.1
(2014): 1-7. Berlin: De Gruyter. ISSN: 2195-0164
6. “Playing with Proximity: Precarious Ethics on Stage in the New Millennium.” Ethical
Speculations in Contemporary British Theatre. Eds. Mireia Aragay and Enric Monforte.
Basingstoke: Palgrave Macmillan, 2014. 117-134. ISBN10: 1-137-29756-5.
7. “‘All the Old Ghosts’: Monologue and Memory in Friel, Pinter and Beckett.” ‘Tis to Create
& in Creating Live: Essays in Honour of Martin Procházka. Eds Ondřej Pilný and Mirka
Horová. Prague: Faculty of Arts, 2013. 238-245. ISBN 978-8073084455.
8.
“Monologue
Plays.”
Drama
Online
Digital
Library,
Bloomsbury
www.bloomsbury.com/uk/academic-subjects/drama-and-performance-studies.
9.
“The Art of Disclosure, the Ethics of Monologue in McPherson’s Drama.” The Theatre of
Conor McPherson: Right beside the Beyond'. Ed. Eamonn Jordan and Lilian Chambers.
Dublin: Carysfort, 2012. 43-60. ISBN 9781904505617.
2013
10. “Hidden Histories and Unwelcome Memories in Hugo Hamilton’s The Speckled People.”
Ireland in Drama, Film and Popular Culture. Eds. Sandra Mayer, Julia Novak and
Margarete Rubik. Trier: Wissenschaftlicher Verlag Trier, 2012. 167-174. ISBN 978-3868213850.
11. “Uncertain Convictions and the Politics of Perception.” Ethical Debates in Contemporary
Theatre and Drama. Eds Mark Berninger and Bernhard Reitz. Contemporary Drama in
English 19. Trier: Wissenschaftlicher Verlag Trier, 2012. 55-64. ISBN 978-3-86821-3775.
12. “Twentieth Century American Drama.” Lectures in American Literature. Ed. Justin Quinn
et al. Prague: Karolinum, 2011. 178-186; 215-221; 243-250; 281-287. ISBN 978-80-2461996-5.
13. “David Harrower.” The Methuen Drama Guide to Contemporary British Playwrights. Eds.
Aleks Sierz, Martin Middeke and Peter Paul Schnierer. London: Methuen Drama series,
2011. 243-262. ISBN 978-1408122785.
14. “Neutral Spaces and Transnational Encounters.” Cosmotopia: Transnational Identities in
David Greig’s Theatre (with Anja Müller). Eds. Anja Müller and Clare Wallace. Prague:
Litteraria Pragensia Books, 2011. 1-13. ISBN 978-80-7308-355-7.
15. “Unfinished Business—Allegories of Otherness in Dunsinane.” Cosmotopia:
Transnational Identities in David Greig’s Theatre (with Anja Müller). Eds. Anja Müller and
Clare Wallace. Prague: Litteraria Pragensia Books, 2011. 196-213. ISBN 978-80-7308355-7.
16. “Conor McPherson.” The Methuen Drama Guide to Contemporary Irish Playwrights.
Eds. Martin Middeke and Peter Paul Schnierer. London: Methuen Drama series, 2010.
271-289. ISBN-13: 9781408113462.
17. “Sarah Kane, Experiential Theatre and the Revenant Avant-Garde.” Sarah Kane in
Context. Eds. Laurens De Vos and Graham Saunders. Manchester: Manchester UP,
2010. 88-99. ISBN-13: 9780719011395.
18. “Home Places: Irish Drama since 1990.” Irish Literature Since 1990: Diverse Voices.
(with Ondřej Pilný). Eds. Scott Brewster and Michael Parker. Manchester: Manchester
UP, 2009. 43-58. ISBN-13: 978-0719075636.
PUBLICATIONS: JOURNAL ARTICLES (REFEREED) (11)
1. “Yes and No? Dissensus and David Greig’s Recent Work.” Contemporary Theatre
Review. ISSN 1048-6801 Forthcoming 2016.
2. “Stewart Parker: A Sceptic in a Credulous World.” Ilha do Desterro, Special Issue on
Contemporary Irish Theatre. 58 (Jan/Jun. 2010): 157-178. ISSN 0101-4846.
PUBLICATIONS: REVIEW ARTICLES, BOOK REVIEWS, OTHER
1. “Collaborating with Audiences: A Conversation with David Greig,” Journal of
Contemporary Drama in English 4.1 (2016) ISSN 2195-0156. Forthcoming.
2. Rev of Mapping Irish Theatre: Theories of Space and Place by Chris Morash and Shaun
Richards, Theatre Notebook 69.1 (2015): 66-67.
3. Rev of The New War Plays: From Kane to Harris by Julia Boll, Litteraria Pragensia 24.48
(2014): 137-140.
4. “Taking on the Scottish Play: David Greig’s Dunsinane,” Asides Issue 4, Shakespeare
Theatre Company Washington DC (2015): 18-22.
5. Rev of Stewart Parker: A Life by Marilynn Richtarik, Irish University Review 44.2 (2014):
423-427.
6. Programme materials for The Cosmonaut’s Last Message Myeongdong Theater, South
Korea, 2014.
7. Rev of Stewart Parker: A Life by Marilynn Richtarik, B.O.D.Y. 10 May 2013 <
http://bodyliterature.com/2013/05/10/friday-pick-stewart-parker-a-life/>.
8. “David Harrower – Two Defining Plays: Knives in Hens and Blackbird,” Programme essay
for Tron Theatre production of A Slow Air by David Harrower at the Tricycle Theatre
London 8 May-2 June 2012.
9. Rev of Queer Notions: New Plays and Performances from Ireland, ed. Fintan Walsh, Irish
Studies Review 19.4 (2011): 479-480.
10. Rev of Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary
Anglophone Drama, Christina Wald, Litteraria Pragensia 19.38 (2009): 93-96.
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