The Silk Trade: Chinese Silks and the British East India Company Author(s): Leanna Lee-Whitman Reviewed work(s): Source: Winterthur Portfolio, Vol. 17, No. 1 (Spring, 1982), pp. 21-41 Published by: The University of Chicago Press on behalf of the Henry Francis du Pont Winterthur Museum, Inc. Stable URL: http://www.jstor.org/stable/1180762 . Accessed: 31/08/2012 07:06 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. . The University of Chicago Press and Henry Francis du Pont Winterthur Museum, Inc. are collaborating with JSTOR to digitize, preserve and extend access to Winterthur Portfolio. http://www.jstor.org The Silk Trade Chinese Silks and the BritishEast India Company Leanna Lee-Whitman AT THE OPENING of the seventeenth though confinedto the port citiesof London and century,Queen ElizabethI, in an effortto promoteBritishinterestsin the Far East, chartered the British East India Company and granted it a monopoly of trade in the East. The charter was broad, granting powers to cover all circumstances-companyships, for instance,were empowered to make war on any who refused to trade(as long as theywere non-Christians)-nevertheless, initial effortsto trade directlywith the Chinese in 1607 were frustratedbywhatwere even then considered sharp business practices. In theinfancy of theirtradewithChina,whichwas atFirandoand Tywan,theyexperiboth from tempted oftheDutchwhonotonly encedthedetermined hostility but opposed themby open meannessof competition, stirredup thehatredof theChineseagainsttheBritish Ento be English,and carrying subjects, bypretending and capturingthe glishcolours,and as such,attacking ChinesetradingJunks.' Once begun, however,trade betweenGreat Britain and China remained direct and voluminous, alLeanna Lee-Whitman is in the Ph.D. program in the Departmentof AmericanCivilizationat Universityof Pennsylvania and is a curatorialassistantat INA Corporation Museum, Philadelphia. The author extends special thanks to Schuyler van Rensselaer Cammann, professorof Oriental studies, Universityof Pennsylvania,whose tutorial guidance has immeasurablyenmaterialin the richedthisstudy.Unpublished Crown-Copyright India OfficeRecords reproduced in thisarticleappears by permissionof the Controllerof Her Majesty'sStationeryOffice. 1IntercoursewithChina, Memoirsof Chairmanand Deputy Chairman, 1518-1832 (notationprobablynineteenthcentury), vol. 277A. Gf12 FactoryRecords, China Materials,India Office Records (hereaftercited as IOR) of the India Office Library and Records. I would like to thank A. J. Farrington,assistant keeper,India OfficeLibraryand Records, forhis help withthe China trade records. Hosea Ballou Morse, The Chronicles ofthe EastIndia CompanyTradingtoChina,1635-1824, 5 vols. (Oxford: Clarendon Press, 1926-29), 1:1o. Hirado (Firando) is an island and port of Japan a shortdistance northwestfromNagasaki. ? 1982 byThe HenryFrancisdu Pont WinterthurMuseum. All rightsreserved. oo84-0416/82/1701-0002$02.00. Canton, throughoutthe eighteenthcentury.2One of the mostimportantcommoditiesimportedfrom China throughoutthat period was tea. The other was silk. The entireBritishand Chinese silk trade must be interpretedas a reexport marketthat was designedto protectBritishmanufacturers.According to Britishnavigationlaws and prohibitionacts, all silkpiece goods deliveredto London fromEastern ports(includingCanton) were to be distributedand sold for reexport to continentalEuropean cities, the West Indies, the English colonies in North America,and so forth.(Nevertheless,as the presence of quantities of eighteenth-century Chinese silks in Britain's great houses attests,a prolific smugglingtradearose in defianceof thetradeacts.) Arthistoriansinterestedin thisperiod have always expected to finda large amount of eighteenth-century Chinese silks in America. Heretofore they have also had to accept the problem that without guidelinesprovided by woven or painted patterns, the physicalcharacteristicsof plain silks made in Europe, India, and China are far too similarand interchangeableto make any kind of sure identification. Although providing more visual evidence for study,even patternedsilkshave remainedproblematic. Evidence abounds to demonstratecross-fertilizationof stylesand adaptationsof motifsbyEasterners and Westernersalike. Chinoiserie,Western adaptationsof Chinese designs,remained popular in Europe throughoutthe entiresecond halfof the eighteenthcentury.Conversely,many European patternbooks containingswatchesof silk designs 2 Schuylervan RensselaerCammann,"America'sTrade with Canton, 1784-1844," in Chinaand theWest,Cultureand Commerce (Los Angeles: WilliamAndrewsClark MemorialLibrary,1977)The insightsand the bibliographyprovide an extraordinarily valuable interpretationof the China trade. Winterthur Portfolio 22 were sent to the East for Eastern artisansto copy. In consequence, curators have generally had to base their categorizationof ornamented silks as eitherEuropean or Eastern by comparingstylized renditionsof patternswithsilksof a knownprovenance. The silktrade fromChina fellunder the direct supervisionof supercargoes.These shipboardbusiness agents,who were representativesof merchants and cosigners,sailed on BritishEast India Company's tradingvessels to oversee all the mechanics of trade, to effectthe sale of the outward-bound cargoes, and to investthe returnproceeds in tea, silk,and other articles.Their weightyresponsibilities included negotiatingboth company and private orderswithforeignmerchants,payingforeign dutyfees,and bribingvariousofficials.Forthecompany these supercargoes kept writtenrecords of theirgeneral observationsaboard ship and in port and wrote contractswith the Chinese silk merchants. The supercargoes'noteson silksprovidecritical documentationbecause they both offer concrete data toward the identificationof China trade silks and give a wealth of informationrelating to the trade. In thisarticle,supercargoes'recordsare used for several purposes: (1) to derive identifyingcriteria for eighteenth-century export Chinese silks, the typesof silksimported (2) to attemptto identify fromChina by BritishEast India Company in this period, and (3) to discuss informationprovided in the records that relates to cultural aspects of the silk trade. BritishEast India Company's Supercargoes' Records The records of the trade between London and Canton are housed at India Office Library and Records, Foreign and Commonwealth Office, in London and are divided into two sections: China Supercargoes' Diaries, 1721-51; Canton Consultations, etc., 1751-1843.3 From 1721 to 1834 each trading ship leaving London (and returningapproximatelyfourteen months later) was assigned one or more companysupercargoes.In 1751 a factory (a workingarea and residence for "factors," 3 The China materialsfillvolumes21 through277A. For this study,I made extensiveuse of the informationin volumes 21 through 57 which individuallycover thirty-two voyages that departed England between 1721 and 1753. Since the voyages overlapped each other I cite the volume number rather than the date. or agents)was establishedin Canton,whichchanged the method of keeping records. BritishEast India Company's trade monopolywas dissolvedin 1834, afterwhichno supercargodiaries exist,but certain transactionscontinued until 1843. Supercargoes' entriesvarygreatlyand are entirelydependent on the meticulousnessof the individual writer.Therefore, the informationavailable fromthese records fluctuates.As the writers had their own individual stylesand formsof nononstandardizatation,typicaleighteenth-century tions are frequent,differentspellings and grammaticalusages being the mostprevalentexamples. The occasional anomaly in the specificationsand undecipherableor idiosyncraticmarkingswere deleted in compilingthisstudy. The ten years in which specificationswere detailed