September, 2012
Jay P. Telotte
Professor
School of Literature, Media, and Communication
EDUCATIONAL BACKGROUND
Ph. D.
M. A.
B. S.
1976
1973
1971
University of Florida
University of New Orleans
Loyola University
English
English
English/Education
EMPLOYMENT HISTORY
Professor
Associate Professor,
Assistant Professor,
Assistant Professor,
Instructor
LCC
English
English
English
English
Georgia Tech
1991-Present
Georgia Tech
1984-91
Georgia Tech
1979-84
Berry College
1977-79
Univ. of New Orleans 1976-77
CURRENT FIELDS OF INTEREST:
I.
TEACHING
A. Courses Taught
Term
Course
Students
Fall 2005
3256 Major Filmmakers
18
5.0
Spring 2006
3352 Film and Technology
21
4.7
Fall 2006
3252 Film and Television
26
4.6
Spring 2007
Teaching Leave
Fall 2007
3352 Film and Technology
31
4.9
Spring 2008
3252
Film and Television 26
4.5
Summer 2008 3352 Film and Technology
Teaching Effectiveness
2
Fall 2008
3853 Special Topics in Film: Animation 30
4.3
Spring 2009
3252
4.8
Film and Television: Science Fiction 30
2
Fall 2010
3352
Film and Technology
31
Fall 2011
3853
Special Topics in Film: Animation 31
Spring 2012
3252
Film and Television
4.8
4.77
B. Continuing Education
Not applicable
C. Curriculum Development
Designed Proposal for possible MS in Science Fiction and Fantasy Studies
(2010011)
Designed Proposal for possible MS in Communicating Science (2009)
Helped Design and Create Proposals for 3 New Courses: Global Cinema,
Documentary Film, and Experimental Film and Video (2008-09)
Proposed Model (with Rebecca Burnett) for Technical Communication Minor
(2008-09)
New Course: Special Studies in Film—Animation (2008)
Proposed new minor in Literary Studies (2007-08)
Created Proposal for a “Research and Communication” focus for GT
undergraduate curriculum for Provost’s Initiative on Undergraduate Education
(2007)
Contributed to design of STAC Research Track (2007)
Designed Minor in Film and Media Studies (2006)
Designed Proposal for Film and Media Studies degree (2005)
Helped design Biomedicine and Culture STAC option (2004-05).
Created Undergraduate Thesis Protocol (2004).
Helped design Gender Studies STAC option (2003-04).
Wrote (with Professor Carol Senf) Readmission Policy for STAC majors (2002).
Designed and oversaw development of 5-Year Degree Program (2001-02).
Designed and oversaw development of STAC Media Studies option (2000-01).
Created LCC 4500 Seminar in Film (2000-01).
Helped design Performance Studies Minor (1999).
Planned and submitted Film Certificate proposal for semester conversion (1999).
Designed and offered two film courses intended for STAC majors--Film and/as
Technology and Film and the Machine Age.
Co-designer of Drama and Film Certificate program (1983).
Co-designed and developed Introduction to Drama and Film course (1983).
Designed and developed Film History I and II (3133, 3134), Narrative Art of the
Film (3131), Film Genres (3132), Studies in Film (4132).
Among specific courses created for and taught under such headings as 4132,
4832, and 4833 are the following: Disney and Technology, The Hollywood Studio
System, German Expressionism, Science Fiction Film, American Film Noir, Film
3
Fantasy, Genres of Space, Documentary Film, Theories of Film Authorship, Silent
Comedy, The Comic in Drama and Film.
Created Handbook on Drama and Film for introductory students (1984).
Recommended and oversaw purchase of film and video holdings for LCC film
archive (1982-present).
Obtained approximately 80 16mm film acquisitions from local collector for LCC
film archive (1985).
D. Individual Student Guidance
M.S. thesis Committee (Nathaniel Olson, 2007)
Direction of undergraduate thesis (Whitney Hagan, spring 2005)
II.
SCHOLARSHIP
A. Published Books and Parts of Books
Telotte, J. P., "Charles Peirce and Walker Percy: From Semiotic to
Narrative," Walker Percy: Art and Ethics, pp. 65-79 (Jac Tharpe, Ed.)
Jackson: Univ. Press of Mississippi, 1980.
Telotte, J. P., "The Human Landscape of John Ford's South," The South
and Film, pp. 117-33 (Warren French, Ed.) Jackson: Univ. Press of
Mississippi, 1981.
Telotte, J. P., "Faith and Idolatry in the Horror Film." Planks of Reason:
Essays on the Horror Film, pp. 21-37 (Barry K. Grant, Ed.) Metuchen:
Scarecrow Press, 1984.
Telotte, J. P., "Roman Polanski," Encyclopedia of Film and Filmmakers,
pp. 211-12, Chicago: St. James Press, 1984.
Telotte, J. P., Dreams of Darkness: Fantasy and the Films of Val Lewton,
Urbana: Univ. of Illinois Press, 1985.
Telotte, J. P., "A Transforming Vision: Val Lewton and the Perspective of
Fantasy," Forms of the Fantastic, pp. 165-74 (Hokenson and Pearce, Eds.)
Westport: Greenwood Press, 1986.
Telotte, J. P., "Children of Horror: The Films of Val Lewton," Aspects of
Fantasy, pp. 95-106 (William Coyle, Ed.) Westport: Greenwood Press,
1986.
Telotte, J. P., "Through the Eye of a Pumpkin: The Reflexive Vision of
Horror," American Horrors, 114-28 Gregory Waller, Ed.) Urbana: Univ. of
Illinois Press, 1987.
4
Telotte, J. P., Voices in the Dark: The Narrative Patterns of Film Noir,
Urbana: Univ. of Illinois Press, 1989. (Note: Now in its 5th printing)
Telotte, J. P., "John Ford," "Jean Renoir," "King Vidor," Encyclopedia of
Southern Culture, pp. 956, 969-70, 976-77 (Wilson and Ferris, Eds.)
Chapel Hill: Univ. of North Carolina Press, 1989.
Telotte, J. P., "The Doubles of Fantasy and the Space of Desire," Alien
Zone: Cultural Theory and Contemporary Science Fiction, pp. 152-59
(Annette Kuhn, Ed.) London: Verso, 1990.
Telotte, J. P., Ed., The Cult Film Experience: Beyond All Reason, Austin:
Univ. of Texas Press, 1991.
Telotte, J. P., "Westworld, Futureworld, and the World's Obscenity," State
of the Fantastic, pp. 179-88 (Nicholas Ruddick, Ed.) Westport:
Greenwood Press, 1992.
Telotte, J. P., "Film Noir at Columbia," Columbia Pictures: Portrait of a
Studio, pp. 106-17 (Bernard F. Dick, Ed.) Lexington: Univ. Press of
Kentucky, 1992.
Telotte, J. P., "The Disorder of Things in Twin Peaks," Full of Secrets:
Critical Approaches to Twin Peaks, pp. 160-172 (David Lavery, Ed.)
Detroit: Wayne State Univ. Press, 1995.
Telotte, J. P., Replications: A Robotic History of the Science Fiction Film,
Urbana: Univ. of Illinois Press, 1995.
Telotte, J. P., "The Woman in the Door: Framing Presence in Film Noir,"
In the Eye of the Beholder: Critical Perspectives in Popular Film and
Television, pp. 137-48 (Gary R. Edgerton, Michael T. Marsden, and Jack
Nachbar, Eds.) Bowling Green: Bowling Green State University Popular
Press, 1997.
Telotte, J. P., "Human Artifice and the Science Fiction Film," Film
Quarterly: Forty Years, pp. 176-189 (Brian Henderson and Ann Martin,
Eds.) Berkeley: University of California Press, 1999. (reprint of earlier
Film Quarterly article)
Telotte, J. P. A Distant Technology: Science Fiction Film and the Machine
Age, Hanover: Wesleyan University Press/University Press of New
England, 1999.
