Review 1: http://www.bbc.co.uk/films/2001/11/06/harry_potter_philosophers_ stone_2001_review.shtml Harry Potter and the Philosopher's Stone (2001)Reviewed by Adrian Hennigan Updated 6 November 2001 Possibly Hollywood's first bespectacled hero since Harold Lloyd, Harry Potter makes a debut in Chris Columbus' $125 million movie about the young boy destined to be a great wizard. If you've read the novel - and if you haven't, why not? - impeccable casting means you'll feel like you've met all of these characters already. The three young leads - Radcliffe, Grint, and especially Watson - deliver likable, natural performances, while the film's biggest joy is watching the spot-on performances of their peers: Maggie Smith plays Professor McGonagall like Miss Jean Brodie with a pointy hat, while Robbie Coltrane steals the show as loose-lipped Hagrid. Alan Rickman, meanwhile, sneers for England as Professor Snape. Indeed, the whole film plays like an advertisement for historic old England if this doesn't get Americans buying our castles and cathedrals, or at least coming to look at them again, nothing will. Hell, even King's Cross station looks pleasant. The film's not flawless, though. It's half an hour too long and much of the book's humour is jettisoned. Still, it's refreshing to witness a big-budget movie where the impressive special effects complement the story, rather than merely compensate for the lack of one. "Harry Potter" may not leave you spellbound, then, but it'll definitely leave you wanting to discover the "Chamber of Secrets". End Credits Director: Chris Columbus Genre: Fantasy, Family Writer: Steven Kloves Length: 152 minutes Stars: Daniel Radcliffe, Rupert Grint, Emma Watson, Richard Harris, Robbie Coltrane, Maggie Smith, Alan Rickman, Ian Hart, Richard Griffiths Cinema: 16 November 2001 Country: USA/UK Review 2: http://www.wikihow.com/Sample/Movie-Review The Dark Knight Rises (2012) Cast: Christian Bale, Tom Hardy, Anne Hathaway, and Joseph Gordon-Levitt Director: Christopher Nolan Synopsis: Christian Bale stars as both the classic caped crusader and his billionaire alter-ego, Bruce Wayne. In this third installment of Christopher Nolan’s Batman films, Bruce Wayne no longer feels that the City of Gotham needs a hero and goes on a secluded hiatus. However, when a new villain, Bane (Tom Hardy), threatens Gotham City, Wayne dons his cape and mask once more. The one actor that gave this reviewer pause was Anne Hathaway as Selina Kyle. She has historically been typecast as the girl next door, so it was a shock to watch her steal and fight her way through the City of Gotham. After a few scenes, however, we were convinced that the casting decisions was a good one, as Hathaway portrayed the darker Catwoman role brilliantly. True to Nolan’s style, at 164 minutes, this film is fairly long. There were a few times when the movie felt a bit drawn out, but the gorgeous action scenes and impressive dialogue really held the audience’s attention and kept them on the edge of their seats. However, the timeline was a bit unclear at times. For a number of scenes, it was hard to tell whether it had been days or months or years that had passed since the last time a given character had been on screen. Review: Christopher Nolan brings yet another adrenaline-filled, comicinspired movie to the big screen. We see all sorts of familiar faces this time around, but the audience is introduced to a few new characters as well. When crisis threatens Gotham City, Bruce Wayne jumps back into the Batmobile to fight crime. Batman is joined on his quest by an eager orphaned cop (Joseph Gordon-Levitt), a seductive cat burglar (Anne Hathaway), and a violent masked villain (Tom Hardy). This film served as great entertainment with its colorful cast and numerous plot twists. Nolan used actors that had either appeared in previous Batman films or in his blockbuster hit Inception, and all of them shone in their respective roles: Tom Hardy was almost unrecognizable in his Bane costume, while Joseph Gordon-Levitt and Marion Cotillard were both excellent—and obviously comfortable with Nolan’s directing style and the film’s dramatic tone. Despite the films minor shortcomings, The Dark Knight Rises is exciting, creative, and dark—and well worth a few hours of your time. How to write a film review Title Introduction: You can start off with information about the film (e.g. financial aspects, awards, reviews) and/or the director (e.g. awards, former movies). Also quotes and/or anecdotes may catch the reader’s attention. You can also describe what you expected from the film. Main part: Provide a brief summary of the plot. Make sure that your summary makes sense to a reader who does not know the movie. Do not refer to specific scenes. Is the plot interesting, believable or rather predictable? Present the main actors and their characters and say something about their performance. If you like you may give reasons why you identify with a certain character. Are the actors believable and sympathetic? State your opinion of the movie and give reasons for it. What are its strengths and weaknesses (camera, soundtrack etc.)? Support your opinion with specific scenes. You can relate the film to other well-known examples of its genre (thriller, comedy, drama etc.) and/or theme. What is unique about your film? Does it have a specific message? If so, do you agree with this message? You can place the film in its cultural context and/or describe/speculate on the director’s intention and message. Conclusion: Either recommend the film or advise against seeing it. Is this only a film for teenagers, women, young men? Další informace napÅ™. zde: http://www.bbc.co.uk/schools/gcsebitesize/english/creativewriting/ movingimagesrev2.shtml