DIGITAL DELIVERY FOR LOW LEVEL LITERACY STUDENTS Michael Coghlan NewLearning 17/6/15 CC image from Peter Shanks Is it so different to what other learners need? WHERE DOES AUSTRALIA RATE? http://en.wikipedia.org/wiki/List_of_countries_by_literacy_rate BACKGROUND • The Australian Bureau of Statistics estimates that 7.3 million Australians - almost half the adult population - have problems with literacy. These people often struggle to hold down jobs, balance their household budget and just make their way through each day. (Australian, April 9th, 2013) • The 2006/7 Adult Literacy and Lifeskills Survey (ALLS) indicated that between 46% and 70% of adults in Australia had “poor” or “very poor” skills across one or more of the five skill domains of prose literacy, document literacy, numeracy, problem-solving and health literacy. https://ala.asn.au/wp-content/uploads/2011/02/LLN_paper.pdf “So many literacies are there!” (Can we list some?) • Digital • Info • Financial • Visual • Health • Workplace • Technical • Emotional • Musical TYPES OF LITERACY • Media literacy • Critical literacy • Visual literacy • Information literacy • Digital literacy • Eliteracy • Transliteracy • Multiliteracy OVERARCHING TERMS FOR NEW LITERACIES Transliteracy Multiliteracy Transliteracy (pl. transliteracies) is the ability to understand and communicate—i.e., to be "literate"—across all communications platforms, including sign language, speech, reading, writing, mass media, and social media. The term was coined in 2005 by the Transliteracies Research Project Multiliteracies is a term coined by the New London Group. Because the way people communicate is changing due to new technologies, and because there are shifts in the usage of the English language within different cultures a new "literacy" must also be used and developed. “For years at school I was asked to do things I wasn’t good at and that I wasn’t interested in.” “Finally after several years I was able to spend time at school doing things I enjoyed and that I was good at!” Appointed editor of the new media based school magazine. MORE ON MULTILITERACY: • while eating breakfast, students may be listening and speaking at the table while watching a morning news program that requires them to attend to print, view both still and moving images, interact with a website or view a film clip, and at the same time interpret the behaviour of the news broadcasters interviewing someone from another country on a split screen. • To learn within this environment, students need to be able to understand and use the grammars of language, still and moving images, music and sound. These grammars are often referred to as semiotic systems. Five semiotic systems have been identified; the linguistic (ie the traditional system of producing shared meaning using sounds, words, sentences, paragraphs etc), the visual (eg line, colour, vector, texture), the gestural (eg facial expression, body position and posture), the spatial (eg the organisation of people and objects in space) and the aural (eg sound, music and silence). • A 21st-century multiliterate individual needs to have the skills to consume all five semiotic systems. Conversely, they will be required to produce texts that use all five systems such as play scripts, email, video and PowerPoint presentations. The terms ‘consuming’ and ‘producing’ are used here because they more accurately describe the knowledge, skills and processes employed in constructing print and digital texts than the traditional terms reading, listening, writing and speaking. • Exposure to all these forms of text must go hand in hand with the realisation that all texts are consciously constructed in order to share information in particular ways – that texts can shape attitudes, values and behaviours. MULTILITERACIES RESOURCE • Victorian Department of Education Series Videos – Considering Multiliteracies http://newlearningonline.com/ multiliteracies/videos CODE? (thank you Mark Pegrum!) LITERACY OVERKILL? Is it a case of literacy overkill? Literacy simply has come to mean the ability to do something effectively eg sing (musical literacy?) (thank you Mark Pegrum!) What’s this? What’s this? What’s this? What’s this? MANY CHANNELS How I communicate with people I know: • • • • • • • • Person B – SMS OR Facebook Person C – Facebook Person D – email or SMS Person BE – FB or email Person T – SMS Person A – SMS or Facebook Person J – email Person E - phone “Keep It Real” (ie authentic) 1998 Your students want to discuss real issues DON’T LOWER (Intellectual) STANDARDS Mind focus here Language focus