Nominations for Volunteer Panelists (2-year term) – United Arts Grants Programs Through Operating Support Grants and Artists in Communities Grants, United Arts supports arts and cultural organizations and individual artists, providing a variety of cultural experiences for residents and visitors in Central Florida. For more information about grants programs: www.UnitedArts.cc/grants, or contact Mary Giraulo at Mary@UnitedArts.cc or 407.790.7844. United Arts seeks community volunteers to participate in grant review panels. Qualified panel members will be: Able to commit to serve a two-year term on one panel for either Operating Support Grants or Artists in Communities (renewable for a second two-year term; ¼ of panelists rotate off each year) Actively engaged in creating, attending, supporting, promoting, or teaching about arts, culture & humanities Knowledgeable about the cultural sector, such as prior board members, arts managers, donors or audience (Operating Support Grants only) Experienced with cultural nonprofit organizations (three years or more), in areas such as management, planning, development/fundraising, finance, marketing & PR, ADA compliance, etc. (Operating Support Grants only) Able to commit significant time in attending cultural events year-round. Each panel will be chaired by a United Arts board member (non-voting, except in case of a tie) and the Operating Support Grants panels will have an advisory member (accountant, CFO, auditor) to review financials. Panelist Responsibilities Confidentiality regarding all application materials, site visits and panel discussions; Review of applications on your own time, coming to panel meeting prepared to discuss and assign scores based on established evaluation criteria; Attendance at the required panel meeting, to finalize scores and determine funding recommendations; and Operating Support Grants only: o Formal site visits to at least 2-3 assigned organizations per year in Sept/Oct, meeting with the organization’s staff or volunteer leadership. A 1-page site visit report form is due a week after the site visit, and you will report (max 2 minutes) at the panel meeting. o Observations of arts events (rehearsal, performance, event or exhibition) for 12-18 organizations yearly – all organizations in the budget category. Tickets are on an as-available basis, requiring sufficient advance notice. Applicant organizations may limit to two per panelist, or redirect to other events when space requires it. o Copy Mary@UnitedArts.cc on all communication with applicant organizations. Program Timelines Operating Support Grants (OS) (3 panels, divided by budget size) December - October Observation of 1+ arts events for each organization in the budget category (on own schedule) This is a significant time commitment and should be noted. Sept/Oct Formal site visit meetings (each panelist will be assigned 2-3 organizations) Sept/Oct Applications review (10-15 hours over 3-4 weeks) Oct / Nov Panel Meeting (1 meeting, 4-5 hours). Max 10 minutes per application; discussion begins with site visit report and financial report. Artists in Communities Grants (AC) (includes visual art, performing arts, literature, and film/digital media. Panels may or may not be divided by genre depending on the number of applications) April Applications review (10-15 hours over 3-4 weeks) May Panel Meeting (1 meeting, 2-3 hours). Conflicts of Interest (within 2 years) Panelists must serve without self-interest, and for the benefit of the entire community. All potential conflicts within the last two years should be explained to United Arts; the committee will evaluate whether a significant conflict is in place that would prevent the panelist from discussing or voting on that application. Undisclosed conflicts of interest are grounds for immediate removal from the panel. A conflict of interest includes but is not limited to: Would receive direct financial benefit from the applicant organization or the project; Serves or has served within the past two years as an employee, volunteer or governing board member of the applicant organization; or as a consultant, assistant, or advisor to the applicant organization, with or without payment; Has a familial relationship with the applicant or a staff member, volunteer or governing board member of the applicant organization; Has applied but not been selected for an RFP or other opportunity within the last two years; or Has a real or perceived bias regarding the applicant or its work that would make it difficult or impossible to render a fair assessment and/or funding decision; particularly if prior actions or statements have indicated bias. Nominees with conflicts regarding one applicant may be eligible for a panel that does not judge that applicant or its peers (such as a different budget category in Operating Support Grants, or a different arts genre in Artists in Communities Grants). Nominations by Grant Applicants: Grant applicants may nominate potential panelists or may forward this form to qualified individuals. Staff or board members of arts groups are encouraged to apply; nominees will be selected for a panel where they have no conflicts. To nominate, email Mary@UnitedArts.cc with the nominee’s name, phone, and email, which type of