VOL U M E
Editorial Staff
2 - I S S U E
2
A P R I L - J U NE
2 01 3
Maria Lynam
Arlene Minuskin
Nancy Matte
Marc Luedtke
INSIDE THIS
ISSUE:
Letter from VAC
2
Chair continued
Best of Show
4
“Nobility of Nature”
Jerry Bengtson
1st place 2D
4
“Nobility of Nature”
5
Letter from the Visual Arts Committee Chair
6
2013-2014 GALLERY SEASON
Mei-June Liao
1st place 3D
“Nobility of Nature”
presentation must be a
square. 3-D art must
be fashioned out of
squares. Artists are
encouraged to think out
of the box. We encourage all forms of media
– 2-D and 3-D, fiber
arts and book arts.
By Maria Lynam
Stan Book
Curator’s Corner
7
PCA Gallery News
8
Banksy & Swoon -
9
Vandalism or Art?
10
By Arlene Minuskin
11
The Visual Arts Committee, a group that
meets at the Prescott Center for the Arts Gallery the first Tuesday of every month at 3pm,
oversees the activities of the gallery under the
direction of PCA’s Jon Meyer, Executive Director.
REFLECTIONS
Capturing light, referring to light or generating light, has been a challenge to visual artists
for centuries. Illumination can be caught by the
sun’s rays, or a candle or similar light sources.
Stained glass brings in natural light. Contemporary artists are using fluorescent tubes and videos to bring light to the art world, as well as
metallic, iridescent, and duochrome paints and
other materials that reflect and respond to environmental light. Other artists spend their time
reflecting on various subjects or ideas. This
exhibit allows the artist to present a personal
response to ‘reflections.’
Maria Lynam
Photo Gallery of
Events & Classes
Schedules
&
Notices
12
13
14
The exhibits for the upcoming 2013-2014
season start in September. During the past few
months, the VAC has deliberated over exhibit
titles and content. During their discussions,
they looked at many suggestions. Their final
selections present a balanced offering so artists
of all media have the opportunity to enter many
exhibits. The PCA Gallery encourages all
forms of media – 2-D and 3-D, fiber arts and
book arts.
IT’S ALL SQUARE - Each work of art
must be square – size of each square does not
matter. If multiple pieces are used, the final
PAGE 2
Letter
DAY OF THE DEAD - Join artists and entertainers
who celebrate the Day of the Dead (Dia de los Muertos) in
their art. This inaugural exhibit will be held in conjunction
with activities at the Smoki Museum and the Prescott City
Cemetery.
The gallery will welcome visitors during the annual
Ghost Talk performances, the last weekend in October.
SEASON FOR ALL: GIFT SHOW - A perennial favorite, the PCA Gallery is transformed with an array of gifts
for the discriminating shopper. Contribute your art and handcrafted items so our selection is the very best in handmade
gifts for the home, friends and family.
PRIMARY COLORS - Color contributes to a viewer's
experience of a particular painting or drawing. This exhibition will explore the significance of color in art. Experience
color in a new way as you utilize the hues of red, yellow,
blue, black, and white in the creative process. Artists must
use at least one primary color. Colors can be mixed or
glazed over one another.
SHAPING OUR WORLD - Throughout history, artists have been inspired to create works of art in response to a
myriad of aspects that influence their personal view of the
world. Those inspirational triggers have been physical, spiritual, intellectual, cultural, or sensual in character. An artist’s
creative spirit may be influenced by the physical environment of human construction, by the diverse manifestations of
nature, by religion or philosophy, through the joy of placing
colors and textures together, or by the desire to give form to
beauty or to passion. Some works of art mirror the physical
appearance of their inspiration while other works have no
reference to the seen world. Artists are invited to open their
senses and their personal world through a work of art shaped
by unique inspiration.
TIMELESS MEDITATIONS: MANDALAS & PATTERNS IN NATURE - Artists in all media are invited to
submit art that is inspired by, represents or includes sacred
geometry, mandalas, and patterns in nature. Recognition of
patterns and shapes can profoundly affect how we see ourselves in relation to each other and the world in which we
live, to embrace ideas that unite us, not divide us. The Sanskrit word “Mandala” refers to a circle, which can be a focal
point for meditation, a portal to dreams, a prayer for healing,
or simply a beautiful decoration. Artists use imagery, color
and movement to create unique contemporary mandalas.
