1 Assessing English Lexical Syllabus for High School Student regarding Academic Vocabulary Kasin Janjaroongpak This paper aims to investigate the issue of validity of the Lexical Syllabus (LS) created by Ministry of Education around forty years ago. The research question deals with the extension of applicability of the syllabus judging from the comparison with Academic Word List (AWL) (Coxhead, 2000). The list of words that exist in AWL but not in LS, called “final list”, is extracted via a concordance programme named AntConc. The findings reveal at least two significant issues. First, according to the final list, many verbs found in AWL do not appear in LS. Second, the words in the final list account for more than a half of the words in the AWL. The pedagogical implication is that students in High School should have more exposure to the academic words especially verbs. Teachers should put the issue of frequency and saliency into consideration whence utilising the list by prioritising words that have high rank (10 to 6) of frequency before words that have low frequency (5 to 1). In conjunction with the final list, teachers can use texts stored in BNC as a learning source introducing lessons in a form of an academic article with vocabulary deemed to be taught in class. In addition, the knowledge of the words that are taught in class can be further enhanced by examining concordance lines of the words in question and this will augment learners’ language description of the English language. 2 Discourse Analysis of Royal News: A Comparative Study of Royal News in Thailand and Britain Chonlada Bangluangsanti This study aims to investigate the style of royal news published in Thailand and Britain, focusing on the lexical features of the text. The comparative analysis of keywords in a corpus of Thai royal news and a corpus of British royal news revealed that Thai and British royal news are different in many respects. Proper nouns and content words in Thai royal news involve a wider range of issues than those in its British counterpart, thus implying more various kinds of social activities Thai royals have been engaged with. The abundance use of pronouns in British news and their absence in Thai news suggest that Thai and British media employ different ways to address the royals. The overall results show that Thai royals are presented in the media as being patrons of many social activities and are praised by several honorary words, while British royals are presented in the British news more like celebrities or stars, with only a few types of activities mentioned and a few honorary words applied. 3 Contemporary Australian Literature and the Questioning of Australian National (Un)Identity: Voices of the Marginalised in Three Recent Novels Thanis Bunsom As a former European colony in the heart of Asia-Pacific, a modern nation-state founded on a land with the world’s most ancient culture, and a settler society composed out of waves of diverse migration from all over the world, Australia has never had a simple relationship to notions of national identity. Long perceived as a problem, Australian national identity has been the site of intense struggle and debate, subject to an almost endless process of revision and change. Originally patterned after 19th century European models of mythological nationalism, early discourses of national identity sought to canonize select places, people and abstract characteristics—most of which were almost exclusively AngloCeltic—as defining myths of ‘Australian-ness.’ However, in the second half of the 20th century amidst a period of intense demographic and cultural change, the Australian government officially adopted multiculturalism as the defining national policy. This idealistic proposal was meant to recognise and promote the diverse transcultural nature of Australia as a polyglot nation of diverse races and ethnicities but the shift has not been a simple or easy one. Debates around multiculturalism have become a focal point in a lot of contemporary Australian literature, no more so than in the work of authors from non-Anglo ethnic backgrounds. These writers frequently chart the dilemmas faced by non-Anglo minorities who have long been present in Australia but who have note been fully represented within the available narratives of Australian national identity. This paper analyses three recent novels by Australian authors as representative examples of this trend. Brian Castro’s Birds of Passage (1983), Christos Tsiolkas’s Loaded (1995) and Hsu Ming Teo’s Love and Vertigo (2000), all portray the non-Anglo immigrant’s hardship in trying to fit in to mainstream Australian society and the quandary of not being able to call Australia their true ‘home.’ The readings are framed and supported by a critical interrogation of Jacques Derrida’s theory of hospitality. 