EDGAR AND DEBORAH JANNOTTA MESOPOTAMIAN GALLERY
WILL OPEN OCTOBER 18
Courtesy of The University of Chicago Chronicle (9 October); by William Harms
One of the world’s great collections of antiquities from ancient Iraq will be on display at
the University of Chicago’s Oriental Institute, beginning Saturday, Oct. 18. The Edgar
and Deborah Jannotta Mesopotamian Gallery, remodeled as part of an ongoing
renovation project, will open with an exhibition devoted to the Oriental Institute
Museum’s Mesopotamian collection.
These praying male and female statues, made of gypsum, date back to about 2750-2500 B.C.
They were found in the Diyala Region and were excavated by the Oriental Institute.
This gallery joins two others that recently opened at the Oriental Institute Museum and
which feature the cultures of ancient Egypt and Persia.
“The recent events in Iraq have increased the world’s appreciation of the incredible
ancient heritage of Iraq,” said Gil Stein, Director of the Oriental Institute. “We are proud
to have played a key role in bringing the world’s attention to that heritage and are
delighted to be able to share the many fine objects from our own Mesopotamian
collection with the public through the opening of this new gallery. These statues,
monumental sculptures and items from everyday life help us appreciate the skills and
imagination of the people who made up the great ancient cultures of the region.”
Stein noted that ancient Mesopotamians’ contributions to modern life include writing,
cities, government, mathematics, literature and the wheel. “Even now, 5,000 years later,
they still structure almost every aspect of our everyday lives,” Stein added. “We hope that
visitors to our Mesopotamian Gallery will come away with a deeper appreciation for both
the tremendous accomplishments of that ancient civilization and for its fundamental role
in defining who we are today.”
Computers programmed with information to help visitors learn about the Oriental
Institute and its collection will be located in the gallery, as will displays that explain how
Oriental Institute scholars have conducted their research since the end of the 19th century
until today.
Oriental Institute archaeologists, many of them pioneers in this field and many who
continue today to be leaders in the discipline, excavated most of the material on
exhibition.
These praying male and female statues, made of gypsum, date back to about 2750-2500
B.C. They were found in the Diyala Region and were excavated by the Oriental Institute.
“The Mesopotamians were true innovators, and our heritage from them includes many of
the things we now take for granted, such as writing and urban life,” said Karen Wilson,
Director of the Oriental Institute Museum. Wilson, an expert on ancient Mesopotamia,
has been in charge of the re-installation.
“The gallery documents the powerful sweep of the rise and growth of civilization in the
region—from its foundations in prehistoric times, through the glories of the city-states at
the time of Ur, to the great empires of Babylonia and Assyria, and on into the 7th century
A.D.,” she said.
At the far end of the gallery, opposite the visitor’s center, is the most spectacular object in
the Mesopotamian collection—a human-headed winged bull that stands 16 feet tall. The
statue, known by many Chicagoans as the “Assyrian Bull,” is one of the museum’s most
popular items and gains splendor in a new setting that calls attention to its original
architectural purpose.
Six 10-foot stone reliefs from the throne-room facade in the palace of the Assyrian king
Sargon II (who ruled from 721 to 705 B.C.), flank the bull statue. Oriental Institute
archaeologists excavated the bull and the reliefs at Sargon II’s capital city Dur-Sharrukin,
known today as Khorsabad. This stunning new installation, the Yelda Khorsabad Court,
which is the result of more than 10 years of work, evokes the feeling of grandeur and
power of the palaces and temples of the mighty Assyrian Empire.
The Mesopotamian gallery provides visitors a chance to explore the ancient Near East in
chronological fashion. The first section of the exhibition is devoted to the prehistory of
Iraq. The Robert and Linda Braidwood Prehistory Exhibition highlights the work of these
two pioneering Oriental Institute archaeologists, who began their research in the years
just following World War II. It takes visitors back 150,000 years and follows the
development of human society from nomadic groups to settled farming villages.
Ancient Mesopotamia, the land between the Tigris and Euphrates rivers, was a land of
cities. The gallery displays a wealth of objects from what may be the world’s first urban
civilization, including pottery, clay tablets, stone sculptures, and vessels made of
luxurious stones and metals.
The ancient Mesopotamians began writing as a way to record commercial transactions,
but quickly developed a rich written tradition that included literature, mathematics and
science. Displays trace the development of writing on clay tablets, the training of scribes
in ancient schools, and the tradition of royal inscriptions on clay, stone and metal.
The region’s lively commercial life was enhanced by the use of small, intricately carved
stone seals, made in the shape of cylinders that could be rolled across clay sealing
doorways or containers to identify the individual or administrative unit that had
impressed the seal. The decoration of these seals includes combats between fantastic
heroes and wild animals, scenes of worship, and images of lions and other animals
common to the region. A new series of display cases has been created to show the
museum’s extensive collection of these precious seals.
Religion played an important part in the life of ancient Mesopotamians. Each city boasted
at least one temple dedicated to its patron god or goddess. During the third millennium
B.C., devotees dedicated statues and placed them in these temples to stand in perpetual
prayer before the altar. The Oriental Institute has the best collection of these votive
figures outside of Baghdad. The finest statues from the museum collection are on display,
standing with large staring eyes and hands clasped in prayer.
The wealth and power of the rulers of ancient Mesopotamia is highlighted not only in the
Khorsabad Court but also in a series of cases containing gold, jewelry and other finery
from royal households. The artistic triumph of Babylon is exhibited in the placement of
two glazed brick reliefs of lions that face each other to create a dramatic corridor leading
into the Khorsabad Court.
“Beneath the beauty of these pieces is a heritage of technological expertise and
invention,” said Wilson. “The ancient Mesopotamians mastered numerous complex
techniques to produce magnificent objects, ranging in size from tiny cylinder seals to
monumental sculptures. They created these amazing works of art that have endured for
thousands of years and are what make the gallery so engaging.”
Admission to the Oriental Institute Museum at 1155 E. 58th St. is free, and donations are
welcome. The museum is open Tuesday, Thursday, Friday and Saturday from 10 a.m. to
4 p.m.; Wednesdays, 10 a.m. to 8:30 p.m., and Sundays noon to 4 p.m. For more
information, call (773) 702-9514