Press Release - Kinsman Robinson Galleries

advertisement
Vitae: Barry Ace
GROUP AND SOLO EXHIBITIONS
2016
Upcoming - Mnemonic Manifestations. Solo exhibition. Karsh - Masson Gallery.
Ottawa, Ontario.
2015
Upcoming - Aazhooningwa'igan “It is worn across the shoulder” Solo
exhibition. Trinity Art Gallery, Orleans, Ontario, Shenkman Arts Centre. October
22 to November 24, 2015
Upcoming - City of Ottawa Recent Fine Art Acquisitions Ottawa City Hall Art
Gallery, Ottawa, Ontario (September - October 2015) (Catalogue).
Upcoming - Native Fashion Now. Group exhibition. Peabody Essex Museum
November 21, 2015 to March 6, 2016. Travelling 2016 - 2017: Portland Art
Museum (Oregon); Philbrook Museum of Art (Oklahoma), Smithsonian
Institution's National Museum of the American Indian (New York City).
(Catalogue).
Upcoming - 20/20: Vision and Hindsight. Group Exhibition. Workers Arts and
Heritage Centre, Hamilton, Ontario (September 2015).
Mnemonic Manifestations. Solo exhibition. Latcham Gallery, Stouffville, Ontario.
(July 9 - August 15).
Le pARTy Annual Fundraiser Auction, Invited artist. Ottawa Art Gallery
Ottawa, Ottawa, Ontario (May 21, 2015).
Representations of Time and Place : Part 2 1990-2014. Selected Works by
Aboriginal Artists in Ontario from the Aboriginal Affairs and Northern Development
Canada Fine Art Collection. Ontario Scene, NAC . April 29 - May 10, 2015.
Home Away from Home. Group exhibition. Ottawa Art Gallery. Curator Wahsontiio Cross. January 23 - May 10, 2015.
Memory Landscape. Solo exhibition, Museu Nogueira da Silva, Universidade do
Minho, Braga, Portugal (January 9, 2015 to February 3, 2015). (Catalogue).
2014
Disney Made Me Do It! for the Ottawa International Animation Festival - Group
Exhibition, Arts Court Library, Ottawa, Ontario (September 2014)
Material Witness: Art, Activism and Fibre - Gallery 101 - Group exhibition,
Ottawa, Ontario (August 22 to October 5, 2014). (Catalogue).
Surveillapocalypse (007 with artCodex, Maria Hupfield and Special Northern
Agent Barry Pottle), Five Myles Gallery, Brooklyn, New York, USA (June 2014).
2013
City of Ottawa Recent Fine Art Acquisitions Ottawa City Hall Art Gallery,
Ottawa, Ontario (September - October 2013)
2013
SCOUT (007 with Special Agent Howard Adler) Blink Gallery, Ottawa, Ontario
(August - September 2013).
2013
Walking with Our Sisters. A Commemorative Art Installation for the Missing
and Murdered Indigenous Women of Canada and the USA. International
touring group exhibition (August 2013 to 2019).
In/Digitized – Indigenous Culture in a Digital World (007 with Special Agent
Robert Houle). SAW Gallery, Ottawa Ontario (June 2013). Partnership with
Creative Cities Network Summit 2013 and National Gallery of Canada’s Sakahàn.
2012
Four Contemporary Artists - Ace, Devine, Favell, Houle. Carmel Art Gallery,
Ottawa, Ontario. (November 2012).
Ottawa Ontario 7 (007 with Special Agent Bonnie Devine) - Inaugural
Exhibition (007 are Ace, Favell, Noganosh, Shebageget, Smith, Yerxa, Bear
Witness) Gladstone Hotel, Toronto, Ontario (Nov. - Dec. 2012).
Changing Hands 3 – Art Without Reservations, Museum of Art and Design,
New York City, USA (June 26 to October 21, 2012). International touring group
show. (Catalogue).
