Colman the Younger:
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
The Female Dramatist, based upon a character in Tobias Smollett's Roderick
Random, London, Theatre Royal in the Hay-Market, 16 August 1782.

Two to One, London, Theatre Royal in the Hay-Market, 19 June 1784.

Turk and No Turk, London, Theatre Royal in the Hay-Market, 9 July 1785.

Inkle and Yarico, based upon Richard Steele's Spectator no. 11, London, Theatre
Royal in the Hay-Market, 4 August 1787.

Ways and Means; or A Trip to Dover, London, Theatre Royal in the Hay-Market,
10 July 1788.

The Family Party, possibly by Colman, London, Theatre Royal in the HayMarket, 11 July 1789.

The Battle of Hexham, or Days of Old, London, Theatre Royal in the Hay-Market,
11 August 1789.

The Surrender of Calais, London, Theatre Royal in the Hay-Market, 30 July
1791.

Poor Old Hay-Market, or Two Sides of the Gutter, London, Theatre Royal in the
Hay-Market, 15 June 1792.

The Mountaineers, London, Theatre Royal in the Hay-Market, 3 August 1793.

New Hay at the Old Market, London, Theatre Royal in the Hay-Market, 9 June
1795; adapted by Colman as Sylvester Daggerwood, London, Theatre Royal in
the Hay-Market, 7 July 1796.

The Iron Chest, adapted from William Godwin's novel The Adventures of Caleb
Williams, London, Theatre Royal, Drury Lane, 12 March 1796.

The Heir at Law, London, Theatre Royal in the Hay-Market, 15 July 1797.

Blue-Beard, or Female Curiosity, adapted from Grétry's Barbe bleue, London,
Theatre Royal, Drury Lane, 16 January 1798.

Blue Devils, a translation and adaptation of Joseph Patrat's L'Anglais, ou Le Fou
Raisonnable, London, Theatre Royal, Covent Garden, 24 April 1798.

Feudal Times, or The Banquet Gallery, London, Theatre Royal, Drury Lane, 19
January 1799.

The Castle of Sorrento, by Henry Heartwell, revised by Colman, London, Theatre
Royal in the Hay-Market, 13 July 1799.

The Review, or the Wags of Windsor, London, Theatre Royal in the Hay-Market,
1 September 1800.

The Poor Gentleman, London, Theatre Royal, Covent Garden, 11 February 1801.

John Bull, or the Englishman's Fireside, London, Theatre Royal, Covent Garden,
5 March 1803.

Love Laughs at Locksmiths, London, Theatre Royal in the Hay-Market, 25 July
1803.

Gay Deceivers, or More Laugh than Love, London, Theatre Royal in the HayMarket, 22 August 1804.

Who Wants a Guinea?, London, Theatre Royal, Covent Garden, 18 April 1805.

We Fly by Night, or Long Stories, a translation and adaptation of Le Conteur, ou
Les Deux Postes, London, Theatre Royal, Covent Garden, 28 January 1806.

The Forty Thieves, by Colman and C. W. Ward, London, Theatre Royal, Drury
Lane, 8 April 1806.

The Africans, or War, Love, and Duty, an adaptation of Jean-Pierre Claris de
Florian's Selico, Nouvelle Africaine, London, Theatre Royal in the Hay-Market,
29 July 1808.

X. Y. Z., London, Theatre Royal, Covent Garden, 11 December 1810.

The Quadrupeds of Quedlinburgh, or the Rovers of Weimar, adapted from "The
Rovers; or, The Double Arrangement," a parody by George Canning and John
Hookham Frere, London, Theatre Royal in the Hay-Market, 26 July 1811.

The Travellers Benighted, possibly by Colman, based upon a story from M. G.
Lewis's The Monk, London, Theatre Royal in the Hay-Market, 30 September
1811.

Doctor Hocus Pocus, or Harlequin Washed White, London, Theatre Royal in the
Hay-Market, 12 August 1814.

The Actor of All Work, or First and Second Floor, London, Theatre Royal in the
Hay-Market, 13 August 1817.

The Gnome-King, or The Giant-Mountains, London, Theatre Royal, Covent
Garden, 6 October 1819.

Shakespeare versus Harlequin, possibly by Colman, a revision of David Garrick's
Harlequin's Invasion, London, Theatre Royal, Drury Lane, 8 April 1820.

The Law of Java, London, Theatre Royal, Covent Garden, 11 May 1822.

Stella and Leatherlungs, or A Star and a Stroller, London, Theatre Royal, Drury
Lane, 1 October 1823.

Two to One. A Comic Opera, in Three Acts. As Performed at the Theatre-Royal,
Hay-Market, and Smock-Alley (Dublin: Printed for W. Wilson, 1785).

Turk, and No Turk. A Comic Opera. For the Voice, Harpsichord; Violin, or
German Flute. Composed by Dr. Arnold [songs only] (London: Skillern, 1785).

