Andrea Cohen
Born
1970
Education
1999
1993
1988-1990
New York, New York
Lives and works in Brooklyn, NY
MFA, Sculpture, Tyler School of Art, Temple University, Philadelphia, PA
BA, New York University, Gallatin School (individualized major), New York, NY
Columbia College, Columbia University, (architecture major), New York, NY
Solo Exhibitions
2012
New Sculpture, Walter Maciel Gallery, Los Angeles, CA
2008
Overlook, Walter Maciel Gallery, Los Angeles, CA
2006
New Sculpture, Walter Maciel Gallery, Los Angeles, CA
Kantor Feuer Window, New York, NY
The Happiness I Seek, Three Walls, Chicago, IL
2005
100 Broadway (lobby installation), organized by Suzanne Randolph Fine Arts, New
York, NY
2004
Landscapian, Johnson Gallery, Middlebury College, Middlebury, VT
2003
Year of the Dolphin, Triple Candie, project room, New York, NY
Group Exhibitions
2010
Identity Based Vertigo, Walter Maciel Gallery, Showroom B261, Pacific Design
Center, West Hollywood, CA
Inspiration Unlimited, Walter Maciel Gallery, Showroom B261, Pacific Design Center,
West Hollywood, CA
2009
Political Draw, Walter Maciel Gallery, Los Angeles, CA
2008
Sublime Landscapes, Project 4 Gallery, Washington DC
2007
Home/Office Landscapes, curated by Michael Duncan, Guggenheim Gallery, Chapman
University, Fullerton, CA
Ho Ho Hum, Bravin Lee Projects, New York, NY
2006-2007 The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden,
Washington, DC (catalogue)
2006
As Good As Your Next Gig, Walter Maciel Gallery, Los Angeles, CA
2005
Take Shape, Rena Bransten Gallery, San Francisco, CA
Make It Now: New Sculpture in New York, Sculpture Center Long Island City, NY
(catalogue)
Equally Vulnerable, curated by Jessica Hough, Branchville Gallery, Ridgefield, CT
Encounters with Sculpture, Hudson Art Walk, Hudson, NY
2004
Borderlands: Four Installation Sculptures, Viceglia Gallery, Caldwell College, Caldwell,
NJ
August, curated by Dan Kopp, Brooklyn Fireproof, Brooklyn, NY
Group Exhibitions (continued)
2003
How Come?, curated by Max Henry, Stefan Stux Gallery, New York, NY
Sculpture: A Matter of Soft and Hard, curated by Anne Ellegood and Rachel
Gugelberger, Artists Alliance, New York, NY
2002
Proper Villains, curated by David Hunt, Untitled (Space) Gallery, New Haven, CT
2002
The Accelerated Grimace, Silverstein Gallery, New York, NY
Freight Elevator Project 2, curated by Ombretta Agro, Brooklyn, NY
1998
Invisible, Penrose Gallery, Tyler School of Art, Philadelphia, PA
1997
Fourteen, Temple Gallery , Philadelphia, PA
1996
Tinsel Tower, Clocktower Gallery, P.S.1: The Institute for Contemporary Art, New
York, NY
Works for a Fun House, E.S. Vandam Gallery, New York, NY
1995
Oooze, Black + Herron Space, New York, NY
The Sum and The Parts (collaboration with Michael Rodriguez), 450 Broadway
Gallery, New York, NY
Sauce, 173A North 3rd Street, Brooklyn, NY
Sauce Auction 173A North 3rd Street, Brooklyn, NY
1994
GENART Premiere Exhibition, Cristinerose Gallery, New York, NY
Page Nine, curated by Ward Shelley, 450 Broadway Gallery, New York, NY
Impossible, curated by Alfredo Martinez, 600 Broadway, New York, NY
Teaching Positions
2007-2008 Adjunct Professor, Drew University, Madison, NJ
Fellowships, Residencies and Awards
2005
Foundation for Contemporary Arts, project completion grant, New York, NY
2004
Sculpture Space, Inc. Funded Residency, Utica, NY
1998
University Fellowship, Temple University, Philadelphia, PA
1998
Temple University Travel Grant, Philadelphia, PA
1994
Vermont Studio Center, Johnson, VT
Publications
Upcoming:
2007-2008 Palimpsest DVD and book, edited by Christine Kim and Deborah Grant
2007
Sculpture Space: The Book. Sculpture Space, Inc, Utica, NY. 2007. pp. 37, 38.