2011
Robert’s Paintings. Shelley Niro -Director – Paris Ojibwa site-specific dance
performances included in documentary film based on the life career of artist
Robert Houle.
First Nations Art 2011. Group Exhibition. Woodland Cultural Centre Brantford,
Ontario, May 2011. (Catalogue).
N’nisidwaamdis: “I Recognize Myself”. Group Exhibition. Ojibwe Cultural
Foundation, Manitoulin Island, Ontario; Workers’ Arts and Heritage Centre Gallery,
Hamilton, Ontario. Curator - Crystal Migwans. (Catalogue).
2010
A Reparative Act – 4 site specific dance performances in Paris, France Maungwaudaus (Great Hero) – At the Louvre; Noodinokay (Furious Storm) –
In the Tuilieries; Mishshemong (King of the Loons) – Place de la Concorde;
Saysaygon (Hail Storm) – L’Esplanade des Invalides. April 2010.
“m∂ntu'c - little spirits, little powers” Group Exhibition. North American Native
Museum, Zurich, Switzerland. April 8, 2010 - November 14, 2010. Catalogue.
First Nations Art 2010. Group Exhibition. Woodland Cultural Centre, Brantford,
Ontario June 2010. Catalogue.
Meditations on Memory – A Metaphysical Dance. Solo Exhibition. May 2010 –
Alcove Gallery, Ottawa International Airport in collaboration with Gallery 101
React – (new media group exhibition). Alternator Gallery, Kelowna, British
Columbia, Spring 2010.
2009
Home/land and Security Group Exhibition. Render Art Gallery, University of
Waterloo, Ontario. Curator – Jeff Thomas. Nov.5, 2009 - Feb. 12, 2010.
2006
50 Years of Pow wow. Group exhibition. Castle Gallery, College of New
Rochelle, New Rochelle, New York. USA. Sept. 10, 2006 – Nov. 22, 2006.
2006
Playing Tricks. Two person exhibition with Maria Hupfield. American
Indian Community House. Curator - Ryan Rice. March 25, 2006 April 22, 2006 New York City, New York. USA.
2005
Super Phat Nish. Solo exhibition. The Art Gallery of Southwestern
Manitoba. Curator - Catherine Mattes. February 25, 3005 - April 9, 2005.
Brandon, Manitoba.
2003
The Dress Show: La mode dans tous ses états. Group exhibition.
The Leonard and Bina Art Gallery. Curator - Lynn Beavis. April 22 May 31, 2003. Concordia University, Montréal, Quebec.
2002
Everyday Light - A Collection of Photos and Memories of Our Past.
Touring Group Exhibition. Fall 2002 - Fall 2005. Thunder Bay Art Gallery,
Thunder Bay, Ontario. Catalogue.
2001
Contract. Beaded page of Indian Act for artist Nadia Myer’s solo exhibition.
Curator - Rhonda Meier. May-June 2002. Gallerie Oboro, Montreal, Quebec.
Interface: Textile, Technology and the Personal. Group
exhibition. Curator - Lynn Beavis. July 19, 2001 - August 3, 2001. White Mountain
Academy for the Arts, Elliot Lake, Ontario.
In Control - Luminous Gravity. Group exhibition. Gallery SAW and SAW
Video,Registry Building, Ottawa, Ontario.
2000
Urban Myths: Aboriginal Artists in the City. Group exhibition.
July 10, 2000 - September 24, 2000. Curators - Sandra Dyck and Jeffery
Thomas. Karsh-Masson Gallery, Ottawa City Hall, Ottawa, (Catalogue).
First Nations’ Art 2000. Group exhibition. May 14 to August 31, 2000. Woodland
Cultural Centre, Brantford,
Ontario.
1999
Emergence from the Shadows - First Peoples Photographic
Perspectives. Group exhibition. Curator - Jeffrey Thomas.
October 28, 1999 to January 2002. Canadian Museum of Civilization, Hull,
Quebec.