NOVEL APPROACH: ART AND A BOOK - Everything book related! Pay homage to your favorite book or
literary genre or favorite author with a piece of your art. Art-
ists are invited to write a brief (50 words or less) description
of how your book, genre or author influenced your entry.
Book artists and 3-D artists are encouraged to create their
own book, accompanied with a brief description of your inspiration and process. Two artists could collaborate. For
example, a 2-D artist could create a work inspired by another
artist’s book, or vice versa. Digital books are also encouraged (artist must supply own display).
The PCA Gallery Exhibit Schedule will be posted as soon as
it is finalized. We look forward to this exciting season. If
you wish to become part of the Visual Arts Committee, stop
by a meeting or call Maria Lynam, Chair, (928) 443-8854, to
get more information.
PAGE 3
2nd Annual PCA Gallery Art and Treasures Sale
The Prescott Center for the Arts Gallery Visual Arts Committee members are collecting items for the 2013 Art & Treasures Gallery Sale. All members and their friends are welcome to drop off your special treasures that need a new home.
What: PCA Gallery Art and Treasures Sale
When: Sale Day is Saturday, May 11th, 2013, 9AM – 2PM
Where: Prescott Center for the Arts Gallery on Willis St. west of Marina St.
Donation drop offs: May 9rd 10AM - 2PM, May 10th 10AM - 5PM at PCA Gallery
If you are unable to bring your treasures during the above listed drop off dates, please call Barb Wills at 928.445.2796 or Cindi Shaffer
at 928.717.0828 and we will coordinate a drop off time that works for you.
PCA Gallery NEEDS your donations of things you would buy at an ARTY yard sale, such as:
ART SUPPLIES, ARTWORK, YARD ART, ANTIQUES, GLASS AND TABLEWARE, ART JEWELRY AND VINTAGE CLOTHING, WESTERN ITEMS, BRIC A BRAC, COOL AND FUNKY ITEMS
PLEASE DO NOT BRING:
TOYS, SHOES, ANY ITEMS THAT ARE NOT IN GOOD CONDITION, ANY ITEMS NOT IN GOOD
WORKING ORDER, CLOTHES UNLESS VINTAGE
PAGE 4
“Nobility of Nature” Show - Gallery Winners
Best of Show/Featured Artist Jerry Bengtson - Photographer
By Nancy Matte
his wife’s concern about his retirement activities, Jerry
decided it would be fun to get more involved in photography, working in both color and black and white. So he
bought his first DSLR (Canon 20D) and started taking
classes in digital photography and Photoshop. Jerry says
“I am in constant search for more information while
actively being involved in two local photo clubs and a
group of Yavapai College Alumni advanced photographers.”
Bengtson’s advice for beginning artists is to
“Educate, educate, educate. You can never know too
much. It takes educating yourself and time to perfect
your craft.”
JERRY BENGTSON, Photographer
Mare in Spring Gulch, Best in Show
2D - 1st Place - Mei-June Liao Painter
By Nancy Matte
Jerry Bengtson's photograph, Mare in Spring
Gulch, won Best in Show in PCA’s Nobility of Nature gallery exhibit. It was taken at the end of September 2012 in Jackson Hole, Wyoming, while he
and his wife were attending a photo workshop. During that event they had passed by the location many
times where this photograph was taken. As with
many photographs, timing is everything. “It was as
we were returning home that the mare just happened
to be where she was as we passed by the spot and
without anything from me she turned suddenly and
looked directly at me.”
Jerry spent most of his life in business, retiring
ten years ago after a successful career in executive
management in the automobile business. After retirement, his wife was concerned that Jerry’s only
outside interest was golf since it was the only outside activity he had time for while working. He had
always been interested in photography and in 1965
he acquired his first 35mm SLR camera, a Nikon F
Photomic T, but the only photographs he had usually taken were family snap shots. But because of
MEI-JUNE LIAO, Painter
Monterey in Spring, First Place 2D
Mei-June Liao’s pastel painting, Monterey in
Spring, the First Place 2D winner of PCA’s Nobility of
Nature gallery exhibit, was based on a photo she took
“Art enables us to find ourselves and lose ourselves at the
same time.” Thomas Merton, No Man Is an Island
ARTIST CONNECTION
PAGE 5
during a family vacation in Monterey, CA. She says
that she “was inspired by the spring flowers and the
shapes of the cypress trees near the rocky coast line.”
Further describing her creative process and how she
gets her ideas, Mei-June states “that [the] morning
was cloudy with a misty horizon. As usual, I took
several pictures from different angles and chose the
one that has the best composition for my painting.
