Vitae: Barry Ace GROUP AND SOLO EXHIBITIONS 2016 Upcoming - Mnemonic Manifestations. Solo exhibition. Karsh - Masson Gallery. Ottawa, Ontario. 2015 Upcoming - Aazhooningwa'igan “It is worn across the shoulder” Solo exhibition. Trinity Art Gallery, Orleans, Ontario, Shenkman Arts Centre. October 22 to November 24, 2015 Upcoming - City of Ottawa Recent Fine Art Acquisitions Ottawa City Hall Art Gallery, Ottawa, Ontario (September - October 2015) (Catalogue). Upcoming - Native Fashion Now. Group exhibition. Peabody Essex Museum November 21, 2015 to March 6, 2016. Travelling 2016 - 2017: Portland Art Museum (Oregon); Philbrook Museum of Art (Oklahoma), Smithsonian Institution's National Museum of the American Indian (New York City). (Catalogue). Upcoming - 20/20: Vision and Hindsight. Group Exhibition. Workers Arts and Heritage Centre, Hamilton, Ontario (September 2015). Mnemonic Manifestations. Solo exhibition. Latcham Gallery, Stouffville, Ontario. (July 9 - August 15). Le pARTy Annual Fundraiser Auction, Invited artist. Ottawa Art Gallery Ottawa, Ottawa, Ontario (May 21, 2015). Representations of Time and Place : Part 2 1990-2014. Selected Works by Aboriginal Artists in Ontario from the Aboriginal Affairs and Northern Development Canada Fine Art Collection. Ontario Scene, NAC . April 29 - May 10, 2015. Home Away from Home. Group exhibition. Ottawa Art Gallery. Curator Wahsontiio Cross. January 23 - May 10, 2015. Memory Landscape. Solo exhibition, Museu Nogueira da Silva, Universidade do Minho, Braga, Portugal (January 9, 2015 to February 3, 2015). (Catalogue). 2014 Disney Made Me Do It! for the Ottawa International Animation Festival - Group Exhibition, Arts Court Library, Ottawa, Ontario (September 2014) Material Witness: Art, Activism and Fibre - Gallery 101 - Group exhibition, Ottawa, Ontario (August 22 to October 5, 2014). (Catalogue). Surveillapocalypse (007 with artCodex, Maria Hupfield and Special Northern Agent Barry Pottle), Five Myles Gallery, Brooklyn, New York, USA (June 2014). 2013 City of Ottawa Recent Fine Art Acquisitions Ottawa City Hall Art Gallery, Ottawa, Ontario (September - October 2013) 2013 SCOUT (007 with Special Agent Howard Adler) Blink Gallery, Ottawa, Ontario (August - September 2013). 2013 Walking with Our Sisters. A Commemorative Art Installation for the Missing and Murdered Indigenous Women of Canada and the USA. International touring group exhibition (August 2013 to 2019). In/Digitized – Indigenous Culture in a Digital World (007 with Special Agent Robert Houle). SAW Gallery, Ottawa Ontario (June 2013). Partnership with Creative Cities Network Summit 2013 and National Gallery of Canada’s Sakahàn. 2012 Four Contemporary Artists - Ace, Devine, Favell, Houle. Carmel Art Gallery, Ottawa, Ontario. (November 2012). Ottawa Ontario 7 (007 with Special Agent Bonnie Devine) - Inaugural Exhibition (007 are Ace, Favell, Noganosh, Shebageget, Smith, Yerxa, Bear Witness) Gladstone Hotel, Toronto, Ontario (Nov. - Dec. 2012). Changing Hands 3 – Art Without Reservations, Museum of Art and Design, New York City, USA (June 26 to October 21, 2012). International touring group show. (Catalogue). 2011 Robert’s Paintings. Shelley Niro -Director – Paris Ojibwa site-specific dance performances included in documentary film based on the life career of artist Robert Houle. First Nations Art 2011. Group Exhibition. Woodland Cultural Centre Brantford, Ontario, May 2011. (Catalogue). N’nisidwaamdis: “I Recognize Myself”. Group Exhibition. Ojibwe Cultural Foundation, Manitoulin Island, Ontario; Workers’ Arts and Heritage Centre Gallery, Hamilton, Ontario. Curator - Crystal Migwans. (Catalogue). 