Telotte, J. P., “A Parasitic Perspective: Romantic Participation and
Polidori’s The Vampyre,” The Blood is the Life: Vampires in Literature,
5
pp. 9-18 (Leonard G. Heldreth and Mary Pharr, Eds.) Bowling Green:
Bowling Green State U Popular Press, 1999.
Telotte, J. P., “Noir Narration,” Post-War Cinema and Modernity, pp. 2536 (John Orr and Olga Taxidou, Eds.) Edinburgh: Edinburgh University
Press, 2000.
Telotte, J. P., “Rounding Up the Usual Suspects: The Comforts of
Character and Neo-Noir,” Seeing Beyond: Movies, Visions, and Values,
pp. 371-83 (Richard P. Sugg, Ed.) New York: Golden String Press,
2001.Noir.
Telotte, J. P. Science Fiction Film, Cambridge: Cambridge University
Press, 2001.
Telotte, J. P. El Cine de Ciencia Ficcion. Trans. Jose Miguel Parra Ortiz.
Cambridge: Cambridge UP, 2002. (Spanish-language version of Science
Fiction Film)
Telotte, J. P. “Jerry in the City: The Topology of The King of Comedy.”
Enfant Terrible!: Jerry Lewis in American Film. Ed. Murray Pomerance.
New York: NYU Press, 2002. 167-80.
Telotte, J. P. “The New Hollywood Musical: From Saturday Night Fever
to Footloose.” Genre and Contemporary Hollywood. Ed. Steve Neale.
London: BFI Press, 2002. 48-61.
Telotte, J. P. “’A Little Bit Savage’: Stagecoach and Racial
Representation.” John Ford’s Stagecoach. Ed. Barry Keith Grant.
Cambridge: Cambridge UP, 2002. 113-31.
Telotte, J. P. “What You Can’t See Can Hurt You: Of Invisible and
Hollow Men.” Dark Thoughts: Philosophic Reflections on Cinematic
Horror. Eds. Steven Jay Schneider and Daniel Shaw. Lanham, MD:
Scarecrow Press, 2003. 105-19.
Telotte, J. P. “The Blair Witch Project Project: Film and the Internet.”
Nothing That Is: Millennial Cinema and the Blair Witch Controversies.
Eds. Sarah L. Higley and Jeffrey Andrew Weinstock. Detroit: Wayne State
UP, 2004. 37-52. (Also reprinted in Common Culture: Reading and
Writing About American Popular Culture. Eds. Michael Petracca and
Madeleine Sorapure. 4th ed. Upper Saddle River, NJ: Pearson/Prentice
Hall, 2004).
Telotte, J. P. Disney TV. Detroit: Wayne State UP, 2004. (Lead volume
for new “TV Milestones” series)
6
Telotte, J. P. “Human Artifice and the Science Fiction Film.” Liquid
Metal: The Science Fiction Film Reader. Ed. Sean Redmond. London:
Wallflower Press, 2004. 57-63. (Reprint of Film Quarterly article)
Telotte, J. P. “Voices from the Deep: Film Noir as Psychodrama.” Film
Noir Reader 4. Eds. Alain Silver and James Ursini. New York: Limelight
Editions, 2004. 145-60.
Telotte, J. P. “German Expressionism: A Cinematic/Cultural Problem.”
Traditions in World Cinema. Eds. Linda Badley, R. Barton Palmer, and
Steven Jay Schneider. Edinburgh: Edinburgh University Press, 2006. 1528.
Telotte, J. P. “Minor Hazards: Disney and the Color Adventure.” Color:
The Film Reader. Eds. Angela Dalle Vacche and Brian Price. New York:
Routledge, 2006. 30-39.
Telotte, J. P. “The Gravity of 2001: A Space Odyssey.” Stanley Kubrick’s
2001: A Space Odyssey: New Essays. Ed. Robert Kolker. New York:
Oxford University Press, 2006. 43-54.
Telotte, J. P. “Interrogating the Real in Neil LaBute’s Films.” Neil LaBute:
A Casebook. Ed. Gerald C. Wood. New York: Routledge, 2006. 125-39.
Telotte, J. P. “Heinlein, Verhoeven, and the Problem of the Real.” The
Literature/Film Reader: Issues of Adaptation. Eds. James M. Welsh and
Peter Lev. Lanham, MD: Scarecrow Press, 2007.187-200.
Telotte, J. P. “The Blair Witch Project Project: Film and the Internet.” The
Cult Film Reader Eds. Ernest Mathijs and Xavier Mendik. London: Open
University Press, 2008. 263-73. (reprint of Film Quarterly article)
Telotte, J. P., ed. The Essential Science Fiction Television Reader.
Lexington: Univ. Press of Kentucky, 2008. (includes two chapters by the
editor)
Telotte, J. P. The Mouse Machine: Disney and Technology. Urbana: Univ.
of Illinois Press, 2008.
Telotte, J. P. “Film, 1895-1950.” The Routledge Companion to Science
Fiction. Eds. Mark Bould, Andrew Butler, Adam Roberts, and Sherryl
Vint. London: Routledge, 2009. 42-51.
Telotte, J. P. “The Accident of Firefly.” The Essential Cult Television
Reader. Ed. David Lavery. Lexington: Univ. Press of Kentucky, 2010.
111-19.
7
Telotte, J. P. “Theme Parks and Films—Play and Players.” Disneyland
and Its Global Impact. Eds. Kathy Merlock Jackson and Mark West.
Jefferson, NC: McFarland, 2010.
Telotte, J. P., and Gerald Duchovnay, eds. Science Fiction Film,
Television, and Adaptation: Across the Screens. London: Routledge, 2012.
Telotte, J. P. “A Fate Worse Than Death: Racism, Transgression, and
Westerns.” Westerns: The Essential ‘Journal of Popular Film and
Television’ Collection. Eds. Gary R. Edgerton and Michael T. Marsden.
New York: Routledge, 2012. 142-54. (reprint of Journal of Popular Film
and Television article)
Telotte, J. P. “Space Opera TV: Seeing the World of Tomorrow.” 1950s
Rocketman TV Series and Their Fans. Eds. Cynthia J. Miller and A.
Bowdoin Van Riper. New York: Palgrave Macmillan, 2012. 115-29.
Accepted for publication:
Telotte, J. P. “Farscape, Accidents, and Uncharted Territories.” Cult
Television. Ed. Barbara Maio.
B. Edited Proceedings/Special Numbers
Special Horror Issue, Film Criticism vol. 7, no. 2, 1982.
Film and/as Technology, Post Script vol. 10, no. 1, 1990.
Film and Technology, Journal of Popular Film and Television vol. 28, no. 4,
2001.
C. Published Journal Papers (refereed)
Telotte, J. P., "Walker Percy's Language of Creation," The Southern
Quarterly, vol. 16, no. 2, pp. 105-16, 1978.
Telotte, J. P., "8 1/2 and the Evolution of a Neorealist Narrative," Film
Criticism, vol. 3, no. 2, pp. 67-79, 1979.
Telotte, J. P., "Walker Percy: A 'Pragmatic' Approach," Southern Studies,
vol. 18, no. 2, pp. 217-30, 1979.
Telotte, J. P., "The Organic Narrative: Word and Image in Barry Lyndon,"
Film Criticism, vol. 3, no. 3, pp. 18-31, 1979.
8
Telotte, J. P., "Language and Perspective in James's The American," South
Atlantic Bulletin, vol. 44, no. 1, pp. 27-39, 1979.
Telotte, J. P., "Butting Heads with Faulkner's Soldier." Notes on
Contemporary Literature, vol. 9, no. 3, pp. 7-8, 1979.
Telotte, J. P., "Scorsese's The Last Waltz and the Concert Genre," Film
Criticism, vol. 4, no. 2, pp. 9-20, 1980.
Telotte, J. P., "Dancing the Depression: Narrative Strategy in the AstaireRogers Films," Journal of Popular Film and Television, vol. 8, no. 3, pp.
15-24, 1980.
Telotte, J. P., "Charles Peirce and Walker Percy: From Semiotic to
Narrative," The Southern Quarterly, vol. 18, no. 3, pp. 65-79, 1980.