panel (organizations or artists), and your reasons for nominating him/her. SELF-NOMINATION FORM – VOLUNTEER PANELISTS United Arts Grants Programs Send the completed form with a bio and/or resumé to Mary@UnitedArts.cc or fax 407.628.9110, attention Mary Giraulo. Panelists will be selected based on applications and availability. Applications are accepted year-round but panel slots will become available on an unpredictable schedule; UA maintains a list of nominees. Nominee Contact Information – Title and email will be made available to applicants if selected for OS panels. Name: Title (if any): Employer: County of Residence: Email: Phone: Address: Interest in Grant Panel(s) Operating Support – small budget (under $250K) Operating Support – midsize budget ($250K-$749K) Operating Support – large budget ($750K+) Artists in Communities References (optional) - Persons well known in the arts community are the best references. Name: Name: Phone or Email: Phone or Email: List of qualifications Arts Discipline(s) – as practitioner, educator, administrator, volunteer, board member or patron: Arts Education Media/Film Theater Dance Multidisciplinary Arts Traditional/Folk Art Design/Tech Museums Visual Arts Literary Arts Music Other: Management Development/Fundraising Other: Planning Finance Other: Marketing & PR ADA Compliance Other: Nonprofit expertise: Other: Familiarity with local cultural community (Lake, Orange, Osceola, Seminole counties) Sensitivity in making constructive critical judgments Time and willingness to commit to a two-year term, including application review (in advance of panel meeting), and panel meeting If applying for Operating Support Panels, significant time available to attend arts events and exhibitions yearround (for 12-18 organizations depending on panel, for operating support grants only), and time available in Sept/Oct to perform formal site visits of 2-3 assigned organizations Explanation of qualifications – Please explain how your knowledge, skills and experience, in the areas indicated above, qualify you for this position. If you have a main area or area(s) of expertise, please explain. You can attach extra pages if necessary, and must attach a bio and/or resumé. Prior Panel Service – List any past experience as a panelist or juror, including the location/organization. Demographics (optional) Please check your gender: Male Female What is your race or ethnicity? (mark more than one if applicable) American Indian/Alaska Native Asian Black/African American Please check your age range: 18-34 Hispanic/Latino Native Hawaiian/Other Pacific Islander 35-44 45-54 White Multi-Racial (no single race applies) 55-64 65+ Conflicts of Interest (in last 2 years) - Operating Support Grants panels only; Artists in Communities Grants panelists will indicate conflicts after grant applications have been received. See the list of organizations on the next page, and the definition of conflict of interest in this document, and explain any perceived conflicts of interest here (attach extra pages if necessary): Conflict Familiar This chart also asks you to identify which cultural groups you are familiar with. We are looking for panelists with a wide range of interest and who frequently attend events. Organization Art & History Museums, Maitland Association to Preserve the Eatonville Community Zora! Festival and The Hurston Museum Bach Festival Society Crealdé School of Art (including Hannibal Square Heritage Center) Downtown Arts District / CityArts Factory Enzian Theater & the Florida Film Festival Garden Theatre Mad Cow Theatre Orange County Regional History Center Orlando Ballet Orlando Museum of Art Orlando Philharmonic Orchestra Orlando Repertory Theatre Orlando Science Center Orlando Shakespeare Theater Category Large Budget Category Large Budget Category Albin Polasek Museum and Sculpture Gardens Bay Street Players The Center for Contemporary Dance Central Florida Ballet Central Florida Community Arts Holocaust Memorial Resource and Education Center of Central Florida Mennello Museum of American Art MicheLee Puppets Mount Dora Center for the Arts Orlando Fringe Osceola County Historical Society The Winter Park Playhouse Midsize Budget Category Midsize Budget Category Midsize Budget Category Midsize Budget Category Midsize Budget Category Midsize Budget Category Asian Cultural Association of Central Florida Creative Sanford Florida Opera Theatre Florida Symphony Youth Orchestra Florida Young Artists Orchestra Global Peace Film Festival HAPCO Music Foundation Lake Eustis Museum of Art Leesburg Center for the Arts Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Large Budget Category Midsize Budget Category Midsize Budget Category Midsize Budget Category Midsize Budget Category Midsize Budget Category Midsize Budget Category Melon Patch Players Messiah Choral Society Orlando Gay Chorus Performing Arts of Maitland Pinocchio’s Marionette Theater Steinway Society of Central Florida Urban Think Foundation Winter Garden Heritage Foundation Winter Park Historical Association Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Small Budget Category Other – please specify: Other organizations may apply for this grant – lists updated annually in September. Other – please specify: Other – please specify: