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COM 320, History of Film
Fall 2015, Dr. Neuendorf
Class Activity #2: APA Referencing Practice
Worth: 5% of course grade
Due: Tuesday, October 6 in class
This assignment is intended to help prepare you for APA (American Psychology Association)
referencing, as required for both of your papers for this class. Practice makes perfect, so here’s some
practice!
To do this assignment, use (a) the Models shown in each section below, and (b) the APA
examples as shown in the Descriptions of Research Papers (also called the Requirements and
Guidelines for Research Papers) handout for this class. If you need more details or examples, go
to the OWL web site at Purdue University (look at In-Text Citations and Reference List tabs), or
ask your instructor.
1. Choose one reference from each of the five categories in the attached list, and create a correct APA
reference for it. That is, type up one from section A, one from B, one from C, one from D, and one from
E. Identify by letter/number (e.g., B3) which ones you have chosen.
2. Hand in a hard copy of your five references, typed, on a sheet of paper headed by your name.
3. There are enough references so that no two students should have exactly the same five…try to
fairly randomly pick your cites from the five sections.
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A: BOOKS
MODEL:
Author, A. A., & Author, B. B. (year). Title of work. Location: Publisher.
GOOD EXAMPLE:
Lisanti, T., & Paul, L. (2002). Film fatales: Women in espionage films and television, 1962-1973.
Jefferson, NC: McFarland & Company, Inc.
FIX ONE:
A1.
Title: History goes to the movies : studying history on film
Publisher : London : Routledge
Date: 2007
Author/Creator: Hughes-Warrington, Marnie
A2.
Toplin, Robert Brent, ed. Oliver Stone's USA: film, history, and controversy. Univ Pr of Kansas,
2000.
A3.
Min, Eungjun, Jinsook Joo, and Han Ju Kwak. Korean film: History, resistance and democratic
Imagination. Greenwood Publishing Group, 2003.
A4.
Petro, Patrice. Aftershocks of the new: Feminism and film history. Rutgers University Press,
2002.
A5.
Kracauer, Siegfried. From Caligari to Hitler: a psychological history of the German film. Ed.
Leonardo Quaresima. Princeton, NJ: Princeton University Press, 1947.
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B: BOOK CHAPTERS
MODEL:
Author, A. A., & Author, B. B. (year). Title of chapter. In A. A. Editor, B. B. Editor, & C. C.
Editor (Eds.), Title of book (pp. xxx-xxx). Location: Publisher.
GOOD EXAMPLE:
Katz, E., Blumler, J. G., & Gurevitch, M. (1974). Utilization of mass communication by the individual.
In J. G. Blumler & E. Katz (Eds.), The uses of mass communication: Current perspectives on
gratifications research (pp. 19-32). Beverly Hills, CA: Sage Publications.
FIX ONE:
B1.
Benshoff, H. (2008). "Blaxploitation horror films: Generic reappropriation or reinscription?" The
cult film reader. E. Mathijs and X. Mendick, eds. Maidenhead, England: Open University Press.
216-25.
B2.
Andrew Wiese, "'The House I Live In': Race, Class, and African American Suburban Dreams in
the Postwar United States," in The New Suburban History, ed. Kevin M. Kruse and Thomas J.
Sugrue (Chicago: University of Chicago Press, 2006), 101–2.
B3.
“Film: The original immersive medium.” In C. C. Bracken & P. D. Skalski (Eds.), Immersed in
media: Telepresence in everyday life (pp. 9-38). By Kimberly A. Neuendorf and Evan A.
Lieberman, E. A. (2010). New York: Routledge.
B4.
L. J. Shrum. (2002). Media Consumption and Perceptions of Social Reality: Effects and
Underlying Processes. In J. Byrant and D. Zillmann (editors), Media Effects: Advances in
Theory and Research (pp. 69–95). Erlbaum Associates, Mahwah, NJ.
B5.
Salt, Barry. 2009. The shape of 1999: The stylistics of American movies at the end of the
century. Film theory and contemporary Hollywood movies, edited by W. Buckland, pages 124149. New York: Routledge.