4 “I, Too, Have a Voice: A Comparative Study of the Poetry of Edna St. Vincent Millay and Anne Sexton On Women’s Struggle in the Patriarchal Society” Sarittanee Nitikarn Women's life has always been confined in a patriarchal world. Women have made several attempts to break away from social conventions and to achieve a better position in society. One factor which enables them to move closer to their goal is education. Opportunities in a professional world still seem limited. This essay will discuss the life and works of two female American poets, Edna St. Vincent Millay and Anne Sexton, whom I consider as two representatives of the first and second of the twentieth century. Their works feature personal lives of women who try to assert themselves and their power into a male domineering world. The analysis of the poems of Millay and Sexton aims to prove that women's liberation has not fully achieved. There have only been attempts and progress; nevertheless, women have much to do to establish their place in the world that has long been dominated by men. 5 Literary Body Language from the Victorian Period to Modernism and Post-World War II Society Sasapin Siriwanij This research paper explores works by three major authors from different periods – Charles Dickens’ Great Expectations, some of Ernest Hemingway’s short stories, and Samuel Beckett’s Waiting for Godot - to illustrate that body language in relation to verbal communication in literature falls into greater discrepancies, reflecting changes in worldview from the Victorian Period to Modernism and eventually post-World War II. Body language is usually present in literature, accompanying human characters’ interaction with one another. Although often taken for granted, literary body language’s function is significant, revealing their emotional, mental, and social conditions that spoken language does not or cannot do. In Great Expectations, body language is closely related to spoken language in that it adds psychological dimensions to the characters, while speeches remain the major vehicle of significant messages. However, spoken language begins to lose truthfulness and significance to body language when Ernest Hemingway’s short stories are explored; in a modernist world, a skeptic view towards the world affects even the reliability of language, while body language still reflects true states of mind of characters. In Waiting for Godot, body language and spoken language move further apart as they sharply contradict each other until any communication becomes ambiguous, reflecting the tendency towards meaninglessness of Post-World War II ideologies. 6 Sexual Panic and the Struggle for Sexual Power in Victorian Vampire Literature Supika Kamalanavin The struggle for sexual power between male and female has long been a universal issue, and the theme of sexuality has often recurred in the history of mankind. This paper aims to explore this universal battle between men and women during the Victorian era, where, while the issue about sexuality was suppressed, there was paradoxically more literature relating to sexual behaviors and relationships than ever before. As one of the popular forms of the novel during the nineteenth century, vampire literature is believed to be the most prominent genre to portray the hidden sexual anxieties shared by people in the same society. With an attempt to understand the sexual repression during nineteenth-century England that developed into sexual panic at the turn of the century, selections of vampire literature such as John Polidori’s The Vampyre; A Tale (1819), Joseph Sheridan Le Fanu’s Carmilla (1872), and Bram Stoker’s Dracula (1897) will be fully discussed. The focus of the paper will be on vampirism as an instrument of self-empowerment and on the portrayal of homosexuality and sexual inversion with its connection to the power struggle between genders in the novels selected. 7 Ethical Concerns in Huxley's Brave New World and Ishiguro’s Never Let Me Go Santichai Preechaboonyarit This paper explores and compares the two novels from the different periods of time: Aldous Huxley’s Brave New World (1932) and Kazuo Ishiguro’s Never Let Me Go (2005). Even though, on the surface, these two novels seem to deal with the same issue- the malevolent use of science and the nature of a controlled society, there are significant differences between these two literary works in terms of their intention, their main message and their manner of presentation. While Huxley’s novel aims to warn its readers about the world in their real imminent future, when science became the tool of an authoritarian minority clique to overrule others and the world saw the rise of totalitarian regimes, Ishiguro seems to be more concerned with the ethical issues associated with the advancement of ostensibly benign scientific techniques. While Huxley’s work is presented in a straightforward approach, the complication of the latter lies in the way Ishiguro presents his novel. Initially, his toneless first- person narrative perplexes the reader but the blandness of tone becomes crucial in raising the reader’s awareness of the maltreatment of the Hailsham students and their kind who the ‘normal’ people regard as less than human.