John Salt
John Salt’s exquisite and intriguing evocations of abandoned cars and dilapidated trailers,
often depicted in a bucolic rural setting, expand our definition of landscape and place him
among the foremost realist painters of his generation.
BORN
August 2, 1937; Birmingham, England
RESIDES
Bucknell, England
EDUCATION
1969 Maryland Institute College of Art, Baltimore, MD; M.F.A.
1967-68 Post Graduate Scholarship, Birmingham, England
1958-60 Slade School of Fine Arts, London, England; Diploma in Fine Arts
1952-58 Birmingham College of Art, England; National Diploma in Design
SOLO EXHIBTIONS
2000, 1991, 1981, 1973 & 1970 - O.K. Harris Works of Art, New York, NY
1999- "Retrospective: 1952-1998," The Gallery, Spout Farm House, Telford Town Park,
Telford, England
1997- ”White Chevy Red Trailer: John Salt Paintings, Prints and Other Works From
1953-1997" Wolverhampton Museums of Art Galleries, Wolverhampton; Silk Top Hat
Gallery, Ludlow, England
1994- Louis K. Meisel Gallery, New York, NY
1986- "John Salt: Paintings 1969-86," Wolverhampton Museums and Art Galleries,
Wolverhampton; Bolton Museum and Art Gallery, Lancashire, England
1975, 1967 & 1965- Ikon Gallery, Birmingham, England
1974 & 1972- Galerie de Gestlo, Hamburg, West Germany
1970- Gertrude Kasle Gallery, Detroit, MI
1969- Zabriskie Gallery, New York, NY
1966- Lion Gallery, Stourbridge, England
1966- Birmingham University, Birmingham, England
SELECTED GROUP EXHIBTIONS
2007- “Recent American Watercolors,” Peninsula Fine Arts Center, Newport News,
Virginia
2005- “Doubletake: Photorealism From The 1960’s & 1970’s”, The Rose Art
Museum Of Brandeis University, Waltham, MA
2005- "Cars and Ketchup: Photorealist Images of the American Landscape", Herbert F.
Johnson Museum of Art, New York, NY
2005- "Vintage Masterpieces of Photorealism", Louis K. Meisel Gallery, New York, NY
2004-05-“An American Odyssey 1945-1980 (Debating Modernism),”, Circulo de Bellas
Artes, Madrid (Travelling to other galleries in USA and Spain)
2004-05- “American Photorealism,” , Iwate Museum of Art (Travelling exhibition
around Japan and USA)
2004- “Get Real: Photorealist Prints from the James W. Hyams Collection,” Marsh Art
Gallery, University of Richmond, Richmond, VA
2004- "Some Photorealism", Louis K. Meisel Gallery, New York, NY
2003- “Hyperréalismes USA 1965-75,” Musée d’Art Moderne et Contemporain,
Strasbourg, France
2002- "Photorealism: The Liff Collection", Naples Museum of Art, Philharmonic Center
for the Arts, Naples, FL
2002- “Photorealism at the Millennium: Vintage Photorealists,”
Bernarducci.Meisel.Gallery, New York, NY
2001- "This is America: American Photorealists", Aarhus Kunstmuseum, Arhus,
Denmark
2000- "The Photorealists", Center For the Arts, Vero Beach, FL
1999- “Photorealism/Periphery” Museum of Art Brigham Young University, Provo, UT
1998- "25th Anniversary Exhibition: Major Works by the Photorealists", Louis K.