formthe nucleus of documentaryevidence of the silks imported by the Britishfrom China duringthe eighteenthcentury.From 1727 to 1735 and again from 1751 to 1753, supercargoespainswidth, takinglyrecorded the specifications-length, thread,weight,color,and numberof pieceswantedof each typeof fabric.Whiletheamountof Chinese silks ordered through the company and presumably brought back to London between 1721 and 1753 totaled well over 6o,ooo pieces, in the years priorto 1727 supercargoesrecordedonlythenumber of each color desired for various typesof fabrics. For 1736 to 1750 we have only a few entries, totaling 330 pieces, because most supercargoes' diaries are missing.4The measurementsin the extant records fromthis middle period remain constantwiththose fromprevious years and those in the followingyears,whichconfirmsthe consistent measurementsset down in the ten yearsforwhich we have complete records and detailed specifications.The records thatcontainthe silkentriesfor the years 1753 to 1775 are also missing,and from 1775 to 1834 silk entriesare skimpy.They consist of numbers,such as "462 pieces,""231 pieces,"and The formof "1269 pieces,"but no specifications.5 these last entriesindicatesthat supercargoeswere dealing directlywithBritishfactorsin Canton and no longer needed to record transactions with Chinese merchants. The characteristicentry for orders in which complete specificationsare given is illustratedin figure 1. This British supercargo on July 16/17, 1728, contractedwithseveral Chinese merchants, including Suqua, to buy woven taffetas,gorgoroons,poisees, and bed damasksof specificlengths, 4 Morse, Chronicles, 5:v-vi. 5 Vol. 64, IOR. Silk Trade 23 t" L 'i27 -i liil''i?)t#' ;i~~ltfJU?- t/9 ?;.: f lliAl :; 4 ()Z) lee 4/ 1' ey~8 -4//t /7 le/ 7Wft/7 - 7 41 -$ Jf119t11- -,q2 -4 114 Im Sv-~ 40,; &Zvt ttf forBritishEast India CompanyChinesesilks.FromSupercargodiary, Fig. 1. Specifications July16-17, 1727,vol. Records.(India OfficeRecords.) G/12Factory 27, ChinaMaterials, widths,thread specifications,piece weights,prices, and colors.6 All measurementsfor silks are given in covids. (The etymologicaloriginof covidis covado,probably an Indo-Portugueseformof the word cubitor ell.) In length the covid is equivalent to the Chinese foot,the chih.The lengthof the officialchih in the Ch'ing dynasty(1644-1912), whose capital citywas Peiking,was 12.58 inches.' The chih used among tradesmen in Canton was longer and varied between 14.625 and 14.81 Englishinches.But British East India Company supercargoesand Cantonese 6 Vol. 27, IOR. A Glossary 7 Henry Yule and A. C. Burnell,Hobson-Jobson: of ColloquialAnglo-IndianWordsand Phrases,and ofKindredTerms, Historical,Geographicaland Discussive,ed. William Etymological, Crooke (1903; reprint ed., Delhi: Munshiram Manoharlal, 1968), p. 268. merchantssettledon 14.1 Englishinches as a measurement for both the covid and the chih in the eighteenthcentury,wellbeforeit was cooperatively fixedin customsand tariffsof 1842 and 1858.8 BritishEast India Company supercargoesspecifiedthatthe widthof silksbe 2 or 2.2 covids (28.2 or 31 inches). The loom width,or selvedge-to-selvedge width,of a fabricis criticalin documentation because itis themostfixedmeasurementon a loom. The width of fabrics from a single loom can be varied only with great effort.In mass-producing fabrics,a standardizationof loom sizes-and therefore loom widths-was needed. Such standardization was not new in China. The sizes of the looms used in the Ming dynasty 8 S. WellsWilliams,A ChineseCommercial Guide(5th ed.; Hong Kong: A. Shortredge, 1863), pp. 282, 283. 24 (1368-1644) and those used during the LondonCanton eighteenth-century trading period were if not alike. similar, exactly Ming dynastycostumes have selvedge-to-selvedge widthsof 27 inches.9The specificationsfor dragon robes during the early Ch'ing dynastywere also fixed: "The boltsof satin and gauze forthe Imperial dragon robes ... were commanded to be made two (Chinese) feetbroad, and eithertwentyor forty-five feetin length.Every other typeof fabric,includingthe satinand gauze withfour-claweddragon patterns,was to be made two feetbroad and forty-two feetlong."'1In ninefurther standardizationand China, teenth-century The records show that took place. specialization weaversgenerallyconfinedthemselvesto theweaving of only one or two kinds of piece goods and were unwilling to undertake others. The dress goods and satinsweremostlymanufacturedin Canton." The supercargoes' diaries provide vital confirmationof the extensiveworkdone byAgnes Geijer of State HistoricalMuseum in Stockholmand Natalie Rothsteinof Victoria and Albert Museum in London, both of whom found loom widthsof 28 Chinese inches or more on all eighteenth-century silks. Geijer concentratedon damasks and found their widths varied from 283/4 inches to 3011/16 inches.12 silksdifferin width Chinese eighteenth-century from other silks of the period. European ornamented silks of standard size generally ranged from 191/2 inches to 23 inches. Indian silks were remarkablyinconsistentin width,a variationdue in part to differentprovenance, in part to final usage. Some eighteenth-centuryIndian silks do have selvedge-to-selvedgewidths in the Chinese range,but theylack other"Chinese" characteristics silkswere (see below). Japan's eighteenth-century 9 DorothyK. Burnham,CutMyCote(Toronto: RoyalOntario Museum, 1973), p. 29. 10 Schuylervan Rensselaer Cammann, China'sDragonRobes (New York: Ronald Press, 1952), p. 117. The quote is fromthe Ta Ch'ingHui-tienof 1690, compiled during the reign of Emperor K'ang Hsi. 11Williams,Commerical Guide,p. 138. 12 in Sweden(Copenhagen: RoAgnes Geijer,OrientalTextiles senkilde and Bagger, 1951), pp. 37-41, and figs. 18-30, pp. silk loo-1o2. The most salient sources on eighteenth-century importsfromBritainto Americaare Natalie Rothstein'sarticles: "Silks for the American Market,"Connoisseur 166, no. 668 (October 1967): 90-94; no. 669 (November 1967): 150-56; and "Silks Imported into America in the EighteenthCentury,an in Imported HistoricalSurvey,"' and DomesticTextiles in EighteenthAmerica,proceedingsof the 1975 Irene Emery RoundCentury table on Museum Textiles, ed. Patricia L. Fiske (Washington, D.C.: Textile Museum, 1975). Special thanks are extended to Rothstein,deputy keeper, Department of Textiles and Dress, Victoria and Albert Museum, who firstguided me in the directionof the India OfficeLibraryand Records. Winterthur Portfolio rarelyexported to the West.Japan closed itselfoff to the outside world from the last quarter of the seventeenthcenturyto the earlysecond halfof the nineteenth century. Moreover, sixteenth-century trading annals record that the Portuguese transported Chinese silks from Macao and Canton to Nagasaki because wealthy Japanese preferred Chinese silks,both raw and finished.