After minor modifications of contrast, light and
shadow using Photoshop, I painted it based on the
local colors in the photo.”
In general, Mei-June actively collects possible
ideas for future works. Since she enjoys collecting
photos of beautiful scenery, when she vacations or
visits places, she takes lots of photos. She states that,
“After I learned to paint a few years ago, I began to
pay more attention to the potential of painting objects and landscape composition. Sometime[s], I
would just take the picture of a tree or a piece of
cloud, thinking that I may use that object in one of
my paintings.” Using a digital camera is a lifesaver
because one can take many photos and not worry
about the cost or about developing prints. Another
tool she uses is Photoshop, which allows modification.
She states that when selecting a photo to paint,
the most important thing is the composition. “Some
objects may need to be moved around to make it a
better composition [and] the value, color; light and
shadow can also be modified in Photoshop.”
After selecting the reference photo and making
any necessary modifications, Mei-June decides on
the painting’s size and then underpaints, which fixes
the value and composition. “Layers of pastels are
then applied from top to bottom, dark to light, and
hard to soft. I work on a small section first and then
move on to the next section.” Each painting takes at
least 8-10 hours and she projects the reference photo
on a computer screen. She may also use Photoshop’s
added grid lines on the reference photo to aid in accurate drawing. She states that, “I often revisit the finished painting several days later and make changes. I
like to paint without music, TV or other distractions. It
helps my concentration.”
Her advice to beginning artists for developing
one’s creative process is:
“The first step is to select the object
and theme you like. The next step is to
change the object so that it looks good on
the painting. This second step requires constant learning from studying other people’s
paintings, reading instruction books, taking
classes, etc. Be bold to experiment different
color schemes. Paint the same composition
with different light and shadow to reflect
different parts of the day, such as from
morning to dusk. Do not worry about making mistakes. Pastel painting is very forgiving; it can be changed any time, even years
later.”
Mei-June is giving a pastel painting demonstration on April 26 as well as a two-day pastel workshop
at Mountain Artists Guild on May 13 and 14. Many
tips about pastel painting will be provided.
Featured Artist Wall
The Featured Artist during
the Grey Matter show was
Jerry Bengtson
(The Wall is now located by the
entrance to the Gallery)
VOLUME 2 -
ISSUE 2
PAGE 6
3D - 1st Place - Stan Book - Metal
Sculptor
By Nancy Matte
sided, but normally, I intend my sculpture to be
viewed from all sides. I confess to being dismayed
when curators shove my work up against a wall or
into a corner! When viewers engage with the work
and don’t just look past it and walk by, I am happy.”
His advice for beginning artists
STAN BOOK, Metal Sculptor
Forces of Nature, First Place 3D
Stan Book’s Forces of Nature won First Place 3D
in the recent Nobility of Nature gallery exhibit. His initial interest in art was sparked by his mother, a selftaught artist, who used chalk to illustrate Bible stories at
local churches. Also working in oils, watercolor and
ceramics, she was his introduction to fine art.
In high school, he took several art classes and in
college took art history, design, and painting as electives. At Claremont University, he earned a Master of
Arts in Fine Art with a concentration in printmaking.
“is to look at art every chance you get.
But do not try to analyze or copy what you
see! Use the right side of your brain. Just
look at the art and absorb it. Do not use
words to describe it or interpret it.
Just experience it. Whenever you feel the
urge, pick something up – pencil and paper,
paint and canvas, stone, chisel and hammer,
sticks – whatever! Do not think ‘is this art?;
am I an artist?’; or, ‘will anyone take this
seriously?’ Just do it – every time you get
the urge. Keep it and look at it without judging it. Let it speak without words. If it doesn’t do something for you, try something
else. Keep experimenting until something
just feels right. Now, you are hooked; you
have made art.”
Stan believes that every artist makes art because
they have no other choice – it is essential to their being. He continues stating, “If people like your art and
want it in their lives, share it with them – for a price.
However, if you are a designer/craftsman, you should
make attractive, well-constructed objects for the market, which is much easier and far more financially
rewarding than struggling to make and sell art. If your
goal is to make things to sell, this will also be far more
personally rewarding.”
Having worked in a variety of media over time,
Stan now concentrates primarily on welded metal sculpture – mostly rusty as well as continuing to work in base
-metal jewelry (copper, brass, bronze).