Telotte, J. P., "A Symbolic Structure for Walker Percy's Fiction," Modern
Fiction Studies, vol. 26, no. 2, pp. 227-40, 1980.
Telotte, J. P., "A Sober Celebration: Song and Dance in the 'New'
Musical," Journal of Popular Film and Television, vol. 8, no. 1, pp. 2-14,
1980.
Telotte, J. P., "Faith and Idolatry in the Horror Film," Literature/Film
Quarterly, vol. 8, no. 3, pp. 143-55, 1980.
Telotte, J. P., "The Movie Musical and What We 'Ain't Heard' Yet,"
Genre, vol. 14, no. 4, pp. 505-20, 1981.
Telotte, J. P., "The Human Landscape of John Ford's South," The Southern
Quarterly, vol. 19, nos. 3-4, pp. 117-33, 1981.
Telotte, J. P., "History, Imagination, and the Gadfly Artist," Illinois
Quarterly, vol. 43, no. 2, pp. 14-27, 1981.
Telotte, J. P., "Formulas and Labyrinths: On Tracking The Leopard Man,"
New Orleans Review, vol. 8, no. 3, pp. 265- 72, 1981.
Telotte, J. P., "A Gold Digger Aesthetic: The Depression Musical and Its
Audience," Post Script, vol. 1, no. 1, pp. 18-24, 1981.
Telotte, J. P., "Val Lewton's Children: Horror, Innocence, and Maturity,"
Post Script, vol. 1, no. 2, pp. 46-61, 1982.
Telotte, J. P., "Through the Eye of a Pumpkin: The Reflexive Vision of
Horror," Literature/Film Quarterly, vol. 10, no. 3, pp. 139-49, 1982.
9
Telotte, J. P., "The Horror Mythos and Val Lewton's Isle of the Dead,"
Journal of Popular Film and Television, vol. 10, no. 1, pp. 119-29, 1982.
Telotte, J. P., "The Doubles of Fantasy and the Space of Desire," Film
Criticism, vol. 7, no. 1, pp. 56-68, 1982. Reprinted in 10th Anniversary
Number of Film Criticism, vol. 11, nos. 1-2, pp. 43-55, 1987.
Telotte, J. P., "Self and Society: Vincente Minnelli and the Musical
Formula," Journal of Popular Film and Television, vol. 9, no. 4, pp. 18193, 1982.
Telotte, J. P., "Narration and Incarnation: I Walked with a Zombie," Film
Criticism, vol. 6, no. 3, pp. 18-31, 1982.
Telotte, J. P., "Dark Patches: Structures of Absence in Lewton's Cat
People," Post Script, vol. 2, no. 1, pp. 40-59, 1982.
Telotte, J. P., "A Photogenic Horror: Lewton Does Robert Louis
Stevenson," Literature/Film Quarterly, vol. 10, no. 1, pp. 25-37, 1982.
Telotte, J. P., "William Irwin Thompson and the Play of Knowledge," The
Kentucky Review, vol. 4, no. 3, pp. 83-93, 1983.
Telotte, J. P., "Visconti's Ossessione and the Open World of Neorealism,"
New Orleans Review, vol. 10, nos. 2-3, pp. 61-68, 1983.
Telotte, J. P., "Val Lewton's The Ghost Ship: Uncharted Waters,"
American Classic Screen, vol. 7, no. 3, pp. 28-32, 1983.
Telotte, J. P., "Star Wars and the Science Fiction Tradition,"
Extrapolation, vol. 24, no. 3, pp. 216-26, 1983.
Telotte, J. P., "Human Artifice and the Science Fiction Film," Film
Quarterly, vol. 36, no. 3, pp. 44-51, 1983.
Telotte, J. P., "Expression on Its Own Terms: All That Jazz," Journal of
Popular Film and Television, vol. 11, no. 3, pp. 104-13, 1983.
Telotte, J. P., "Bedlam and the Walls of Reason," Studies in the
Humanities, vol. 10, no. 2, pp. 59-67, 1983.
Telotte, J. P., "Seeing in a Dark Passage," Film Criticism, vol. 9, no. 2, pp.
15-27, 1984-85.
Telotte, J. P., "The Right Way with Reality: James's 'The Real Right
Thing,'" The Henry James Review, vol. 6, no. 1, pp. 8-14, 1984.
10
Telotte, J. P., "The Detective as Dreamer," Journal of Popular Film and
Television, vol. 12, no. 1, pp. 4-15, 1984.
Telotte, J. P., "Deceit, Desire, and The Lady from Shanghai," South
Atlantic Review, vol. 49, no. 1, pp. 56-71, 1984.
Telotte, J. P., "Ideology and the Kelly-Donen Musicals," Film Criticism,
vol. 8, no. 3, pp. 36-46, 1984.
Telotte, J. P., "Film Noir and the Dangers of Discourse," Quarterly Review
of Film Studies, vol. 9, no. 2, pp. 101-12, 1984.
Telotte, J. P., "Talk and Trouble: Kiss Me Deadly's Apocalyptic
Discourse," Journal of Popular Film and Television, vol. 13, no. 2, pp. 6979, 1985.
Telotte, J. P., "Film Noir and the Double Indemnity of Discourse," Genre,
vol. 18, no. 1, pp. 57-73, 1985.
Telotte, J. P., "A Consuming Passion: Food and Film Noir," The Georgia
Review, vol. 39, no. 2, pp. 397-410, 1985.
Telotte, J. P., "Christopher Miles: An Interview," Post Script, vol. 5, no. 2,
pp. 2-18, 1986.
Telotte, J. P., "Badlands and the Souvenir Drive," Western Humanities
Review, vol. 40, no. 2, pp. 101-14, 1986.
Telotte, J. P., "Tangled Networks and Wrong Numbers," Film Criticism,
vol. 10, no. 3, pp. 36-48, 1986.
Telotte, J. P., "Siodmak's Phantom Women and Noir Narrative," Film
Criticism, vol. 11, no. 3, pp. 1-10, 1987.
Telotte, J. P., "Outside the System: The Documentary Voice of Film Noir,"
New Orleans Review, vol. 14, no. 2, pp. 55-63, 1987.
Telotte, J. P., "Effacement and Subjectivity: Murder My Sweet's
Problematic Vision," Literature/Film Quarterly, vol. 15, no. 4, pp. 227-36,
1987.
Telotte, J. P., "Casablanca and the Larcenous Cult Film," Michigan
Quarterly Review, vol. 26, no. 2, pp. 357-68, 1987.
Telotte, J. P., "The Movies as Monster: Seeing in King Kong," The
Georgia Review, vol. 42, no. 2, pp. 388-98, 1988.
11
Telotte, J. P., "Arbuckle Escapes: The Pattern of Fatty Arbuckle's
Comedy," Journal of Popular Film and Television, vol. 15, no. 4, pp. 17279, 1988.
Telotte, J. P., "The Ghost in the Machine: Consciousness and the Science
Fiction Film," Western Humanities Review, vol. 42, no. 3, pp. 249-58,
1988.
Telotte, J. P., "The Displaced Voice of In a Lonely Place," South Atlantic
Review, vol. 54, no. 1, pp. 1-12, 1989.
Telotte, J. P., "The Call of Desire and the Film Noir," Literature/Film
Quarterly, vol. 17, no. 1, pp. 50-58, 1989.
Telotte, J. P., "Self Portrait: Painting and the Film Noir," Smithsonian
Studies in American Art, vol. 3, no. 1, pp. 3- 18, 1989.
Telotte, J. P., "Science Fiction in Double Focus: Forbidden Planet," Film
Criticism, vol. 13, no. 3, pp. 25-36, 1989.
Telotte, J. P., "The Big Clock of Film Noir," Film Criticism, vol. 14, no. 2,
pp. 1-11, 1989-90.
Telotte, J. P., "The Seductive Text of Metropolis," South Atlantic Review,
vol. 55, no. 4, pp. 49-60, 1990.
Telotte, J. P., "Film and/as Technology: An Introduction," Post Script, vol.
10, no. 1, pp. 3-8, 1990.
