DPR serves as record of your production logistics, helping to keep production on track, and also, invaluable in case of disputes with locations, suppliers, insurance etc. DPR should be filled out by
PC with info. from on-set AD and sent to class instructor (after APPROVAL by PM) at wrap of each shooting day: INGRID VENINGER: punkfilms@gmail.com
Film: Black Cadillac/ Guys Like Us Places Like This PM/ AD: Gina SImone
PC: Jackie A (contributor of booking locations and organizing one- liner (not in during production)
Shoot Date: Sunday Dec 4 – Monday Dec 5/ 2011 Crew Call: 6 am.
Location address: 1555 O’Connor Drive, East York
Time you got first shot in can: 8 am # set-ups before lunch 2.
Lunch (max 6 hrs after crew call) 12 pm, then shot 30 min at phone booth, then braked for night shooting later on.
# set-ups after lunch : once back that night from 10pm-2am about two set ups and 5-6 shots.
Overtime for actors? Not this day just two short shifts. Overtime for crew? Same as actors.
Wrap 1:1 pm , Wrap 2: 1:30am Time last person (PM) leaves location: 2am.
List scenes shot (whole or part) ** finished some of night stuff during day due to actor issue (see
“other”
FINISHED ALL Scene 1, 3, 6 INT PIZZA SHOP (DAY/NIGHT)
EXT. PIZZA SHOP – PHONE BOOTH
Any Camera notes? Had a lot of camera issues this day that wasted time… film would “spaghetti” , also got bent/ chipped at one point in second half of day. Because of this issue I was forced to talk to joseph about cutting shots as we were on a tight schedule with pizza shop hours.
Any Sound Notes? Sound was good all day. Clicking of camera seemed to lack intensity as well.
Any Location Notes? Location was amazing, blacking out the window for the night stuff took some time but it went smoothly for the most part. The location owners fed us for free and were very understanding at times like when we had to unplug alarm etc.
Accidents/Disputes? Issues cutting some shots, issues with actor needing to go home earlier than expected BUT I worked this stuff all out so actor was satisfied and most important shots to director were kept while others were sacrificed.
Other? In the morning, the cashier called and said he could not make it, Josephs tried hard to make it happen but we used Stephen, one of our grips, who almost saved my movie, and he was awesome. This is why we had to film night scenes in the morning because he was not on evening shift, though this did let the night time run more smoothly than it would have with the extra two pages to shoot.