Stan says that he seldom starts a new sculpture
with a preconceived idea or a sketch in hand. “I am an
inveterate scavenger and have collected a trove of cutoffs, cut-outs, metal scraps, and other ‘junk’ - which is
my primary source of inspiration. I look for interesting
shapes and peculiar placements. I just start welding
things together – adding piece after piece until the sculpture feels finished. I am not thinking about particular
goals or outcomes as I work. I do like contrast, incongruity, and unexpected combinations. That’s the secret I
didn’t anticipate sharing. My sculpture is seldom onesided in conception. Occasionally it is primarily two-
“Child’s Play” Exhibit Call for Art!
Due by Saturday, April 20th. Stop by
the Gallery and pick up the entry or visit:
http://www.pfaa.net/current-season.html
Click on Call for Art under exhibit info.
PAGE 7
Curator’s Corner
HOW TO ENTER A PCA GALLERY
EXHIBIT
By Maria Lynam
Chair, Visual Arts Committee
c. You will receive a confirmation from the database coordinator that your on-line entry has been received.
General Entry Information: Each photo/image of work
submitted for jurying must include the title of the work
and the artist’s name, plus middle initial if applicable.
Note: Artists can enter as many pieces as they wish, as
long as the entry is accompanied with a check or cash to
cover the $10 per piece entry fee (non-refundable).
There are two submittal options available to artists who
enter Gallery exhibits.
1. Paper or CD Method
Available for the artist who wants to submit photographs
of their entr(ies) either by printing quality photos or submitting images on a CD. Three-dimensional art should
have a full view and a detail view. Each photo/image
must have the title of the work and the artist’s name,
including middle initial if applicable.
a. Fill out the Entry Form, found on page two of
the Call for Art.
b. Attach quality photographs of your art. Images
must be at least 4” x 6”. Place a red dot at the top of
each image.
OR
Attach a cd of the images.
be .jpg, 300 dpi.
b. Entry fees can be mailed or hand-delivered to
the PCA Gallery Host Desk, but must be received by the
entry due date for electronic files to be juried.
Images must
c. Attach the Entry Form, photographs and a
check to cover the $10 per piece entry fee and handdeliver to the PCA Gallery Host Desk no later than the
required due date. Include a SASE with proper postage
if you want the photos or cd returned to you.
2. Electronic Method
a. Email your entry files and your scanned entry
form to pcagallery@hotmail.com (include the title of the
exhibit in the subject line). Attached images must
be .jpg, 300 dpi, physical size of 4” x 6” or larger. Label
files: LastName_EntryTitle_EntryNumber.
The entry form has been revised so the actual size of 2D art should be entered along with the framed size. The
framed size can be approximate since many artists wait
until their work is accepted prior to framing.
The PCA Gallery exhibit curators expect art to be as
depicted in the entry photos. They also expect entries to
be professionally presented. 2-D art must have cleanly
cut mats and if under glass, both sides of the glass must
be clean with no smudges. The wire on the back of
framed art must be placed so that wire and nail are not
visible when hung. Sawtooth hangers are not acceptable. For 3-D art, special instructions are appreciated. If
a special display will enhance your 3-D entry, please
bring it to intake, label it and include it on your entry
form.
The names of the curators and their contact information
are on each Call for Art. If you have any questions,
please call or email your query to one of them. The curators strive to adhere to the Notification of Acceptance
Date that is on the Call for Art. Every artist is informed
of acceptance or non-acceptance. If you do not receive a
notification by the date listed, first check your spam. If
your notification is not there, don’t hesitate to contact a
curator. Notices are sent out using pcagallery@hotmail.com, so make sure that address is on your
“acceptable” email list or in your address book.
“Art washes away from
the soul the dust of
everyday life.”
Pablo Picasso
PAGE 8
PCA Gallery News
The annual Scholarship Show opens at 10am on Monday, April 8th. Come by and
see the wonderful art that students from grades 8 - 12 have created this year. The
PCA Gift Shop is open and the Featured Artist Wall has works by Sukey Jones,
multi-media artist.
Child’s Play opens on Monday, May 13. Calls for Art are due by Saturday, April
20. Entry forms are available at the Host Desk in the gallery and on-line: http://
www.pfaa.net/current-season.html Click on Call for Art under the exhibit information of Child’s Play.
