Alexis Hunter CV
2010
me maskulin, ArtsBar, London, England
This Could Happen To You, Ikon Gallery, Birmingham, England
2009
We Passed By, multimedia installation, Le Petite Ferme, Pas de
Calais, France
Radio interview National News New Zealand on the Anti-Nuclear
Mural in Auckland 2009
2008
Alexis Hunter, OPEN SPACE, Cologne Art Fair, Germany, with Karma
International Zurich
No Such Thing As Society, Arts Council Collection, Hayward
travelling, England, Wales and Poland
We Are Unsuitable For Framing, The National Gallery of New Zealand
Te Papa Tongarewa, Wellington, New Zealand
Talk given during the Aggression exhibition curated by Marlina
Sevova, Winterthur Museum 2008
2007
Alexis Hunter / Radical Feminism part One, Whitespace, New Zealand
WACK! Art and The Feminist Revolution, Museum of Modern Art, Los
Angeles and travelling, New York, USA and Canada.
Alexis Hunter/Radykalny feminizm w latach 70, Galeria Sztuki
Wspolczesnej Bunkier Sztuki, Kracow, Poland
work[w3:k], Galerie im Taxipalais, Innsbruk, Austria
Interviewed on National Radio New Zealand on The Feminist Art
Movement
During WACK! Art and the Feminist Revolution at the Museum of
Modern Art in Los Angeles held talk in gallery and interviewed on NSB
TV by Cary Berglund
Symposium during the Norwich show Alexis Hunter/Radical Feminism
of the 1970s
Public talk God the Father, the Bunkier Sztuki Galleries in Cracow,
Poland
Interviewed on Kracow Radio by 'The Bat'
Cracow TV News interview on the Object series
2006
Alexis Hunter/Radical Feminism, Norwich Gallery, Norwich, England
2005
Video interview with Darcy Lange shown on National TV New Zealand
2000
Live in Your Head: Concept and Experiment in Britain 1965-1975,
Whitechapel Gallery, London, and Museu Do Chiado, National
Museum of Modern Art of Portugal
Alexis Hunter/Interface Illusions, New Hall, Cambridge University,
England
Alexis Hunter/Introduction to Feminist Photographs, Gerry's Private
Members Club, London
1998
From the Interior, reviewed on BBC World Service, CNE Television,
and Southern Television, January
Public Lecture given at Aberystwyth Art Centre, Wales
Interview with Mark Amery on own work March 1998, National Radio,
New Zealand
Public Lecture Salon New work in Collections, Arts Station, Auckland,
New Zealand
Talk given at the Eastern Polytechnic Symposium, Napier New
Zealand
1997
The Impossible Document: Photography and Conceptual Art in Britain
1966-1976, Cameraworks Gallery, London, England
1996
Um Kunstlicht, Photography in the 20th Century, Donnesberg,
Kunsthaus, Zurich, Switzerland
Lecture Artists On the Internet at Artists Association in Auckland
Interview on own work with Elizabeth Alley, National Radio New
Zealand
1994
BBC Radio 4 interview, Kaleidoscope feature, Salome's Dance
Public lecture Cultural Difference at the Women's Cultural Centre,
Sharjah
Lectured in the United Arab Emirates - the American School,
Women's Technological College and the Women's College of
Technology in Ras Al Khaimah
1993
Alter/Image, Feminism and Representation in New Zealand Art 19731993, Wellington City Gallery, New Zealand
Lectures held at the Auckland Society of Arts, Victoria University and
the Elam School of Fine Arts, New Zealand
Edited experimental Super 8 films with Vivianne Smith Anatomy of a
Friendship 1973, Approaches to Fear 1978 and Domestic Warfare
1979, for presentation to the New Zealand National Film Archive
Director of The Artists’ Forum presenting illustrated lectures before a
public debate on the relationship between art, sexuality and money at
the London School of Economics and Political Science
1992
20th Century Women's Art, New Hall, Cambridge University, England
Public lecture On Painting and Printmaking, The London Print
Workshop
1990
Identity and Desire: Representing the Body, University of Strathclyde,
Glasgow, Scotland
Interviewed London and Auckland for the film by Shirley Horrocks
Pleasures and Dangers (Camera: Leon Narbey) for the New Zealand
Film Commission
For Birkbeck College, University of London, directed course Artists
Talking
Lectured at Darlington, St Albans and Kingston Colleges of Art
1989
Alexis Hunter/Fears/Dreams/Desires: A Survey Exhibition 1976-1988,
Auckland City Art Gallery, New Zealand
Lectured on own work at Auckland City Art Gallery
Joan Miro: Paintings and Drawings 1929-41, public lecture at the
Whitechapel Gallery, London
The Horizon: Reality or Metaphor? Lecture delivered at the
Association of Art Historians Fifteenth Annual Conference at the Tate
Gallery, London
1987
Lectured on own work at Auckland City Art Gallery
1986
Hand Signals, Ikon Gallery, Birmingham, England and travelling
Why Paint? Public lecture at Institute of Contemporary Arts, London
1985
Contemporary Acquisitions, The Imperial War Museum, London,
England
Alexis Hunter/Conflicts of the Psyche, Chapter Arts Centre, Cardiff,
Wales
Interviewed in Sexuality, Image and Identity in the Channel 4
television series The State of the Art