Tattoo Nation. Group exhibition with Nation to Nation (Montreal) National touring
exhibition.
1998
101 Frames. Gallery 101 Annual Art Auction. Ottawa, Ontario.
First Nations Art 98. Group exhibition. May 3-31, 1998. Woodland Cultural
Centre, Brantford, Ontario.
Modern Indians Standing Around at the Post. Solo exhibition.
March 28-April 25, 1998. Gallery 101, Ottawa, Ontario.
COLLECTIONS
Regional Municipality of Ottawa - Carleton Fine Art Collection; Ottawa Art Gallery Permanent
Collection; Royal Ontario Museum; Woodland Cultural Centre; Canada Council Art Bank; North
American Native Museum, Zurich, Switzerland; Aboriginal Affairs and Northern Development
Canada; numerous Canadian and International private collections.
AWARDS
The Ontario Association of Art Galleries 2012 Curatorial Writing Award
Essay “A Reparative Act” for Robert Houle’s Paris Ojibwa
Art Gallery of Peterborough;
K.M Hunter Visual Artist Award 2015
GRANTS
Canada Council for the Arts, Ontario Arts Council, Regional Municipality of Ottawa-Carleton.
PUBLICATIONS
2015
Anishinaabeg Cultural Continuity – The Art and Advocacy of
Norval Morrisseau. Unpublished presentation for Copper Thunderbird:
The Art of Norval Morrisseau Symposium, Plain Red Art Gallery at the
First Nations University of Canada, Regina. February 7, 2015.
2013
Reactive Intermediates - Aboriginal Art, Politics and Resonance of the
1960s and 1970s. Essay for Professional Native Indian Artists Incorporation
exhibition. MacKenzie Art Gallery. Regina, Saskatchewan. September 2013.
2012
Decolonize Me! (Forward). For the touring exhibition curated by Heather
Igloliorte for the Ottawa Art Gallery. January 2012 - 2015.
Revealed – The Portraits of Rosalie Favell. Essay for Rosalie Favell - Facing
the Camera exhibition catalogue. Urban Shaman. Winnipeg, Manitoba. ISBN –
978-0-9731935-3-4. Spring 2012.
2011
Manifestations – New Vocabularies in Native Art Criticism - Institute of
American Indian Arts, Santa Fe, New Mexico, USA. 2011.
A Reparative Act. Essay for Robert Houle’s Paris Ojibwa, Art Gallery of
Peterborough, Ontario. Summer, 2011. (Won the Curatorial Writing Award 2012 Ontario Association of Art Galleries).
2010
Norval Morrisseau – Artist As Shaman in Copper Thunderbird – The Art of
Norval Morrisseau, Westerkirk Works of Art, Fall 2010.
2009
Primary Manifestos – Possibilities for Change Essay for Jason Baerg,
Axeneo7, Gatineau, Quebec.
2009
e-r@cing Aboriginal mythologies – the manufactured and the real – Essay
for Kent Monkman’s Dance to the Berdashe. Urban Shaman Gallery, Winnipeg,
Manitoba.
2007
Rituals of Collecting and Transformation—the Artistic Journeys of Rosalie
Favell. Blackflash Magazine, Spring/Summer.
2006
N’danshanaadem. G’nstatom na? - The Art of Bonnie Devine. for Medicine
River. Axeneo 7, Gatineau, Quebec.
2006
The Aboriginal Curatorial Collective. Ace, Barry and Ryan Rice. MUSE
Magazine 11 -12 / 2006 vol. XXIV/6. pg.18-19.
Norval Morrisseau – Artist as Shaman. Electronic essay posted on Aboriginal
Curatorial Collective website. 2006. Archived Articles. http://
www.aboriginalcuratorialcollective.org/research/articles.html
2003
Rosalie Favell: I searched many worlds for Rosalie Favell’s Collecting Many
Worlds. Winnipeg Art Gallery. pp. 21-28.
