2015 Bay View Doublings
Conventions are the same as in Carl’s Performance Notes, with the addition that “double” means
only the bottom note, unless otherwise indicated.
Allegro Grandioso:
mm 1-39: double
m 40: as written
mm 41-49.2: double
mm 49.3-57: as written
mm 58-end: double
mm 72-77: add whole or half note G3’s
mm 86-93: ring as suggested by the footnote (omit whole notes and double melody down one
octave (so beginning C3+C4, etc))
St. Louis Blues:
mm 1-30: as written
mm 31-end: double
Centennary:
mm 1-8: double half notes and dotted half notes. GAB3 ringers work with your friends at CD4 to
avoid nasty, unmusical weaving. (Beautiful, musical weaving is still ok.)
mm 9-10.2: as written
mm 10.3-14.2: double (note that m 13 the dotted half is the bottom note for the entire measure, so
do not double the run) (Speaking of the run in m 13, F3 ringers will have spare G3’s, so GAB
ringers can worry about only the AB.)
mm 14.3-30: as written
mm 31-34: double
mm 35-36: as written
mm 37-38: double beats 2
mm 39-45: as written
mm 46-53: double half notes and dotted half notes
mm 54-55.2: as written
mm 55.3-59.2: double
mm 59.3-61: as written
mm 62-73: double dotted halves
mm 74-82: as written
mm 83-85: double (double only the whole note in m 85)
mm 86-90.1: as written
mm 90.2-94: double anything longer than an eighth note
mm 95-99: as written
mm 100-107: double halves and dotted halves
mm 108-109.2: as written
mm 109.3-113.2: double (again in m 112, not the run)
mm 113.3-121.2: as written
mm 121.3-122: double
mm 123-131: double bottom two notes
mm 132-133: double (bottom note only)
mm 134-135: double bottom two notes
mm 136-139: as written
mm 140-142: double bottom two notes
mm 143-145: as written (hold LV from m 142 as appropriate)
m 146: double and hold LV through m151 as noted
mm 152-159: double dotted halves
mm 160-163: as written
mm 164-165: double
mm 166-end: as written
Maple Leaf Rag:
mm 0.4-3.2: as written
mm 3.2&-4.2: double
mm 4.3-4.4: as written
mm 5-23: double on repeat only
mm 24-25: as written
mm 26-27: double
mm 28-29: as written
mm 30-31: double
mm 32: as written
mm 33-37: double
mm 38-41: as written
mm 42-44.3: double
mm 44.4-50: as written
mm 51-54: double
mm 55-end: double on repeat only
Canticle of Peace:
mm 1-16: double first note of each LV, or notes longer than eighth notes when they appear.
m 16.3: note the “R” terminating the LV ‘way up there by the treble clef.
mm 17-32: as written
mm 33-36: double
mm 37-40: as written
mm 41-42: double
mm 43-47.2: as written
mm 47.3-62: double
mm 63-64.3: as written
mm 64.4-74.2: double
mm 74.3-74.4: as written
mm 75-90: double on repeat only
mm 91-end: double first note of each LV, or notes longer than eighth notes
Just As I Am:
mm 1-8: as written
mm 9-32: double bottom note and add the fifth above it (in many cases this is the same as doubling
the bottom two notes)
mm 33-40.2: as written
mm 40.3-50: double (bottom note only)
mm 51-58: as written
mm 59-76: double (bottom note only)
mm 77-80: as written
mm 81-95: double bottom note and add the fifth above it.
mm 85-86: add only Bb2 quarter notes
m 96: add Bb2 quarters
m 97: add Bb2, Eb3 quarters
m 98: add Bb2 quarters
m 99: add Eb2, Bb2, G3
Rondo Alla Turca:
Throughout: add 8vb’s and similar notations when they are there
As written, plus:
m 25: add A1
m 95: add A1
mm 131-end: add A1’s and E2’s (not on m135.3, though)
Washington Post:
mm 1-8: as written
mm 9-25: double on repeat only
mm 26-39: as written
mm 40-41: double
mm 42-55: as written
mm 56-57: double
mm 58-62: as written
mm 63-72.1: double
mm 72.1a-73: as written
mm 74-88.1: double
mm 88.1a-93: as written
mm 94-96: double downstems
mm 97-105: as written
mm 106-112.1: double
mm 112.1a-117: as written
mm 118-120: double downstems
m 121: as written
mm 122-end: double
Fantasy on Southern Folk Hymns:
mm 1-31: as written
mm 32-43: double
mm 44-55: as written
mm 56-63: double first note of each LV
mm 64-67: as written
mm 68-70: double first note of each LV
mm 71-83: double
mm 84-96: as written
mm 97-102: double first note of each measure
m 103: double beat 2 and 2&
mm 104-108: double bottom two notes
mm 109-122: double downstems
mm 123-136: double first note of each LV (m 132, double normally)
mm 137-154: as written
(m 143: add D2 on fermata)
mm 155-168: double
mm 169-172.2: as written
m 172.3: add G1, G2, D3
Brazil:
mm 1-2: double
mm 3-8: as written
mm 9-19.3: double (recommend D3 mallet instead of mart)
mm 19.4-20: double D3 as quarter and A3 as dotted-half
mm 21-43.1: as written
mm 43.2-end : double (mm 57-61, 73-85: double whole notes only)
Pax,:
mm 1-14: as written
mm 15-54: double first note of each LV
mm 55-70: as written
mm 71-78: double
mm 79-86: as written
mm 87-102: double first note of each LV
mm 103-end: double
Veni Veni Emmanuel:
Throughout: augment low chimes with same-note bell (eg m 1, 4, 15) unless Fred overrides
mm 1-46: as written
m 11: add Ab1, Eb2
mm 47-58: double (malleted 16ths at mm=80 should be do-able)
mm 59-73: as written
mm 74-77.2: double
mm 77.3-86: as written
mm 87: add Bb1, F2 bells (no F2 chime, sorry)
Enhebrado:
mm 1-24: as written
mm 25-40: double downstems
mm 41-64: as written
mm 65-72: double downstems
mm 73-148: as written
mm 149-150: double, just because we can
mm 151-178: as written
mm 179-180: double