~3 BritishEast India Company supercargoes ordered silks in lengths of either 38 or 45 covids (44' 7" or 59' 1 1").These measurementsmake clear thatwhatwas called a pieceof silkin the eighteenth centurywould now be termed a lengthor a bolt. How oftenthe Britishgot the specifiedamount of length in their pieces is questionable, especiallyif we consider a nineteenth-century observationon Chinese age-old measuring practices: "The chih measures were usuallymade of bamboo. ... Shopkeepers usually kept two stickson theircounters, varying two to four lines, and even more; the shorter for retail, the longer for wholesale; they rate the cloth at the same price per chih,but measuringby the longer givesa profit,when sellingby the shorter,of three to six percent. This usage is verygeneral and well understood."'4 The Chinese measurementof weightis tael. A tael weighed 1.32 English ounces in Canton in 1710. In 1770 BritishEast India Company agreed withmerchantsto fix the weightat 1.333 English ounces.'5 A directcorrelationexists between the weight of a fabricand its weave structure,the densityof itsweave, and itsthread (yarn) sizes. Thread specificationsvaried from4 to lo in the supercargoes' records; however,the meaning of the numbersis unclear. Although it is temptingto assume that 4 was either the lightestor the heaviestof threads, this is not borne out by the piece weightsin as consistenta fashionas is required forconfirmation in any particularweave. The numbers could also 13 PeterThornton,Baroqueand RococoSilks(London: Faber & Faber,1965), p. 58; GertrudeTownsend,"EighteenthCentury Brocade Costumes,"Antiques47, no. 5 (May 270-72; 1945)"about the Milton Sonday,"What Can We Learn froma Fabric Loom on WhichIt MightHave Been Woven?,"in Fiske,Imported and DomesticTextiles,pp. 242-43; Alice Baldwin Beer, Trade Goods:A StudyofIndianChintzin theCollection oftheCooper-Hewitt MuseumofDecorativeArtsand Design(Washington,D.C.: Smithsonian InstitutionPress, 1970), p. 44; C. R. Boxer, Fidalgosin theFar East, 1550-1770 (London: Oxford UniversityPress, 1968), p. 6. 14Williams,Commercial Guide,p. 285. AnthonyN. B. Garvan of University of Pennsylvaniacourteouslypermittedme to study two chih rulersin his privatecollection. 15Williams, CommercialGuide, p. 280. Note, tael is also Chinese currency.Morse, Chronicles, givesthe same equivalents: 1 covid approximates 14.1 inches; 1 tael approximates 1/3s ounces. Silk Trade refer to the "ply,"that is, the number of threads that make up a single yarn.16 Identificationof China Trade Silks A major purpose of thisarticleis to providecriteria for identifyingChina trade silks. Supercargoes' specificationsprovide writtendocumentation for criticalmeasurements:complementingthese data are the actual eighteenth-century Chinese silks. further into identification They provide insight and documentationbecause they display physical characteristicsthat are not mentioned in written records.Four characteristics appear on all silksthat had Chinese selvedge-to-selvedgemeasurements (28"-31"). They are (1) sequential vertical 1/32"3/32" [o.5-2mm]) sized temple holes, (2) contrasting colored selvedges, (3) bright lustrous sheen, and (4) a soft, clinging feel that is the result of mechanicalcalendering. Maintainingan even widthon a handwovenfabric has been a problem for weavers through the ages. Westernsilks display a varietyof solutions including securelybound selvedge edges, the use of clamps, placement of individual pins, and the use of rods that have pins at both ends that leave irregularholes. The Chinese solutioninvolvedusing a pair of temple rods which, although not unique to Chinese weaving techniques,did leave clusters of holes that are distinctivein size and placement.A Chinese weavingtemplethen,as now, consisted of two rods with two to five pin points protrudingat each end. As figure2 shows, while a clothis stillon the loom, the templerods are laid on the fabricso the pins pierce the edge and keep the fabricevenlystretched.The rods are attached to each other in the middle (in the shape of an X), so the assemblage can be moved forwardas a unit as weaving progresses. This device produces the sequence of regularlyspaced holes (fig.3).17 Contrastingselvedges are present in all identifiedChinese plain (unpatterned) silks. The selvedges always contrastin color and sometimesin weave fromthe ground fabric. Luster and softnesswas imparted to Chinese silksbycalendering.This mechanicalprocessneeded onlythreebasic components:(1) a stonebase plate, (2) a wooden roller,and (3) a heavy"rocking"stone (fig.4). A silk length,which is usually sandwiched 16 Microscopic examination of the threads is currentlyin process and resultswillbe reported shortly. 17Rudolf Hommel, China at Work(1937; reprinted., Cambridge, Mass.: MIT Press, 1969), pp. 18o-81. 25 between sheets of paper impregnatedwithinsect wax of a high meltingpointor sheetsof highlypolished cow skin, was wound around the wooden roller.A man stood on the rockingstone,tiltingit fromside to side and movingthe roller back and forthacross the base plate. The stone,whichmight weigh over a ton, flattenedand smoothed the silk fibers,producinga more reflectivesurfaceand lustrousquality.'8In short,calenderingwas a method of givinglusterto silk by pressure.The resultis a silk witha very soft,clingingfeel, or "hand," and sheen. With the basic characteristicsin mind we are able to move to identifyingfabrics.For,although fabricshave remained basicallythe same for centuries,the terminologyhas changed over timeand fromcountryto country.The processof identifying an eighteenth-century fabricremainsone of taking severalcharacteristicsindividuallyand looking for consistencies.From Canton, the Britishordered a varietyof plain and patternedsilks.The initialdistinctionis simple for us. Plain silk lacked ornamentation;patternedsilk had decorativepatterns. But there were several categoriesof silks that supercargoes ordered and for which they gave detailed specifications: 1. Bed damask 2. Gorgoroon 3. Goshee a. Plain, or decorationunspecified b. Flowered c. Flowered, 2 colors Poisee 4. a. Plain, or decorationunspecified b. Flowered c. Striped and sprigged d. Striped and flowered 5. Paduasoy (pou-de-soie, peau-de-soie) a. Plain b. Black 6. Satin 7. Taffeta a. Plain b. Striped and brocaded c. Sprigged d. Striped and sprigged e. Striped f. Changeable g. Black 18 Hommel, China,p. 191. C. D. Hsiung et al., "A General Surveyof Dyehouses in Chengtu" Journalof theSocietyofDyers and Colorists55, no. 8 (August 1939): 418. Maruta Skelton, WinterthurAnalyticalLaboratory,and I are presentlyworking on a microscopicanalysisof calendered silks. 26 Fig. 2. Chinese temple rods on a low-warploom. From Rudolf Hommel, China at Work(1937; reprinted., Cambridge, Mass.: MIT Press, 1969), p. 263Fig. 3. Temple holes pierced in selvedgeof a piece of gauze. (Acc. no. 68.48, WinterthurMuseum.) A largerpiece of the fabricis shownas figure1i. Winterthur Portfolio Silk Trade 27 The tablesand analysesthatfollowconvertand clarifyinformationin the supercargoes'recordsin order to provide a more exact description and identificationof each categoryof silk. The trade quantities and terms are converted to standard Britishequivalents.The arrivaldates and amounts ordered give some idea about the Britishdemand for each type of silk. Each table contains (1) the type of fabricordered, (2) its arrivaldate in London-an a or a b next to a date signifiesthatmore than one ship came back fromChina in thatyear, (3) the number of differentorders for each piece, (4) the totalnumberof pieces, (5) threadslistedby number,(6) lengthsand widthsof each piece (bolt), and (7) the total weight of each piece in ounces. Ounces are also used as a unit of measure in the calculationof weightper square foot as a further conversionfrom the measurementsin the supercargoes' records.19 Bed damask(see table i). Bed damask is a form of patternedsilk. A classic damask is a derivative of a satin weave. (In satin weave the longitudinal [warp] threadspredominateon the facingsurface, which creates a smooth shinyappearance.)20 The predominanceof the warp or the wefton the face of a damask delineatesthe ground and thepattern. Although the patterningis subtle, one needs an intricateloom settingin order to weave one. Damasks are the heaviest of the Chinese silks,weighing about 0.53 to 0.57 ounces per square foot. The Portugueseand the Spanish found silksto be theircornerstoneof trade withChina, and their seventeenth-century tradingrecordsmentiondamasks throughout.A Portuguese account records transactionsin China about 16oo involvingfine damask priced at 5 taels, veryfinedamask at 6 to 7 taels, and others at 4 taels. By 1663, Jesuithistorian Padre Colin observed Spanish galleons bringingto Manila "from Great China silksof all kinds,raw and woven in velvetsand figureddamasks, taffetasand other cloths of every texture, design and colors.""21 19All tableswere organized and calculatedby Randal Loring Whitman. The standard commercial measure is ounces per square yard.Square feet,however,are a more practicalmeasure for museum pieces. 