2010 A Reparative Act – 4 site specific dance performances in Paris, France Maungwaudaus (Great Hero) – At the Louvre; Noodinokay (Furious Storm) – In the Tuilieries; Mishshemong (King of the Loons) – Place de la Concorde; Saysaygon (Hail Storm) – L’Esplanade des Invalides. April 2010. “m∂ntu'c - little spirits, little powers” Group Exhibition. North American Native Museum, Zurich, Switzerland. April 8, 2010 - November 14, 2010. Catalogue. First Nations Art 2010. Group Exhibition. Woodland Cultural Centre, Brantford, Ontario June 2010. Catalogue. Meditations on Memory – A Metaphysical Dance. Solo Exhibition. May 2010 – Alcove Gallery, Ottawa International Airport in collaboration with Gallery 101 React – (new media group exhibition). Alternator Gallery, Kelowna, British Columbia, Spring 2010. 2009 Home/land and Security Group Exhibition. Render Art Gallery, University of Waterloo, Ontario. Curator – Jeff Thomas. Nov.5, 2009 - Feb. 12, 2010. 2006 50 Years of Pow wow. Group exhibition. Castle Gallery, College of New Rochelle, New Rochelle, New York. USA. Sept. 10, 2006 – Nov. 22, 2006. 2006 Playing Tricks. Two person exhibition with Maria Hupfield. American Indian Community House. Curator - Ryan Rice. March 25, 2006 April 22, 2006 New York City, New York. USA. 2005 Super Phat Nish. Solo exhibition. The Art Gallery of Southwestern Manitoba. Curator - Catherine Mattes. February 25, 3005 - April 9, 2005. Brandon, Manitoba. 2003 The Dress Show: La mode dans tous ses états. Group exhibition. The Leonard and Bina Art Gallery. Curator - Lynn Beavis. April 22 May 31, 2003. Concordia University, Montréal, Quebec. 2002 Everyday Light - A Collection of Photos and Memories of Our Past. Touring Group Exhibition. Fall 2002 - Fall 2005. Thunder Bay Art Gallery, Thunder Bay, Ontario. Catalogue. 2001 Contract. Beaded page of Indian Act for artist Nadia Myer’s solo exhibition. Curator - Rhonda Meier. May-June 2002. Gallerie Oboro, Montreal, Quebec. Interface: Textile, Technology and the Personal. Group exhibition. Curator - Lynn Beavis. July 19, 2001 - August 3, 2001. White Mountain Academy for the Arts, Elliot Lake, Ontario. In Control - Luminous Gravity. Group exhibition. Gallery SAW and SAW Video,Registry Building, Ottawa, Ontario. 2000 Urban Myths: Aboriginal Artists in the City. Group exhibition. July 10, 2000 - September 24, 2000. Curators - Sandra Dyck and Jeffery Thomas. Karsh-Masson Gallery, Ottawa City Hall, Ottawa, (Catalogue). First Nations’ Art 2000. Group exhibition. May 14 to August 31, 2000. Woodland Cultural Centre, Brantford, Ontario. 1999 Emergence from the Shadows - First Peoples Photographic Perspectives. Group exhibition. Curator - Jeffrey Thomas. October 28, 1999 to January 2002. Canadian Museum of Civilization, Hull, Quebec. Tattoo Nation. Group exhibition with Nation to Nation (Montreal) National touring exhibition. 1998 101 Frames. Gallery 101 Annual Art Auction. Ottawa, Ontario. First Nations Art 98. Group exhibition. May 3-31, 1998. Woodland Cultural Centre, Brantford, Ontario. Modern Indians Standing Around at the Post. Solo exhibition. March 28-April 25, 1998. Gallery 101, Ottawa, Ontario. COLLECTIONS Regional Municipality of Ottawa - Carleton Fine Art Collection; Ottawa Art Gallery Permanent Collection; Royal Ontario Museum; Woodland Cultural Centre; Canada Council Art Bank; North American Native Museum, Zurich, Switzerland; Aboriginal Affairs and Northern Development Canada; numerous Canadian and International private collections. AWARDS The Ontario Association of Art Galleries 2012 Curatorial Writing Award Essay “A Reparative Act” for Robert Houle’s Paris Ojibwa Art Gallery of Peterborough; K.M Hunter Visual Artist Award 2015 GRANTS Canada Council for the Arts, Ontario Arts Council, Regional Municipality of Ottawa-Carleton. PUBLICATIONS 2015 Anishinaabeg Cultural Continuity – The Art and Advocacy of Norval Morrisseau. Unpublished presentation for Copper Thunderbird: The Art of Norval Morrisseau Symposium, Plain Red Art Gallery at the First Nations University of Canada, Regina. February 7, 2015. 