2002
(Ad)dressing Our Words - Aboriginal Perspectives on Aboriginal
Literatures. Cover Art. Theytus Books Ltd., Penticton, British Columbia.
Theytus Books Ltd., Spring 2002 Catalogue. Cover Art. Theytus Books Ltd.,
Penticton, British Columbia.
2000
Who Stole the Teepee. Contributing writer. Atlatl Inc. Museum of the
North American Indian, New York City, New York, USA.
Longing and not Belonging: Rosalie Favell. CV Photo. Winter 2000. No.53.
Productions Ciel Variable 2000, Montreal, Quebec. pg. 23 - 30.
2000
From Stereotype to Archetype. Maria Hupfield and Danny Cutfeet. Indian Art
Centre (DIAND), Artist-in-Residence, Gatineau, Quebec. August 2000.
Shamanic Images. Rick Rivet. Indian Art Centre (DIAND), Artist-in-Residence.
Gatineau, Quebec. January 2000.
1999
pelage. Mary Anne Barkhouse. Indian Art Centre (DIAND), Artist-in-Residence,
Gatineau, Quebec. November, 1999.
Osopikahikiwak. Rick Rivet and Jane Ash-Poitras. Co-authored with Gerald
McMaster. Canadian Cultural Centre, Paris, France. June - October, 1999
Fix The Gaze...The Repartive Act 1999. Linda Young. Indian Art Centre (DIAND),
Artist-in-Residence Program, Gatineau, Quebec. June, 1999.
Raven’s Wait. Michael Belmore. Indian Art Centre (DIAND), Artist-in-Residence
Program, Gatineau, Quebec. April, 1999.
Longing and Not Belonging. Rosalie Favell. Co-authored with Ryan Rice. Indian
Art Centre (DIAND), Artist-in-Residence Program, Gatineau, Quebec. February,
1999.
1998
I, Audrey Greyeyes. Indian Art Centre (DIAND), Artist- in-Residence Program,
Gatineau, Quebec. November, 1998.
For Fearless and Other Indians. Shelley Niro. Indian Art Centre (DIAND), Artistin-Residence Program, Gatineau, Quebec. October, 1998.
inter/SECTION. Jeffrey Thomas. Indian Art Centre (DIAND), Artist-in-Residence
Program, Gatineau, Quebec. January, 1998.
1998
Transitions: Contemporary Canadian Indian and Inuit Art. Curatorial notes in
Inuit Art Quarterly, Vol 13, No. 1 Spring, 1998, p. 32-34.
1997
Transitions: Contemporary Canadian Indian and Inuit Art.
Exhibition catalogue (DIAND). QS-3581-000-BB-A2; Catalogue No. R32-173/1997;
ISBN 0-662-63053-X.
1995
Kokiibinaagan: Symbols of Cultural Continuity in Celebration of
Indigenous Thought and Expression, Lake Superior State University Press. Sault
Ste. Marie, Michigan, U.S.A.
BIBLIOGRAPHY
Anishinaabe artist brings show to Stouffville's Latcham. Stouffville Sun-Tribune.
July 3, 2015. http://www.yorkregion.com/whatson-story/5707387-anishinaabe-artistbrings-show-to-stouffville-s-latcham/
Ottawa
Phillips, Caroline. Around Town: Bidding and imbibing at Ottawa Art Gallery.
Citizen. May 22, 2015. http://ottawacitizen.com/life/style/our-ottawa/around-town-biddingand-imbibing-at-ottawa-art-gallery
Simpson, Peter. Le Party de la saison – Ottawa Art Gallery auction-fundraiser.
Ottawa, Citizen. May 21, 2015. http://ottawacitizen.com/entertainment/local-arts/le-partyde-la-saison-ottawa-art-gallery-auction-fundraiser-is-today
Ontario Arts Foundation. 2015 Winners Announced - K. M. Hunter Artist Awards
Celebrate 20 Years. April 20, 2015. http://www.ontarioartsfoundation.on.ca/news/99
Gessell, Paul. ARTFUL BLOGGER: Two Aboriginal Artists from Manitoulin Island.