Telotte, J. P., "The Tremulous Public Body: Robots, Change, and the
Science Fiction Film," Journal of Popular Film and Television, vol. 19, no.
1, pp. 14-24, 1991.
Telotte, J. P., "The Fantastic Realism of Film Noir," Wide Angle, vol. 14,
no. 1, pp. 4-18, 1992.
Telotte, J. P., "The Terminator, Terminator 2, and the Exposed Modern
Body," Journal of Popular Film and Television, vol. 20, no. 2, pp. 26-34,
1992.
Telotte, J. P., "The World of Tomorrow and the Secret Goal of Science
Fiction," Journal of Film and Video, vol. 45, no. 1, pp. 27-39, 1993.
Telotte, J. P., "Keaton is Missing," Literature/Film Quarterly, vol. 23, no.
2, pp. 1-8, 1995.
12
Telotte, J. P., "'In the Realm of Revealing': The Technological Double in
the Contemporary Science Fiction Film," Journal of the Fantastic in the
Arts, vol. 6, nos. 2-3, pp. 234-52, 1995.
Telotte, J. P., "Enframing the Self: The Hardware and Software of
Hardware," Science-Fiction Studies, vol. 22, no. 3, pp. 323-32, 1995.
Telotte, J. P., "Fatal Capers: Strategy and Enigma in Film Noir," Journal of
Popular Film and Television, vol. 23, no. 4, pp. 163-70, 1996.
Telotte, J. P., "Definitely--Falling--Down: 8 1/2, Falling Down, and the
Death of Fantasy," Journal of Popular Film and Television, vol. 24, no. 2,
pp. 89-100, 1996.
Telotte, J. P., "Just Imagine-ing the Metropolis of Modern America,"
Science-Fiction Studies, vol. 23, no.2, pp. 161-70, 1996.
Telotte, J. P., "'So Big': The Monumental Technology of Things to Come,"
Science-Fiction Studies, vol. 25, no. 1, pp. 77-86, 1998.
Telotte, J. P., "Rounding Up The Usual Suspects: The Comforts of
Character and Neo-Noir," Film Quarterly, vol. 51, no. 4, pp. 12-20, 1998.
Telotte, J. P., "A Fate Worse Than Death: Racism, Transgression, and
Westerns," Journal of Popular Film and Television, vol. 26, no. 3, pp. 12027, 1998.
Telotte, J. P., “Lindbergh, Film, and Machine Age Dreams,” South
Atlantic Review, vol. 64, no. 4, pp. 68-83, 1999.
Telotte, J. P., "Verhoeven, Virilio, and Cinematic Derealization," Film
Quarterly, vol. 52, no. 2, pp. 30-38, 2000.
Telotte, J. P., “The Problem of the Real and THX 1138,” Film Criticism,
vol. 24, no. 3, pp. 45-60, 2000.
Telotte, J. P., “Film and/as Technology: Assessing a Bargain,” Journal of
Popular Film and Television, vol. 28, no. 4, pp. 146-49, 2001.
Telotte, J. P., “The Sounds of Blackmail: Hitchcock and Sound Aesthetic,”
Journal of Popular Film and Television, vol. 28, no. 4, pp. 184-91, 2001.
Telotte, J. P. “The Blair Witch Project Project,” Film Quarterly, vol. 54,
no. 3, 32-39, 2001.
Telotte, J. P., “Heinlein, Verhoeven, and the Problem of the Real: Starship
Troopers,” Literature/Film Quarterly, vol. 29, no. 3, pp. 196-202, 2001.
13
Telotte, J. P. “Lost Memory and New Noir,” Paradoxa, no. 16, pp. 177-89,
2002.
Telotte, J. P. “Negotiating Disney and Technology,” Studies in the
Humanities, vol. 29, no. 2, pp. 109-24, 2003.
Telotte, J. P., “Doing Science in Machine Age Horror: The Mummy’s
Case.” Science Fiction Studies, vol. 30, no. 2, pp. 217-30, 2003.
Telotte, J. P. “Minor Hazards: Disney and the Color Adventure.” Quarterly
Review of Film and Video, vol. 21, no. 4, 273-81, 2004.
Telotte, J. P., “Making Tele-Contact: 3-D Film and The Creature from the
Black Lagoon,” Extrapolation vol. 45, no. 3, 294-304, 2004.
Telotte, J. P. “Disney in Science Fiction Land,” Journal of Popular Film
and Television, vol. 33, no. 1, 12-21, 2005.
Telotte, J. P. “Lost in Space: Television as Science Fiction Icon,” Journal
of Popular Film and Television, vol. 33, no. 4, 178-86, 2006.
Telotte, J. P., “Narratives of Resistance: Verhoeven’s Soldier of Orange,”
Film Criticism, vol. 30, no. 3, 3-16, 2006.
Telotte, J. P., “Ub Iwerks’ (Multi)Plain Cinema,” Animation: An
Interdisciplinary Journal, vol. 1, no. 1, 9-24, 2006.
Telotte, J. P. “Crossing Borders and Opening Boxes: Disney and Hybrid
Animation.” Quarterly Review of Film and Video 24.2 (2007): 107-16.
Telotte, J. P. “LaBute’s Frankenstein, or the Postmodern Prometheus.”
Literature/Film Quarterly 35.4 (2007): 330-36.
Telotte, J. P. “Winsor McCay’s Warped Spaces.” Screen 48.4 (2007): 46374.
Telotte, J. P. “Animating Space: Disney, Science Fiction, and
Empowerment.” Science Fiction Studies 35.1 (2008): 48-59.
Telotte, J. P. “Serenity, Cinematisation and the Perils of Adaptation.”
Science Fiction Film and Television 1.1 (2008): 67-80.
Telotte, J. P. “The Changing Space of Animation: Disney’s Hybrid Films
of the 1940s.” Animation: An Interdisciplinary Journal 2.3 (2008): 245-58.
14
Telotte, J. P. “The Stereoscopic Mickey: Space, Animation, and the
Mouse.” Journal of Popular Film and Television 36.3 (2008): 133-40.
Telotte, J. P. “In the Cinematic Zone of The Twilight Zone.” Science
Fiction Film and Television 3.1 (2010): 1-18.
Telotte, J. P. “Man and Superman: The Fleischer Studio Negotiates the
Real.” Quarterly Review of Film and Video 27.4 (2010): 290-98.
Telotte, J. P. “Science Fiction as ‘True-Life Adventure’: Disney and the
Case of 20,000 Leagues Under the Sea.” Film and History 40.2 (2010):
66-79.
Telotte, J. P. “The Space of Today and the World of Tomorrow: Hybrid
Film and Sky Captain and the World of Tomorrow.” Film Criticism 35.1
(2010): 24-36.
Telotte, J. P. “Disney’s Alice Comedies: A Life of Illusion and the Illusion
of Life.” Animation: An Interdisciplinary Journal 5.3 (2010): 331-40.
Telotte, J. P. “Disney’s Cows, the Mouse, and the Modernist Moment.”
Screen 51.3 (2010): 219-31.
Telotte, J. P. “Disney’s Song of the South.” Quarterly Review of Film and
Video 27.5 (2010): 392-94.
Telotte, J. P. “Lewtonian Space: Val Lewton’s Films and the New Space
of Horror.” Horror Studies 1.2 (2010): 165-75.
Telotte, J. P. “Spatial Presence and Disney’s Oswald Comedies.” Journal
of Popular Film and Television 39.3 (2011): 141-48.
Telotte, J. P. “The Kiss of the Rabbit Woman.” Screen 53.2 (2012): 13647.
D. Other Publications
1. Submitted Journal Papers
a. (Accepted for Publication)
b. (Under Consideration)
2. Refereed Research Reports
15
Not applicable
3. Software
Not applicable
4. Published Papers (non-refereed)
None
5. Reviews
Telotte, J. P., Review of The Art of Walker Percy, Southern Humanities
Review, vol. 15, no. 3, pp. 174-75, 1981.
Telotte, J. P., Review of Pier Paolo Pasolini, Film Criticism, vol. 5, no. 3,
pp. 55-57, 1981.
