Backgrounds and Characteristics of Modernism 1. A sense of loss of ontological grounding. Ontology is the branch of metaphysics that deals with the nature of being, so a loss of ontological grounding is a feeling that what people believed about existence, value, and identity is in flux, that perhaps there is no knowable (by man) ground of value and identity. Some of this feeling comes from challenges to accepted ways of knowing such as 19th century science and its ability to explain the universe and life, the influence of Charles Darwin and Herbert Spencer, evolution and thermodynamics Industrialization which displaces people from their traditional, often agrarian, roots. Changes in philosophical thought (think of Mr. Ramsay and the table in the tree) which suggested that what we perceive as “reality” is shifting and uncertain, not validated by some outside authority. The waning influence of Christianity, often because of its associations with state, capitalism, hypocritical moralism, and the status quo. Critical studies of the Bible as a historical document. An increasing awareness of the existence and offerings of other cultures and religions which had differing world views, and a willingness to examine those world views. 2. A sense that culture had lost its bearings that there is no center (or centre, if you will), that cultural values are bankrupt. 3. A sense that traditional values such as capitalism, religious faith, a belief in progress had led to catastrophe on a grand scale, that is WWI, and the wastelands of rampant industrialization, the breakdown of traditional society, exploitations of other races and cultures (Ireland? India? Africa?), and the rise of a civilization based on greed and power (Cecil Rhodes, corruption, the Titanic even) 4. A shifting view of the universe from a finite, known world system into an open relativistic, changing alien universe. Think about relativity and Einstein. 5. A change in the locus of authority from traditional sites like the Church, government, class, the Bible, to the individual, the phenomenological (lived experience), thus locating authority in the personal and individual rather than the social or accepted. 6. The expansion of ideas and studies which draw on the nature of the individual (psychology, democracy) and in art, the importance of individual perception such as impressionism, post-impressionism, and eventually cubism. 7. The idea that forces governing human behavior, including the most powerful and formative ones, are hidden in psychology, the unconscious, economics, and politics. The increasing importance of Marx, Freud, Nietzsche. The idea that within these fields may be keys to power relations, economic power, madness, social control, etc. 8. A move toward the mystical and symbolic as ways of recovering a sense of the holy and true in human experience and of creating some semblance of sustainable ontological ground. Think about Jung and his archetypes, about James Frazier and his study of comparative religions and mythologies, Yeats and his symbolism and mysticism, his interest in the odd mystical societies like the Golden Dawn, the popularity of Evelyn Underhill’s work on mysticism etc. 9. An increasing emphasis on form and shape, perhaps as an effort to organize the whirl of ideas and destruction of traditional structures. 10. A continued questioning of gender relations and indeed, all power-based relations. 11. A continued drive toward experimentation in language and questioning of how and if language conveys meaning.