Latin 395/295: Late Antique and Medieval Latin Syllabus, Fall 2007 Faculty Consultant: Course Director: This work by the Sunoikisis consortium is licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/. Syllabus Authors: • Barbara Weiden Boyd, Bowdoin • Glenda Carl, Southwestern University • Owen Cramer, Colorado College • Nick Dobson, Monmouth College • Megan Drinkwater, Agnes Scott College • Catherine Freis, Millsaps • John Gruber-Miller, Cornell College • Dave Guinee, DePauw University • Rob Kendrick, Colorado College • Jennifer Kosak, Bowdoin • Anne Leen, Furman University • Mike Lippman, Rollins College • Marsha McCoy, Austin College • James O'Donnell, Georgetown University • Sonia Sabnis, Reed • Amber Scaife, Kenyon • David Sick, Rhodes College • Holly Sypniewski, Millsaps College Included in this syllabus: a course overview, a bibliography, a schedule of assignments, and study questions. COURSE OVERVIEW Description This course, making extensive use of resources available via the internet, focuses on the evolution of Latin literature during late antiquity and the medieval period, beginning in the third century and continuing until the twelfth century. Students will read and study the works of some of the major authors of the period, including Tertullian, Jerome, Augustine, Prudentius, Hrotsvitha, Abelard, Heloise, Geoffrey of Monmouth, and others. The course will focus on four main themes-- religion, education, gender, and latinity itself-- within the consideration of changing historical, social, and cultural modes and values. Students will participate in a weekly webcast lecture, an on-line discussion moderated by faculty members from participating institutions in Sunoikisis, and weekly tutorials with faculty members at their home institutions. Objectives This course is specifically designed for advanced students and will include a rigorous study of the cultural and historical context during late antiquity and the medieval period. Students will continue developing their understanding of the language by studying the literature as it evolved over this long period of time. The goals of this course are to read and enjoy late antique and medieval Latin poetry and prose with full comprehension of form and content; to master its genres and conventions and follow essential points of written discourse; to demonstrate an awareness of the aesthetic properties of medieval Latin language and literary style and how these differ from classical Latin; to understand the historical, social, and cultural world of the medieval period as the bridge between antiquity and the modern world and the problems associated with such "periodization" of history; and to become familiar with current trends in scholarly interpretation. Course Components Preparation: Students should read all assigned primary texts for the week by the common session. Students who choose to take this course at the 295 rather than 395 level will be responsible for less reading in Latin but will be expected to complete all of the reading in English. Common Sessions: Mondays, 6:30-8 PM Eastern. Students at all partipating institutions will meet together online for a common session via multipoint interactive video-conferencing and a chat room. These interactive sessions have a different faculty leader each week and typically combine mini-lectures with discussion, questions, and exercises. Study Questions: Responses to the study questions are due Wednesdays, with additional responses due on Fridays. The study questions afford students the opportunity to expand on and synthesize issues that arise in the reading and common session, as well as engage with secondary literature. Students may be asked to complete additional reading in English for the study questions. Due Dates and Times for Discussion Questions: Time Activity 4 PM (ED/ST) Wednesdays First Answers to Study Questions due 4 PM (ED/ST) Fridays Responses to other students' answers due Tutorials: Each student will meet for at least one hour every week with a mentor at her or his home institution. The times and locations of these meetings will be determined on each campus. Students are responsible for contacting their faculty mentors and finalizing the details of their weekly meetings. These sessions will focus more closely on issues of language, translation and interpretation of assigned readings. Home campus mentors will be the final authority for all grades. Examinations: Translation exams and quizzes will be handled by home institutions, but there will be a communally designed essay-based midterm and final exam that will be administered and graded by course faculty as a whole. Students will often be asked to interpret passages of Latin or use passages to support their arguments on the midterm and final. For students in ICLAT 295, grades will be based on the following components: Class preparation and work in tutorial: 40% Participation in the study questions: 30% Midterm examination: 15% Final examination: 15% For students in ICLAT 395, grades will be based on the following components: Class preparation and work in tutorial: 30% Participation in the study questions: 30% Midterm examination: 20% Final examination: 20% BIBLIOGRAPHY Suggested Texts 1. Harrington, K. and J. Pucci. Medieval Latin (2nd ed.). Chicago, 1997. 