Andrea Cohen Born 1970 Education 1999 1993 1988-1990 New York, New York Lives and works in Brooklyn, NY MFA, Sculpture, Tyler School of Art, Temple University, Philadelphia, PA BA, New York University, Gallatin School (individualized major), New York, NY Columbia College, Columbia University, (architecture major), New York, NY Solo Exhibitions 2012 New Sculpture, Walter Maciel Gallery, Los Angeles, CA 2008 Overlook, Walter Maciel Gallery, Los Angeles, CA 2006 New Sculpture, Walter Maciel Gallery, Los Angeles, CA Kantor Feuer Window, New York, NY The Happiness I Seek, Three Walls, Chicago, IL 2005 100 Broadway (lobby installation), organized by Suzanne Randolph Fine Arts, New York, NY 2004 Landscapian, Johnson Gallery, Middlebury College, Middlebury, VT 2003 Year of the Dolphin, Triple Candie, project room, New York, NY Group Exhibitions 2010 Identity Based Vertigo, Walter Maciel Gallery, Showroom B261, Pacific Design Center, West Hollywood, CA Inspiration Unlimited, Walter Maciel Gallery, Showroom B261, Pacific Design Center, West Hollywood, CA 2009 Political Draw, Walter Maciel Gallery, Los Angeles, CA 2008 Sublime Landscapes, Project 4 Gallery, Washington DC 2007 Home/Office Landscapes, curated by Michael Duncan, Guggenheim Gallery, Chapman University, Fullerton, CA Ho Ho Hum, Bravin Lee Projects, New York, NY 2006-2007 The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington, DC (catalogue) 2006 As Good As Your Next Gig, Walter Maciel Gallery, Los Angeles, CA 2005 Take Shape, Rena Bransten Gallery, San Francisco, CA Make It Now: New Sculpture in New York, Sculpture Center Long Island City, NY (catalogue) Equally Vulnerable, curated by Jessica Hough, Branchville Gallery, Ridgefield, CT Encounters with Sculpture, Hudson Art Walk, Hudson, NY 2004 Borderlands: Four Installation Sculptures, Viceglia Gallery, Caldwell College, Caldwell, NJ August, curated by Dan Kopp, Brooklyn Fireproof, Brooklyn, NY Group Exhibitions (continued) 2003 How Come?, curated by Max Henry, Stefan Stux Gallery, New York, NY Sculpture: A Matter of Soft and Hard, curated by Anne Ellegood and Rachel Gugelberger, Artists Alliance, New York, NY 2002 Proper Villains, curated by David Hunt, Untitled (Space) Gallery, New Haven, CT 2002 The Accelerated Grimace, Silverstein Gallery, New York, NY Freight Elevator Project 2, curated by Ombretta Agro, Brooklyn, NY 1998 Invisible, Penrose Gallery, Tyler School of Art, Philadelphia, PA 1997 Fourteen, Temple Gallery , Philadelphia, PA 1996 Tinsel Tower, Clocktower Gallery, P.S.1: The Institute for Contemporary Art, New York, NY Works for a Fun House, E.S. Vandam Gallery, New York, NY 1995 Oooze, Black + Herron Space, New York, NY The Sum and The Parts (collaboration with Michael Rodriguez), 450 Broadway Gallery, New York, NY Sauce, 173A North 3rd Street, Brooklyn, NY Sauce Auction 173A North 3rd Street, Brooklyn, NY 1994 GENART Premiere Exhibition, Cristinerose Gallery, New York, NY Page Nine, curated by Ward Shelley, 450 Broadway Gallery, New York, NY Impossible, curated by Alfredo Martinez, 600 Broadway, New York, NY Teaching Positions 2007-2008 Adjunct Professor, Drew University, Madison, NJ Fellowships, Residencies and Awards 2005 Foundation for Contemporary Arts, project completion grant, New York, NY 2004 Sculpture Space, Inc. Funded Residency, Utica, NY 1998 University Fellowship, Temple University, Philadelphia, PA 1998 Temple University Travel Grant, Philadelphia, PA 1994 Vermont Studio Center, Johnson, VT Publications Upcoming: 2007-2008 Palimpsest DVD and book, edited by Christine Kim and Deborah Grant 2007 Sculpture Space: The Book. Sculpture Space, Inc, Utica, NY. 2007. pp. 37, 38. 