Meisel Gallery, New York, NY
1996- “Paper Work”, Louis K. Meisel Gallery, New York, NY
1996- “Photorealists”, Savannah College of Art and Design, Savannah, GA
1991-92- "Photo-Realism: Revisited," Museum of Art, Ft. Lauderdale, FL
1991- "Photorealism: The Early Years," Isidore Ducasse Fine Arts, New York, NY
1991- "In Sharp Focus: Super-Realism," Nassau County Museum of Art, Roslyn Harbor,
NY
1991- "Motion as Metaphor - The Automobile in Art," Virginia Beach Center For The
Arts, VA
1991- "Traffic Jam - The Automobile in Art," New Jersey Center For Visual Arts,
Summit, NJ
1989- "New York: City By Day/City By Night," Gallery Henoch, New York, NY
1988- "Tortue is O.K.," Tortue Gallery, Santa Monica, CA
1987- "The Hot Centre: Contemporary Art Selected By Ivan Karp," Norton Center for
the Arts, Centre College, Danville, KY
1987- "The 51st Annual National Mid-Year Exhibition," Butler Institute of American
Art, Youngstown, OH
1985- "Fortissimo! Thirty Years from the Richard Brown Baker Collection of
Contemporary Art, Museum of Art," Rhode Island School of Design Providence, RI;
travelling to: San Diego Museum of Art, San Diego, CA; Portland Art Museum, Portland,
OR
1985- "Focus on Realism: Selections from the Collection of Glenn C.Janss," Boise
Gallery of Art, Boise, ID
1985-87- "American Realism: Twentieth-Century Drawings and Watercolors from the
Glenn C. Janss Collection," San Francisco Museum of Modern Art, San Francisco, CA;
travelling exhibition
1985- "Realism: Contemporary Americans," Hooks-Epstein Galleries, Houston, TX
1984- "Autoscape: The Automobile in the American Landscape," Whitney Museum of
American Art, Fairfield County, Stamford, CT
1984-85- "Automobile and Culture," Museum of Contemporary Art, Los Angeles, CA;
Detroit Institute of Arts, Detroit, MI
1983-85- "Assignment: Aviation-The Stuart M. Speiser Photo-Realist Collection,"
Smithsonian Institution, Anchorage Historical & Fine Arts Museum, AK (Travelling
Exhibition to other galleries in the USA)
1983- "Watercolor in America," Joseloff Gallery, Hartford Art School, University of
Hartford, Hartford, CT
1983- "American Super Realism from the Morton G. Neumann Family Collection,"
Terra Museum of American Art, Evanston, IL
1983- "Contemporary Images: Watercolor 1983," Allen Priebe Gallery, University of
Wisconsin, Oshkosh, WI
1981- "Real, Really Real, Super Real: Directions in Contemporary Realism," San
Antonio Museum of Art, San Antonio, TX
1981- Proctor Art Center, Bard College, Annandale-on-Hudson, NY
1981-82- "Super Realism from the Morton G. Neumann Family Collection," Kalamazoo
Institute of Arts, Kalamazoo, MI; travelling exhibition
1981-83- "Contemporary American Realism Since 1960," Pennsylvania Academy of
Fine Arts, Philadelphia, PA; travelling exhibition
1979- "Selections of Photo-Realist Paintings from New York Galleries, Southern
Alleghenies Museum of Art, St. Francis College, Loretto, PA
1979- “Selections from the Collection of Richard Brown Baker”, Squibb Gallery,
Princeton, NJ
1979- “America in the 70's as Depicted by Artists in the Richard Brown Baker
Collection”, Meadowbrook Art Gallery, Oakland University, Rochester, MI
1979- “Auto-Icons,” Whitney Museum of American Art Downtown Branch, New York,
NY
1978- North Texas State University, Denton, TX
1978- “Art and the Automobile”, Flint Institute of Arts, Flint, MI
1978- Snug Harbor Cultural Center, Newhouse Community Gallery, Richmond Terrace,
Staten Island, NY
1977- “Recent American Realism”, Montclair State College, Upper Montclair, NJ
1977- “New Realism”, Jacksonville Art Museum, Jacksonville, FL
1977- “Works on Paper II”, Louis K. Meisel Gallery, New York, NY
1976-78- “Aspects of Realism”, travelling exhibition sponsored by Rothman's of Pall
Mall Canada Ltd., Stratford, Ontario
1976- “Works on Paper”, Galerie de Gestlo, Hamburg, West Germany
1976- “Super Realism”, Baltimore Museum of Art, Baltimore, MD
1976- “Art 7 `76”, Basel, Switzerland
1976- “American Master Drawings and Watercolors; Works on Paper from Colonial
