32 33 痦 崨 㴬」 SESSION 7_TRANSLATION AND CHANGE

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痦♫ⴔ⠔崨⠛♸㴬」
SESSION 7_TRANSLATION AND CHANGE
32
7
14 : 00 - 14 : 15
14 : 15 - 15 : 00
霪傞媯ゎ〄鎊ㄤ
雭雿⟄♴涻ず
INCLUDING
DISCUSSIONS,
THE SAME BELOW
15 : 00 - 15 : 45
15 : 45 - 16 : 00
16 : 00 - 16 : 45
16 : 45 - 17 : 30
17 : 30 - 18 : 15
劥絆⚺䌏 / Chairs
RAY, Sugata
University of California, Berkeley, USA
繠㕂 ⸈䊜㣐㷖⠭⯘ⵄⴔ吥
龨䀵 / ZHENG Yan
Central Academy of Fine Arts, Beijing, China
⻌❩ ⚥㣛繠助㷖ꤎ
剎䎧渠 / TSENG Chinyin ꫬ䎃⚺䌏 / JUNIOR CHAIR
Peking University, Beijing, China
⻌❩ ⻌❩㣐㷖
⚆歲蒌助〷㣐⠔ⴔ⠔㖞㸝䱗
SCHEDULE FOR 21 SESSIONS OF CIHA 2016
9 剢 17 傈ワⰙ
September 17, Saturday
9 : 00 - 9 : 45
9 : 45 - 10 : 30
10 : 30 - 11 : 15
11 : 15 - 11 : 30
⻌❩㣐㷖椚猰 5 〿嚁 201
Room 201, Natural Sciences Bldg. No. 5, PKU
11 : 30 - 12 : 15
9 剢 16 傈ワ❀
September 16, Friday
12 : 15 - 13 : 00
劥絆➝絏 _ INTRODUCTION BY CHAIRS
翇䎓㡫 / GENG Youzhuang_Session Keynote_ ⴔ⠔⚺곿〄鎊
桬桪Ⱶ / WANG Yudong_Coming to Terms with Rilievo
蘡姅 _TEA BREAK
KONDO, Takako_Question of Transparency: Whereabouts of Translational Dissonances in
World Art History_ 餘霧鷳僈䚍 : ⚆歲蒌助〷⚥涸䔲➿傈劥蒌助
NOTH, Juliane_Positioning Chinese Painting in the 1930s: Translation and Revision in
National Painting Monthly
鿓❭ / GUO Liang_The Landscape of Chorography and Boundaries' Ceremony: Genre Scene
Describing of Late Ming Dynasty in European Jesuits' Cartography_ 㽯晧굥兞♸毐㚖⟉䒭
 妍崍羴玽⠔㖑㕃蒌助䲽絚涸儻僈굥⤺㖞兞
33
13 : 00 - 14 : 00
♨ꨍ / DING Yu_Mosaic and Display: Chinese Ceramic in East African Coast_ Ꞿ䅺♸꣥⴩
崯區⚎ꬋ屠嵳爢⠔⚥涸⚥㕂櫘㐼
WANG Ching-ling_Iconographic Turn: On Chinese Buddhist and Daoist Iconography in the
Diez Albums
HOPKINS, Claudia_Dreams and Realities of Cultural Translation: The Islamic World in Spanish
Art in the 19th and Early 20th Century_ 俒⻊缺霖涸唀䟝♸梡㹊19 ⚆紬ㄤ 20 ⚆紬
傍劍銯棴暅蒌助⚥涸⟻倛Ⱎ⚆歲
蘡姅 _TEA BREAK
MUKHERJEE, Sraman_Lives in Transition: Locating Buddhist Relics in the Worlds of
Scholarship, Antiquarian Market, Diplomacy, and Religion
WEINRYB, Ittai_The Cross Cultural and the Problem of the Everyday: The Case of TwelfthCentury Europe
⼯귬 _LUNCH
14 : 00 - 14 : 45
FORDHAM, Douglas_British Orientalism and the Reproductive Print
14 : 45 - 15 : 30
SZIR, Sandra_ Periodical Routes: Displacements and Appropriations in the Illustrated Press in
Nineteenth-Century Buenos Aires _ 劍ⴚ騟絁⼧⛰⚆紬䋒㹆霿倛蒔ⵄ倛涸歘䫣⚥
涸縨䰃♸䮱欽
15 : 30 - 16 : 15
16 : 15 - 17 : 00
17 : 00 - 18 : 15
MIRJAM, Brusius_"Without any aid whatever from the artist's pencil" ? Persian Photography
at the Crossroad between Europe and China
BAADER, Hannah_Session Respondent_ ⴔ⠔霉雳➃
䚪絕䫣デ _CONCLUSION & 荈歋㸝䱗 _FREE ARRANGEMENT
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