Inkle and Yarico: an Opera, in Three Acts. As Performed at the Theatre-Royal in
the Hay-Market, on Saturday, August 11th, 1787 (London: Printed for G. G. J. &
J. Robinson, 1787).

Prose on Several Occasions; Accompanied with Some Pieces in Verse (London:
Printed for T. Cadell, 1787).

Ways and Means; or, A Trip to Dover. A Comedy, in Three Acts, As it is
Performed at the Theatre-Royal, Hay-Market (London: Printed for G. G. J. & J.
Robinson, 1788).

The Family Party; a Comic Piece, in Two Acts, as Acted at the Theatre Royal,
Haymarket, anonymous, possibly by Colman (London: Printed for J. Debrett,
1789).

The Battle of Hexham. A Comedy. In Three Acts, as Performed at the TheatreRoyal, Crow-Street [pirated edition] (Dublin: Printed by P. Byrne, 1790);
republished as The Battle of Hexham; or, Days of Old. A Play, in Three Acts.
First Perform'd at the Theatre-Royal, Hay-Market, on August 11, 1789
[authorized edition] (London: Longman, Hurst, Rees & Orme, 1808).

The Surrender of Calais. A Play. In Three Acts. By George Colman, Jun., Esq. As
Performed at the Little Theatre Haymarket [pirated edition] (Dublin: P. Byrne,
1792); republished as Surrender of Calais: a Play, in Three Acts. First Perform'd
at the Theatre Royal, Hay-Market, on Saturday, July 30, 1791 [authorized
edition] (London: Longman, Hurst, Rees & Orme, 1808).

The Mountaineers. As it is performed, with the utmost Applause, at the Theatre
Royal, Hay-Market, London; and the Theatre Royal, Crow-Street, Dublin [pirated
edition] (Dublin: Thomas McDonnel, 1794); republished as The Mountaineers; a
Play, in Three Acts; Written by George Colman; (the Younger.) And First
Performed at the Theatre Royal, Hay-Market, on Saturday, August 3, 1793
[authorized edition] (London: J. Debrett, 1795).

New Hay at the Old Market; an Occasional Drama, in One Act: Written by
George Colman, (The Younger,) on Opening the Hay-Market Theatre on the 9th
of June, 1795 (London: Printed by W. Woodfall for T. Cadell & W. Davies,
1795); abridged as Sylvester Daggerwood; or, New Hay at the Old Market. An
Occasional Drama, in One Act. Written By George Colman, (the Younger,) on
Opening the Hay-Market Theatre, on the 9th of June, 1795 (London, 1796).

The Iron Chest: a Play; in Three Acts. Written by George Colman, the Younger.
With a Preface. First represented at the Theatre-Royal, in Drury-Lane, on
Saturday, 12th March, 1796 (London: Printed by W. Woodfall for Cadell &
Davies, 1796).

My Night-Gown and Slippers; or Tales in Verse. Written in an Elbow-Chair, by
George Colman, the Younger (London: Printed for T. Cadell, Jun. & W. Davies,
1797).

Blue-Beard; or, Female Curiosity! A Dramatick Romance; First Represented at
the Theatre Royal Drury-Lane, on Tuesday January 16, 1798 (London: Printed by
T. Woodfall for Cadell & Davies, 1798).

The Heir at Law: a Comedy in Five Acts. As Performed at the Theatre-Royal,
Crow Street [pirated edition] (Dublin: T. Burnside & G. Folingsby, 1798);
republished as The Heir at Law: a Comedy: in Five Acts. Written by George
Colman, the Younger; and First Performed at the Theatre-Royal, Hay-Market, on
Saturday, July 15, 1797 [authorized edition] (London: Longman, Hurst, Rees &
Orme, 1808).

Feudal Times; or, The Banquet-Gallery: a Drama, in Two Acts. First Presented
at the Theatre-Royal, Drury-Lane, on Saturday, Jan. 19th. 1799 (London: Printed
by T. Woodfall for Cadell & Davies, 1799).

The Poor Gentleman; a Comedy, in Five Acts: Written by George Colman, the
Younger. As Performed at the Theatres-Royal, London and Dublin, with
Universal Applause [pirated edition] (Dublin: Printed by Thomas Burnside,
1801); republished as The Poor Gentleman: A Comedy, in Five Acts, As
Performed at the Theatre-Royal, Covent-Garden. (First Acted on the 11th of
February 1801) [authorized edition] (London: Printed by A. Strahan for T. N.
Longman & O. Rees, 1802).

The Review; or, the Wags of Windsor. A Musical Farce, In Two Acts. As
Performed at the Theatres-Royal, London and Dublin, with the Greatest Applause
[pirated edition] (Dublin: Printed by Thomas Burnside, 1801); republished as The
Review, or the Wags of Windsor; a Musical Farce, in Two Acts [authorized
edition] (London: Printed by D. Deans for J. Cawthorn, 1808).