2006 Ellegood, Anne, and Horowitz, Deborah,ed. The Uncertainty of Objects and Ideas: Recent Sculpture. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution. Washington, DC. 2006. 2005 Make It Now: New Sculpture in New York. Essay by Anthony Huberman. 2005. Bibliography 2008 “Artful Constructs” The Guide, Los Angels Times. May 8, 2008, p. 16. 2007 “The Uncertainty of Objects and Ideas”, by John Gayer. Art Papers, March/Apr. 2007, pp. 46-47. “The Uncertainty of Objects and Ideas” by Sarah Tanguy. Sculpture Magazine. July/Aug 2007, pp. 60-62 2006 Catalogue: The Uncertainty of Objects and Ideas, Recent Sculpture. Essays by Johanna Burton and Anne Ellegood. 2006. “Critic’s Pick, Andrea Cohen,” Rachel Somerstein, ARTnews, October 2006, p. 208. “Unambiguously Uncertain,” Blake Gopnik, Washington Post, October 29, 2006, p. N01. “Certain Uncertainty at the Hirshhorn,” Glenn Dixon, Washington Post Express, November, 2006. “Sculpture in Very Uncertain Terms,” Michael O’Sullivan, Washington Post, November 3, 2006, p. WE50. “Strange “Objects”,”Nick Kolakowski, DC Style, November 3, 2006. “’Uncertainty of Objects and Ideas’ Satisfies with Modern Art,” Josh Kramer, The Eagle, November 2006. “Cross Currents: Andrea Cohen,” Catherine Taft, Art Review, August, 2006, p. 24. “Widespread Manic,” Jason Majoica, Time Out Chicago, March 30, 2006, Issue 57. 2005 Catalogue: Make It Now: New Sculpture in New York. Essay by Anthony Huberman. 2005. “Summertime Means a Stampede of Group Shows. As the Dust Settles, Some Visions Will Shimmer Insistently in the Memory,” Kenneth Baker, San Francisco Gate, August 13, 2005. “Make It Now: New Sculpture in New York,” Daniel Baird, Brooklyn Rail, July 2005. “Better See It Now,” Daniel Kunitz, The New York Sun, July 28, 2005, Sec. Arts and Letters. “The Many Shades of Now, Explored in 3 Dimensions,” Roberta Smith, New York Times, May 27, 2005, p.E37. “Make It Now,” John Haber, Haber’s Art Reviews, July 8, 2005. 2004 “Landscape of a 3-D Arcadia,” Joyce Mann. February 19, 2004. www.middleburycampus.com. “Utica Stands Tall in World of Sculpture,” Wayne Meyers, The Oneida Dispatch, June 19, 2004, pp.1,7. 2003 “How Come?,” Ken Johnson, Art Guide, New York Times, June 13, 2003. “DUMBO Under the Bridge Art Festival,” (photo) Tema Celeste, Jan/ Feb 2003, Vol. 95, p. 113. “Artists Spotlight,” (photo) Dumbo Newsletter, Apr /May 2003, pp 2-3. 2002 “The Accelerated Grimace”, Ken Johnson, Art Guide, New York Times, July 12, 2002, Sec. E, 37. “Life is More Important Than Art,” (photo) Charlie Finch, ArtNet Magazine, Features, June 27, 2002. “The Change Remains the Same,” (photo) Hank Hoffman, New Haven Advocate, Sept. 5, 2002, p.31. Bibliography (continued) 1998 “The Collectors,” (photo) Dan Bischoff, Sunday Star Ledger, July 12, 1998, Sec. 12, p. 4. 1995 “Oooze,” Voice Choices, Village Voice, December 26, 1995, p. 9. 1994 “Gen Art,” Katharina Sand, Manhattan File, November 1994, p. 28.