Regional Test Piece Section Four: 2014
Three Spanish Impressions (A. Fernie)
published by Obrasso-Verlag
The following list of Errata has been issued, with apologies, by the composer of this work:
First movement:
Page 1
Page 2
Page 3
Page 6
bars 1/2 and 5/6 - 2nd and 3rd cornets, Solo and 1st Horn - tied over bar-line
bar 3 - Baritones - Cantabile (as Euph.)
bars 12/13 - Solo and 1st Horn - tied over bar-line
bars 13/14 - Solo and 1st Horn - phrased as 2nd /3rd cornets
bar 15 - Solo Horn - first 2 notes tied
bar 21 - Baritones - forte
bar 46 - Horns 1 and 2 - mezzo piano
bars 50-51 - 2nd cornet - last note in bar 50, A, tied over bar-line
3rd cornet - last note in bar 50, F, tied over bar-line
Horns 1 and 2 - tied over bar-line
Second Movement:
Page 8 bar 16 - Euph. and Basses - diminuendo
Page 9 bar 23 - Solo Cornet, lower part, first note G, not F#
Page 10 bar 33 - Btrb./Timpani - mezzo forte
bars 34 and 38 - Soprano, Solo Cornet, Baritone 1 and Euph. - 1st note tenuto
Page 12 bar 56 - Trombone 2 - cresc. and dim, as Trombone 1. Bass trom. - mp, no cresc. & dim.
bar 58 - all the horns' last note should be F#
Page 14 bar 72 - Timpani - piano
Page 15 bar 90 - Soprano - straight mute in
Page 16 bar 99 - Sop./Rep/ 2nd and 3rd cornets - mutes out for start of third movement.
All the single C glockenspiel strokes bars 4, 6, 8, 10, 12, 67, 69, 71, 73, 75 and 77 should have a beam off
them as in bar 2 of this movement.
Third Movement:
Page 18 bar 13 - Soprano - mezzo forte
bars 13/14 euph F Natural as S.C.
bar 18 - Percussion 2 - quaver on beat 1 (castanets)
bar 19 - Percussion 3 - triangle, mezzo forte
Page 20 bar 35 - Horns and Baritones - mezzo forte
Page 21 bar 46 - Percussion 2 - as bar 18 (castanets)
Page 23 bar 65 - Eb bass – last beat, first quaver should be a B (not an A)
bar 69 - Timpani - tacet
Page 24 bar 71 - Timpani - tacet
Page 25 bar 89 - Solo Cornets - tutti
Page 27 bar 105 - solo cornets and repiano - should be piano (p)
bar 109 - Basses - first note tacet
bar 110 - bass trom. - F not G!
Page 30 bar 138 - 2nd Horn - rhythm same as Baritone 2 (dotted crotchet, three quavers)
Page 31 bar 148 - 1st Trombone - rhythm same as all horns, baritones and other trombones
Page 32 bar 158 - 1st Horn - last note A
Page 33 bar 165 - 2nd Horn - rhythm same as rest of horn section.
Alan Hope
Kapitol Music Selection Panel