PRESS RELEASE
The National Theatre of Scotland, the Edinburgh International Festival and the National
Theatre of Great Britain present
The James Plays
Three plays about James I, II and III of Scotland by Rona Munro, directed by Laurie Sansom
James I: The Key Will Keep The Lock, James II: Day of the Innocents, and James III: The True Mirror
Design by Jon Bausor, Lighting Design by Philip Gladwell; Sound Design by Christopher Shutt (James
I and II) and Nick Sagar (James III); Movement Director Neil Bettles; Music Composed by Paul
Leonard Morgan (James I and II) and Will Gregory (James III).
Ensemble cast: Rosemary Boyle, Daniel Cahill, Ali Craig, Malin Crépin, Blythe Duff, Nick Elliott, Peter
Forbes, Andrew Fraser, Dani Heron, Brian James, Sian Mannifield, David Mara, Steven Miller, Calum
Morrison, Matthew Pidgeon, Sally Reid, Andrew Rothney, John Stahl, Andrew Still and Fiona Wood
The three kings are played by Steven Miller (James I), Andrew Rothney (James II) and Matthew
Pidgeon (James III).
Touring to Edinburgh, Inverness, Glasgow, Northampton, Salford, Newcastle, Sheffield, Norwich,
Canterbury, Plymouth, Nottingham, Adelaide, and Auckland from 3 February to 12 June 2016.
Following critical acclaim and box office success in 2014, The James Plays by Rona Munro, and
directed by Laurie Sansom undertake a major UK and international tour in 2016, visiting 11 venues
across England and Scotland, as well as performing at international festivals in Australia and New
Zealand. The 2014 productions originally co-produced with the Edinburgh International Festival and
the National Theatre of Great Britain, opened at the Festival Theatre Edinburgh during the
Edinburgh International Festival on 10 August, and then subsequently played at the Olivier Theatre,
National Theatre, London, selling out both runs and playing to over 88,000 people. The plays went
on to win the Evening Standard Theatre Award for Best New Play and the Writers Guild Award for
Best New Play (James I)
Described by The Telegraph as “better than Shakespeare” and ‘Rona Munro's thrilling trilogy could
be the finest history plays ever penned ’ The James Plays , exhilarating and vividly imagined, bring to
life three generations of Stewart kings who ruled Scotland from 1406 to 1488.
Each play stands alone as a unique vision of a country tussling with its past and future, with its own
distinct theatrical atmosphere. Viewed together they create a complex and compelling narrative on
Scottish culture and nationhood.
The James Plays are historical drama for a contemporary audience, served up with a refreshing
modern directness. Audiences are invited to view the performances from the actual stage and share
the performer’s perspective of the space. These on-stage seats, built into the set, are at heart of the
action, as an ensemble of actors takes the audience through a rarely-explored period of history with
playful wit and boisterous theatricality.
Audiences responded enthusiastically to the opportunity of viewing the plays as a complete trilogy,
seen over the course of a day. This 2016 production will pioneer a new bespoke touring pattern,
with English venues offering audiences the chance to see all three plays together, on a Saturday or
Sunday. The Scottish venues performance schedules vary with individual James Plays performances
as well as a triple bill of plays on offer.
Touring to Festival Theatre Edinburgh: (James I - Wed 3 & 10 February 2016; James II - Thurs 4 & 11
February 2016, James III – Friday 5 & 12 February 2016; Trilogy Day: Saturday 13 February 2016)
Festival Theatre, Adelaide Festival of Arts (Friday 26 February to Tuesday 1 March 2016); ASB
Theatre, Auckland Arts Festival (5 to 12 March 2016); Eden Court Theatre, Inverness: (James I Wed 30 March 2016; James II: Thu 31 March 2016 & James III: Fri 1 April ; Trilogy Day: Sat 2 April
2016); King’s Theatre, Glasgow (James I - Fri 8 April 2016 Trilogy Days: Sat 9 and Sun 10 April 2016);
Royal & Derngate (Saturday 16 and Sunday 17 April 2016); The Lowry, Salford Quays (Saturday 23
and Sun 24 April 2016); Newcastle Theatre Royal (30 April & Sun 1 May 2016); Sheffield Theatres
(Saturday 7 and Sun 8 May 2016); Norwich Theatre Royal (Saturday 14 and Sunday 15 May 2016)
Marlowe Theatre, Canterbury (Saturday 21 and Sun 22 May 2016); Theatre Royal Plymouth
(Saturday 28 and Sunday 29 May 2016); Nottingham Theatre Royal (Saturday 11 and Sunday 12
June 2016)
Join the conversation: #JamesPlays
Opening Performances on 6 February at the Festival Theatre, Edinburgh- 12pm (James I), 4pm
(James II), 8.15pm (James III)
On sale: all booking information available at nationaltheatrescotland.com
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ABOUT THE PLAYS
James I: The Key Will Keep The Lock
By Rona Munro, directed by Laurie Sansom
Bold and irreverent storytelling explores the complex character of this colourful Stewart king – a
poet, a lover, a law-maker but also the product of a harsh political system.