GLASS SUN-CATCHER Instructor: Cindi Shaffer, Saturday, April 13th
9am - Noon or 1:30pm - 4:30pm
Explore the possibilities of fused glass! Learn about glass cutting, compatibility of
glass for fusing, different types of glass and how changes in kiln temperatures produce different results. Design and complete one 6" textural glass sun-catcher. All
materials provided. Class size limited to 6 each. $45
Class located at Astral Glass Studio, 5000 W. Smoki Dr in Prescott. Directions
provided upon registration.
DIGITAL TRANSFER CLASS Instructor: Maria Lynam, Saturday,
May 11th, 9:30am - 4pm (45 minute lunch break)
Learn two new exciting digital transfer techniques, Alcohol Transfer on Paper and
Gelatin Transfer on Board or Tile. All supplies included; students must send instructor their own images. Contact Maria for more information
maria488@cableone.net. $85 Class size limited to 5.
GOLD LEAF COLLAGE WORKSHOP Instructor: Maria Lynam, Friday
& Saturday, May 24 & 25 9:30a - 4pm (45 minute lunch break)
Class size limited to 4.
Create an abstract gold leaf collage. Learn to layer papers over gold leaf, paint or
add additional elements with collage and other materials to create textured areas. Leave the class with a finished work of art that is exciting, personal and visually interesting. Most of the materials are provided, including the gold leaf and
adhesives. Contact the instructor, maria488@cableone.net, for a supply list. $160
Register for all classes at http://www.pfaa.net/register-for-class-visual-arts.html
ARTIST CONNECTION
PAGE 9
Banksy & Swoon - Vandalism or Art?
by Arlene Minuskin
Do you know a Banksy from a Swoon? They are
two of the many street artists working all over the world.
As the art world slowly recognizes the impact of
this art movement, there are still many generalizations
being made as to what ‘street art’ constitutes. However,
this urban environment art encourages the public to discover their cities from a new perspective.
BANKSY (birthdate and birth name unknown) is
a pseudonym for an England-based graffiti artist, political activist, film director, sculptor, and painter. His work
focuses on anti-establishment social commentary. In
2010, his work was featured in the documentary, Exit
Through the Gift Shop, premiering at the Sundance Film
Festival. He created 10 street pieces around Park City
and Salt Lake City to tie in with the screening. In 2011,
the film was nominated for a 2010 Oscar for Best Documentary Feature (did not win). He once storyboarded an
outrageous version of the Simpson’s couch gag.
Banksy Ozone's Angel
This is Banksy’s tribute art piece for 19-year-old
British graffiti artist, Ozone, who, along with fellow artist,
Wants, was hit and killed by an underground train in Barking, East London in 2007.
Through photographs, Banksy's identity was
speculated to be Robin Gunningham, born in Bristol in
1973. Gunningham was said to be talented at art.
Around 2000, when Banksy moved from Bristol to London, Gunningham is known to have moved from Bristol
to a London apartment in Hackney. A number of
Banksy's most famous works appeared nearby.
Banksy first created his work freehand from 1990
–1994. He mentions in his book, Wall and Piece, that as
he was starting to do graffiti, he was always too slow
and was either caught or could never finish the art in one
sitting. So he devised a series of stencils to minimize
time and overlapping of the color.
Banksy Stonehenge From portable toilets at the
Glastonbury Festival June 2007
He also claims that he changed to stenciling while
he was hiding from the police under a garbage truck,
when he noticed the stenciled serial number. There is
dispute in the street art world over the legitimacy of
stencils, with many artists criticizing their use as
"cheating."
In 2007, some of Banksy’s work was auctioned in
London, all above their estimated values. Bonham’s
auction house sold Space Girl & Bird, £288,000
(US$576,000), around 20 times the estimated value.
Sotheby's auctions resulted in the highest ever prices for
a Banksy work at auction: over £102,000 for Bombing
Middle England; Balloon Girl and Bomb Hugger,
£37,200 and £31,200 respectively; Ballerina with Action
Man Parts £96,000; Glory £72,000; Untitled (2004)
£33,600.
Banksy Shop Until You Drop London 2011
VOLUME 2 -
ISSUE 2
PAGE 10
On February 18, 2013, BBC News reported that a
recent Banksy mural portraying a young child sewing Union
Flag bunting (created around the time of the Diamond Jubilee of Elizabeth II) had been removed from the side of a store
in north London, and soon appeared for sale in the Floridabased Fine Art Auctions Miami catalogue. This is considered
by some to be a theft. FAAM has rejected claims of theft,
saying it had signed a contract with a "well-known collector"
and that "everything was above board.” The community is
still trying to have the work returned.