Times to the Present”, Whitney Museum of American Art, New York, NY
1975-76- “Photo-Realism”, American Paintings and Prints, New Zealand travelling
exhibition: Barrington Gallery, Auckland, New Zealand
1975-76- “Painting, Drawing and Sculpture of the 60's and 70's from the Dorothy and
Herbert Vogel Collection”, Institute of Contemporary Art, University of Pennsylvania,
Philadelphia, PA; Contemporary Arts Center, Cincinnati, OH
1975- “Watercolors and Drawings - American Realists”, Louis K. Meisel Gallery, New
York, NY
1975- “Wreck - A Tragic Romantic Theme”, C.W. Post Art Gallery, Long Island
1975- “Richard Brown Baker Collects”, Yale University Art Gallery, New Haven, CT
1975- “Realismus und Realitat”, Kunsthalle, Darmstadt, West Germany
1975- “Contemporary Images in Watercolor”, Akron Art Institute, Akron, OH
1975- Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
1975- O.K. Harris Works of Art, New York, NY
1974- "Works on Paper," Virginia Museum, Richmond, VA
1974- "Contemporary Paintings from the Lewis Collection," Delaware Art Museum,
Wilmington, DE
1974- "Tokyo Biennale `74," Tokyo, Japan
1974- "New Photo Realism," Wadsworth Atheneum, Hartford, CT
1974- !Choice Dealers/Dealers'Choice!, New York Cultural Center, New York, NY
1974- !Hyperrealistes Americains Realistes Europeens”, Centre National d'Art
Contemporain, Paris
1973- "Amerikanske Realister," Randers Kunstmuseum, Sweden University, Greenvale,
NY
1973- "Hyperrealisme," Galerie Isy Brachot, Brussels, Belgium
1973- "Hyperrealistes Americains," Galerie Arditti, Paris, France
1973- "Super Realist Vision," DeCordova Museum, Lincoln, MA
1973- "Grand Maitres Hyperrealistes Americains," Galerie des Quatre Mouvements,
Paris, France
1973- "Realism Now," Katonah Gallery, Katonah, NY
1972- "32 Realists," Cleveland Institute of Art, Cleveland, OH
1972-73- "Amerikanischer Fotorealismus," Wurttembergischer Kunstverein, Stuttgart,
West Germany; travelling exhibition
1972- "The Realist Revival," New York Cultural Center, New York, NY
1972- "L'Hyperrealistes Americains," Galerie des Quatre Mouvements, Paris, France
1972- "Documenta 5," Kassel, West Germany
1972- "Neue Realisten," Westfalischer KV, Munster, West Germany
1972- "Sharp-Focus Realism," Sidney Janis Gallery, New York, NY
1972- "Phases of New Realism," Lowe Art Museum, University of Miami, Coral Gables,
FL
1972- "Relativizing Realism," Stedelijk van Abbemuseum, Eindhoven, Netherlands
1971- "Spray," Santa Barbara Museum of Art, Santa Barbara, CA
1971- "New Realism," Brainerd Hall Art Gallery, State University College,
1971- "Septieme Biennale de Paris," France
1971- "Die Metamorphose des Dinges," Palais des Beaux Arts, Brussels, Belgium
1971- "Neue Amerikanische Realisten," Galerie de Gestlo, Hamburg, West Germany
1971- "Radical Realism," Museum of Contemporary Art, Chicago, IL
1971- "Arts Festival 1971," Dowling College, Oakdale, NY
1971- "Aspects of Current Painting," University of Rochester, NY
1971- "Shape of Realism," Desons-Zaks Gallery, Chicago, IL
1971- Purdue University, Lafayette, IN
1970- "Cool Realism," Everson Museum of Art, Syracuse, NY; Albright-Knox Art
Gallery, Buffalo, NY
1970 -"The Cool Realists," Jack Glenn Gallery, Corona del Mar, CA
1970- "American Painting 1970," Virginia Museum of Art, Richmond, VA
1970- "Painting and Sculpture Today," Indianapolis Museum of Art, Indianapolis, IN
1970- Jerrold Morris Gallery, Toronto, Canada
1970- "The Highway," Institute of Contemporary Art, University of Pennsylvania,
Philadelphia, PA( travelling exhibition)
1969- Dallas Museum of Fine Arts, Dallas, TX
1969- Lowe Art Museum, University of Miami, Coral Gables, FL
1969- Rhode Island School of Design, Providence, RI
1969- Visual Arts Gallery, New York, NY
1969- Delaware Museum of Art, Wilmington, DE
1968- Baltimore Museum of Art, Baltimore, MD
1968- Western Michigan University, Kalamazoo, MI
1968- Academy of the Arts, Easton, MD
1966- Arts Council, Belfast/Dublin, Ireland