Ottawa Magazine. January 30, 2015. http://www.ottawamagazine.com/culture/artfulblogger/2015/01/30/artful-blogger-two-aboriginal-artists-from-manitoulin-island-sizzlingerotica-in-chelsea/#more-65236
Museu Nogueira da silva. Memory Landscape. Exhibition Catalogue. University of
Minho. January 9, 2015.
Vilas Boas, Catarina. O trabalho de Barry Ace na primeira pessoa. Gazeta do Rossio.
Braga, Portugal. January 10, 2015. http://www.gazetadorossio.pt/cultura/o-trabalho-debarry-ace-na-primeira-pessoa/ .
Cross, Wahsontiio. Home Away From Home. Ottawa Art Gallery, Winter 2015 (Gallery
Publication). pg. 5 6.
Ace, Barry. Artist Feature in Kimiwan Magazine, Indigenous Futurisms. Issue 8.
p. 40 - 42. Winter, 2014
Falvey, Emily. Textiles Get Tactical at Gallery 101. Canadian Art. October 17, 2014.
http://canadianart.ca/reviews/2014/10/17/material-witness/ .
Native Art Now! Developments in Contemporary Native American Art,
1992-2012 (Eiteljorg Museum of American Indians and Western Art in Indianapolis,
Indiana and University of Oklahoma Press, 2014).
Paluch, Anna. Cyber Traditions in the Art and Science Journal. September, 18, 2014.
http://www.artandsciencejournal.com/#top
Gessell, Paul. Material Witness - Art, Activism and Fibre. Ottawa Magazine.
August 29, 2014. http://www.ottawamagazine.com/culture/artful-blogger/2014/08/29/ .
Marshall, Dominique. Seeing History in the Eyes of Artists. Canadian Historical
Association Bulletin. Volume 39, No.3. pg.1-2. ISSN 0382-4764. 2013
Simpson, Peter. “The scout with no name - Artists correct the 'insult of anonymity'
as part of exhibit inspired by the sculpture” Ottawa Citizen. Tuesday, August 27,
2013. http://www2.canada.com/ottawacitizen/news/artslife/story.html?id=c4c69837f98a-42fa-9c59-cb209a7c8ece .
Abatemarco, Michael. Art in Review: Changing Hands. In Art Reviews. Santa Fe / New
Mexican. The New Mexican’s Weekly Magazine. September 6, 2013. http://
www.santafenewmexican.com/pasatiempo/art/art_reviews/art-in-review-changing-hands/
article_b5ebf4b2-1657-11e3-8809-0019bb30f31a.html .
Contemporary Native North America Art, Changing Hands 3 at the Museum of
Arts and Design in New York City in Art of the Times. The Magazine of the Arts in
South Florida, New York City, and Los Angeles. http://artofthetimes.com/2012/03/28/
contemporary-native-north-american-art-changing-hands-3-at-the-museum-ofarts-and-design-in-new-york-city-june-october-2012/ )
Bell, Gloria. “Interview with Curator Ellen Taubman, Changing Hands: Art Without
Reervation 3”, Museum of Arts and Design, New York City. September 9, 2012. http://
metisramblings.blogspot.ca/2012/09/interview-with-curator-ellen-taubman.html .
DiMarzo, Cindi. A Redefining Moment in the History of Native American Art in Studio
International – Visual Arts, Design and Architecture. August 2012. http://www.studiointernational.com/index.php/a-redefining-moment-in-the-history-of-native-american-art.
Kunard, Andrea and Carol Payne. The Cultural Work of Photography in Canada.
McGill-Queen's University Press ISBN - 10:0773538615, August 2011.
Migwans, Crystal. N’nisidwaamdis at the Worker’s Art and Heritage Center (WAHC).
Ojibwe Cultural Foundation Newsletter. Volume 6, Issue 1, January 2011.