Broad Grins; by George Colman, (the Younger;) Comprising, with New
Additional Tales in Verse, Those Formerly Published under the Title of "My
Night-Gown and Slippers" (London: Printed for T. Cadell, Jun. & W. Davies,
1802).

Love Laughs at Locksmiths. A Comic Opera, in Two Acts. As It Is Performed at
the Theatre-Royal, Dublin [pirated edition] (Dublin: Printed by T. Burnside,
1803); republished as Love Laughs at Locksmiths; A Farce, in Two Acts
[authorized edition] (London: Printed by D. Deans for J. Cawthorn, 1808).

John Bull, or, An Englishman's Fire-Side: a Comedy, in Five Acts, as Performed
at the Theatre-Royal, in Dublin [pirated edition] (Dublin: O'Brien & sold by every
bookseller, 1803); republished as John Bull; or, The Englishman's Fireside: a
Comedy, in Five Acts. First Performed at the Theatre-Royal, Covent-Garden, on
the 5th of March, 1803 [authorized edition] (London: Printed for Longman, Hurst,
Rees & Orme, 1805).

Epilogue to the New Play of The Maid of Bristol. Written by George Colman, the
Younger, (Being an Address to the Patriotism of the English.) And Spoken by Mr.
Elliston, in the Character of a British Sailor [broadside] (London: Printed by Cox,
son & Baylis for J. Debrett, 1803).

Who Wants a Guinea? A Comedy, in Five Acts, as Perform'd at the TheatreRoyal, Covent-Garden. First Acted April 18, 1805 (London: Long-man, Hurst,
Rees & Orme, 1805).

We Fly by Night; or, Long Stories, a Musical Farce, Performed at the Theatre
Royal Covent Garden (London: Ridgeway, for M. Kelly, 1806).

The Africans; or, War, Love, and Duty. A Play, in Three Acts. First Perform'd at
the Theatre-Royal, Hay-Market, on July 29, 1808 (London: Longman, Hurst,
Rees & Orme, 1808).

Blue Devils; a Farce, in One Act. By George Colman, the Younger. First Acted at
the Theatre Royal, Covent Garden, on the 24th of April, 1798 (London: Printed by
William Burton for John Cawthorn & James Cawthorn, 1808).

The Forty Thieves: A Grand Romantic Drama, in Two Acts, by Colman and C. W.
Ward, but attributed to Colman and Richard Brinsley Sheridan (New York: David
Longworth, 1808).

The Gay Deceivers, or More Laugh Than Love. A Farce, in Two Acts. By George
Colman, the Younger. First Acted at the Theatre Royal, Hay-market, on the 22nd
of August, 1804 (London: J. Cawthorn & James Cawthorn, 1808).

Poetical Vagaries; Containing an Ode to We, a Hackney'd Critick; Low Ambition,
or the Life and Death of Mr. Daw; A Reckoning with Time; The Lady of the
Wreck, or Castle Blarneygig; Two Parsons, or the Tale of a Shirt (London:
Printed for the Author, 1812).

Vagaries Vindicated or Hypocritick Hypercriticks: A Poem, Address'd to the
Reviewers (London: Printed for Longman, Hurst, Rees, Orme & Brown, 1813).

Eccentricities for Edinburgh, Containing Poems, Entitle'd, A Lamentation to
Scotch Booksellers. Fir; or the Sun-Poker. Mr. Champernoune. The Luminous
Historian; or, Learning in Love. London Ruralty; or, Miss Bunn and Mrs. Bunt
(Edinburgh: Printed by J. Ballantyne and Co. for J. Ballantyne, 1816).

The Gnome-King; or, The Giant-Mountains: a Dramatick Legend, in Two Acts.
First Performed at the Theatre Royal, Covent Garden, on Wednesday, October
6th, 1819 (London: John Miller, 1819).

X. Y. Z. A Farce, in Two Acts (London: for W. Simpkin & R. Marshall, 1820).

The Actor of All Work; or, The First and Second Floor. A Farce. In One Act. With
the Comic Song of The Picture of a London Playhouse, as Introduced by Mr.
Mathews, at the New-York Theatre (New York: E. M. Murden, 1822).

The Law of Java: a Play, in Three Acts; First Perform'd at the Theatre-Royal,
Covent-Garden, Saturday, May 11, 1822. The Overture, and Musick, by Mr.
Bishop (London: Printed for W. Simpkin & R. Marshall, 1822).

Random Records, 2 volumes (London: H. Colburn & R. Bentley, 1830).

Barney Benithine and Billy Bowling--Written by George Colman, for Mr. Harley,
possibly by Colman (London: Clementi, Collard & Collard, n.d.).

The Elder Brother, possibly by Colman (London: Benjamin Steill, n.d.).