2006
Ellegood, Anne, and Horowitz, Deborah,ed. The Uncertainty of Objects and
Ideas: Recent Sculpture. Hirshhorn Museum and Sculpture Garden,
Smithsonian Institution. Washington, DC. 2006.
2005
Make It Now: New Sculpture in New York. Essay by Anthony Huberman. 2005.
Bibliography
2008 “Artful Constructs” The Guide, Los Angels Times. May 8, 2008, p. 16.
2007 “The Uncertainty of Objects and Ideas”, by John Gayer. Art Papers, March/Apr. 2007,
pp. 46-47.
“The Uncertainty of Objects and Ideas” by Sarah Tanguy. Sculpture Magazine.
July/Aug 2007, pp. 60-62
2006 Catalogue: The Uncertainty of Objects and Ideas, Recent Sculpture. Essays by Johanna
Burton and Anne Ellegood. 2006.
“Critic’s Pick, Andrea Cohen,” Rachel Somerstein, ARTnews, October 2006, p. 208.
“Unambiguously Uncertain,” Blake Gopnik, Washington Post, October 29, 2006, p. N01.
“Certain Uncertainty at the Hirshhorn,” Glenn Dixon, Washington Post Express, November,
2006.
“Sculpture in Very Uncertain Terms,” Michael O’Sullivan, Washington Post, November 3,
2006, p. WE50.
“Strange “Objects”,”Nick Kolakowski, DC Style, November 3, 2006.
“’Uncertainty of Objects and Ideas’ Satisfies with Modern Art,” Josh Kramer, The Eagle,
November 2006.
“Cross Currents: Andrea Cohen,” Catherine Taft, Art Review, August, 2006, p. 24.
“Widespread Manic,” Jason Majoica, Time Out Chicago, March 30, 2006, Issue 57.
2005 Catalogue: Make It Now: New Sculpture in New York. Essay by Anthony Huberman. 2005.
“Summertime Means a Stampede of Group Shows. As the Dust Settles, Some Visions Will
Shimmer Insistently in the Memory,” Kenneth Baker, San Francisco Gate, August 13,
2005.
“Make It Now: New Sculpture in New York,” Daniel Baird, Brooklyn Rail, July 2005.
“Better See It Now,” Daniel Kunitz, The New York Sun, July 28, 2005, Sec. Arts and
Letters.
“The Many Shades of Now, Explored in 3 Dimensions,” Roberta Smith, New York Times,
May 27, 2005, p.E37.
“Make It Now,” John Haber, Haber’s Art Reviews, July 8, 2005.
2004 “Landscape of a 3-D Arcadia,” Joyce Mann. February 19, 2004.
www.middleburycampus.com.
“Utica Stands Tall in World of Sculpture,” Wayne Meyers, The Oneida Dispatch, June 19,
2004, pp.1,7.
2003 “How Come?,” Ken Johnson, Art Guide, New York Times, June 13, 2003.
“DUMBO Under the Bridge Art Festival,” (photo) Tema Celeste, Jan/ Feb 2003, Vol. 95,
p. 113.
“Artists Spotlight,” (photo) Dumbo Newsletter, Apr /May 2003, pp 2-3.
2002 “The Accelerated Grimace”, Ken Johnson, Art Guide, New York Times, July 12, 2002, Sec. E,
37.
“Life is More Important Than Art,” (photo) Charlie Finch, ArtNet Magazine, Features, June 27,
2002.
“The Change Remains the Same,” (photo) Hank Hoffman, New Haven Advocate, Sept. 5,
2002, p.31.
Bibliography (continued)
1998 “The Collectors,” (photo) Dan Bischoff, Sunday Star Ledger, July 12, 1998, Sec. 12, p. 4.
1995 “Oooze,” Voice Choices, Village Voice, December 26, 1995, p. 9.
1994 “Gen Art,” Katharina Sand, Manhattan File, November 1994, p. 28.