2013 Reactive Intermediates - Aboriginal Art, Politics and Resonance of the 1960s and 1970s. Essay for Professional Native Indian Artists Incorporation exhibition. MacKenzie Art Gallery. Regina, Saskatchewan. September 2013. 2012 Decolonize Me! (Forward). For the touring exhibition curated by Heather Igloliorte for the Ottawa Art Gallery. January 2012 - 2015. Revealed – The Portraits of Rosalie Favell. Essay for Rosalie Favell - Facing the Camera exhibition catalogue. Urban Shaman. Winnipeg, Manitoba. ISBN – 978-0-9731935-3-4. Spring 2012. 2011 Manifestations – New Vocabularies in Native Art Criticism - Institute of American Indian Arts, Santa Fe, New Mexico, USA. 2011. A Reparative Act. Essay for Robert Houle’s Paris Ojibwa, Art Gallery of Peterborough, Ontario. Summer, 2011. (Won the Curatorial Writing Award 2012 Ontario Association of Art Galleries). 2010 Norval Morrisseau – Artist As Shaman in Copper Thunderbird – The Art of Norval Morrisseau, Westerkirk Works of Art, Fall 2010. 2009 Primary Manifestos – Possibilities for Change Essay for Jason Baerg, Axeneo7, Gatineau, Quebec. 2009 e-r@cing Aboriginal mythologies – the manufactured and the real – Essay for Kent Monkman’s Dance to the Berdashe. Urban Shaman Gallery, Winnipeg, Manitoba. 2007 Rituals of Collecting and Transformation—the Artistic Journeys of Rosalie Favell. Blackflash Magazine, Spring/Summer. 2006 N’danshanaadem. G’nstatom na? - The Art of Bonnie Devine. for Medicine River. Axeneo 7, Gatineau, Quebec. 2006 The Aboriginal Curatorial Collective. Ace, Barry and Ryan Rice. MUSE Magazine 11 -12 / 2006 vol. XXIV/6. pg.18-19. Norval Morrisseau – Artist as Shaman. Electronic essay posted on Aboriginal Curatorial Collective website. 2006. Archived Articles. http:// www.aboriginalcuratorialcollective.org/research/articles.html 2003 Rosalie Favell: I searched many worlds for Rosalie Favell’s Collecting Many Worlds. Winnipeg Art Gallery. pp. 21-28. 2002 (Ad)dressing Our Words - Aboriginal Perspectives on Aboriginal Literatures. Cover Art. Theytus Books Ltd., Penticton, British Columbia. Theytus Books Ltd., Spring 2002 Catalogue. Cover Art. Theytus Books Ltd., Penticton, British Columbia. 2000 Who Stole the Teepee. Contributing writer. Atlatl Inc. Museum of the North American Indian, New York City, New York, USA. Longing and not Belonging: Rosalie Favell. CV Photo. Winter 2000. No.53. Productions Ciel Variable 2000, Montreal, Quebec. pg. 23 - 30. 2000 From Stereotype to Archetype. Maria Hupfield and Danny Cutfeet. Indian Art Centre (DIAND), Artist-in-Residence, Gatineau, Quebec. August 2000. Shamanic Images. Rick Rivet. Indian Art Centre (DIAND), Artist-in-Residence. Gatineau, Quebec. January 2000. 1999 pelage. Mary Anne Barkhouse. Indian Art Centre (DIAND), Artist-in-Residence, Gatineau, Quebec. November, 1999. Osopikahikiwak. Rick Rivet and Jane Ash-Poitras. Co-authored with Gerald McMaster. Canadian Cultural Centre, Paris, France. June - October, 1999 Fix The Gaze...The Repartive Act 1999. Linda Young. Indian Art Centre (DIAND), Artist-in-Residence Program, Gatineau, Quebec. June, 1999. Raven’s Wait. Michael Belmore. Indian Art Centre (DIAND), Artist-in-Residence Program, Gatineau, Quebec. April, 1999. Longing and Not Belonging. Rosalie Favell. Co-authored with Ryan Rice. Indian Art Centre (DIAND), Artist-in-Residence Program, Gatineau, Quebec. February, 1999. 