痦♫ⴔ⠔崨⠛♸㴬」 SESSION 7_TRANSLATION AND CHANGE 32 7 14 : 00 - 14 : 15 14 : 15 - 15 : 00 霪傞媯ゎ〄鎊ㄤ 雭雿⟄♴涻ず INCLUDING DISCUSSIONS, THE SAME BELOW 15 : 00 - 15 : 45 15 : 45 - 16 : 00 16 : 00 - 16 : 45 16 : 45 - 17 : 30 17 : 30 - 18 : 15 劥絆⚺䌏 / Chairs RAY, Sugata University of California, Berkeley, USA 繠㕂 ⸈䊜㣐㷖⠭⯘ⵄⴔ吥 龨䀵 / ZHENG Yan Central Academy of Fine Arts, Beijing, China ⻌❩ ⚥㣛繠助㷖ꤎ 剎䎧渠 / TSENG Chinyin ꫬ䎃⚺䌏 / JUNIOR CHAIR Peking University, Beijing, China ⻌❩ ⻌❩㣐㷖 ⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗 SCHEDULE FOR 21 SESSIONS OF CIHA 2016 9 剢 17 傈ワⰙ September 17, Saturday 9 : 00 - 9 : 45 9 : 45 - 10 : 30 10 : 30 - 11 : 15 11 : 15 - 11 : 30 ⻌❩㣐㷖椚猰 5 〿嚁 201 Room 201, Natural Sciences Bldg. No. 5, PKU 11 : 30 - 12 : 15 9 剢 16 傈ワ❀ September 16, Friday 12 : 15 - 13 : 00 劥絆➝絏 _ INTRODUCTION BY CHAIRS 翇䎓㡫 / GENG Youzhuang_Session Keynote_ ⴔ⠔⚺곿〄鎊 桬桪Ⱶ / WANG Yudong_Coming to Terms with Rilievo 蘡姅 _TEA BREAK KONDO, Takako_Question of Transparency: Whereabouts of Translational Dissonances in World Art History_ 餘霧鷳僈䚍 : ⚆歲蒌助〷⚥涸䔲➿傈劥蒌助 NOTH, Juliane_Positioning Chinese Painting in the 1930s: Translation and Revision in National Painting Monthly 鿓❭ / GUO Liang_The Landscape of Chorography and Boundaries' Ceremony: Genre Scene Describing of Late Ming Dynasty in European Jesuits' Cartography_ 㽯晧굥兞♸毐㚖⟉䒭 妍崍羴玽⠔㖑㕃蒌助䲽絚涸儻僈굥⤺㖞兞 33 13 : 00 - 14 : 00 ♨ꨍ / DING Yu_Mosaic and Display: Chinese Ceramic in East African Coast_ Ꞿ䅺♸꣥ 崯區⚎ꬋ屠嵳爢⠔⚥涸⚥㕂櫘㐼 WANG Ching-ling_Iconographic Turn: On Chinese Buddhist and Daoist Iconography in the Diez Albums HOPKINS, Claudia_Dreams and Realities of Cultural Translation: The Islamic World in Spanish Art in the 19th and Early 20th Century_ 俒⻊缺霖涸唀䟝♸梡㹊19 ⚆紬ㄤ 20 ⚆紬 傍劍銯棴暅蒌助⚥涸⟻倛Ⱎ⚆歲 蘡姅 _TEA BREAK MUKHERJEE, Sraman_Lives in Transition: Locating Buddhist Relics in the Worlds of Scholarship, Antiquarian Market, Diplomacy, and Religion WEINRYB, Ittai_The Cross Cultural and the Problem of the Everyday: The Case of TwelfthCentury Europe ⼯귬 _LUNCH 14 : 00 - 14 : 45 FORDHAM, Douglas_British Orientalism and the Reproductive Print 14 : 45 - 15 : 30 SZIR, Sandra_ Periodical Routes: Displacements and Appropriations in the Illustrated Press in Nineteenth-Century Buenos Aires _ 劍ⴚ騟絁⼧⛰⚆紬䋒㹆霿倛蒔ⵄ倛涸歘䫣⚥ 涸縨䰃♸䮱欽 15 : 30 - 16 : 15 16 : 15 - 17 : 00 17 : 00 - 18 : 15 MIRJAM, Brusius_"Without any aid whatever from the artist's pencil" ? Persian Photography at the Crossroad between Europe and China BAADER, Hannah_Session Respondent_ ⴔ⠔霉雳➃ 䚪絕䫣デ _CONCLUSION & 荈歋㸝䱗 _FREE ARRANGEMENT