2. Lewis, Charlton and Charles Short. A Latin Dictionary. Oxford, 1879. (Lewis and Short contains more references to late Latin than the Oxford Latin Dictionary.) 3. Sidwell, S. Reading Medieval Latin. Cambridge, 1995. Many texts and commentaries will be made available in electronic versions linked to the Moodle site for the class. COURSE SCHEDULE AND ASSIGNMENTS Week One: September 3-9 Assignments: Latin: Tertullian Ad Scapulam 2 and 5, Egeria (HP) 75-76 (stop at "rubo in igne" in line 12) and 77 line 3 to end. English: all of Ad Scapulam Week Two: September 10-16 Common Session Topic: "Roman and Christian Identity" Prof. David Sick, Rhodes College Assignments: Latin: Jerome, Epistle 1 (Sidwell 53-54), Epistle 22 (all of selection on Moodle), Mark 15-16.8 English: Jerome, Epistle 1 (all) Week Three: September 17-23 Common Session Topic: "Jerome and Literate Christianity Prof. Dave Guinee, DePauw University. Assignments Augustine, Confessions 8.12.28-30 ("Tolle Lege") at Sidwell 46-48 [526 words]; 1.13.20-22 ("Dido and Aeneas") from the Latin Library, [484 words]; Latin 295 does not read book one. Week Four: September 24-30 Common Session Topic: "On Augustine's Confessions" Prof. James O'Donnell, Georgetown University Assignments Latin: Ausonius' Crucified Cupid (HP 88-93); Prudentius, Psychomachia 310-343 (Sidwell 63-64) English: Prudentius, Psychomachia Week Five: October 1-7 Common Session Topic: "Late Antique Poetics" Prof. Holly Sypniewski, Millsaps College Assignments Bede, Ecclesiastical History and Commentary (Sidwell 105-108) Venantius Fortunatus To Radegund at Lent (HP 161) To Absent Agnes (HP 162-163) To Radegund: on Flowers (HP 165) Pange, Lingua, Gloriosi (HP 167-168) Weeks 6-7: October 9-15 and 16-22 Fall Break Week/Days for some schools. Common Session Topic: "What is Medieval Latin?" Prof. Glenda Carl, Southwestern University Assignments: Alcuin, "Conflict of Winter and Spring" (HP 223-225), "Mea Cella" (HP 225-227) Einhard, Vita Caroli Magni (HP 243-244) Week Eight: October 22-28 Common Session Topic: "The Carolingian Renaissance and Educational Reform" Prof. Nick Dobson, Monmouth College Assignments: Paul the Deacon, "Fatal Jest" (HP 204) Dhuoda, Liber Manualis Prose intro and opening acrostic (HP 273-275) On loving God (HP 278-279) Week Nine: October 29-November 4 Common Session Topic: "Women, Barbarians, and other Others as Authors, Students and Patrons" Professor Owen Cramer, Colorado College Assignments: Hrotsvitha Preface Dulcitius scenes 1, 4, and 5 (HP 354-355) and remainder in English Week 10: November 5-11 Common Session Topic: "Hrotsvitha, the Mighty Voice of Gandersheim" Prof. Mike Lippman, Rollins College Assignments: Matthew Paris, the riot at Oxford and its aftermath (HP 646-650) John of Salsbury, Metalogicon (Sidwell 256-259) Week Eleven: November 12-18 Common Session Topic: "Education and the University" Prof. Anne Leen, Furman University Assignments: Abelard, Historia Calamitatum (HP 492-494, line 11) Heloise, Epistulae 2 Latin (HP 506-508, line 19) Entire letter in English Week Twelve: November 19-25 (Thanksgiving break) Common Session Topic: "Writing and Reading Abelard and Heloise" Prof. Marsha McCoy, Austin College Week Thirteen: November 26-December 2 Common Session Topic: "Manuscript Transmission" Prof. Megan Drinkwater, Agnes Scott College Assignments: Geoffrey of Monmouth, Historia Regum Britanniae (HP 517-520) Alexander Romance (HP 455-456) Week Fourteen: December 3-9 Common Session Topic: "Vernacular Literature Prof. Rob Kendrick, Colorado College STUDY QUESTIONS WEEK 2 1. Egeria went on a pilgrimage to Sinai. Have you ever done something analogous to this trip, and what was your experience? 2. When Thomas More and Erasmus use to kick it old school, they conversed in Latin. In the spirit of the academy, please respond to the following short questions in English or Latin . Quod nomen tibi est? Quam scholam frequentas? Quot annos natus/a es? Ubi habitat tua familia? Esne monachus/a? Quo modo otium agere soles? 3. This course will introduce you to the intellectual climate of the Late Antique and Medieval world. What are your preconceptions about literature and intellectual life in the period we're considering? How did your readings in Tertullian and Egeria fit or alter your preconceptions? WEEK 3 1. In letter 22 Jerome mentions that the unpolished style of the Scriptures causes him to shudder. Identify by citing examples some of the horrific features we find in Mark. Does the style of the Vulgate tell us about the early Christian community? 