20For detailed descriptionsof thisand otherweaves,consult (ToDorothy K. Burnham, Warpand Weft:A TextileTerminology ronto: Royal Ontario Museum, 1980), and Irene Emery,The Structures (WashingPrimary ofFabrics:An Illustrated Classification ton, D.C.: Textile Museum, 1966). 21C. R. Boxer, The GreatShipfromAmacon:AnnalsofMacao and theOldJapan Trade,1555-164o (Lisboa: Centrode Estudos Historicos Ultramarinos,1959), P. 181; William Schurz, The Manila Galleon(1939; reprinted., New York:E. P. Dutton,1959), p. 50. Fig.4. Man standingon calenderingstone.FromC. D. Hsiung et al., "A General Surveyof Dyehousesin Chengtu," 55, JournaloftheSociety ofDyersand Colorists no. 8 (August1939): 418. A buff-coloreddamask silkin the collectionsof Colonial WilliamsburgFoundation is documented as comingfromBritishEast India Company'strade between 1780 and 1790 (fig. 5). Tradition claims that the damask came froma gown of Jane Richardson McKinly,wife of the firstgovernor of the state of Delaware.22 Natalie Rothstein found a Chinese silk that has a slightmodificationof this motif,which derives from-and is another variation of-a European floralpatternpopular about 1785.23 The close similarityof these to Western motifsstronglysuggests that the Chinese copied and adapted Westernpatternsfor trade purposes. The damask at Williamsburghas a selvedge-to-selvedge width of 28 inches. Its selvedge coincides 22Linda Baumgarten,curatorof textiles,Colonial Williamsburg Foundation, courteouslyprovided all historicalinformation and physicalmeasurements. 23Rothstein,"Silks for the American Market,"p. 91, fig.9. Winterthur Portfolio 28 Table 1. Bed Damask Decoration Plain Plain Plain Plain Plain Plain Plain Plain Plain Plain Arrival in London 1723a 1723b 1729a 1733 1734 1735 1736 1751a 1751b 1753 Number Number of of orders Thread pieces ... ... 4 2 1 3 2 1 1 1 310 ... ... . .. 400 .. . 800 800 ... 100 ... 50 30 30 Length(ft.)x width(in.) 52.9 44.6' 44.6' 44.6' 52.9' 52.9' 52.9' 529' 10 6 8 ... ... ... x 28.2"* x 28.2" x 28.2" x 28.2" x 28.2" x 28.2" x 28.2" x 28.2" * Decimalmeasurements withweights. are used to facilitate comparison withthose describedby both Rothsteinand Geijer: 3/16inch of satinweave in sectionsof red/white/red and 1/4inch plain weave in tan. It has a series of four temple holes next to the selvedges and the sheen and softhand of Chinese silks. characteristic A unit weightis not available. (see table 2). BritishEast India ComGorgoroon and gorgopany supercargoes used both gorgoroon which ronto referto a materiallatercalled grogram, combination has been describedas a coarse silkor a of mohair, wool, and silk.24Seventeenth-century European trading accounts with China mention grograms. Hosea Ballou Morse, who published a studyon BritishEast India Company in the 1920s, described the materialas "stout corded silk stuff, not verylustrous,and one of the most durable of silk fabrics."25 Although the term grogramwas in in use England before the Britishbegan general the Chinese silktrade,BritishEast India Company whichwas consciouslyretainedthe formgorgoroon, closerto thePortugueseand Spanish tradingterms. We have been unable to determinethe specific weave structureof gorgoroons; however,fromthe orders we know that,except in one instancewhen "stripedand flowered"gorgoroonswere ordered, theywere uniformlyplain. Until a descriptionof gorgoroonscan be completed,we can onlysay that theywere of medium weight-about 0.43 to 0.46 ounces per square foot. Goshee(see table 3). Goshee is an unknownfabric.As Morse,in his authoritativefive-volumework on the British East India Company trade with 66.5-70.5 59.8 58.5 58.5 69.2 69.2 69.2 69.2 Ouncesper squarefoot 0.53-0.57 0.57 0.56 0.56 0.56 0.56 0.56 0.56 China,observed,"The mostcarefulsearchthrough manydictionariesand encyclopedias,general,philological, and technical,has failed to elicitany inThe termgoshee formationon these . .. fabrics.''26 does not appear outside of the supercargoes' reca London newspaper ords. The Daily Advertiser, whichfeaturedimportedand exported goods, includingtextiles,provided sixteenlistingsof fabrics for export fromLondon between 1731 and 1732. These included all the typesof silksitemizedin the supercargoes'recordsexceptforgoshees.This suggests that the term was a company trading name whichdid not even carryover to the reexportlistings. At present,conclusiveevidence for identifying gosheesstillhas notcome to our attention.A variety of sources, however,do suggest the presence of cottonfibersas well as silk. The possibilitythatgosheerefersto gauze is unlikely.First,the word gauze was already in use in sixteenth-century England.27More important,extantgauzes are farlighterin weightthanthatlisted in the records. A more likelysource is the term guzzeeor guzzy,derived fromthe Persianand Hindi gaz, whichis definedas a verypoor kind of cotton cloth.JohnIrwin,retiredcuratorof Indian textiles, Victoria and Albert Museum, identifiedguzzeeas ordinary white cotton fabric (woven with lightweightthreads).28If gosheewas a phoneticborrowing from guzzee that would indicate the possible presenceof cotton,thus makinga part-silkor halfsilk fabric. 26 HakluytSociety,ed., TheTravelsofPeterMundyinEngland, India, China,etc.,1634-1638 (London: By the society,1919), p. 304. 25Morse, Chronicles, 1:20. 24 Total weight(oz.) per piece 1:20. Morse, Chronicles, s.v. "Gauze." 27 Oxford EnglishDictionary, 28 Yule and Burnell, Hobson-Jobson, p. 405; John Irwin and P. R. Schwartz,Studiesin Indo-EuropeanTextileHistory(Ahmedabad, India: Calico Museum of Textiles, 1966), p. 65- Silk Trade 29 Fig. 5. Patternedsilkdamask of dark buffflowerson a buffground. Selvedge-to-selvedgewidth28"; length35". (Acc. no. 70-10, Colonial WilliamsburgFoundation.) Winterthur Portfolio 30 A memorandum about the merchandise that the Portuguese usually took fromChina to Japan (ca. 16oo) listedabout 3,000ooo angalas. C. R. Boxer, trade specialist, identified ?angalas Portuguese from Nanking as "half cotton and half raw silk worth 1 tael 3." In the nineteenthcenturyS. Wells Williams,China tradespecialist,noted thatChinese silkscalled mienchauand sz mientsahhoin Cantonese "were silk and cotton mixtures,[but they]are no longer exported because those made in the West have whollysupplanted them."29 The supercargoes' records do not indicate the presence of fabricsof mixed fibers.Nevertheless, the phoneticsimilarity of goshee to guzzy and the mention of Chinese silk-cottonmixturesin both seventeenth-and nineteenth-century sources sugthat is a silk-and-cotton fabric. As yet gest goshee we have no eighteenth-century of fabric to piece this. verify Paduasoy(pou-de-soie)(see table 4). Textile historiansconsider paduasoy a silk woven in a variation of the satinweave, withbindingsarranged to create fine cross-ridgesacross the fabric. In the supercargoes' records, paduasoys do not appear until 1736. Only 66o pieces were ordered between then and 1753, the smallestquantityof any of the 29 Boxer,GreatShip,p. 18o; S. WellsWilliams,A ChineseComfabrics. As of 1751, the company ordered only mercial Guide(4thed.; Canton:OfficeoftheChineseRepository, "black paduasoys." 187. 1856), p. Table 2. Gorgoroon Decoration Arrival in London Number Number of of orders pieces Thread ... ... 1,275 ... ... 1,500 8 8 1,750 100 8 2 ... 2 1,000 1 ... 8 1 100 6 1 100 ... ... 1 6 ... 2 200 100 ... 1 1 100 ... 100 ... 1 1 8o ... 