Telotte, J. P., Review of Dance in the Hollywood Musical, Post Script,
vol. 2, no. 2, pp. 62-64, 1983.
Telotte, J. P., Review of About John Ford, Post Script, vol. 4, no. 1, pp.
64-67, 1984.
Telotte, J. P., Review of The Living and the Undead, Film Criticism, vol.
10, no. 2, pp. 20-22, 1985-86.
Telotte, J. P., Review of Dark Cinema: American Film Noir in Cultural
Perspective, Post Script, vol. 5, no. 1, pp. 62-65, 1985.
Telotte, J. P., Review of "Three Recent Books on Southern Fiction,"
Modern Fiction Studies, vol. 33, no. 2, pp. 319-22, 1987.
Telotte, J. P., Review of In a Lonely Street: Film Noir, Genre, Masculinity,
Film Quarterly, vol. 46, no. 1, pp. 39-40, 1992.
Telotte, J. P., Review of Round Up the Usual Suspects: The Making of
Casablanca, Film Quarterly, vol. 47, no. 1, pp. 61-62, 1993.
Telotte, J. P., Review of Androids, Humanoids, and Other Science Fiction
Monsters: Science and Soul in Science Fiction Films, Configurations, vol.
3, no. 1, pp. 100-102, 1995.
Telotte, J. P., Review of The Passion of David Lynch: Wild at Heart in
Hollywood, Film Quarterly, vol. 52, no. 3, pp. 61-62, 1999.
16
Telotte, J. P., “Science Fiction Classic: Metropolis,” Science-Fiction
Studies, vol. 28, no. 3, 457-60, 2001.
Telotte, J. P., Review of Matters of Gravity, Special Effects, and
Technoscience in Contemporary American Film, Screen, vol. 45, no. 2, pp.
156-61, 2004.
Telotte, J. P., “Sketching the Cinematic Scientist: Review of Mad, Bad,
and Dangerous: The Scientist and the Cinema, Nature Cell Biology, vol. 8,
no. 3, p. 204, 2006.
Telotte, J. P., “Review: Joel and Ethan Coen,” Quarterly Review of Film
and Video vol. 25, no. 1, pp. 77-80, 2008.
Telotte, J. P., “Designing Sounds for Science Fiction: Review of Sound
Design and Science Fiction, Extrapolation vol. 49, no. 1, pp. 163-67, 2008.
Telotte, J. P. “Television Futures: Review of Channeling the Future:
Essays on Science Fiction and Fantasy Television.” Science Fiction
Studies 37 (2010): 121-24.
Telotte, J. P. “Review: American Science Fiction Film and Television.”
Technology and Culture 52 (2011): 658-60.
Telotte, J. P. “Review: Picturing American Modernity: Traffic,
Technology, and the Silent Cinema.” Quarterly Review of Film and Video
28.5 (2011): 443-45.
Telotte, J. P. “Review: Keep Watching the Skies! American Science
Fiction Movies of the Fifties.” Science Fiction Studies 37.3 (2011): 51921.
Telotte, J. P. “Melies’s Extraordinary Voyages: Fantastic Voyages of the
Cinematic Imagination.” Science Fiction Studies 39.2 (2012): 147-50.
Telotte, J. P. “Review: Astounding Wonder: Imagining Science and
Science Fiction in Interwar America.” Technology and Culture
(forthcoming).
6. Bibliographies
Telotte, J. P., "Annual Bibliography of Film Studies--1982," Post Script,
vol. 2, no. 3, pp. 33-59, 1983.
Telotte, J. P., "Annual Bibliography of Film Studies--1983," Post Script,
vol. 3, no. 3, pp. 24-54, 1984.
17
Telotte, J. P., "Annual Bibliography of Film Studies--1984," Post Script,
vol. 4, no. 3, pp. 29-68, 1985.
Telotte, J. P., "Annual Bibliography of Film Studies--1985," Post Script,
vol. 5, no. 3, pp. 60-83, 1986.
Telotte, J. P., "Annual Bibliography of Film Studies--1986," Post Script,
vol. 6, no. 3, pp. 67-89, 1987.
Telotte, J. P., "Annual Bibliography of Film Studies--1987," Post Script,
vol. 7, no. 3, pp. 42-65, 1988.
Telotte, J. P., "Annual Bibliography of Film Studies--1988," Post Script,
vol. 8, no. 3, pp. 40-69, 1989.
Telotte, J. P., "Annual Bibliography of Film Studies--1989," Post Script,
vol. 9, no. 3, pp. 36-66, 1990.
Telotte, J. P., "Annual Bibliography of Film Studies--1990," Post Script,
vol. 10, no. 3, pp. 49-76, 1991.
Telotte, J. P., "Annual Bibliography of Film Studies--1991," Post Script,
vol. 11, no. 3, pp. 53-80, 1992.
Telotte, J. P., "Annual Bibliography of Film Studies--1992," Post Script,
vol. 12, no. 3, pp. 52-79, 1993.
Telotte, J. P., "Annual Bibliography of Film Studies--1993," Post Script,
vol. 13, no. 3, pp. 62-85, 1994.
Telotte, J. P., "Annual Bibliography of Film Studies--1994," Post Script,
vol. 14, no. 3, pp. 51-74, 1995.
Telotte, J. P., "Annual Bibliography of Film Studies--1995," Post Script,
vol. 15, no. 3, pp. 54-84, 1996.
Telotte, J. P., "Annual Bibliography of Film Studies--1996," Post Script,
vol. 16, no. 3, pp. 68-96, 1997.
Telotte, J. P., "Annual Bibliography of Film Studies--1997," Post Script,
vol. 17, no. 3, pp. 56-84, 1998.
Telotte, J. P., "Annual Bibliography of Film Studies--1998," Post Script,
vol. 18, no. 3, pp. 58-88, 1999.
Telotte, J. P., “Annual Bibliography of Film Studies—1999,” Post Script,
vol. 19, no. 3, pp. 67-96, 2000.
18
Telotte, J. P., “Annual Bibliography of Film Studies—2000,” Post Script,
vol. 21, no. 1, pp. 43-84, 2001.
Telotte, J. P., “Annual Bibliography of Film Studies—2001,” Post Script,
vol. 22, no. 1, pp. 54-81, 2002.
Telotte, J. P., “Annual Bibliography of Film Studies—2002,” Post Script,
vol. 23, no. 1, pp. 51-78, 2003.
Telotte, J. P., “Annual Bibliography of Film Studies—2003.” Post Script,
vol. 24, no. 1, pp. 82-107, 2004.
Telotte, J. P., “Annual Bibliography of Film Studies—2004.” Post Script,
vol. 25, no. 1, pp. 76-99, 2005.
Telotte, J. P., “Annual Bibliography of Film Studies—2005.” Post Script,
vol. 26, no. 1, pp. 66-94, 2006.
Telotte, J. P., “Annual Bibliography of Film Studies—2006.” Post Script,
vol. 27.1, pp. 110-36, 2007.
Telotte, J. P., “Annual Bibliography of Film Studies—2007.” Post Script,
vol. 28, no. 1, pp. 79-109, 2008.
Telotte, J. P., “Annual Bibliography of Film Studies—2008.” Post Script
29.1 (2009): 45-74.
Telotte, J. P., “Annual Bibliography of Film Studies—2009.” Post Script
30.1 (2010): 66-98.
Telotte, J. P. “Annual Bibliography of Film Studies—2010.” Post Script
31.1 (2011): 70-101.
Telotte, J. P. “Annual Bibliography of Film Studies—2011.” Post Script
(forthcoming)
E. Conference Presentations
1. Invited Talks and Keynote Addresses
"Film Noir as Psychodrama." Address to New England Literature and Film
Association, Univ. of Rhode Island, Kingston, RI, October 17, 1992.
(Keynote Address)
19
"Voices from the Deep: The Depth Work of Film Noir." Keynote Address
to 19th Annual Conference on Literature and Film, Florida State Univ.,
Tallahassee, FL, January 28, 1994. (Keynote Address)
“Kiss Me Deadly and Noir Traditions,” March 2, 2000; “Memory and
Neo-Noir,” March 3, 2000, both at Carleton College as Guest Speaker in
the Media Studies Program.
“Disney and the Rhetoric of Science,” Texas Rhetoric Federation, Texas A
& M University, Feb. 12, 2005. (Keynote Address)
“War of the Worlds: Science Fiction Films Today,” Center for the
Humanities and Arts Film Roundtable, Univ. of Georgia, Sept. 23, 2005.
“In Search of Signs: Why Science Fiction TV?” Decatur Book Festival.
Decatur, GA, Aug. 30, 2008.
“The ‘Watchable . . . Terrible’ Cult Film: Robot Monster.” EGAD
Conference. Texas A&M-Commerce, March 12, 2012. (Keynote)
2. Conference Presentations with Proceedings (refereed)
"Narration and Cinematic Quotation: Lewton, Hitchcock, DePalma." Film
Studies: Proceedings of the Purdue University Conference on Film, pp.
261-266 (Ben Lawton, Ed.). West Lafayette, IN: Purdue Univ. Office of
Publications, 1982.
3. Conference Presentations with Proceedings (non-refereed)
None
4. Conference Presentations without Proceedings
Telotte, J. P., "The Dark Side of the Force: Star Wars and the Science
Fiction Tradition," Popular Culture Assn. Conference, Cincinnati, OH,
April 22, 1978.
Telotte, J. P., "Revisioning the Science Fiction Film," West Virginia Univ.
Colloquium on Modern Literature: The Art of the Film, Morgantown,
WV, Sept. 23, 1978.
Telotte, J. P., "Perception and the Horror Film," Popular Culture Assn. in
the South Conference, Nashville, TN, Oct. 8, 1978.
Telotte, J. P., "Fellini and the Honest Eye of Neorealism," Southern
Comparative Literature Assn. Conference, Univ. of Tennessee, Feb. 15,
1979.
20
Telotte, J. P., "Song and Dance in the Musical Film," Popular Culture
Assn. Conference, Pittsburgh, PA, April 26, 1979.
Telotte, J. P., "More Than Just a Concert: The Last Waltz and the Concert
Film Genre," Popular Culture Assn. in the South Conference, Louisville,
KY, Oct. 19, 1979.
Telotte, J. P., "Faith and Idolatry in the Horror Film," Invited Presentation,
The Salisbury Conference: Literature, History, and Film, Salisbury State
University, Salisbury, MD, June 20, 1980.
Telotte, J. P., Val Lewton's Use of Children," 2nd International
Conference on the Fantastic in the Arts, Florida Atlantic Univ., Boca
Raton, FL, March 21, 1981.
Telotte, J. P., "Character and Ambiguity in The Seventh Victim, 7th
Conference on Literature and Film, Florida State Univ., Jan. 28, 1982.
Telotte, J. P., "Ambiguities of Classification: The Case of William Irwin
Thompson," 7th Conference on Literature and Film, Florida State Univ.,
Jan. 29, 1982.
Telotte, J. P., "A Transforming Vision: Val Lewton and Perspective in
Horror," 3rd International Conference on the Fantastic in the Arts, Florida
Atlantic Univ., Mar. 12, 1982.
Telotte, J. P., "Narration and Cinematic Quotation," 6th Purdue Univ.
Conference on Film, West Lafayette, IN, Apr. 1, 1982.
Telotte, J. P., "Musical Ideology and the Kelly-Donen Collaborations,"
Popular Culture Assn. in the South Conference, Atlanta, GA, Oct. 9, 1982.
Telotte, J. P., Self-Expression: The Flaw in the Musical Ideology," 8th
Conference on Literature and Film, Florida State Univ., Jan. 30, 1983.
Telotte, J. P., "Outside the System: The Documentary Voice of Film Noir,"
Popular Culture Assn. in the South Conference, Jacksonville, FL, Oct. 6,
1983.
Telotte, J. P., "Talk and Trouble: Kiss Me Deadly's Apocalyptic
Discourse," 9th Conference on Literature and Film, Florida State Univ.,
Jan. 29, 1984.
Telotte, J. P., "The Real Thing is Something Else: Truth and Subjectivity
in The Lady in the Lake," Popular Culture Assn. in the South Conference,
Knoxville, TN, Oct. 6, 1984.
21
Telotte, J. P., "Badlands as Souvenir," Popular Culture Assn. in the South
Conference, Charleston, SC, Sept. 20, 1985.
Telotte, J. P., "Robert Siodmak's Phantom Women," 11th Conference on
Literature and Film, Florida State Univ., Jan. 30, 1986.
Telotte, J. P., "The Woman in the Shower," Popular Culture Assn.
Conference, Atlanta, GA, Mar. 15, 1986.
Telotte, J. P., "Casablanca and the Cult Film," Popular Culture Assn. in
the South Conference, Chattanooga, TN, Sept. 26, 1986.
Telotte, J. P., "The Pattern of Fatty Arbuckle's Comedy," South Atlantic
Modern Language Assn. Conference, Atlanta, GA, Nov. 2, 1986.
Telotte, J. P., "Truth and Belief in the Documentary Film Noir," 12
Conference on Literature and Film, Florida State Univ., Jan. 29, 1987.
Telotte, J. P. "The Movies as Monster: Seeing in King Kong," South
Atlantic Modern Language Assn. Conference, Atlanta, GA, Nov. 5, 1987.
Telotte, J. P., "The Displaced Voice of In a Lonely Place," 13th
Conference on Literature and Film, Florida State Univ., Jan. 30, 1988.
Telotte, J. P., "Self-Portrait: Art and the Film Noir," Popular Culture Assn.
Conference, New Orleans, LA, Mar. 24, 1988.
Telotte, J. P., "The Seductive Text of Metropolis," 14th Conference on
Literature and Film, Florida State Univ., Jan. 27, 1989.
Telotte, J. P., "Forbidden Planet in Double Focus," International
Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 16,
1989.
Telotte, J. P., "Time: The Big Clock of Film Noir," 15th Conference on
Literature and Film, Florida State Univ., Feb. 2, 1990.
Telotte, J. P., "Westworld and the World's Obscenity," International
Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 21,
1990.
Telotte, J. P., "The Tremulous Public Body: Robots, Change, and the
Science Fiction Film," 16th Conference on Literature and Film, Florida
State Univ., Jan. 30, 1991.
22
Telotte, J. P., "The Fantastic Realism of Film Noir," International
Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 22,
1991.
Telotte, J. P., "The Terminator, Terminator 2, and the Exposed Modern
Body," 17th Conference on Literature and Film, Florida State Univ., Jan.
28, 1992.
Telotte, J. P., "Enframing the Body: The Technologized Self of
Hardware," 18th Conference on Literature and Film, Florida State Univ.,
Jan. 29, 1993.
Telotte, J. P., "Definitely--Falling--Down: The Death of Fantasy,"
International Conference on the Fantastic in the Arts, Fort Lauderdale, FL,
Mar. 17, 1994.
Telotte, J. P., "The Woman in the Door: Position in Film Noir," Film and
Literature Association Annual Conference, Towson State University,
October 17, 1994.
Telotte, J. P., "The Big Caper of Film Noir," 20th Annual Conference on
Literature and Film, Florida State University, January 26, 1995.
Telotte, J. P., "Just Imagine-ing the Metropolis of Modern America," 16th
Conference of the International Association for the Fantastic in the Arts,
Fort Lauderdale, Florida, March 24, 1995.
Telotte, J. P., "Rounding Up The Usual Suspects: Characterization and
Neo-Noir," 21st Annual Conference on Literature and Film, Florida State
University, January 23, 1996.
Telotte, J. P., "A Distant Picture: The Machine Age and Lang's Die Frau
im Mond," 17th Conference of the International Association for the
Fantastic in the Arts, Fort Lauderdale, Florida, March 21, 1996.
Telotte, J. P. "The Distant Technology of the Machine Age and The Crazy
Ray," Annual Conference of the Society for Literature and Science,
Atlanta, GA, Oct. 20, 1996.