1966- John Moore Gallery, Liverpool, England
1966- Drian Gallery, London, England
1966- AIA Gallery, London, England
AWARD
1968- Michigan University, Purchase Award
FELLOWSHIP
1967- Maryland Institute College of Art, Baltimore, MD; Fellowship
COLLECTIONS
City Museum and Art Gallery, Birmingham, England
Scottish National Gallery of Modern Art, Edinburgh, Scotland
Virginia Museum of Fine Arts, Richmond, VA
Power Gallery of Contemporary Art, Sydney, Australia
The Williams Company, Tulsa, OK
Stephens Inc., Little Rock, AR
Martin Margulies, Coconut Grove, FL
Sydney and Frances Lewis, Richmond, VA
Richard Brown Baker, New York, NY
Saul Steinberg, New York, NY
Daniel Filipacchi, New York, NY
Martin Mull, Hollywood, CA
Glenn C. Janss, Sun Valley, ID
Virlane Foundation, New Orleans, LA
E. Jean Belloni, Geneva, Switzerland
Pierre Lescure, Paris, France
Richard and Gloria Manney, New York, NY
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
SELECTED BOOKS
2002- “Photorealism at the Millennium”, by: Louis K. Meisel (Harry N. Abrams, New
York)
1993- “Photorealism since 1980”, by: Louis K. Meisel (Harry N. Abrams, New York)
1984- “Automobile and Culture”, Harry N. Abrams, New York
1980- “Photorealism”, by: Louis K. Meisel (Harry N. Abrams, New York)
1977- “Art Now: From Abstract Expressionism to Superrealism”, by: Edward LucieSmith (William Morrow, New York)
1977- “Malerei und Photographie im Dialog”, by: Erika Billeter, Benteil (Verlag &
Kunsthaus, Zurich)
1976- “American Master Drawings and Watercolors”, by: Theodore E. Stebbins Jr.
(Harper & Row, New York)
1976- “Amerikanische Kunst von 1945 bis Heute”, by: Dieter Honisch, Jens Christian
Jensen (DuMont Buchverlag, Cologne, West Germany)
1975- “Late Modern-The Visual Arts Since 1945”, by: Edward Lucie-Smith (Praeger,
New York)
1975- “Neue Formen des Bildes”, by: Udo Kultermann (Ernst Wasmuth, Tubingen,
West Germany)
1975- “Hyperrealisme”, by: Linda Chase (Rizzoli, New York)
1975- “Super Realism, A Critical Anthology”, by: Gregory Battcock, ed., E.P. Dutton
(New York)
1974- “Art USA”, by: Mauro Calamandrei (Gianfranco Gorgoni; Fratelli Fabbri Editori,
Milan, Italy)
1974- “L'lperrealismo italo Medusa” (Romana Libri Alfabeto, Rome)
1973- “Neue Formen des Realismus”, by: Peter Sager, Verlag M. DuMont Schauberg
(Cologne, West Germany)
1973- “Hyperrealisme”, by: Isy Brachot, ed., Imprimeries F. Van Buggenhoudt
1972- “American Art of the Twentieth Century”, by: Sam Hunter (Harry N. Abrams,
New York)
1972- “New Realism”, by: Udo Kultermann (New York Graphic Society, New York)
SELECTED CATALOGUES
2006- “Cars and Ketchup: Photorealist Images of the American Landscape”. Herbert F.
Johnson Museum of Art, New York
2004- “Seeing Photographically: Photorealist Paintings”, essay by Hanneke Grootenboer
(The Sydney and Walda Besthoff Collection, New Orleans, LA)
2004- “American Photorealism”, (for traveling exhibition, Iwate Museum of Art and
other museums in Japan and to Jane Vorhees Zimmerli Art Museum, Rutgers, The State
University of New Jersey, New Brunswick)
2004- “An American Odyssey 1945-1980 (Debating Modernism)” (traveling exhibition,
Circulo de Bellas Artes, Madrid, and other galleries in Spain)
1997- “Photorealists”, by: Van Baron, Judith & Margaret Betz (Savannah College of Art
and Design, Savannah, GA)
1991- “Photorealism: The Early Years” (Isidore Ducasse Fine Arts, New York, NY)
1991- “In Sharp Focus: Super-Realism”, Introduction: Constance Schwartz (Nassau
County Museum of Art, Roslyn Harbor, NY)
1991- “Motion as Metaphor - The Automobile in Art”, by: Scott, Sue (Virginia Beach
Center For The Arts, VA)
1991- “Traffic Jam - The Automobile in Art”, by: Cohen, Nancy (New Jersey Center For
Visual Arts, Summit, NJ)
1985- “American Realism: Twentieth-Century Drawings and Watercolors from the Glenn
C. Janss Collection”, Text: Alvin Martin (San Francisco Museum of Modern Art, Harry
N. Abrams Publishers, New York)
1985- “Fortissimo! Thirty Years from the Richard Brown Baker Collection of