1 8o ... Length (ft.)x width(in.) Plain 1723a Plain 1723b Plain 1729a 52-.9 x 28.2"* 52.9' x 28.2" 1729a Striped & flowered Plain 44.6' x 28.2" 1729b Plain 52.9' x 28.2" 1733 Plain 52.9' x 28.2" 1734 Plain 52.9' x 28.2" 1735 Plain 52.9' x 28.2" 1736 x 28.2" Plain 52.9' 175la Plain 44.6' x 28.2" 1751a Plain 44.6' x 28.2" 1751b Plain 52.9' x 28.2" 1751b Plain 52.9' x 28.2" 1753 Plain 44.6' x 28.2" 1753 * Decimal measurementsare used to facilitatecomparison withweights. Total weight(oz.) per piece 53.2-54-5 55-9 47-9 46.5 53.2 53.2 55-9 55-9 47-9 47.9 57.1 55-9 47-9 Ounces per square foot 0.43-0.45 0.46 0.46 0.38 0.43 0.43 0.46 0.46 0.46 0.46 0.47 0.46 0.46 Table 3. Goshee Decoration Arrival in London Number of orders Number of pieces Thread Length (ft.)x width(in.) 44.6' x 28.2"* 52-9' x 28.2" 52-9' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 44.6' x 28.2" 44.6' x 28.2" 44.6' x 28.2" 52-9' x 28.2" 52-9' x 28.2" 44.6' x 28.2" Flowered 500 5 5 1729a ... Plain 750 1735 3 ... 1 Plain 250 1735 ... Plain 2 5 1736 ... Plain 2 150 1751a ... 1 Plain 75 1751a 1 Plain ... 75 1751a ... 8o 1 Plain 1751b ... 1 8o Plain 1751b ... 1 6o Plain 1753 ... 1 Plain 6o 1753 * Decimal measurementsare used to facilitate comparisonwithweights. Total weight(oz.) per piece 38.6 46.5 47-9 47-9 47-9 41.2 42.6 41.2 47-9 47.9 41.2 Ounces per square foot 0.37 0.38 0.39 0.39 0.39 0.40 0.41 0.40 0.39 0.39 0.40 Silk Trade 31 We may speculate as to why the paduasoys should be limitedto black. They may have been, for example, a preferredmaterial for mourning clothes because of their greater weightand stiffness. However, the mordant (the substance that causes full penetrationof the dye into the fibers) used withblack dyes contained iron oxide, which is particularlydestructiveto textiles.Thus, we do not expect now to find eighteenth-century blackfabrics. we do know from conNevertheless, dyed that temporaryportraits black-dyedclothingwas in use. Regrettably, itis not possibleto identifywith certaintyfabricstructurefromsuch sources. Poisee(see table 5). As withgoshee, poisee is an unknownfabric.Morse was whollyunable to identifyit.Evidence suggeststhatpoisees are satinswith painted and printedfloralmotifs;however,a definiteassignmentand descriptionis stillnot possible. The average weightof the differentpoisees is 0.46 ounces per square foot. Except in 1733 all supercargoes specified 8 threads. These correspond strikinglyto characteristicsof satin whose average weightis 0.45 ounces per square foot,and whose threads-except for a 5 in 1733-are also 8. No otherfabricsmatchboth weightand threads so consistently,which permits the tentativeassumptionthat poisees are satins. Hand-painted and hand-printedsilksfromthe Table 4. Paduasoy Arrival Decoration in London Number of orders Plain 1736a Plain 1736b Plain 1737 Plain 1738 Plain 1751a Plain 1751a Black 1751a Black 1751b Black 1751b Black 1753 Black 1753 * Decimal measurementsare 1 1 1 1 2 1 1 1 1 1 1 Number of pieces ... ... 50 ... 120 6o 150 6o 6o 8o 8o Thread 12 8 ... 8 ... ... ... ... ... ... ... Length(ft.)x width(in.) 52.9' x 28.2"* 52.9' x 28.2" 44.6' 44.6' 52.9' 44.6' 44.6' 52.9' 52.9' 44.6' x 28.2" x 28.2" x 28.2" x 28.2" x 28.2" x 28.2" x 28.2" x 28.2" Total weight(oz.) per piece Ouncesper squarefoot 66.5 66.5 0.53 0.53 49.2 55-9 65.2 61.2 55-9 66.5 69.2 59.8 0.47 0.53 0.52 0.58 0.53 0.53 0.56 0.57 given to facilitatecomparison withweights. Table 5. Poisee Decoration Plain Plain Flowered Striped & flowered Striped & sprigged Flowered Plain Plain Striped & flowered Plain One color Two color Plain Plain Plain Plain Plain Plain Arrival in London 1723a 1723b 1729a 1729a 1729a 1729b 1734 1735 1735 1736 1736 1736 1751a 1751a 1751b 1751b 1753 1753 * Decimalmeasurements are Number Number of of orders pieces Thread ... 1,050 ...... ... 2,000 ....... 8 7 1,500 1 8 300 1 8 300 ... 2,000 3 1 6 200 8 5 3,000 1 8 150 1 ... 8 1 ... 8 1 ... 8 1 ... 150 1 .. 150 1 8o ... 1 8o ... 1 ... 75 1 75 ... Length (ft.)x width(in.) 52.9' x 28.2"* 52.9' x 28.2" 52.9' x 28.2" 44.6' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 44.6' x 28.2" 44.6' x 28.2" 52.9' x 28.2" 52.9' x 28.2" 44.6' x 28.2" givento facilitate comparisonwithweights. Total weight(oz.) per piece 53.2-54-5 59.8 59.8 43-9 53.2 53.2 59.8 53.2 55-9 55-9 55-9 47-9 47-9 57.1 55-9 47-9 Ounces per square foot 0.43-0.44 0.48 0.48 0.42 0.43 0.43 0.48 0.43 0.45 0.45 0.45 0.46 0.46 0.46 0.45 0.46 32 East dominated fashionsduring the second halfof the eighteenthcentury.In France, one observer explained: "[The Chinese] made printed taffetas also, in place of whichsatinis now preferred.This is so fine that it is difficultto tell whetherone is looking at the printedor painted material."30This apparentlystrongdemand forpainted and printed satins is not consistentwith the weak demand for satins in the supercargoes' records: satins are the second to the least in numbers ordered. Against thiswe have a considerablepopularityof poisees-theyare the second most commonlyordered silk. This is consistentwiththe interpretationthat poisees were painted and printedsatins,and that"satins" in British East India Company records referredonly to plain satins.Numerous painted and printed satins exist in museum collections,and it is difficultto reconcile the presence of so many extantornamented satinswiththe relativelysmall numberof "satins"listed in the supercargoes' records. This difficulty, too, is resolved if we consider to be painted and printedsatins. poisees The word poiseein sixteenth-century England meant a "bunch of flowers,a nosegay" (modern, posy).This semanticdesignationlimitspainted and printed satins to floralmotifsonly,a severe limitationwhen we consider the whole range of possible ornamental motifs.Nevertheless,all extant painted and printedsatinsthat eighteenth-century I have seen have floralmotifsand are only occasionally accompanied by nonfloral components, such as insectsor birds. The termpoiseewas used by Britishcolonistsin America. There is a mentionof "skyblue poisies" in Benjamin Franklin's PennsylvaniaGazette,but more commonlythe paper merelylisted"flowered sattins."3' If indeed poisees were painted and printed flowered satins, the latter term was supplantingthe formerby the middle of the century, at least in the colonies. A yellow satin in the collectionof Winterthur Museum witha motifof printedand paintedsprigs of flowersmatches the writtenspecificationsfor poisees (fig. 6).32 The selvedge-to-selvedgewidth is 295/sinches.A sequence of groups of fourtemple holes piercesthecontrastingbrightgreen selvedge. The silk fragment weighs approximately 0.41 30 Adolf and Artistic Reichwein,Chinaand Europe,Intellectual Contactsin theEighteenth Century(New York: Alfred A. Knopf, 1925), PP. 38, 3931Pennsylvania Gazette(Philadelphia) (October 25, 1759; January 16, April 17, September 11, 1766). 