Telotte, J. P., "The Imagery of Disaster in French Science Fiction Film,"
22nd Annual Conference on Literature and Film, Florida State University,
Jan. 30, 1997.
Telotte, J. P., "Monumentalism and the Machine Age: Things to Come,"
18th Conference of the International Association for the Fantastic in the
Arts, Fort Lauderdale, FL, March, 19, 1997.
23
Telotte, J. P., "The Sounds of Blackmail: Hitchcock and the Technology of
Sound," South Central Modern Language Association Conference, Dallas,
TX, Oct. 18, 1997.
Telotte, J. P., "A Fate Worse Than Death: Racism, Violence, and
Westerns," 23rd Annual Conference on Literature and Film, Florida State
University, Jan. 28, 1998.
Telotte, J. P., "Verhoeven, Virilio, and Cinematic Derealization." 19th
Conference of the International Association for the Fantastic in the Arts,
Fort Lauderdale, Florida, March 23, 1998.
Telotte, J. P., "Lindbergh, Film, and the Machine Age." South Atlantic
Modern Language Association Conference, Atlanta, GA, Nov. 6, 1998.
Telotte, J. P., "Heinlein, Verhoeven, and Starship Troopers," South Central
Modern Language Association Conference, New Orleans, LA, Nov. 13,
1998.
Telotte, J. P., "The Problem of Realism and THX 1138," 20th Conference
of the International Association for the Fantastic in the Arts, Fort
Lauderdale, Florida, March 26, 1999.
Telotte, J. P. “Lost Memory and New Noir,” 24th Annual Conference on
Literature and Film, Florida State University, Jan. 26, 2000.
Telotte, J. P. “The Blair Witch Project Project—Film and Internet
Advertising,” 21st Conference of the International Assn. for the Fantastic
in the Arts, Fort Lauderdale, Florida, March 23, 2000.
Telotte, J. P. “What You Can’t See Can Hurt You: Of invisible and
Hollow Men,” 22nd Conference of the International Assn. for the Fantastic
in the Arts, Fort Lauderdale, Florida, March 16, 2001.
Telotte, J. P. “Narratives of Resistance: Verhoeven’s Soldier of Orange.”
25th Annual Conference on Literature and Film, Florida State University,
Jan. 28, 2002.
Telotte, J. P. “Doing Science in Machine Age Horror: The Case of The
Mummy,” 23rd Conference of the International Assn. for the Fantastic in
the Arts, Fort Lauderdale, Florida, March 17, 2002.
Telotte, J. P., “Making Tele-contact: 3D Film and The Creature from the
Black Lagoon.” 24th International Conference on the Fantastic in the Arts,
Ft. Lauderdale, FL, Mar. 20, 2003.
24
Telotte, J. P., “Disney in Science Fiction Land.” 25th International
Conference on the Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 25, 2004.
Telotte, J. P. “Across the Border: Disney, South America, and Hybrid
Animation.” South Central Modern Language Assocation annual
convention, New Orleans, LA, Oct. 29, 2004.
Telotte, J. P. “Television as Science Fiction Icon.” 26th International
Conference on the Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 17, 2005.
Telotte, J. P. “Neil LaBute’s Frankenstein, or the Postmodern
Prometheus.” 27th International Conference on the Fantastic in the Arts, Ft.
Lauderdale, FL, Mar. 16, 2006.
Telotte, J. P. “Disney and Hybrid Animation.” Popular Culture Assn. in
the South Conference. Savannah, GA, Oct. 5, 2006.
Telotte, J. P. “Animating Space.” 28th International Conference on the
Fantastic in the Arts, Ft. Lauderdale, FL, Mar. 15, 2007.
Telotte, J. P. “Adaptation, Serenity, and Cinematization.” 2nd Literature on
Screen Conference, Oglethorpe University, Atlanta, GA, Sept. 21, 2007.
Telotte, J. P. “Critics in the Marketplace” Panel. 2nd Literature on Screen
Conference, Oglethorpe University, Atlanta, GA, Sept. 22, 2007.
Telotte, J. P. “Man and Superman: The Fleischer Studio.” 29th
International Conference on the Fantastic in the Arts, Orlando, FL, Mar.
20, 2008.
Telotte, J. P., et al. “Science Fiction Pedagogy Roundtable.” 29th
International Conference on the Fantastic in the Arts, Orlando, FL, Mar.
21, 2008.
Telotte, J. P. “Science Fiction as True-Life Adventure: Disney and the
Case of 20,000 Leagues Under the Sea.” Film and History Conference,
Chicago, IL, Oct. 31, 2008.
Telotte, J. P., et al. “Editors’ Roundtable.” 2008 Film and History
Conference: Film and Science, Chicago, IL, Oct. 31, 2008.
Telotte, J. P. “The Space of Today and the World of Tomorrow: The Case
of Sky Captain and the World of Tomorrow.” 30th International
Conference on the Fantastic in the Arts, Orlando, FL, Mar. 16, 2009.
Telotte, J. P. “Science Fiction Television, 2008-09, Roundtable.” Science
Fiction Research Assn. Conference, Atlanta, GA, June 27, 2009.
25
Telotte, J. P. “Disney’s Alice Comedies: A Life of Illusion and the Illusion
of Life.” 31st International Conference on the Fantastic in the Arts,
Orlando, FL, Mar. 19, 2010.
Telotte, J. P. “Farscape, Accidents, and Uncharted Territories.” Popular
Culture Association of the South Annual Conference, Savannah, GA, Oct.
8, 2010.
Telotte, J. P. “Making up the ‘Rules’ in Teaching Animation Studies.”
Society for Cinema and Media Studies Annual Conference, New Orleans,
LA, Mar. 6, 2011.
Telotte, J. P. “Robot Monster and the ‘Watchable . . . Terrible’ Cult Film.”
33rd International Conference on the Fantastic in the Arts, Orlando, FL,
Mar. 22, 2012.
Telotte, J. P. “From Midway to Korea!: Ford and the De-Fused
Documentary.” Annual Film and History Conference, Milwaukee, WI,
Oct., 3, 2012.
III. SERVICE
A. Professional Activities
Chair and Organizer, "Film II" Session, Popular Culture Assn. in the South
Conference, Louisville, KY, Oct. 19, 1979.
Chair and Organizer, "Transformation and Fantasy," International Conference on
the Fantastic in the Arts, Fort Lauderdale, FL, Mar. 12, 1982.
Chair and Organizer, "Manipulating the Boundaries of Film Fantasy,"
International Conference on the Fantastic in the Arts, Fort Lauderdale, FL, Mar.
17, 1989.
Chair and Organizer, "Film Studies" Session, South Atlantic Modern Language
Assn. Conference, Atlanta, GA, Nov. 2, 1989.
Respondent to preview of PBS' The American Cinema at Literature and Film
Association Meeting, Oct.18, 1994.
Session Chair, "Film Noir Old and New," 20th Conference on Film and Literature,
Florida State Univ., Jan. 26, 1995.
Session Chair, "Film Fantasy," 17th International Conference on the Fantastic in
the Arts, Fort Lauderdale, Florida, March 22, 1996.
26
Session Chair, "Science Fiction Film," 19th International Conference on the
Fantastic in the Arts, Fort Lauderdale, FL, March 23, 1998.
Reviewer for Promotion to Professor at University of Massachusetts (Professor
Jack Shadoian, 1999) and University of Memphis (Professor Alison Graham),
1998.
Session Chair, "Topology of Dystopias," 20th International Conference on the
Fantastic in the Arts, Fort Lauderdale, FL, March 27, 1999.
Secretary, Film Division, 69th Annual South Atlantic Modern Language Assn.
Conference, Atlanta, GA, Nov. 4, 1999.
Session Chair, “Myth in Film and Fantasy,” 21st International Conference on the
Fantastic in the Arts, Fort Lauderdale, FL, March 24, 2000.
Chair and Organizer of Film Division, 70th Annual South Atlantic Modern
Language Assn. Conference, Birmingham, AL, Nov. 11, 2000.
Session Chair, “The Film Surrogate,” 23rd International Conference on the
Fantastic in the Arts, Fort Lauderdale, FL, March 20, 2002.