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C. JOURNAL ARTICLES (SCHOLARLY)
MODEL:
Author, A. A., Author, B. B., & Author, C. C. (year). Title of article. Title of Periodical,
volume(issue if necessary), page-page.
GOOD EXAMPLE:
Thompson, M. A., & Gray, J. J. (1995). Development and validation of a new body-image assessment
scale. Journal of Personality Assessment, 64(2), 258-269.
FIX ONE:
C1.
Gomery, Douglas. "Hollywood corporate business practice and periodizing contemporary film
history." Contemporary Hollywood Cinema 57 (1998).
C2.
Allen, R. C. (2006). Relocating American film history: The ‘problem’of the empirical. Cultural
Studies, 20(1), 48-88.
C3.
Zimmermann, Patricia R. "Geographies of desire: cartographies of gender, race, nation and
empire in amateur film." Film History 8, no. 1 (1996): 85-98.
C4.
What Happened to the Philosophy of Film History? Full Text Available By: Gaines, Jane M.
Film History. Jan2013, Vol. 25 Issue 1/2, p70-80.
C5.
The Signature of the French New Wave (Godard's Le Mépris). Full Text Available By:
REEDER, JAKE. Critical Quarterly. Jul2011 Supplement, p62-70.
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D: PUBLICATIONS IN POPULAR PERIODICALS (I.E., NON-SCHOLARLY, SUCH AS A
MAGAZINE)
MODEL:
Author, A. A. (year, month/date). Title of article. Title of Periodical, volume(issue if necessary),
page-page.
GOOD EXAMPLE:
Henry, W. A., III. (1990, April 9). Making the grade in today's schools. Time, 135, 28-31.
FIX ONE:
D1.
Hollywood: We stink. Full Text Available By: Ansen, David; Fleming, Charles. Newsweek.
3/1/1993, Vol. 121 Issue 9, p78.
D2.
CAN THIS MAN SAVE THE MOVIES? (Again?). Full Text Available By: Corliss, Richard;
Philadelphia, Desa; Thomas, Cathy Booth. Time. 3/20/2006, Vol. 167 Issue 12, p66-72.
D3.
Hollywood's poison factory: The movies' twisted image. Medved, Michael. USA Today
Magazine. Sep93, Vol. 122 Issue 2580, p79.
D4.
How Movies for Grown-ups Became HOLLYWOOD'S ENDANGERED SPECIES. Full Text
Available By: Sperling, Nicole. Entertainment Weekly. 6/12/2009, Issue 1051, p36-37.
D5.
AUTEUR WARS. Detail Only Available By: Brody, Richard. New Yorker. 4/7/2008, Vol. 84
Issue 8, p56-65.
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E: FILMS
MODEL:
Producer, A. A. (Producer), & Director, B. B. (Director). (Year). Title of motion picture [Motion
Picture]. Country of origin: Studio.
GOOD EXAMPLE:
Braschi, L. (Producer), & Benigni, R. (Director). (1997). Life is beautiful (Motion picture).
Italy: Cecchi Gori Group Tiger Cinematografica & Melampo Cinematografica.
FIX ONE:
E1.
Touch of evil. Dir. Orson Welles, Prod. Albert Zugsmith. Universal International, 1958. Film.
E2.
Selznick, David O. (Prod.) and Victor Fleming (Dir.). Gone with the Wind. Burbank, CA:
Distributed by Warner Home Video, 2009.
E3.
Fahrenheit 9/11. Directed by Michael Moore. Lions Gate Films, 2006.
E4.
Citizen Kane Author: Welles, Orson,; Mankiewicz, Herman J., and others Publication: Burbank, CA :
Warner Home Video, 2001, 1941
E5.
The Wizard of Oz. Author: Fleming, Victor,; Langley, Noel,, and others Publication: [S.l.] :
Turner Entertainment Co. ; Burbank, CA : Warner Home Video : Warner Bros. Family
Entertainment, 1999, 1939