32Margaret Fikioris, textile conservator,WinterthurMuseum, located all residue pieces of painted silksin the Winterthur collectionenabling studyof the collectionto begin. Winterthur Portfolio ounces per square foot. (In the supercargoes' records, the lightest"floweredpoisee" weighed 0.42 ounces per square foot;we mustallow a marginof errorin computingunit weightsof irregularfragmentssuch as this.)33 A specificmention of the eighteenth-century use for printed and painted satins appeared in a 1756 BostonGazette.GilbertDeblois advertisedimportsfromLondon, Bristol,and Scotlandincluding "plain and flower'dsattinsforHatts and Cloaks, of all Colours, withsuitable Trimmings."34 Satin(see table 6). The satinweave (fordescription, see Bed damask)produces fabricwitha characteristicsmooth look. In the supercargoes' records,satinis clearlya categoryof plain,nonpatterned silk.The absence of any pattern,however,required thatwe finda piece witha definiteeighteenth-cenwidth turydate and completeselvedge-to-selvedge in order to document established guidelines for Chinese satinsin general.Eighteenth-century gowns fortuitously provide such material. Expensive silk dresses of subdued colors ("of the best sort but plain") were commonlyworn by wives and daughtersof wealthymercantileQuakers. The judgment of stricterFriendson thispractice,however,was that it was not in the true spirit of Quaker simplicity.Nonetheless, many eighteenth-centuryPhiladelphia Quakers, with fortunes gained mainlyby overseas trade, gravitated towarda more ostentatiouslife-style. An elegant unaltered satin gown now in the Philadelphia Museum of Art was once owned by one such prominentPhiladelphia Quaker family. This lightbeige satin dress was highlyfashionable about 1785 (fig. 7).35 The pleated skirt,in a style commonlycategorizedas an open robe by modern scholars,revealsa quilted petticoatin frontand, in back, has a self-formedtrain.36 The selvedge-to-selvedgewidth is 28 inches, which corresponds to the supercargoes' written specifications.Its remainingphysicalcharacteristics make thisdated plain satin a criticaltool for identifyingother importedChinese silks.It has several 33 A formalpresentationon eighteenth-century Chinese and non-Chinesepainted and printedsilkswas givenat Winterthur's ScientificAdvisoryCommitteemeetingNovember 1980. Maruta Skeltonand I are preparingan articlethatwillprovidea detailed art historicaland scientific(X-rayfluorescence)analysison this topic. 34BostonGazette(July 26, 1756) as cited in Claudia Kidwell and Margaret Christman,SuitingEveryone:The Democratization inAmerica(Washington,D.C.: SmithsonianInstitution ofClothing Press, 1974), p. 20. 35 Historicallythe dress and petticoatdo not go together. 6 James Laver, The ConciseHistoryof Fashionand Costumes (New York: Charles Scribner'sSons, 1969), p. 131. SilkTrade 33 onred,blue, andhighlights floralmotif andwhiteundershading Fig.6. Yellowsatinwitha paintedandprintedsprigged andpurpleflowers. width29%5/". Museum.) (Acc.no.57.692,Winterthur Selvedge-to-selvedge series of temple holes, in patternsof fourand five holes, in the selvedges.It has the characteristicsoft mechanicalfinishof silksfromChina. Its selvedge, like thatof a yellowsatin-groundpoisee in the collection of WinterthurMuseum, is a contrasting color,in thiscase bright,two-tonedorange threads. Taffeta(see table 7). Taffetais a silk cloth constructedin a plain weave, the most basic and simplest of weaves (in which the warp threads pass alternatinglyover and under the weftthreads). In the commerce recorded by the supercargoes, by far the most popular silks imported from China were the taffetas.They constitutedapproximately 61 percent of the total number. Ephraim Chambers, author of an eighteenth-century encyclopedia, specifiedits shinyfinishas its definingcharacteristic.37 37Ephraim Chambers, Cyclopedia;or,A UniversalDictionary ofArtsand Sciences,2 vols. (5th ed., London: D. Midwinter,A. Bettsworth,and C. Hitch, 1727), s.v. "Taffeties." The tremendousdemand for taffetaswithluster led to specific instructions.A supercargo in 1731 stipulatedtaffetasand gorgoroons of "good gloss and full weight.Lengths take care that very drybefore prepared." From 1753-the last year in which specificationsfor silks are available-is an order, specificby color: "The blacks of the paduasoys and Gorgoroons and Taffatiesto be a beautifulgloss and the whole to be delivered ... in 1oo days ... considerationof an advance of 72 taels ... allowing for the crimson and scarlet dyes according to the rate.""38 The large amount of taffetasordered indicates the Britishwere satisfiedwiththe "good gloss" of the silks.The sheen was normallyimpartedby the rocking stone, but, according to a description in the eighteenth-century writingsof Father JeanDu Chinese workmenalso gave a Halde, Baptiste 38 Vol. 33, IOR; vol. 57, IOR. Winterthur Portfolio 34 Table 6. Satin Decoration Plain Plain Plain Plain Plain Plain Plain Arrival in London 1729a 1733 1733 1736 1737 1738 1751a Number Number of of orders Thread pieces 8 4 475 1 5 ... 2 8 300+ ... 2 8 100 1 ... 1 1 8 ... 50 .. Length(ft.)x width(in.) 52.9' X28.2"* 52.9'X 28.2" 52.9'X28.2" 52.9'X 28.2" 52.9'X 28.2" 52.9'X 28.2" 52.9'X 28.2" 1 ... Plain 1751b 30 52.9'X 28.2" 1 Plain 1753 ... 30 52.9'X 28.2" * Decimalmeasurements are givento facilitate comparisonwithweights. Fig. 7. Beige satin open-robe gown, 1795-99. Selvedge- width28". (Acc. no. 78--68-1,Philadelphia to-selvedge Museumof Art,giftof MaryMorrisBoykin.) Total weight(oz.) per piece 53.2-54.5 46.5 59.8 53.2 Ouncesper squarefoot 0.43-0.44 0.37 0.48 0.43 54-5 0.44 54-5 55-9 0.45 55-9 0.45 0.44 gloss to Tcheoutsetaffetaby using the fatof a freshwater seal.39As yet,I have not seen any taffetasof thisperiod thathave the lusterof a chemicalfinish such as animal fat. The measurementsfor taffetasspecifiedin the supercargoes' records are quite distinctive-they are the only fabricsfor which a loom widthof 31 inches(2.2 covids) is specified,in contrastto a specifiedloom widthof 28.2 inches (2 covids) forother fabrics.The additional 2.8 inches in widthis noteworthyand puzzling. In spite of the consistency withwhich this extra width appears in the supertafcargoes' specifications,no eighteenth-century feta examined so far has demonstratedit. A firmlydated plain taffetacostume, like the dated plain satin one, provides a criticalpiece of documentationbecause it, too, provides information absent in writtenrecords. The Philadelphia Museum of Art has a dark brown taffetagown which,because of itsverydark color and subdued styling,is thoughtto have belonged to an American Quaker. The dress was subsequentlyaltered, but clearlyitwas at one timepartof a somber,although ensemble (similarto that costly,eighteenth-century illustratedin figure8), and stands in marked contrast to the previouslydescribed high-stylebeige satinQuaker-owned dress.40 The Chinese originof 39 Mario Bussagli, Cottonand Silk Making in Manchu China (New York: Rizzoli International,1980). 40 The Philadelphia Museum of Art's brown taffetadress, acc. no. 64-74-1, of whichthe selvedge widthsare 281/2 inches, has its original eighteenth-century bodice frontintactbut has otherwisebeen considerablyaltered to conformto nineteenthcenturystyles.Measurementswere taken fromthe severelyaltered dress, but pictorial referencesto this dress are of little use. Instead, PMA acc. no. 29-111-1, whichis a good stylistic mode, but not having 28-inch selvedge-toeighteenth-century selvedge widths,was used forvisual reference.I am verygrateful to Adolph Cavallo, curator of costumes and textiles,for sharinghis expertisein analyzingthisgown and othercostumes in the collectionat PMA and for allowing me intensiveaccess to his collectionfor several months. Silk Trade 35 Table 7. Taffeta Decoration Plain Plain Plain Plain Striped Sprigged Striped & sprigged Plain Plain Plain Plain Plain Plain Plain Striped Plain Plain Striped Changeable Striped & brocade Plain Changeable Black Striped Striped & brocade Striped Changeable Colored Black Striped & brocade Arrival Number Number in of of Length(ft.)x London orders pieces Thread width(in.) 1723a 1723b 1729a ... ... 12 2 1 1 1 1729a 1729a 1729a 1729a 1729b 1733 2 1 1 4 1 1 1 1 1 3 1 1 1 2 1 1 1 1 1 1 1 1 1 1734 1735 1735 1735 1736 1736 1736 1751a 1751a 1751a 1751a 1751b 1751b 1751b 1751b 1751b 1753 1753 1753 1753 1753 * Decimalmeasurements are 6,000 6,000 5,500 700 100 400 100 3,000 ... 1,000 8,ooo 200 1,500 ... ... ... 1,490 50 100 50 500 50 500 30 30 50 50 500 500 50 ... ... 6 4 4 6 6 6 6 6 6 8 ... 