Chen 1 Log 1: Celebration of Diversity Long Log Dance On Saturday, Jan. 24, from 6:00-8:00, I attended the show Celebration of Diversity at Salem High School with my friend Tiffany, also a Humanities student. Celebration of Diversity is an annual performance with acts by various cultural clubs at our school. Many, though not all, were ethnic heritage clubs such as the Polish-American club and the Indian American Student Association. I categorized this event as a Dance Log because there were many dance numbers, although skits, slideshows, and music were also included. Between each club’s performance, the Diversity Council presented a short skit or poem about the “isms”—sexism, ageism, and so on. I chose to attend the show because I love to watch school performances and am always impressed by what PCEP students are capable of producing. Although I have watched several improv shows and plays, I don’t think I’ve ever attended Celebration of Diversity before (other than an in-school performance freshman year that I barely remember). One thing that I was conscious of the entire time was the audience. Throughout the show, audience members cheered and hooted loudly in support of the performers. This was especially true during the Breakdancing Club’s dance, as well as at the beginnings and ends of other numbers. The club members introducing their own clubs as emcees often had to wait for the noise to die down before they could start talking, even with microphones. I found this a little annoying, since I wanted to focus on the dancing, music, and other performances without being distracted by anything off-stage. I wanted to see each dancer on stage as a dancer only, and forget for a moment that she was my friend Anna from school. To my surprise, the Celebration of Diversity performers themselves (watching from the balcony while it wasn’t their turn) Chen 2 contributed to a lot of the shouting, so they must not have felt that the audience noise was detrimental to the show’s quality. I am reminded of our first music large group lecture in Humanities, when etiquette for classical music concerts (“Don’t move.”) was contrasted with the eardrum-shattering behavior acceptable at popular music concerts. Celebration of Diversity was clearly more similar to the popular music concerts—a communal event in which the energy flowed not only from the stage to the audience, but back from the audience to the stage as well. I guess this is encompassed by the “Celebration” in “Celebration of Diversity.” It seems that the planners of the event wanted to make it not only educating but also fun, with a bit of that partylike atmosphere that appeals to us teenagers so much. Perhaps this is the best way to captivate the attention of the younger generation; I found the noise exasperating, but obviously the kids making the noise wouldn’t all agree with me. Overall, I feel that the show did a great job of representing all kinds of diversity—not only of ethnicity but also of religion (e.g., Muslim Student Assocation) and of sexual orientation (Gay Straight Alliance). However, not all of the performances seemed up to stage caliber; some could visibly have been improved with more practice. Maybe I’m being picky because I am a dancer myself. The Step Team performance, part of the African-American Student Assocation’s section, appeared the most professional to me. If a single person had clapped or stomped at the wrong time, it would have been obvious, but I never noticed any mistake like that: everyone was perfectly synchronized. On the other hand, in another club’s dance, I could see dancers turning their heads to watch the dancers next to them, having forgotten their own steps. Overall, the performance was an enjoyable way to spend the evening, but it didn’t create a lasting impression. I wasn’t sure what to pay attention to; if the emcees had explained what cultural aspects to look Chen 3 out for while watching each performance, then the experience would have been more educational. I’ll remember this while planning my dance group showcase lessons! Hmmm, I wonder whether the Bible Club was invited? If so, they didn’t show up; I suspect that the Diversity Council may have neglected to invite them at all, though. After hearing about Islam through the Muslim Student Association’s performances, I wanted to learn about other religions as well. Even though Christianity is the majority religion at our school, people do not always understand their own religion fully. When we studied the Bible in Humanities, I think that everyone learned about a lot of interesting insights, even my Christian classmates. I attended Bible Camp as a little kid and am familiar with the main Bible stories, but I never had a clue that there were two different creation stories in Genesis! The contradiction leads to deeper questions about the role of women and the status of humankind in comparison with God. I wish that the Bible Club could have given a presentation that illustrated the depth of meaning in the Bible, just as our Humanities lessons did. Then, Christianity and Islam (and hopefully other religions that weren’t represented at the show) could be juxtaposed, and people might see that the two religions aren’t so different after all. That connection was something that was emphasized in Humanities, and I believe that emphasizing it in a show like Celebration of Diversity would do a lot to truly promote diversity. I also wonder why the entire Asian continent is grouped into one club, the Asian-Pacific American Club, and why the entire African continent is grouped into the African-American Student Association. This is in contrast with the clubs involving European heritage, like the Polish-American Club. I am sure that each country and region within Asia and Africa has a rich, unique culture of its own. The people living in South Africa probably wouldn’t identify themselves with those living in Sudan at all. So why are they so often clumped into the category Chen 4 “Africa,” with any further divisions glossed over? Maybe it is because most of the student population is of European heritage, and a European Heritage Club would simply become too big; on the other hand, the other continents do not require such dividing. Finally, Tiffany and I wondered about perhaps the biggest question of all: does a show like this really promote diversity and toleration? Or does it reinforce stereotypes even more by categorizing and separating people according to their backgrounds? Where is the line between celebrating differences and alienating people from each other? I’m really not sure, but I think it depends on the specific nature of the show. A show that only displays the stereotypical dress and customs of each group would promote discrimination. One that dispels myths about each group and surprises the audience with lesser-known cultural facts would promote diversity. If the Diversity Council members organizing the show are conscious of these questions, then they can take steps to improve the show each year. For example, maybe in the future, seemingly different clubs can be grouped together and challenged to produce an act that highlights both their similarities and their unique qualities. Chen 5 My daughter, Willa Chen, attended the Celebration of Diversity show at Salem High School on Saturday, Jan. 24, 2009, for two hours. 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