1998 I, Audrey Greyeyes. Indian Art Centre (DIAND), Artist- in-Residence Program, Gatineau, Quebec. November, 1998. For Fearless and Other Indians. Shelley Niro. Indian Art Centre (DIAND), Artistin-Residence Program, Gatineau, Quebec. October, 1998. inter/SECTION. Jeffrey Thomas. Indian Art Centre (DIAND), Artist-in-Residence Program, Gatineau, Quebec. January, 1998. 1998 Transitions: Contemporary Canadian Indian and Inuit Art. Curatorial notes in Inuit Art Quarterly, Vol 13, No. 1 Spring, 1998, p. 32-34. 1997 Transitions: Contemporary Canadian Indian and Inuit Art. Exhibition catalogue (DIAND). QS-3581-000-BB-A2; Catalogue No. R32-173/1997; ISBN 0-662-63053-X. 1995 Kokiibinaagan: Symbols of Cultural Continuity in Celebration of Indigenous Thought and Expression, Lake Superior State University Press. Sault Ste. Marie, Michigan, U.S.A. BIBLIOGRAPHY Anishinaabe artist brings show to Stouffville's Latcham. Stouffville Sun-Tribune. July 3, 2015. http://www.yorkregion.com/whatson-story/5707387-anishinaabe-artistbrings-show-to-stouffville-s-latcham/ Ottawa Phillips, Caroline. Around Town: Bidding and imbibing at Ottawa Art Gallery. Citizen. May 22, 2015. http://ottawacitizen.com/life/style/our-ottawa/around-town-biddingand-imbibing-at-ottawa-art-gallery Simpson, Peter. Le Party de la saison – Ottawa Art Gallery auction-fundraiser. Ottawa, Citizen. May 21, 2015. http://ottawacitizen.com/entertainment/local-arts/le-partyde-la-saison-ottawa-art-gallery-auction-fundraiser-is-today Ontario Arts Foundation. 2015 Winners Announced - K. M. Hunter Artist Awards Celebrate 20 Years. April 20, 2015. http://www.ontarioartsfoundation.on.ca/news/99 Gessell, Paul. ARTFUL BLOGGER: Two Aboriginal Artists from Manitoulin Island. Ottawa Magazine. January 30, 2015. http://www.ottawamagazine.com/culture/artfulblogger/2015/01/30/artful-blogger-two-aboriginal-artists-from-manitoulin-island-sizzlingerotica-in-chelsea/#more-65236 Museu Nogueira da silva. Memory Landscape. Exhibition Catalogue. University of Minho. January 9, 2015. Vilas Boas, Catarina. O trabalho de Barry Ace na primeira pessoa. Gazeta do Rossio. Braga, Portugal. January 10, 2015. http://www.gazetadorossio.pt/cultura/o-trabalho-debarry-ace-na-primeira-pessoa/ . Cross, Wahsontiio. Home Away From Home. Ottawa Art Gallery, Winter 2015 (Gallery Publication). pg. 5 6. Ace, Barry. Artist Feature in Kimiwan Magazine, Indigenous Futurisms. Issue 8. p. 40 - 42. Winter, 2014 Falvey, Emily. Textiles Get Tactical at Gallery 101. Canadian Art. October 17, 2014. http://canadianart.ca/reviews/2014/10/17/material-witness/ . Native Art Now! Developments in Contemporary Native American Art, 1992-2012 (Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana and University of Oklahoma Press, 2014). Paluch, Anna. Cyber Traditions in the Art and Science Journal. September, 18, 2014. http://www.artandsciencejournal.com/#top Gessell, Paul. Material Witness - Art, Activism and Fibre. Ottawa Magazine. August 29, 2014. http://www.ottawamagazine.com/culture/artful-blogger/2014/08/29/ . Marshall, Dominique. Seeing History in the Eyes of Artists. Canadian Historical Association Bulletin. Volume 39, No.3. pg.1-2. ISSN 0382-4764. 