Mahoney,Jeff. Self-portrait of a people (Review of N’nisidwaamdis) The Hamilton
Spectator, January 19, 2011 http://www.thespec.com/whatson/article/475278--selfportrait-of-a-people.
Chansonneuve, Deborah. The Role of Art in Decolonization and Healing from
History. Universal Colors Magazine for Professional Migrant Artists. Issue 3, 2010. pg
31. http://www.eu man.org/magazine/uc103.pdf .
Nanibush, Wanda Contamination and Reclamation: Robert Houle’s Paris/Ojibwa,
Fuse Magazine, December 29, 2010 http://fusemagazine.org/2010/12/961.
Migwans, Crystal. N’nisidwaamdis: “I Recognize Myself. Ojibwe Cultural Foundation,
M’Chigeeng, Ontario, 2010.
“m∂ntu'c ─ little spirits, little powers”. North American Native Museum, Zurich,
Switzerland. 2010.
Bell, Gloria. Dancing Through Life. Essay for the exhibition – Meditations on Memory A Metaphysical Dance. Gallery 101, Ottawa, Ontario. http://metisramblings.blogspot.com/
2010/05/dancing-through-life-with-barry-ace.html
Chansonneuve. Deb. Paris/Ojibwa 1845-2010 For the public dance performances
Paris, France, April 2010. http://www.minlodge.com/admin/library/ParisOjibwa
%20article.pdf
Concrete Tipi: The Native American Experience in New York City (Postcard Book).
Smithsonian Institution, New York, New York, USA. ISBN-13: 978-1-933565-05-7. 20
colour and b&w images. 2006.
Mother Earth, Father Skyline: A Souvenir Book of Native New York. Smithsonian
Institution, New York, New York, USA. ISBN-13: 978-1-933565-04-0 (softcover). 2006.
Rice, Ryan. Staking Claim. Spirit Magazine, Summer/Fall 2006. pg.14/15.
Charleyboy, Lisa. Exploring Urban Identities with ‘Super Phat’ Artist Barry Ace Spirit
Magazine, Summer/Fall 2006 p.33.
Rice, Ryan. Playing Tricks. The American Indian Community House Gallery,New York,
New York, USA. 2006.
Mattes, Cathy. Super Phat Nish. The Art Gallery of Southwestern Manitoba, Brandon,
Manitoba. 2005.
Beavis, Lynn. The Dress Show: La mode dans tous ses états.
The Leonard and Bina Art Gallery, Concordia University, Montreal.
Collin, Sara. Dressing up: Exhibit depicts fusion of dress, gender and identity.
Concordia’s Thursday Report, Online. May 1, 2003. Concordia University. Montréal,
Quebec.
Rice, Ryan. Presence and Absence: Indian Art in the 1990s. Definitions of Visual
Culture V: Globalisation and Post-Colonialism. 2002. Musée d’art contemporain, Montreal,
Quebec. p.p. 77-104.
Beavis, Lynn. Interface: Textile, Technology and the Personal. Press Release.
White Mountain Academy for the Arts, Elliot Lake, Ontario. July 19, 2001.
Dyck, Sandra. Urban Myths: Aboriginal Artists in the City. Karsh -Masson Gallery,
Ottawa City Hall, Ottawa, Ontario.
Payne, Carol. Counterpoint in The Journal of Media Arts and Cultural Criticism Vol. 27
No. 6. May/June 2000. A publication of the Visual Studies Workshop, Rochester, N.Y. p.
16-17.
Halkes, Petra. "Emergence from the Shadow": Past Tense, Present Solution.
Border Crossings: A Magazine of the Arts, Issue No. 76. p. 93.
Shinhat, Molly Amoli K. Pushing people beyond boundaries. Ottawa Xpress.
September 14, 2000.
Urban Myths: Aboriginal artists in the city. Ottawa Xpress. July 20, 2000. p. 3.
Dumas, Eve. Prendre racine dans la ville. Le Droit. July 22, 2000. p. A2-4.