here (dog, beach, walking) TEHRAN https://www.flickr.com/photos/kamshots/6299604013/ WHAT IS YOUR/THEIR PURPOSE? Why do they want to read and write? What do they want to accomplish? AND … what are YOU trying to achieve? The Question of Values Our philosophy determines how we perceive and deal with our preferred teaching methods – which includes how (or if) we choose and use e-learning technologies. (http://www.aupress.ca/books/120146/ebook/04_Anderson_2008_KanukaOnline_Learning.pdf) http://www.flickr.com/photos/konarheim/4073209881 PEOPLE NEED A PURPOSE AND THEY MIGHT NOT KNOW WHAT THAT IS - YET 1968 2010 GOALS/PURPOSE – why do I want to improve my literacy skills? STEPS How many? How long? What’s required? NOW GOAL ACHIEVED CONDITIONS THAT PROMOTE LEARNING? CONDITIONS THAT PROMOTE LEARNING • Experiential learning in which concepts and language are closely linked to students’ own experiences • literacy tasks that are related to students’ concrete experiences • the use of visual, concrete and tactile materials • frequent repetition and recycling of learned material • frequent breaks and changes of pace • group and collaborative learning • course hours aligned with students’ availability and learning needs • the grouping of learners with similar needs together, rather than mixing levels and abilities in one class. (from http://www.ameprc.mq.edu.au/docs/fact_sheets/Teaching_Issues_Fact_Sheet_10.pdf) WHAT DO TARGETED LEARNERS NEED? ALL ‘TARGETED’ LEARNERS REQUIRE: • Clear context (why am I here?) • Clear purpose (why am I doing this?) • Opportunity to create, interpret (make meaning) • That they be given a voice > a sense of self-worth/value = feeling successful > motivation • Support • Patience CONUNDRUM: url Tag Hashtag App …. ? AM LANGUAGE AM IIAALANGUAGE OR OR TECHNOLOGY TEACHER? TECHNOLOGY TEACHER? CONUNDRUM: url Tag Hashtag App …. ? AM LANGUAGE AM IIAALANGUAGE OR OR TECHNOLOGY TEACHER? TECHNOLOGY TEACHER? Low Level Literacy ACSF: pre-level 1 and level 1 SUPPORT Significant support Works alongside an expert/ mentor Pre Level 1 Prompting, advice and modelling provided 1 CONTEXT TEXT COMPLEXITY TASK COMPLEXITY Highly familiar contexts only Concrete and immediate Extremely restricted range of contexts Short and simple Highly explicit purpose Limited, highly familiar vocabulary Single step, concrete tasks Processes include copying, naming, matching, ordering Short and simple Concrete tasks of 1 or 2 steps Highly explicit purpose Processes include locating, recognising Works alongside an Highly familiar contexts expert/mentor where Concrete and immediate prompting and advice Very restricted range of can be provided contexts Limited, highly familiar vocabulary TEACHING ABOUT TAGS WITH FLICKR (or Instagram) • Choose an image • Brainstorm possible tags • Search for other images with these same tags • Have students create images and tag them • Upload to Flickr via class account Skills: tagging, searching, vocabulary, content creation POSSIBLE ACTIVITIES • Streets of Tehran (or similar) • Bruce’s students – cleaning up vacant lot/planting stuff > website (tactile, concrete) • Solving authentic problems (keeping it real/relevant; linked to students’ own experiences) • Working with community (“take the classroom to the world OR bring the world into your classroom”) • Flickr (for tagging) THE APP WORLD: Creative Commons image from Wesley Fryer • Love Apptually: http://www.takingthelead.com.au/resources/loveapptually-apps-support-learning (VET specific) http://www.spellbetterapp.com/ DIGITAL STORYTELLING Digital stories combine digital images (still or video), a narrated ‘story’ or voice over, and sometimes music or sound effects into a ‘mini-movie’ that usually runs for around 2-4 minutes. They are a wonderful way to capture lives and local history, and are VERY easy to create. This slide sponsored by Junita Lyon (idea borrowed from Jonathan Finkelstein) FURTHER RESOURCES 1. Keystrokes to Literacy: Using the Computer As a Learning Tool for Adult Beginning Readers - http://www.amazon.com/Keystrokes-Literacy-ComputerLearning-Beginning/dp/0844206792 ($10) 2. What is Digital Literacy? https://www.commoncraft.com/video/digital-literacy? 3. Building Strength with Numeracy - http://www.valbec.org.au/buildingstrength-with-numeracy/ 4. SEN Teacher – Free Learning Resources http://www.senteacher.org/print/literacy/ 5. The Body in Audio - http://www.languageguide.org/english/vocabulary/body/ 6. Basic English Vocabulary Pronounced Aloud http://www.languageguide.org/english/ QUESTIONS/COMMENTS? END OF TODAY’S SESSION michaelc@chariot.net.au