James I of Scotland was captured when he was only 13 and became King of Scots in an English
prison. 18 years later he's finally delivered back home with a ransom on his head and a new English
bride. He's returning to a poor nation, the royal coffers are empty and his nobles are a pack of
wolves ready to tear him apart at the first sign of weakness. But James has his own ideas about how
to be a king and, after 18 years, he finally has the chance to realise them.
James is determined to bring the rule of law to a land riven by warring families, but that struggle will
force him to make terrible choices if he is to save himself, his Queen and the crown.
Cast includes: Steven Miller (James I), Blythe Duff (Isabella), Peter Forbes (Balvenie), John Stahl
(Murdac), Andrew Rothney (Walter Stewart), Daniel Cahill (Alisdair Stewart), Ali Craig (Big James),
Matthew Pidgeon (Henry V), Sally Reid (Meg), Rosemary Boyle (Joan), Andrew Still, Fiona Wood,
David Mara, Sian Mannifield, Dani Heron, Brian James, Andrew Fraser, Nick Elliott, and Calum
Morrison.
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James II: Day of the Innocents
By Rona Munro, directed by Laurie Sansom
In the second of Rona Munro’s dynastical trilogy, innocent games merge with murderous intent in a
violent royal playground of shifting realities and paranoia.
An eight year old boy is crowned King of Scots. Soon James II is the prize in a vicious game between
the country’s most powerful families, for whoever has the person of the boy king, controls the state.
Seen through a child's eyes, the Scottish court is a world of monsters with sharp teeth and long
knives.
Growing up alone, abandoned by his mother and separated from his sisters, James II is little better
than a puppet. There is only one relationship he can trust, his growing friendship with another lonely
boy, William, the future Earl of Douglas. The two boys cling together as they try to survive the
murder and mayhem that surrounds them.
But the independence and power of young adulthood brings James into an even more threatening
world. He has to fight the feuding nobles who still want to control him, he has to make brutal
choices about the people he loves best, he has to struggle to keep his tenuous grip on the security of
the crown and on his sanity....while the nightmares and demons of his childhood rise up again with
new and murderous intent.
Cast : Andrew Rothney (James II), Andrew Still (William), Blythe Duff (Isabella), Peter Forbes
(Balvenie), John Stahl (Livingston), David Mara (Crichton), Daniel Cahill (Earl of Douglas), Nick Elliott
(John Stewart), Andrew Fraser (David), Dani Heron (Annabella), Sally Reid (Meg), Rosemary Boyle
(Joan & Mary), Ali Craig, Brian James, Sian Mannifield, Steven Miller, Fiona Wood, and Calum
Morrison.
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James III: The True Mirror
By Rona Munro, directed by Laurie Sansom
Like James III himself, the final instalment of Rona Munro’s extraordinary trilogy is colourful, brash
and unpredictable. It turns its eye on the women of the royal court, both lowly and high born, who
prove to be its beating heart.
James III of Scotland. A man who's irresistible, charismatic, a man of fashion and culture. A man with
big dreams ...and no budget to realise any of them.
Obsessed with grandiose schemes that his nation can ill-afford and his restless nobles will no longer
tolerate, James is loved and loathed in dangerously unstable proportions. But Scotland's future will
be decided by the woman who loves him best of all, his resourceful and resilient wife, Queen
Margaret of Denmark.
As dreams battle brutal realities and the nation thunders dangerously close to regicide and civil war,
her true love and clear vision offer the only protection that can save a fragile monarchy and rescue a
struggling people. But the cost for Margaret herself may be too high.
Cast : Matthew Pidgeon (James III), Malin Crépin (Queen Margaret), Blythe Duff (Annabella), Ali
Craig (John), Andrew Rothney (Cochrane), Andrew Fraser (Ramsay), Steven Miller (Sandy), Daniel
Cahill (Jamie), Dani Heron (Phemy), Andrew Still (Ross), Fiona Wood (Daisy), Rosemary Boyle (Joan’s
Ghost), Sally Reid (Meg’s Ghost), Brian James (Tam), David Mara (Bishop), Nick Elliott, Sian
Mannifield, and Calum Morrison.
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For further information please contact:
Emma Schad, Press Manager
Tel: +44 (0)141 227 9016 / +44 (0)7930 308 018 E: emma.schad@nationaltheatrescotland.com
Joe Blythe, Press Officer
Tel: +44 (0)141 227 9497 / +44 (0)7500 258 404 E: joe.blythe@nationaltheatrescotland.com
You can follow the National Theatre of Scotland’s press office on Twitter @NTS_press
Press images available to download here Please contact the press office for a password.
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BIOGRAPHY INFORMATION FOR LAURIE SANSOM AND RONA MUNRO
Laurie Sansom is the Artistic Director and Chief Executive of the National Theatre of Scotland.
