Note: This approach is kind of in-between the old Allyn and Bacon (strong resp, syn, res argument) and a full portfolio (like 2010 is now) approach. In this approach students do four of the writing projects found at the end of the aim chapters and then revise two of them for a midterm portfolio. From there they choose one of these to revise for their Revision Project (I think I’m stealing this last idea from one of you but can’t remember who it was). You will note that the schedule is very specific about which exercises and essays to use—much different than option 1. Of course many changes could be made with both exercises and essays and still retain the spirit of the curriculum. The keys are the big assignments listed below which allow students some freedom to evaluate and choose to revise certain pieces of writing. Grades Overall Participation Assignments: 20% Choose a Question (CAQ): choose one of the questions listed before the essay we are reading and type a response. Mark-ups (MUP): Do a rhetorical mark-up similar to the examples at the beginning of each Aim chapter (see 5659) on the assigned essay. Write Now (explanation in the textbook) Working Together (explanation in book) Drafts Writing Projects (4 total) and peer reviews 20% Midterm Portfolio 25% Revision Project 25% Rhetorical Presentation 10% 100% total (traditional grading scale: 100-94 A, 93-90 A-, 89-87 B+, 86-84 B, 83-80 B-, 79-77 C+, etc. DAILY SCHEDULE As we read and write try to remember the two main purposes in everything you do: #1. To learn HOW people write effectively without much regard for WHAT they are writing for #2. To find some knotty questions which you can pursue in your own writing (I recognize that #2 seems to contradict #1) **Bring three copies of all written work due for peer review** Date Readings due and in-class activities Finding issues and building a rhetorical vocab Due Week 1: 8/20 1. Read chapter 7: Reflecting 52-60 & Skim “How to write a reflection” 90-107 “Let It Snow” by David Sedaris,74-76 (Essay) In-class: Exploring Voice: Listen to David Sedaris (see www.NPR.org) Lecture: Tim O’Brien’s notion of Story vs. Happening Truth and his short story “How to tell a true war story” (I’m trying to explore the ethics/necessity of changing some details of a personal story) Week 2: 8/2529 1. 2. Continue Chapter 7 “Just Another Soldier” by Jason Christopher Hartley, 77-80 “Why I Hunt: A Predator’s Meditation” by Rick Bass, 81-84 (Essay) Read chapter 1: The Writer as Explore and 2: The Writer as Guide Research a specific (potential) reflection genre, “This I believe:” CAQ Write Now: Explore Memories pp. 92-93--bring 3 copies MUP CAQ Write Now: Discovering History p. 5--bring 3 copies http://www.thisibelieve.org/ & http://www.slcc.edu/cwc/publications.asp#TIB Read chapter 3: Planning a Journey Read chapter 23: Thinking Visually Read chapter 4: Returning and Revising Read chapter 24: Creating Visuals Week 3: Labor Day 9/2-9/5 Write Now: Identifying visual and verbal concepts p. 661— bring 3 copies Full Draft Due for peer review: Reflecting Writing Project: Choose one of the writing projects from ch 7 (106-7) or the “This I believe” Write Now: Write a helpful response p. 33—bring three copies Working Together: Communicate w/ images and graphics p. 667— Research and bring examples to class Week 4: 9/8-912 Read Chapter 9 Informing (166-176); Skim “How to write to inform” (204-231) plus read: 1. “Writing: A Ticket to Work . . . Or a Ticket Out” by the National Commission on Writing” (Executive Summary) 194196 CAQ Read chapter 29: Writing Effective Paragraphs Use chapter 4 in guiding revisions Bring in three copies of both a paragraph which seems to work well and one you are struggling with (should be from your Reflective or Informative piece) Aims and Genre Case Studies Week 5: 9/159/19 2. 3. Continue Chapter 9 “Building a Shelter” by Hugh McManners (Instructions) 196199 OR “View Lava Safely” (Informational Website) 200-203 “Hacker” by Ellen McGirt (Profile) http://www.fastcompany.com/magazine/115/open_featureshacker-dropout-ceo.html CAQ For #3 MUP (print and bring to class) In-class: Pass around other examples of informative writing: e.g. “Message in a Bottle” by Charles Fishman, Photographs by Nigel Cox (see at http://www.fastcompany.com/magazine/117/features-message-ina-bottle.html Note that the online article doesn’t have all the visuals and design elements—I have a hard copy of this article) Read chapter 5: Writing in College and chapter 9: Informing (166-176) Full Draft Due for peer review: Informative Writing Project: Choose one of the writing projects from ch 9 (230-31) Write Now: Compare styles across genres p. 41—bring three copies Week 6: 9/229/26 1. Read Chapter 12: Evaluating (366-376) and “Learning to Love PowerPoint” by David Byrne (Article) 377- CAQ 2. 