2013 Simpson, Peter. “The scout with no name - Artists correct the 'insult of anonymity' as part of exhibit inspired by the sculpture” Ottawa Citizen. Tuesday, August 27, 2013. http://www2.canada.com/ottawacitizen/news/artslife/story.html?id=c4c69837f98a-42fa-9c59-cb209a7c8ece . Abatemarco, Michael. Art in Review: Changing Hands. In Art Reviews. Santa Fe / New Mexican. The New Mexican’s Weekly Magazine. September 6, 2013. http:// www.santafenewmexican.com/pasatiempo/art/art_reviews/art-in-review-changing-hands/ article_b5ebf4b2-1657-11e3-8809-0019bb30f31a.html . Contemporary Native North America Art, Changing Hands 3 at the Museum of Arts and Design in New York City in Art of the Times. The Magazine of the Arts in South Florida, New York City, and Los Angeles. http://artofthetimes.com/2012/03/28/ contemporary-native-north-american-art-changing-hands-3-at-the-museum-ofarts-and-design-in-new-york-city-june-october-2012/ ) Bell, Gloria. “Interview with Curator Ellen Taubman, Changing Hands: Art Without Reervation 3”, Museum of Arts and Design, New York City. September 9, 2012. http:// metisramblings.blogspot.ca/2012/09/interview-with-curator-ellen-taubman.html . DiMarzo, Cindi. A Redefining Moment in the History of Native American Art in Studio International – Visual Arts, Design and Architecture. August 2012. http://www.studiointernational.com/index.php/a-redefining-moment-in-the-history-of-native-american-art. Kunard, Andrea and Carol Payne. The Cultural Work of Photography in Canada. McGill-Queen's University Press ISBN - 10:0773538615, August 2011. Migwans, Crystal. N’nisidwaamdis at the Worker’s Art and Heritage Center (WAHC). Ojibwe Cultural Foundation Newsletter. Volume 6, Issue 1, January 2011. Mahoney,Jeff. Self-portrait of a people (Review of N’nisidwaamdis) The Hamilton Spectator, January 19, 2011 http://www.thespec.com/whatson/article/475278--selfportrait-of-a-people. Chansonneuve, Deborah. The Role of Art in Decolonization and Healing from History. Universal Colors Magazine for Professional Migrant Artists. Issue 3, 2010. pg 31. http://www.eu man.org/magazine/uc103.pdf . Nanibush, Wanda Contamination and Reclamation: Robert Houle’s Paris/Ojibwa, Fuse Magazine, December 29, 2010 http://fusemagazine.org/2010/12/961. Migwans, Crystal. N’nisidwaamdis: “I Recognize Myself. Ojibwe Cultural Foundation, M’Chigeeng, Ontario, 2010. “m∂ntu'c ─ little spirits, little powers”. North American Native Museum, Zurich, Switzerland. 2010. Bell, Gloria. Dancing Through Life. Essay for the exhibition – Meditations on Memory A Metaphysical Dance. Gallery 101, Ottawa, Ontario. http://metisramblings.blogspot.com/ 2010/05/dancing-through-life-with-barry-ace.html Chansonneuve. Deb. Paris/Ojibwa 1845-2010 For the public dance performances Paris, France, April 2010. http://www.minlodge.com/admin/library/ParisOjibwa %20article.pdf Concrete Tipi: The Native American Experience in New York City (Postcard Book). Smithsonian Institution, New York, New York, USA. ISBN-13: 978-1-933565-05-7. 20 colour and b&w images. 2006. Mother Earth, Father Skyline: A Souvenir Book of Native New York. Smithsonian Institution, New York, New York, USA. ISBN-13: 978-1-933565-04-0 (softcover). 2006. Rice, Ryan. Staking Claim. Spirit Magazine, Summer/Fall 2006. pg.14/15. Charleyboy, Lisa. Exploring Urban Identities with ‘Super Phat’ Artist Barry Ace Spirit Magazine, Summer/Fall 2006 p.33. Rice, Ryan. Playing Tricks. The American Indian Community House Gallery,New York, New York, USA. 2006. Mattes, Cathy. Super Phat Nish. The Art Gallery of Southwestern Manitoba, Brandon, Manitoba. 2005. Beavis, Lynn. The Dress Show: La mode dans tous ses états. The Leonard and Bina Art Gallery, Concordia University, Montreal. Collin, Sara. Dressing up: Exhibit depicts fusion of dress, gender and identity. Concordia’s Thursday Report, Online. May 1, 2003. Concordia University. Montréal, Quebec. Rice, Ryan. Presence and Absence: Indian Art in the 1990s. Definitions of Visual Culture V: Globalisation and Post-Colonialism. 