2. In Letter 1 Jerome recounts the sufferings of the Christian woman falsely accused of infidelity. We can hardly see this as a straightforward, journalistic narrative. How does Jerome use dramatic or rhetorical effects in the letter? Further, does the employment of such dramatic and rhetorical devices conflict with or enhance the religious value of the narration? WEEK 4 1. Like St. Jerome, Augustine depicts secular literature as hazardous to one's spiritual health. Furthermore both authors cite mysterious experiences with divine intervention with respect to their relationship to the secular tradition. Compare the attitudes of Augustine and Jerome to secular literature and the role of Christian spiritual ecstasy in determining those attitudes. Cite evidence from the texts. WEEK 5 1. Explain how Ausonius' Cupid Crucified or the excerpt from Prudentius’ Psychomachia is an example of the "Jeweled Style" described by M. Roberts. 2. Using any passage or lines from the text for evidence, choose three exercises from rhetorical training in the Late Antique period and three rhetorical terms, which are used to describe compositional techniques, to illustrate your point. These are listed in separate MSWord documents on the course Moodle site. Make sure that you cite the Latin in support of your examples. WEEKS 6-7 1. The Latin language is evolving in many different directions during the period we are studying. Valerius Probus, writing during the third century C.E., was distressed by what he saw as the degeneration of classical Latin. He drafted a list of 227 of his pet peeves (words that were commonly misspelled/mispronounced) together with the necessary corrections. Pick three of the pairs shown below (all of which come from his list) and write about what process(es) seem in your view to be leading to the "wrong" word (Are particular letters being dropped or added? Under what circumstances? Why do you think that might happen?). Then give a derivative of the word from English or a modern Romance language. speculum non speclum sobrius non suber calida non calda fames non famis tabula non tabla mensa non mesa auctor non autor viridis non virdis Februarius non Febrarius 2. "In principio erat verbum," wrote John. There are stories that, after the American Revolution, some wanted to replace the language of the oppressor (English) with German, French, Greek, or Hebrew. Roger Sherman, a delegate to the Continental Congress, said, "It would be more convenient for us to keep the language as it was and make the English speak Greek." How does language serve as a vehicle for the establishment/preservation of civil or religious authority? Cite specific examples in your discussion. Props go to those who can provide examples from readings from the course. WEEK 9 1. Dhuoda is (a) a Carolingian Latinist, (b) a Frank, possibly northern, (c) a Christian, (d) a woman, (e) upper class or noble, (f) a mother, (g) a wife, and possibly other things as well. How do two or three of these identities vie for prominence in her Manual ? WEEK 10 1. In 2006, the Guerrilla Girls on Tour, a theatre troupe that describes its objective as to advocate on the behalf of women and persons of color in the performing arts, issued its first annual Hrosvitha Challenge: “We challenge professional theaters to scrap their plans of producing yet another production of a Greek tragedy and instead produce a play by Hrosvitha, the first female playwright! The winner will receive Guerrilla Girls on Tour's First Annual Hrosvitha Award!” How would Hrosvitha herself have reacted to this challenge? How do you, as a student of the Greek and Roman literature and culture, react to this challenge? For more information on the Guerrilla Girls on Tour, see their website: http://www.guerrillagirlsontour.com/pages/main_icon.html . WEEK 11 1. What elements of the medieval university do you find still present at your institution? Be certain to support your claims with evidence from the readings and lecture. The participating institution that is deemed "most medieval" wins a special prize. WEEK 13 1. Abelard and Heloise had very different memories of their early relationship. What accounts for those differences and how do they reflect those differences in the selections of their letters that we read? 2. Which author of those we read this semester is the least likely to have survived from its time of composition to the modern period? Why? Be sure to consider a variety of factors in your answer, such as when it was composed, by whom, for whom, where and by whom it was likely to have been read and/or preserved.