Contemporary Art”, Foreword: Franklin W. Robinson (Museum of Art, Rhode Island
School of Design, Providence, RI)
1983- “American Super Realism from the Morton G. Neumann Family Collection”
(Terra Museum of American Art, Evanston, IL)
1983- “Contemporary Images Watercolor: 1983”, Introduction: Bev Harrington (Allen
Priebe Gallery, University of Wisconsin, Oshkosh, WI)
1981- “Contemporary American Realism Since 1960”, by: Frank Goodyear
(Pennsylvania Academy of Fine Arts, Philadelphia, PA; New York Graphic Society,
Boston, MA)
1979- “Selections from the Collection of Richard Brown Baker”, Introduction: Richard
Brown Baker (Squibb Gallery, Princeton, NJ)
1978- “Art and the Automobile”, Foreword: Stuart G. Hodge (Flint Institute of Arts,
Flint, MI)
1977- “New Realism”, by: Bruce Dempsey (Jacksonville Art Museum, Jacksonville, FL)
1976-"As Artists See It: America in the 70s" by: Charlotte Stokes (For exhibition:
“America in the 70s as Depicted by Artists in the Richard Brown Baker Collection”,
Meadowbrook Art Gallery, Oakland University, Rochester, MI)
1976- “Aspects of Realism”, by Linda Chase (Rothman's of Pall Mall Canada, Ltd.)
1976- “Art 7 `76”, Introduction: Dr. Frederic P. Walthard (Basel, Switzerland)
1976- “Contemporary Images in Watercolor”, by: Robert Doty (Akron Art Institute,
Akron, OH)
1975- “Super Realism”, Intro. by: Brenda Richardson (Baltimore Museum of Art,
Baltimore, MD)
1975: “Painting”, Foreword by: Suzanne Delahunty (Drawing and Sculpture of the 60's
and 70's from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art,
University of Pennsylvania, Philadelphia)
1975- “Richard Brown Baker Collects”, Introduction: Theodore E. Stebbins Jr. (Yale
University Art Gallery, New Haven, CT)
1975- “Realismus und Realitat”, Introduction: Bernd Krimmel (Kunsthalle, Darmstadt,
West Germany)
1974- “Contemporary American Paintings from the Lewis Collection”, Intro by: Charles
Wyrick Jr. (Delaware Art Museum, Wilmington, DE)
1974- “New Photo-Realism”, by: Jack Cowart (Wadsworth Atheneum, Hartford, CT)
1974- “Hyperrealistes americains-realistes europeens”, Intro. by: Jean Clair, Daniel
Abadie Wolfgang Becker (Pierre Restany Centre National d'Art Contemporain, Paris)
1974- "Photo-Realism" by: Linda Chase (Tokyo Biennale 1974, Tokyo Metropolitan
Museum of Art, Tokyo, Japan)
1973- “Realism Now”, by: Patterson Sims (Katonah Gallery, Katonah, NY)
1973- “The Super-Realist Vision”, by: Carlo Lamagna (De Cordova and Dana Museum,
Lincoln, MA)
1973- “Hyperrealistes americains”, by: Carroll Edwards Hogan (Galerie Arditti, Paris,
France)
1972- “Amerikanischer Fotorealismus”, Wurttembergischer Kunstverein (Stuttgart, West
Germany)
1972- “The Realist Revival”, by: Scott Burton (New York Cultural Center, New York,
NY)
1972- “Realisme Relativiste/Relativerend Realisme”, by: J. Leering (Palais des Beaux
Arts, Paris, France)
1971- “Sharp-Focus Realism”, by: Sidney Janis (Sidney Janis Gallery, New York, NY)
1972- “Phases of the New Realism”, by: John J. Baratte, Paul E. Thompson (Lowe Art
Museum, University of Miami, Coral Gables, FL)
1972- “Documenta 5”, by: Jean Christophe Amman (Neue Galerie and Museum
Fridericianum, Kassel, West Germany)
1972- “Hyperrealistes americains”, by: Daniel Abadie (Galerie des Quatre Mouvements,
Paris, France)
1971- “Spray”, by: Paul C. Mills (Santa Barbara Museum of Art, Santa Barbara, CA)
1971- “Radical Realism”, by: Ivan C. Karp (Museum of Contemporary Art, Chicago, IL)
1971- “New Realism”, by: Benedict Goldsmith (Brainerd Hall Art Gallery, State
University College, Potsdam, NY)
1970- “Painting and Sculpture Today 1970”, by Richard L. Warrum (Indianapolis
Museum of Art, Indianapolis, IN)
1970- “American Painting 1970”, by: Peter Selz (Virginia Museum of Fine Arts,
Richmond, VA)
1970- “The Highway”, by: Denise Scott Brown, Robert Venturi (Institute of
Contemporary Art, University of Pennsylvania, Philadelphia, PA)
SELECTED PUBLICATIONS
1991- Newsday, "It's Not Real, It's Super-Realism!", Karin Lipson (April 26, p.85.,
Illus.)