Previously, he was Artistic Director of the Royal & Derngate Theatre, Northampton, from 2006 and
Associate Director to Alan Ayckbourn at the Stephen Joseph Theatre, Scarborough from 2002 to
2006. His production of The Driver’s Seat for the National Theatre of Scotland opened at The Lyceum
Theatre, Edinburgh on 18 June 2015.
Laurie’s productions at the Royal & Derngate include The Bacchae, Blood Wedding and Hedda
Gabler, which were presented as The Festival of Chaos, as part of London 2012 Festival. Other recent
productions include Spring Storm and Beyond the Horizon which transferred to the National Theatre,
London, and for which he received the 2010 TMA Award for Best Director, Frankenstein (with Frantic
Assembly), The Duchess of Malfi and Follies.
In 2009, the Royal & Derngate’s production of The Prime of Miss Jean Brodie was presented at the
Edinburgh Festival Fringe, winning Anna Francolini the TMA Award for Best Performance in a Play.
He has directed for theatres around the UK including the Traverse, Birmingham Rep, Salisbury
Playhouse, Lyric Hammersmith, New Vic, Stoke, West Yorkshire Playhouse and the National Theatre,
London, where he recently directed The Holy Rosenbergs.
Rona Munro’s recent theatre writing credits include Scuttler (Royal Exchange Theatre, Manchester)
Donny’s Brain (Hampstead Downstairs), The Astronaut’s Chair (for the Drum Theatre Plymouth),
Pandas (for the Traverse Theatre), Little Eagles (for the Royal Shakespeare Company), a
contemporary adaptation of The House Of Bernarda Alba for the National Theatre of Scotland), The
Last Witch (for the Edinburgh International Festival), Long Time Dead (co-production with Paines
Plough and the Drum Theatre Plymouth), Iron (for the Traverse Theatre -winner of the John Whiting
award), and Mary Barton (for the Royal Exchange Theatre). Television work includes the BAFTA
nominated Bumping The Odds and Rehab (both for the BBC). Film work includes Ladybird Ladybird
directed by Ken Loach and Oranges And Sunshine directed by Jim Loach. Radio work includes
multiple episodes of The Stanley Baxter Playhouse. She is the writing half of Scotland’s award
winning women’s theatre company The Misfits.
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NOTES TO EDITORS
1. The National Theatre of Scotland is dedicated to playing the great stages, arts centres,
village halls, schools and site-specific locations of Scotland, the UK and internationally. As
well as creating ground-breaking productions and working with the most talented theatremakers, the National Theatre of Scotland produces significant community engagement
projects, innovates digitally and works constantly to develop new talent. Central to this is
finding pioneering ways to reach current and new audiences and to encourage people’s full
participation in the Company’s work. With no performance building of its own, the Company
works with existing and new venues and companies to create and tour theatre of the highest
quality. Founded in 2006, the Company, in its short life, has become a globally significant
theatrical player, with an extensive repertoire of award-winning work.
The National Theatre of Scotland is supported by the Scottish Government.
www.nationaltheatrescotland.com
2. The National Theatre of Great Britain is dedicated to making the very best theatre and
sharing it with as many people as possible. We produce up to 30 productions at our South
Bank home each year, ranging from re-imagined classics – such as Greek tragedy and
Shakespeare – to modern masterpieces and new work by contemporary writers and
theatre-makers. The work we make strives to be as open, as diverse, as collaborative and as
national as possible. We want to inspire artists and audiences to think in new ways, to
constantly re-imagine the act of making theatre.
The National’s work is also seen on tour throughout the UK and internationally, and in
collaborations and co-productions with regional theatres. Popular shows transfer to the
West End and occasionally to Broadway. The National Theatre Live programme of cinema
broadcasts, introduced in 2009, is now regularly available in over 600 cinemas across the UK;
forthcoming broadcasts include Of Mice and Men (19 November), Jane Eyre (8 December),
the Donmar Warehouse’s production of Les Liaisons Dangereuses (28 January) and As You
Like It (25 February).
National Theatre: On Demand In Schools offers three acclaimed, curriculum-linked
productions free to stream on demand in every secondary school in the country.
3. About the Edinburgh International Festival - Every August, the giants of the arts gather in
the stunning city of Edinburgh for the International Festival. For three exhilarating weeks the
city becomes an international cultural epicentre with the finest creators and performers
from the worlds of classical music, theatre, opera and dance from around the globe offering
intense, personal and exciting experiences to those who come from Scotland, the UK and
overseas.
As a vibrant, innovative and energetic organisation, involved in commissioning and
producing new work from the very best artists working internationally, while also nurturing
grass roots arts engagement on its doorstep, the Festival contributes to many aspects of life,
be it culture, economy, education and society, and enhances the lives of people not just in
Edinburgh and Scotland, but around the world.
The 2015 Edinburgh International Festival runs from 7-31 August. Find out more at eif.co.uk
The Edinburgh International Festival is supported by The City of Edinburgh Council and
Creative Scotland. Scottish Charity Number SC004694.
ENDS