Gessell, Paul. Aboriginal artists apply humour to history. Ottawa. Citizen. July 15,
2000. p. K7.
Roston, Margo. Aboriginal Art Show (Photo). Ottawa Citizen, July 17, 2000. p. D2.
Comminiqué. First Peoples Past and Present Featured in Stunning Photographic
Exhibition at the Canadian Museum of Civilization. Canadian Museum of Civilization,
Gatineau, Quebec, October 21, 1999.
Shinhat, Molly Amoli K. Bridging the continental divide. Ottawa Xpress. October 28,
1999. p. 21.
Thorne, Stephen. Exhibit links past, present. The Halifax Chronicle. October 25, 1999.
p. A6.
King, Alan. A new native perspective. Ottawa Citizen. October 25, 1999. p. B10.
Barrière, Caroline. Faire la lumiére sur le noir et blanc. Le Droit. Ottawa- Gatineau.
October 23, 1999.
Lamarche, Bernard. Choc de culture autochtone. Le Devoir. October 22, 1999. p. B10.
Fraser, Graham. Portraits of a people. Globe and Mail. November 30, 1999. p.R2-3.
Lamarche, Bernard. Ombre au tableau. Le Devoir. December 4, 1999. p. B9.
Thorne, Stephen. First Nations photo exhibit defies early stereotypes. National Post
(Metro). December 13, 1999. p. D11.
Euteneier, Anita. Takes on Time. (Review for Rosalie Favell) Capital City, February 4 10,
1999. Vol. 1 #42.
MacIntyre, Wendy. For Fearless and Other Indians: Shelley Niro Art Exhibition
Celebrates Spirit of Survival. (Photo). Transition, November - December (DIAND)
QS-6131-006-BB-A1. p. 4.
Muir, Andrew. Victory Inc. HOW The Bottomline Design Magazine. December 1998. p.
82-89.
Junços, Carmen. A que no los conoce...?. La Republica. San Jose, Costa Rica April
29, 1998. p.5 B.
Scott, Michael. Inuit and Indian art defies typecasting in show at Museum of
Anthropology. The Vancouver Sun. July 11, 1998. p. C2.
Martin, Lee-Ann and Morgan Wood. Shaping the Future of Aboriginal Curatorial
Practice. (Photo). Inuit Art Quarterly, Vol 13, No. 2 Summer, 1998, p. 22-24.
Wawzonek, Donna. Creation's laughter in native art. (Photo). Ottawa Citizen, April 7,
1998. p. F3.
Griffith, Andrew. Life of Extremes. Capital Xtra, No. 56. April 17, 1998. p.31.
Mix Magazine, Artist-Run Culture, (Photo). Winter 1997-1998. Vol. 23-3. p.29.
Mauzé, Marie. Image(s) et histoire(s) (Photo). Gradhiva – Revue d’histoire et de
d’archives de l’anthoropologie. Paris, France. Sommaire no. 22. 1997. p.99-104.
Canadian Cultural News, Visual Arts (Review of Transitions: Contemporary Canadian Indian Art. Canadian Consulate General, Syndey, Australia.
Transitions: Contemporary Canadian Indian and Inuit Art. (Photo). New Zealand
Herald. Monday, October 13, 1997. p.A7
Giulia Bogliolo Bruna. Transitions: l’art contemporain des Indiens et des Inuits du
Canada al Centro Culturule Canadese, 5 rue Constantine Paris 7'me. L’Europa,
Rome, Italy. March 1997. p. 15.
Diane Koven. DIAND’s Resident Artists: Barry Ace and July Papatsie. Intercom,
September 1997 (DIAND) QS-6102-010-BB-A1. p.4-5.
Wendy MacIntyre. Contemporary Aboriginal Art Exhibit from DIAND's Collection
Wows Paris. Transition, April 1997 (DIAND) QS-6101-009-BB-A1. p. 7-8.
Download