1991- Raynor, Vivien. "Seeing Beauty or Problems," The New York Times (6 October,
p. 14)
1991- Watkins, Eileen. "Art," The Star-Ledger, N.J. (11 October, p. 49)
1991- "Traffic Jam - The Image of The Automobile in American Art," New Jersey
Center for Visual Arts, Fall calendar ( pp. 1, 3) ,br> 1984- Southern Connecticut News,
"America on wheels: Whitney show explores our paved over paradise", Philip Eliasoph
(April 8)
1997- “The Photorealists,” Savannah College of Art and Design-The Magazine
(Fall/Winter, pp. 33-34)
1983- Hartford Courant, "Handsome Watercolors at U of H's Joseloff Gallery", Bernard
Hanson (November 13)
1980- The New Republic, (cover, March 15)
1978- Art Aktuell, (Cologne), Willi Bongard (April)
1978- Milwaukee Journal, "Photo Journalism and Photo-Realism" (December 10)
1978- Town and Country, "Art and Antiques: The New Realists", Helen Harris (October,
p.242,244,246-247)
1977- Jacksonville Journal, (Jacksonville, FL), "New Realism at Museum Arouses
Mixed Feelings", Elihu Edelson (February)
1976- Art International, "Photo-Realism: Post Modernist Illusionism", Linda Chase
(March/April, p.14-27) )
1976- SoHo Weekly News, "Getting Flack", John Perreault, April 22, 1976, p.19. New
Art Examiner, "Realism" (November)
1976- Arts Canada, "Toward a Definition of Realism: Reflections on the Rothman's
Exhibition", Mark Greenwood (December 1976/January 1977, p.6-23) )
1975- View Magazine, "Photo-Realists at Paine" (April 27)
1975- The Times (London), "Artists Come to Terms with Landscape", Eric Rowan
(October 11)
1975- Milwaukee Journal, "Photo-Realism Flies High at Paine" (May)
1975- Oshkosh Daily Northwestern, "Photo-Realism Exhibit Is Opening at Paine
Sunday" (April 17)
1975- New York Times, "How to Explain the Flood of Realist Art", Peter Schjeldahl
(March 18)
1975- Art and Artists (Vol.10, No.5), "The Neutral Style", Edward Lucie-Smith (August,
p.6-15) )
1974- Richmond Mercury, "Multi-Dimensional Works on Paper", Edwin J. Slipek Jr.