2002. Musée d’art contemporain, Montreal, Quebec. p.p. 77-104. Beavis, Lynn. Interface: Textile, Technology and the Personal. Press Release. White Mountain Academy for the Arts, Elliot Lake, Ontario. July 19, 2001. Dyck, Sandra. Urban Myths: Aboriginal Artists in the City. Karsh -Masson Gallery, Ottawa City Hall, Ottawa, Ontario. Payne, Carol. Counterpoint in The Journal of Media Arts and Cultural Criticism Vol. 27 No. 6. May/June 2000. A publication of the Visual Studies Workshop, Rochester, N.Y. p. 16-17. Halkes, Petra. "Emergence from the Shadow": Past Tense, Present Solution. Border Crossings: A Magazine of the Arts, Issue No. 76. p. 93. Shinhat, Molly Amoli K. Pushing people beyond boundaries. Ottawa Xpress. September 14, 2000. Urban Myths: Aboriginal artists in the city. Ottawa Xpress. July 20, 2000. p. 3. Dumas, Eve. Prendre racine dans la ville. Le Droit. July 22, 2000. p. A2-4. Gessell, Paul. Aboriginal artists apply humour to history. Ottawa. Citizen. July 15, 2000. p. K7. Roston, Margo. Aboriginal Art Show (Photo). Ottawa Citizen, July 17, 2000. p. D2. Comminiqué. First Peoples Past and Present Featured in Stunning Photographic Exhibition at the Canadian Museum of Civilization. Canadian Museum of Civilization, Gatineau, Quebec, October 21, 1999. Shinhat, Molly Amoli K. Bridging the continental divide. Ottawa Xpress. October 28, 1999. p. 21. Thorne, Stephen. Exhibit links past, present. The Halifax Chronicle. October 25, 1999. p. A6. King, Alan. A new native perspective. Ottawa Citizen. October 25, 1999. p. B10. Barrière, Caroline. Faire la lumiére sur le noir et blanc. Le Droit. Ottawa- Gatineau. October 23, 1999. Lamarche, Bernard. Choc de culture autochtone. Le Devoir. October 22, 1999. p. B10. Fraser, Graham. Portraits of a people. Globe and Mail. November 30, 1999. p.R2-3. Lamarche, Bernard. Ombre au tableau. Le Devoir. December 4, 1999. p. B9. Thorne, Stephen. First Nations photo exhibit defies early stereotypes. National Post (Metro). December 13, 1999. p. D11. Euteneier, Anita. Takes on Time. (Review for Rosalie Favell) Capital City, February 4 10, 1999. Vol. 1 #42. MacIntyre, Wendy. For Fearless and Other Indians: Shelley Niro Art Exhibition Celebrates Spirit of Survival. (Photo). Transition, November - December (DIAND) QS-6131-006-BB-A1. p. 4. Muir, Andrew. Victory Inc. HOW The Bottomline Design Magazine. December 1998. p. 82-89. Junços, Carmen. A que no los conoce...?. La Republica. San Jose, Costa Rica April 29, 1998. p.5 B. Scott, Michael. Inuit and Indian art defies typecasting in show at Museum of Anthropology. The Vancouver Sun. July 11, 1998. p. C2. Martin, Lee-Ann and Morgan Wood. Shaping the Future of Aboriginal Curatorial Practice. (Photo). Inuit Art Quarterly, Vol 13, No. 2 Summer, 1998, p. 22-24. Wawzonek, Donna. Creation's laughter in native art. (Photo). Ottawa Citizen, April 7, 1998. p. F3. Griffith, Andrew. Life of Extremes. Capital Xtra, No. 56. April 17, 1998. p.31. Mix Magazine, Artist-Run Culture, (Photo). Winter 1997-1998. Vol. 23-3. p.29. Mauzé, Marie. Image(s) et histoire(s) (Photo). Gradhiva – Revue d’histoire et de d’archives de l’anthoropologie. Paris, France. Sommaire no. 22. 1997. p.99-104. Canadian Cultural News, Visual Arts (Review of Transitions: Contemporary Canadian Indian Art. Canadian Consulate General, Syndey, Australia. Transitions: Contemporary Canadian Indian and Inuit Art. (Photo). New Zealand Herald. Monday, October 13, 1997. p.A7 Giulia Bogliolo Bruna. Transitions: l’art contemporain des Indiens et des Inuits du Canada al Centro Culturule Canadese, 5 rue Constantine Paris 7'me. L’Europa, Rome, Italy. March 1997. p. 15. Diane Koven. DIAND’s Resident Artists: Barry Ace and July Papatsie. Intercom, September 1997 (DIAND) QS-6102-010-BB-A1. p.4-5. Wendy MacIntyre. Contemporary Aboriginal Art Exhibit from DIAND's Collection Wows Paris. Transition, April 1997 (DIAND) QS-6101-009-BB-A1. p. 7-8.