3. 4. 5. Week 7: 9/2910/1 (Fall Break 10/2-3) Week 8: 10/610/10 1. 2. “Gangsta Rap and American Culture” by Michael Eric Dyson (Essay) 390-397 Skim chapter 10: How to write an Evaluation (402-423) Read Chapter 14 Arguing for Change (484-495) “A Trail of DNA and Data” by Paul Saffo (Essay) 496-499 “Breaking the Fire Department’s Language Barrier” by Monterey County Fire Chiefs Association (Grant Proposal) 507512 Research for Genre Piece and Preliminary Portfolios Continue Chapter 14 3. “Mirror, Mirror on the Wall…Are Muscular Men the Best of All?” by Nancy Clark (Magazine Article) 518-521 Skim chapter 14: How to Write an Argument for Change (522545) Week 9: 10/1310/17 379 & the online version: http://www.wired.com/wired/archive/11.09/ppt1.html “PowerPoint is Evil” by Edward Tufte (Opinion) 380-383 “McNasty: The New ‘Healthy’ Fast Food Items Taste Bad (and Aren’t So Healthy Either) by Dan Crane (Opinion) 384-389 *Note Slate.com is great source* Review chapters 15-19: The Writer as Researcher Read chapter 25: Designing for Print Midterm Portfolio & Revision Midterm Portfolio Requirements Self-Reflective Cover Letter 2 revised writing projects Read chapter 30: Writing effective sentences and chapter 3: Avoiding errors MUP CAQ MUP CAQ MUP Full Draft Due for peer review: Evaluative Writing Project: Choose one of the writing projects from ch 12 (422-423) MUP Full Draft Due for peer review: Arguing for Change Writing Project: Choose one of the writing projects from ch 14 (544-545) Revise two of your four Writing Projects Revise Portfolio pieces for errors consider ch 30--bring three copies Instructor consultations or Small Group Sessions Week 10: 10/20-10/24 Instructor consultations or Small Group Sessions 10/24 last day to withdraw Instructor consultations or Small Group Sessions Week 11 10/27-10/31 Instructor consultations or Small Group Sessions 10/31 IAS student evaluations due Read chapter 20: MLA in-text citation (607-609 & 624-631) OR chapter 21: APA in text citation (635-636 & 647-653) In-text quote (email to instructor at least 24hrs before class) Focused Peer Reviews of Portfolio Pieces Week 12: 11/311/7 Week 13: 11/1011/14 Week 14: 11/1711/21 Focused Peer Review: Using quotations and in-text citation Review chapter 21 OR 22 concerning end of text citation Use Internet citation machines which will churn out end of text citations: like “Son of Citation” at http://citationmachine.net/ and “Noodle” at http://www.noodletools.com/ Choose one of your writing projects for the Revision Project Revised Draft: Revise use of quotations, in-text citation, and end of text citations in the writing project chosen for the revision project based; bring three copies for peer review Focused Peer Review: Self-Reflective Cover Letter for Revision Project Review handouts on the letter and the one on the annotated bibliography Draft: Self-Reflective Cover Letter for Revision Project; bring three copies for peer review Focused Peer Review: Writing Effective Paragraphs (ch 29) Read chapter 29 Revised writing project for revision project “Checklist” boxes in ch 29 and p. 701; bring three copies for peer review Focused Peer Review: Writing Effective Sentences (ch 30) Read chapter 30 Revised writing project for revision project “Checklist” boxes in ch 30 and p. 711; bring three copies for peer review Read chapter 27: Delivering Presentations Discuss Presentations Instructor Consultations: Revision Project & Presentations Draft: brainstorm, outline, or draft of Rhetorical Presentation--bring three copies for peer review Instructor Consultations: Revision Project & Presentations Draft of Final Revision Projects for teacher review and check off & Peer Review Final Rhetorical Presentations Week 15: 11/2411/26 Rhetorical Presentations Thanksgiving Week 16: 12/112/4 Rhetorical Presentations Finish Rhetorical Presentations (if needed); Turn in Final Revision Project