(October 23, p.19)
1974- L'Humanite, "Les Hyperrealistes americains et la neutralisation du reel", RaoulJean Moulin (March 21)
1973- Opus International, "The New Realism: A Synthetic Slice of Life", Kim Levin
(p.28-37) )
1973- "Interviews with Robert Bechtle, Tom Blackwell, Chuck Close, Richard Estes and
John Salt", Linda Chase, Ted McBurnett (p.38-50, June)
1973- Art Gallery Magazine, "Recycling Reality", Linda Chase (October, p.75-82)
1973- Daily News, "The technique may be impressive, but is it art?", Bill Andrews
(April 20)
1973- International Herald Tribune, "Gauging the Prices of Contemporary Art", Souren
Melikian (April 14-15)
1973- Le Monde des Grandes Musiques, (No.2), "L'Hyperrealisme americain"
(March/April, p.4,56-57)
1973- New York Times, "Exhibition at O.K. Harris", Peter Schjeldahl (March 18)
1973- Village Voice, "Art & ...", John Perreault (March 15)
1973- Illustrated London News, "Super Realism From America", Edward Lucie-Smith
(March)
1973- Sunday News, (Detroit, MI), "Post-Pop realists break rules-beautifully", Joy
Hakanson (February 25)
1973- Oakland Press, "American Realism Gaining Deserved Recognition as Art", Sue
Hegenbarth (February 23)
. 1973- International Herald Tribune, "European Galleries" (February 17-18, p.6)
1973- Unita, "La ricerca degli iperrealisti", Dario Micacchi (February 12)
1973- Daily American, (Rome), "A `Hyperrealist' U.S. Tour at La Medusa", John Hart
(February 8)
1973- Louisiana Revy, "NY? Realisme?", Wolfgang Becker (February)
1973- L'Humanite, "Hyperrealistes americains", Raoul-Jean Moulin (January 16)
1973- Artforum, "Reviews", Lizzie Borden (October)
1973- Mizue, (Tokyo), (Vol.8, No.821)
1973- Business Week, "Specialize and Buy the Best" (October 27, p.107)
Arts Magazine, "Photographic Illusionist Prints", John Loring (February, p.42-43)
1972- Art in America, "The Photo-Realists: 12 Interviews", Linda Chase, Nancy Foote,
Ted McBurnett (November/December, p.73-89)
1972- New Yorker, "The Art World", Harold Rosenberg (February 5, p.88-93)
1972- Mademoiselle, "Sharp-Focus Realism", Leo Lerman (March, p.170-173)
1972- Art International, "New York Letter", Carter Ratcliff (March, p.28-29)
1972- Arts Magazine, "Documenta 5: A Critical Preview", Bruce Kurtz (Summer, p.3441)
1972- La Galerie, "Les hommes et les oeuvers" (October, p.16-17)
1972- Arts Magazine, "New Realism", Cindy Nemser (November, p.85)
1972- Argus de la Presse, "Hyperrealistes americains" (November 16)
1972- Argus de la Presse, "L'Hyperrealisme ou le retour aux origines" (October 16)
1972- Ohio Sun Press, "Art Institute's Exhibit Represents the Revolt Against
Abstraction", Marie Kirkwood (October 12)
1972- Cleveland Plain Dealer, "Realism to the Fore", Helen Borsick (October 8)
1972- Die Welt, (Hamburg), "Die Documenta bestatigte sein Programm", (August 5)
1972- Bolaffiarte, "Super realisti U.S.A.", Lucio Pozzi (March, p.54-63)
1972- Die Welt, (Hamburg), "Exhibition at Galerie de Gestlo, Hamburg" (January 14)
1972- Die Welt, "Exhibition at Galerie de Gestle, Hamburg" (January 14)
1972- Art In America, "The Real and the Artificial: Painting of the New Environment",
William C. Seitz (November/December, p.58-72)
1972- Arts Magazine, "Rent Is The Only Reality, or the Hotel Instead Of The Hymm",
Ivan C. Karp (December, p.47-51)
1971- Studio International, "New York Commentary:Downtown, Uptown, All Around
The Town", Dore Ashton (January)
1971- Artforum, "John Salt", Robert Pincus-Witten (January)
1971- Art International, "New York Letter", Carter Ratcliff (January)
1971- Art News, (Vol.69,No.9), "Exhibition at O.K. Harris Gallery", Gerrit Henry
(January)
1971- Art International, "Lettre de New York", J. Patrice Marandel (January)
1971- Art and Artists, (Vol.5,No.11), Gregory Battcock (February)
1971- Arts Magazine, "Review", Willis Domingo (February)
1971- Art International, "The Deductive Image: Notes on Some Figurative Painters"
(September, p.58-61)
1971- Magazin Kunst, "Neue Formen des Realismus", Peter Sager (4th Quarter, p.251216)
1970- Art in America, "New York Gallery Notes", Grace Glueck (November/December)
1970- Village Voice, "Art & ...", John Perreault ( November 26)
1970- Detroit Sunday News, "Exhibition , Gertrude Kasle Gallery", Joy Hakanson
(October 18)
1970- New York Magazine, "John Salt", John Gruen (December)
1969- New York Times, "John Salt", John Canaday (October 3)
1969- Village Voice, "Exhibition at Zabriskie Gallery", John Perreault (October 2)
1969- Time Magazine, "John Salt" (October 17)
1969- Art News, (Vol.68,No.87), "Exhibition at Zabriskie Gallery" (November)
1969- Arts Magazine, (Vol.44,No.65), "John Salt"
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