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Julia Dobson: Publications
Books
Negotiating the Auteur: Cabrera, Lvovsky, Masson and
Vernoux
Manchester University Press,
forthcoming June 2012
The Scene of Writing: Hélène Cixous and the Theatre
(Bern:
Peter Lang,
2002)
Chapters in Books
‘Troubling Matters: Mannequins, Murder and Gisèle Vienne’s
corps troublants’ in Allison and Long (eds) Women/Matter: French
and Francophone Women and the Material World, (Bern: Peter Lang,
forthcoming 2013)
‘Asserting Text, Context and Intertext: Jill Forbes and French
Film Studies' in W. Higbee and S. Leahy (eds) Studies in French
Cinema. Perspectives 1985-2000 (Bristol: Intellect, 2011)
'Cixous' Theatre and the Returns of the Dead' in M. Hutton (ed)
Redefining the real: The fantastic in Contemporary French and
Francophone Women's Writing, (Bern: Peter Lang, 2009)
‘Jacques Audiard: Contesting Filiations’ in K. Ince (ed) Four
Directors: Auteurism from Assayas to Ozon, (Manchester, Manchester
University Press
2008.
I. Willis and M. McQuillan (eds)
‘I am an archreader ...'
(Translation of 'Je suis plutôt une lisante' Hélène Cixous)
The
Origins of Deconstruction,
Palgrave Macmillan 2009
‘The Scenes of Writing: Poetic Identity in Cixous’ Recent
Theatre’
in Hansen and Cahill (eds) French Feminists: Critical
Evaluations in Cultural Theory
(London and New York: Routledge,
2007)
‘Hélène Cixous’
in J. Simons (ed) Contemporary Critical
Theorists, (Edinburgh: Edinburgh University Press, 2004)
’Running Out of Place: Gender, Space and Crisis in Ferreira
Barbosa’s 'Les Gens normaux n’ont rien d’exceptionnel’ and
Lvovsky’s ‘Oublie-moi’’
in A. Hughes and J. Williams (eds)Gender
and French Cinema (Berg
2001), pp. 241-254
'Transatlantic Crossings: Ideology and the Remake’
in D.
Holmes and A. Smith (eds)
A Hundred Years of European Cinema.
Entertainment or Ideology? (Manchester: Manchester University
Press,
2000) pp. 183-194
‘Nationality, Authenticity, Reflexivity: Kieslowski’s ‘Three
Colours’ Trilogy
in P. Powrie (ed)
‘French Cinema in the Nineties:
Continuity and Difference, (Oxford: Oxford University Press,
1999),
pp. 234-245
Articles
‘Ideal Suspects? The Investigation of Romance in Masson’s
Guilty (Coupable) 2008’ Studies in European Cinema, forthcoming
2013.
‘Timely Resistance in the Documentary Work of Dominique
Cabrera’.
French Studies
LXII (3) 2008, pp. 290-300.
Jacques Audiard and the Filial Challenge.
Studies in French
Cinema
vol 7.3, December 2007, pp 179-189
At the Time of Writing Theatre: Cixous’s Absolute
Present’
Paragraph 23 (3) (2000),
‘Tambours sur la digue: A First Response’
Paragraph 23 (3)
(2000), pp. 344-349
Asserting Identities: The Theatres of Tsvetaeva and
Cixous’
Forum for Modern Language Studies
35 (3) (1999), pp.
261-269.
‘The Scenes of Writing: Poetic Identity in Cixous’ Recent
Theatre’
Theatre Research International
23 (3) (1998), pp. 257262
The Staging of the Self: The Theatre and Hélène Cixous’
New
Readings
2 (1996), pp. 21-36
‘Greek Mythology in the Theatre of Cixous and
Tsvetaeva’
Women Teaching French Papers
2, (1993), pp. 64-78