Session Chair, “Time and Destiny in Fantastic Narratives,” 24th International
Conference on the Fantastic in the Arts, Fort Lauderdale, FL, March 21, 2003.
Roundtable Speaker, “Publishing in Film and Media Studies.” Popular Culture
Assn. Conference, Atlanta, GA., April 2006.
Session Chair, “Sex in Space,” 28th International Conference on the Fantastic in
the Arts, Fort Lauderdale, FL, March 15, 2007.
Session Chair, 29th International Conference on the Fantastic in the Arts, Orlando,
FL, March 20, 2008.
Section Organizer and Chair of Multiple Panels, “Science Fiction and
Adaptation,” Film and History Conference, Chicago, IL, Oct. 30-Nov. 2, 2008.
Reviewer for Promotion and Tenure, Clark University (Boston), Dr. Stephanie
Larrieux, 2009.
Reviewer for Promotion, University of California-Riveride, Dr. Robert Latham,
2010.
Session Chair, “Korean War on Film.” Film and History Conference, Milwaukee,
WI, Oct. 4, 2012.
27
B. On-Campus Activities—LCC
Search Committee, English Dept., 1980-81, 1983-84, 1989-90, 1994-95
Search Committee, LCC, 1994-95, 1996-97, 2002-03, 2004-05, 2006-07
Chair, Film Search Committee, 1994-95, 1995-96, 2007-08
United Way Fund Drive Chair, English Dept., 1981
Teaching Resources Committee, English Dept., 1981-82
Sophomore and Electives Committee, English Dept., 1981-82
Drama and Film Certificate Committee, English Dept., 1982-99
Chair, Drama and Film Committee, 1985-87, 1988-89
Audiovisual Equipment Coordinator, English Dept., 1985-86
English Dept. Curriculum Committee, 1986-87, 1988-89
Graduate Teaching Fellows Committee, English Dept., 1987
Brittain Fellows Committee, LCC 2000-02
Promotion and Tenure Committee, English Dept., 1988, 1989-90
Promotion and Tenure Committee, LCC, 1991-93, 1996-2000, 2002-05, 200809
Chair, Promotion and Tenure Committee, 1988, 1991-93, 1996-2000, 2002-03
Fine Arts Degree Committee, Architecture and English, 1989-90
LCC Undergraduate Degree Committee, 1992-93
Summer Representative, LCC Executive Committee, 1993
Ad Hoc Promotion and Tenure Committee for Full Professors, 1994-95
Performance Studies Committee, 1995-2000
Undergraduate Curriculum Committee, 1998-99, 2000-09
LCC Executive Committee, 1999-present
Director of Undergraduate Studies, 2000-09
McEver/Bourne Chair Committee, 2000-01
StaC Steering Committee, 2000-09
Writing Committee, 2000-03
Computer Committee, 2000-02
Organizer and Chair, LCC Student Grievance Committee, 2000
Brittain Fellows Hiring Committee, 2001-09
Brittain Fellows Orientation Presentation, 2000-12
Symposium on Academic Publishing (for junior faculty and Brittain Fellows),
2004
Computational Media Degree Committee, 2007-08
Interim Chair, 2009-12
On-Campus Activities—Institute
Faculty Advisor, Lambda Sigma Honor and Service Society, 1980-81
Ivan Allen College--Promotion and Tenure Committee, 1993-96
Ivan Allen College--Regents' Professor Recommendation Committee, 1999-2000
Faculty Status and Grievance Committee, 1999-2002
Chair, Faculty Status and Grievance Committee, 2001-02
President’s Executive Board, 2002-05
Faculty Senate, LCC elected representative, 2000-02
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Oxford Summer Studies Committee, 2003-05
Institute Regents’ Professor Committee, 2005-08
Provost’s Initiative on Undergraduate Education Committee, 2007-08
Ivan Allen College--Promotion and Tenure Committee, 2008-09
Institute Admission Appeals Committee, 2009-12
Chair, School of Economics Chair Search Committee, 2011-12
C. Engineering Consulting
Not applicable
D. Editorial and Reviewer Work for Technical/Professional Journals
Editor: Post Script
Editorial Boards (current): Extrapolation, Literature/Film Quarterly, Journal of
Popular Film and Television, Journal of the Fantastic in the Arts, Science Fiction
Film and Television, Intensities: The Journal of Cult Media
Editorial Boards (past): South Atlantic Review (2000-03), Velvet Light Trap
(1995-1999), Film Criticism (1985-95)
Reviewer: for above journals and for Cinema Journal, Configurations, Critical
Studies in Mass Communications, Journal of Film and Video, Mosaic, Science
Fiction Studies, Screen, Technology and Culture.
Book manuscript reviewer for University of Illinois Press, University of
Oklahoma Press, St. Martin's Press, UMI Research Press, University Presses of
Florida, Southern Illinois University Press, McGraw-Hill Publishers, William C.
Brown Publishers, Arnold Press, University of Texas Press, Advisory Board for
Florida State University Literature and Film Conference Proceedings, Edinburgh
University Press, Syracuse University Press, Blackwell’s Publisher, Wayne State
University Press, Columbia University Press, University Press of Kentucky,
Rowman & Littlefield, University Press of Mississippi, Lexington Books, Ashgate
Press, University of Nebraska Press.
E. Testimony before legislative committees
None
F. Civic and Professional Activities
Lectures--Atlanta Historical Society, Atlanta Film Society, Atlanta Fantasy
Convention
Consultant on Film Obscenity, Fulton County District Attorney's Office, 1981
Commentator on Film for CNN's Futurewatch, Nov. 1989, Mar. 1990
Interviewed on NPR station WINN on science fiction and film, April, 1996.
Interviewed and contributed to newspaper series on
"utopias/dystopias" in Minnesota Register, May, 1996.
Interviewed and contributed to article on film robotics in Cinescape magazine,
1998.
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Coach, Smyrna Little League
Coach and Special Events Coordinator, Smyrna Athletic Association
Coach, Rhyne Park Girls' Softball Association
Coach and Administrator for Smyrna Stars' AAU basketball team
Scorekeeper and Concession Stand Worker for The Walker School’s basketball
and baseball teams
Commentator on Science Fiction Film and 2001: A Space Odyssey for CNN, Jan.
2001.
Interviewed and contributed to article on film and university education in Atlanta
Journal-Constitution, 2003.
My work on science fiction and film surveyed in Swedish newspaper Svenska
Dagbladet, Nov. 21, 2003.
Interviewed and contributed to article on documentary film and propaganda in
Atlanta Journal-Constitution, 2004.
Interviewed and contributed to article on film depictions of robots for Arizona
Daily Star, July 16, 2004.
Interviewed on MSNBC (live) on contemporary science fiction film (June 29,
2005).
Interviewed by Alexandra Midal, Curator of the “Tomorrow Now: Design and
Science Fiction” exhibition at the Mudam Luxembourg—Musee d’Art Moderne
Grand-Duc Jean (April, 2007). Interview included in Exhibit Catalogue.
Interviewed for article on horror film by Brian J. McFillen of IDS News, “Beyond
Haddonfield: The Legacy of John Carpenter’s Halloween (August 2007).
Interview on Science Fiction Television, “Aux Etats-Unis, la SF Parle aux
Telespectateurs,” Generique (April 2008), p. 39.
Interview on Science Fiction Television for New York NPR affiliate WAMC
(May 26, 2008).
IV. RESEARCH PROPOSALS AND GRANTS
A. As Principal Investigator
Submitted Proposal to Georgia Tech Foundation to support Study of the Films of
Val Lewton, 1982.
Georgia Tech Foundation Grant, Winter 1983
Submitted Proposal to Georgia Tech Foundation to support project, "A Distant
Technology: The Science Fiction Film and the Machine Age," Winter 1995.
Submitted Proposal on Disney and Badging ($250,000), Fall 2012.
B. As Contributor
None
V. OTHER
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A. Professional Registration
Member, International Association for the Fantastic in the Arts, Film and History
Association, Society for Film and Media Studies, Society for Animation Studies.