6 6 8 ... ... . .. ... ... ... ... ... ... ... ... ... ... ... Total weight(oz.) per piece 44.6' x 31"i* 44.6' x 31" 44.6' x 31"i " 34.6-35-9 31.9-33.2 33.2 44.6' x 31"i 44.6' x 31" 44.6' x331" 44.6'x 31"i 44.6' x 31"I 44.6' x 31"I 44.6' x 31" 44.6' x 28.2" 44.6' x 31" 44.6'x 31"i 44.6' x 31" 44.6' x 31" 44.6' x 31" 44.6'x 31i 44.6' x 31'" 44.6' x 31" 44.6' x 31" 44.6' x 31i" 44.6' x 31" 44.6'x 31"i 44.6'x 31"i 44.6'x 31l" 44.6' x 31i 52.9'x 28.2" 46.5 34.6 34.6 34.6 34.6 42.6 34.6 37.2 37.2 45.2 37.2 37.2 37.2 37.2 37.2 37.2 37.2 41.2 41.2 37.2 37.2 37.2 37.2 43.9 52.9'x 31 Ouncesper squarefoot 0.30-0.31 0.28-0.29 0.29 0.41 0.30 0.30 0.30 0.30 0.37 0.33 0.32 0.32 0.40 0.32 0.32 0.32 0.32 0.32 0.32 0.32 0.36 0.36 0.32 0.32 0.32 0.32 0.36 withweights. givento facilitate comparison the dark brown fabric is demonstrated by four characteristics.The selvedge-to-selvedgewidth is 281/2inches. Four temple holes sequentiallypierce the selvedge. The fabrichas a high gloss and a soft feel. The selvedge has brightyellowwarp threads thatcontrastwiththe dark brown ground. Although plain taffetaswere more frequently ordered, supercargoes also specified many patternedones. "Striped" and "Striped and Brocade" were probably woven patterns. Chambers noted that"those floweredwithgold and silver,are more usually called brocades."41But only three orders specified brocades, and, until a great deal more evidence is presented,we cannot tell if supercargoes consistentlyrecognized thisdistinction. A large silkfragmentin the textilecollectionof the SmithsonianInstitutionis a stripedand floral taffeta(fig.9). The silkis woven in two alternating weaves: white stripes in plain weave and blue 41Chambers, s.v. "Flowered." Cyclopedia, stripesin satinweave; flowers,late eighteenth-century in style,are painted and printed over the A trailingred and purple floralvine decstripes.42 orates the whiteareas, and sprigsof silverflowers are placed on the wider blue stripes."Striped and sprigged,"at least in this case, indicates a woven and paintedand printedmotif.The fragmentlacks both selvedges, and its incomplete width is 24 inches. Its approximateweightis 0.42 ounces per square foot as compared withthe specifiedweight of 0.41 ounces per square foot for striped and spriggedtaffetain the 1729 supercargoes'records. Another painted and printed taffetathat was made into a gown in the late eighteenthcentury provides a secure time frame for eighteenth-century printed and painted Chinese silks (fig. io). The gown, which has never been altered stylistically,provides us with a reliable example of eigh42 Special thanksare due to Barbara Coffee and Lois Vann of SmithsonianInstitution. 36 Winterthur Portfolio Fig. 9. Fragmentof taffetawithblue and whitesatin stripesand paintedand printedsilk.Fragmentwidth In24"; length211/4". (Acc. no. 1981.ooo8, Smithsonian MarutaSkelton.) stitution: Photo,courtesy taffetacoincide withother taffetas.The selvedgeto-selvedgewidthis 287/8inches,and the selvedges are 3/16inch wide. Temple holes in series of four pierce the selvedges. The selvedges have yellow warp threads thatcontrastwiththe whiteground. The materialhas the characteristicsheen and soft touch of the Chinese silks. This taffetacorresponds to two other painted taffetasthat have late eighteenth-century painted motifsand arrivedat Californiamissionsby wayof Spanish galleons from Manila. These two taffetas Fig. 8. Dark browntaffetagownin a late eighteenth- have red grounds and selvedge-to-selvedgewidths century Quakerstyle.(Acc. no. 29-111-1, Philadelphia of approximately283/8inches. The contrastingselMuseumof Art,giftof Mrs. FrancisB. Gunmereand inch vedges have yellowsilkwarpsand measure 5/32 Mrs.ThomasE Branson.) wide.43 It is importantto note at thisjuncture thatthe pieces exported in Spanish galleons have the same has fabric The taffeta. plain-weave teenth-century a whiteground. The painted and printedmiddle 43 Aileen Ryan Earnest,"Trade and Commerceon thePacific Coast in the EighteenthCentury:A Look at Some Chinese Silks motifshave long graceto late eighteenth-century and DomesticTextiles, of the Mission Period,"in Fiske,Imported p. ful curvilinearflowered stems. The dress is cut The The thread count per square inch is 96/54(warp/weft). 13. in an elaborate French style commonly called a painted and printedgown in the costumecollectionof the Philadelphia Museum of Artis slightlymore finelywoven at 112/68 "sacque" or "sack." This sacque has an open-robe (warp/weft) per square inch,but itsproportionsare comparable skirt."Paniers,"undergarmentsthat provide adwith the mission silks. I would like to thank Cameron Taylorditional width at the hips, give this skirta voluBrown, Philadelphia College of Textiles and Science, who verof this ifiedthread counts and consulted on textileterminology. minousshape. The structuralcharacteristics Silk Trade 37 eral Britishand American collectionshave examples of these.Two veryimportantgauzes have been found,one an unused lengthand the other a furnishing fabric with saw-toothededging. The unused length,in the collectionof WinterthurMuseum, has a middle to late eighteenth-century Chinese documentation(fig. 11). It has the principal structuralcharacteristicsstated in the supercargoes' records,except for weight.The selvedgeto-selvedgewidthis 285/8inches,and the selvedges have several series of fivetemple holes. It weighs o. 18 ounces per square foot,farless than the lightest-weighttaffeta(0.28 ounces per square foot). The selvedges do not differ in color from the ground; however,in a diaphanous material such as gauze, contrastingselvedges mightbe undesirable. The second piece is a painted gauze used as a furnishingfabric;traditionhas it thatthe fabric was used in theJohn Brown House of Providence, Rhode Island, around 1790 to 18oo (fig. 12). As withthe Winterthurgauze, thispiece manifeststhe structuralcharacteristicsof the other imported Chinese silks: the selvedge-to-selvedgewidthis 28 inches, and sequential temple holes are present. But it,too,lackscontrastingselvedges.This painted gauze was cut and sewn,possiblyas a dressing-table skirt.44 We can findclues to the uses of plain and flowered gauzes in Franklin'sPhiladelphia-basedPennsylvaniaGazette. Fig. to. French-cut paintedand printedsilkdress,ca. witha white 1770. Red,blue,purple,and silverflowers undercoatand highlights on a whitegroup.(Acc. no. MuseumofArt,giftofArchibald 42-33-2, Philadelphia G. Thomsonand ThomasB. Wanamaker, Jr.) as thoseexportedbyBritish definingcharacteristics East India Company. This equivalence demonstrates that these characteristicswere generally Chinese and not simplythe result of Britishcontractualspecifications. Gauze. By using the definingcharacteristicsas a guide, a cursorysearch forimportedeighteenthcenturyChinese silks has turned up a large categoryof silksnot listedin the supercargoes'records of 1723-53: gauzes (fabrics in which the warp threads intertwineand are generallywoven in an open weave) withpainted and printedmotifs.Sev- April 21, 1757: "ribb'd, gauze and black silk stockings"; November 24, 1757: December 5, 1765, "gauze caps"; April 20, 1758: "gauze shades and aprons"; May 4, 1758: "gauze stomachers"; September22, 1763: "satinand gauze stomachers and sleeve knots"; January 16, 1766: "gauze caps and handkerchiefs." Presumably,floweredgauzes as wellas plain gauzes could be used for both clothingand furnishings, but the floweredgauze was probablymore expensive. That gauzes are conspicuouslyabsent fromthe supercargoes' records is consistent with the asFlorence M. Montgomery, 44 "FurnishingTextilesat theJohn Brown House, Providence, Rhode Island," Antiques lol, no. 3 (March 1972): 502. The gauze has manysewn pieces whichadd up to lo'1/2" in length,thus allowing for the possibilitythat it was used as a valance for one side and the foot of a bedstead. A unit weightwas not taken for thispiece. I am gratefulto the staffof Rhode Island HistoricalSocietyfor theirhelp. Winterthur Portfolio 38 Width28%/8"; century. length22'. Red, Fig. 11. Detailof paintedsilkgauze,eighteenth and greenand brownstems witha whiteundercoatand highlights blue,and purpleflowers fromAshburnham on a pale yellowground.Originally Place,Sussex,England.(Acc.no. Museum.) 