Asked about his technique, Banksy said:
“I use whatever it takes. Sometimes that just means
drawing a moustache on a girl's face on some billboard,
sometimes that means sweating for days over an intricate
drawing. Efficiency is the key.”
SWOON (birth name Caledonia Dance Curry; b.
1978, New London, CT), grew up in Florida and moved to
NYC at the age of 19. She studied painting at the Pratt Institute, Brooklyn, and started doing street art around 1999. She
specializes in life-size wheatpaste prints and paper cutouts of
figures. Besides more public places, her work and installations have been exhibited in many museums, including the
Museum of Modern Art, Brooklyn Museum of Art, Museum
of Contemporary Art (L.A.), Pinchuk Art Center (Kiev), and
the New Orleans Museum of Art.
Her delicate works are extremely intricate, featuring
screened and block printed elements, fine paper cutouts, collage and paper layering, in addition to hand painted finishing.
Swoon pastes her works depicting people, often her
friends and family, on the streets in various places around the
world. Most pieces, including life-size portraits, are pasted
on uninhabited locations: abandoned buildings, warehouses,
bridges, fire escapes, water towers, and street signs. She does
not create her work on private property unless she is invited
to do so. Her work is inspired by both historical and folk
sources, ranging from German Expressionist wood block
prints to Indonesian shadow puppets.
Swoon Sambhavna 2011 Awaits installation at Black
Rat (photo © Mike Snelle)
2013 Update of Sambhavna:
3/18/13: Christie’s New York
Sale Estimate: 8,000-12,000 USD
Sold for: 15,000 USD
Provenance: Gift of the Artist
Swoon and a team formed the Konbit Shelter as part of
an art installation/sustainable housing project in Haiti in
2010 in response to the devastating earthquake.
Swoon started doing large-scale installations in
2005. In December 2011 Swoon held her first solo exhibit in
London, filling the gallery at Black Rat Projects with sculpture and paper cuts.
There are many arguments for and against street art,
mostly focusing on vandalism. So you decide for yourself. Is
it vandalism? Is it art?
Swoon, Konbit Shelter, Bigones Village, Haiti
Photo courtesy Upper Playground
© Tod Seelie
PAGE 11
Swoon May 2012 Cover of Juxtapoz Magazine
PAGE 12
Grey Matter Gallery Exhibit
PAGE 13
Classes
Schedules & Notices
Schedule of Gallery Exhibits
and
Events

Youth Scholarship Exhibit
April 8 - April 30

Glass Sun-Catcher Class,
Saturday, April 13

Child’s Play Call for Art - due by
Saturday, April 20th. Stop by the
Gallery and pick up the entry or
visit: http://www.pfaa.net/currentseason.html/ Click on Call for Art
under exhibit information
Artist Connection is published 4 times per year,
containing news about the Prescott Center for the
Arts Gallery produced by the Editorial Staff of the
Visual Arts Committee. If you would like an electronic copy via e-mail, send an email to pcagallery@hotmail.com with “Artist Connection Request” in the subject line. If you would like the
opportunity to include something in upcoming issues, please send an e-mail to pcagallery@hotmail.com with “Newsletter Submission”
in the subject line.
Thank You
Did you know that the Artist whose
work is selected Best In Show not only
wins a cash award, but is the
“Featured Artist” for the next PCA
gallery exhibit?

Gallery closed from Wed., May1
through Sun., May12

Digital Transfer Class - Sat., May 11

Art and Treasure Sale
Saturday, May 11th, 9am-2pm

“Child’s Play” Gallery Exhibit
Opens May 13 , Opening Reception,
May 17, 5-7pm
PCA Gallery Visual Arts Committee Meeting

Gold Leaf Collage Workshop
May 24, Friday & May 25, Saturday
May 7th, 3pm in the PCA Gallery
June 4th, 3pm in the PCA Gallery

“Company of Animals” Gallery
Exhibit June 24 - August 17

4th Friday Art Walks
5-7pm, Light Refreshments
April 26, May 24, June 28
PCA Gallery & Box Office Hours:
Monday - 11am to 3pm
Tuesday through Saturday - 10am to 3pm
Friends of PCA receive a 10% discount on all Gallery and Gift shop
purchases.
Artist Connection
Sunday - 12pm to 4pm Gallery Only
Box Office closed Sunday
Volume 2 - Issue 2