Appeared in Gervaise Soeurouge's video Studio 5 which
accompanied the exhibition Passion and Power in New York
Talk on narrative sequences at the National Art Gallery, New Zealand
Spoke at Outreach, Auckland
Women and Art, public lecture at Mary Ward Centre, London
1984
Appeared in film Lives of Artists by Monica Morawietz, Sue Aron and
Rowena Rowling
Young Contemporaries Conference, Institute of Contemporary Arts,
London
Lectured at the Women and the Arts Conference, Third Eye Centre,
Glasgow
Contributed to Liverpool Artists' Workshop Lecture Programme
1983
Extended Media, Sheffield Polytechnic, England
Lecture on feminist art at the Women in Literature Festival,
Polytechnic of North London
Spoke at A.I.R. Gallery, (the New York Women Artist's collective) on
British Feminist Art
1982
Photo(Graphic) Vision, The Winchester Gallery, England
Alexis Hunter/Sequential Xerox Work, RKS Art, Auckland, New
Zealand
Greater London Arts Council Acquisitions, Kingston Museum and Art
Gallery Surrey, England
4th Biennial of Sydney: Vision in Disbelief, Art Gallery of New South
Wales, Sydney, Australia
Arteder 82, Feria Internacional de Muestras de Bilbao, Portugal
Sense and Sensibility in Feminist Art Practice, The Midland Group,
Nottingham, England
Alexis Hunter/Photographic Narrative Sequences, Brooker Gallery,
Wellington, New Zealand
Contributed to Post Modernism forum at the Institute of Contemporary
Arts, London
1981
Summer Exhibition, Serpentine Gallery, London, England
Alexis Hunter/Sequential Xerox Work, Edward Totah Gallery, London,
England
Hommage aux Artistes Inconnues, Paris, France
Bodies of Artists, Skibsby Artcenter, Hjorring, Sweden
Experimental public workshop with the Liverpool poet Adrian Henri at
the Serpentine Gallery, London
1980
Alexis Hunter/Sequential Xerox Work, New 57 Gallery, Edinburgh,
Scotland
A Woman's View, Edward Totah Gallery, London
Issue: Social Strategies by Women Artists, Institute of Contemporary
Arts, London Works on Paper, Art for Industry, Lloyds Bank, London
1979
Alexis Hunter/Approaches to Fear, Bristol Arts Laboratory, Bristol,
England
Artery Magazine 10th Anniversary Exhibition, Wildcat Theatre,
Edinburgh, Scotland Camden Artists Group, Camden Arts Centre,
London, England
Un Certain Art, Musee d'Art Moderne de la Ville de Paris, France
JP2, Palais des Beaux Arts, Brussels, Belgium
Both Sides Now, Artemisia Gallery, Chicago, USA
Artists of the British Left, Artists' Space, New York, USA
Three Perspectives on Photography, Hayward Gallery, London,
England
Women in Media and Communication, public lecture at London
College of Printing
Body Politic at the Hayward Gallery, London
FILM: The Making of Domestic Warfare 1979, Super 8 film. Camera:
Nina Kellgren
1978
Hayward Annual, Hayward Gallery, London, England
Arts for Society, Whitechapel Gallery, London England and Belfast,
Northern Ireland
Alexis Hunter/Feminist Perceptions, Institute of Contemporary Arts,
London, England
Interviewed on video by James Scott and Nina Kellgren, shown at the
Institute of Contemporary Arts, London
Photography as an Art Form public lecture given at the Institute of
Contemporary Arts and at the Hayward Gallery
FILM: Domestic Warfare London 1978. 160 still frame sequence in 35
mm slides, shown at Three Perspectives on Photography 1979,
Hayward Gallery, London and as a PowerPoint display in 2008-9 at
the exhibition No Such Thing As Society Hayward Gallery travelling
UK and Majewska Castle, Warsaw
1977
Whitechapel Open, Whitechapel Gallery, London, England
Alexis Hunter/Towards a Feminist Perception, Woman's Free Arts
Alliance, London, England
Female Imagery in Women's Art Practice, public lecture at Air Gallery,
London and SoHo Gallery, New York
1976
FILM: Approaches to Fear, London 1976-7. 10 minutes on loop.
Edited in 1990 Viviane Green in NZ and then again in 2007 at Norwich
University by Dan Tombs with the artist, and sound track added:1973
Planet Waves by Brian Eno.
1975
Sexuality and Socialisation, Northern Arts Gallery, Newcastle-uponTyne, England
Three Artists, New Zealand House, London, England
Junge Britische Grafik, Hamburg, Germany
British Realists, Ikon Gallery, Birmingham, England
1974
FILM: The March London 1974, Super 8 film, clips taken of an antiabortion law March in central London
1973
The Artist's Union Women's Workshop Manifesto, Almost Free
Theatre, London, England
FILM: The Anatomy of a Friendship, London 1973, Super 8 film, about
20 minutes, with the writer Louise Rennison
FILM: The Park London 1973-4 super 8 film, about 20 minutes, with
the writer Louise Rennison
Alexis Hunter has work in the following collections:
Arts Council of Great Britain
Otago University, New Zealand
Scottish National Gallery of Modern Art, Edinburgh
Other work
Alexis Hunter worked as a colour animator on Spania Oranges (Dragon Animation),
The Flora Ads (Richard Williams) The Snowman (TVC) Prince Cinders and many
others when she was a member of the Cinematographers Union