68.48,Winterthur sumptionthat they were not exported until after 1753. This is supported by the factthatall printed mentionof themin advertisementsoccursafterthe period covered by the supercargoes' diaries. Cultural Informationin the China Trade Records Britishsupercargoes'recordsofferdata forthetextilehistorianin severalotherrespectsbeyond idenof Chinese silks-most notablytraveland tification sale patterns,colors, and prices. By farthe most popular sailingpatternwas for a ship to leave London for Canton in midwinter and returnthirteento fourteenmonthslater.Merchants who placed theirorders withthe company could then expect about a year's wait or more for delivery. Eighteenth-century clothing fashions Chinese silks,giventhe delay changed constantly.45 45 Thornton thoroughlydocuments this in Baroqueand RococoSilks,pp. 18-22. in their delivery,could best be described as perennial favorites.They were at the core of popularityin clothingfashionbut not a part of the rapidlychangingtrendsof thehigheststyleof patterned silksfor garments. Prior to shipping the fabric, Chinese dyers foldedor rolled the finishedpieces of silkin a manner suitable to differentbuyers.46Although dyers in westernChina continued to fold the fabricsin the way a specific market dictated well into the twentiethcentury,an example of eighteenth-centurySpanish ordersgivesa clear descriptionof this: forthegalleonwaspackedwithgreat The merchandise care,generally by Chinese.The silkswerecompressed adin orderto takethefullest to extremecompactness, for The of the limited space Spaniards vantage lading. foundintheskilloftheChinesepackersone ofthemost convenient meansof exceedingthelimitsfixedby the of the of the tradinginterests Representatives permiso. 46 Hsiung et al., "Dyehouses,"p. 418, indicate thatfinished pieces were folded to order as late as the twentiethcentury. Silk Trade 39 fabric.Height11/2";sewnlength1o' /2";selvedgeFig. 12. Fragmentof paintedand printedsilkgauze furnishing and fruit.(Acc.no. 1969.1.3a,RhodeIslandHistoricalSociety.) and blue flowers width28".Red,yellow, to-selvedge peninsulainformedthe [Spanish]kingin 1748 thata Manilachestcontainedtwiceas muchgoods as one of similarsizein Spain.47 The fabricsthatarrivedin London were usually sold throughlarge public sales followingthe arrival of incomingships. The Britishprohibitionacts between 1700 and 1720 made the wearing of Asian silksand cottonsillegal. Thus, buyerswere obliged to plan resale outsideof England; they,additionally, received a customs rebate, or "drawback,"at the timetheirconsignmentsleftEnglish ports. Nevertheless, among the merchantswho attended the British East India Company public sales to buy goods for export were middlemen who supplied a huge smugglingtrade.48 One advertisementof February1740 announcing such a sale for BritishEast India Company is a keydocumentthatgivesa detailed pictureof the range of importedgoods handled by the company. Silks and tea from China, silks and cottons from India, and spices from Southeast Asia are among the goods offered(fig. 13). Except for paduasoys, everytypeof silkspecifiedin the supercargoes'records prior to 1740 is mentionedin the announcement of the sale. The proportions of different kinds of silks ordered by the supercargoes match the proportionsof Chinese silksofferedat the sale, withthe exception of goshees (table 8). If the goods offered for sale in 1740 are an accurateindex, taffetas,whethermade in China or 47Schurz,Manila Galleon,p. 182. 48Morse details the scheduling of the sales for the Canton 1:x. K. N. Chaudhuri, The Trading season of 1779 in Chronicles, Worldof Asia and theEnglishEast Company,166o-1 760 (Cambridge: Cambridge UniversityPress, 1978), p. 344. Conrad Gill, Merchants andMarinersoftheEighteenth (London: Edward Century Arnold, 1961), p. 53. elsewhere,were by far the most popular silk imported by BritishEast India Company,and satins werein least demand. The high numberof goshees being offered for sale as compared to the cumulative total of goshees ordered in China indicates that goshees were probably also being imported fromanother source, possiblyIndia. An appraisal of the numbers of silks ordered on each journey (table 9) reveals that recorded quantities were significantlyhigher in the early years; thisis borne out in an analysisof each kind of silkseparately.While thisrelativediminutionin quantities may reflect a drop in popularity in Chinese silks,it may also relate to a change in the supercargoes' record keeping. For example, the transactionsrecorded may have dropped fora varietyof reasons withoutan equivalentreductionin the actual numberof silkscarried,about whichwe have littleor no information. Althoughthereis notyetenough compiled data to make a comprehensivecolor-preferencechart for the ordering of Chinese silksby the Britishin the eighteenthcentury,certain color preferences fora shortertimeperiod do emerge.Between 1725 and 1735 the most popular colors foreach typeof fabricwere green, sky,and yellowforbed damask; whiteforfloweredgoshee; green and skyforsatin; and black, sky,and green for gorgoroon,flowered Skyand green seem to be the poisee, and taffeta.49 most popular colors of the period. Certain colors were associated withindividual fabrics,for example, yellow with damasks, black with gorgoroons, and whitewithgoshees. Red silksrequiredattention.Supercargoesnoted 49Vols. 27-36, IOR. Winterthur Portfolio 40 LON N D)0 M7 the26th of Febriary,1740 Ve Courtof S DIRECTOR of the UnitedCompany of Merchants of do hereby England,Tradingto theEaft-Indies, declare,thattheywill on I'uefday thezth of' putup at theirSAL E, whichwillCommence Marchnext,th"following Goods,Viz. Pieces Addaties Al ibannies Atchabannies Ecadftamesa7970 Piec 69z2 Mu ers 233 NankeenCloth Nilaes 2204. :Z_____ 0027 Stuff$ -7 ?, CoPefeS Bombay Bed Damaks ------- Carridarric s7r9- Canton Cloth-- --- -- 5436 Ph Peniafcoes350 otacc ----- Renal'sCotton 0 61 , Chint--3s2o eeretits a ..---....6 Ditto Flowe ed SCri-d - 2 184( Ditto a Chanderbannies Cherconnaes ChilltesChowtars 29-7 . 197 Sattiuns--. 8o Shalbafts76 r erfucker 76 5582 Seerhaudconnaes _ - Coopees Santnoes2 980 Coffaes Chuarv1; 20qQ CaftaesCuttancesDitto Flowered DaT .Ja.146 440 I z18I I sofes7 27 HerbaBengal---.... ?.TaffaWes DittoChina Ditto Coloured k- 86 1449 6zo Tapgeebs Teyv Dimnities Bengal-267 Thofotiesi Ditto-----95che-s 3395 q+ *o703 DittoSuperfine, Madras Dorcas 2-9 Zlatches 9 EraertiesColoured-Ginghams DittoChina 06oo ooo io Ditto Madras W166 S.--.440 ,Bag' Ditto Gorgorons G"0Ihccs... 1 - Jamnwars 17zarecs -00-Ditto Herba Lungees 6 *400 to Cmena Wool 2302a ChinaWare White-03Bale Dyfookfoys GuTrhs DittoLong H4andkerchich Ballafore Y1 nmhums Ditto Quilted Terrin.danis -0----------o-Choo 6oo 22660 -1710 451 65:50 zi 6oo les Cowries,mor kor ChinaSilk t, z2'0s Bo, moreorlefs- -' Pepper, moreorlefsoTo Redwood, moreorlef0 Salt-Petre, 5 Tmerick moreor lcfso---Ditto Duft 3Lo -0- Bal s Bag- ---1400 Too s 28 d 1 dit moreorlfs-------63 Tutenague, C. w% Tealohea o000Chelb -u Ditto Congeon 667 ditto Ditto Peko -"-+---Ditto Bing DittoSinglo. 10 dittoV 100 ditto ditto 449() I"Us- DittoHyton - DittoSoutchong - o dittu The faidCourtdo alfodeclare,TheywillbegintheirSale withSal Petreand withothe' proceed Goods. weighable Theydo aredeclare,Theyre(erve to themfelves the I~berty of felling at thisSalewhatSulbPetrr andotherGoodsmayarrivebytheShipsNermauton and&$rifiJld~ Theydo likewifb declare; tothemfelvtheLiberty Theyreferve of fulling, in?September Salenext. orT'absof feasof thec aeo~ Chefts Greg,lKind,ando moreuntililarch, I 74~. Andtheydo further declare,Theywillfellno znoreof theabovementioned Specie'of Goode asabovereferved) untilScp:mbrnext,exceptDai ag d Goods, fexcept (? dsUznleard, andG as; i' ,.iat rde Fig. 13. Broadside for BritishEast India Company public sale of goods, 1740. (Shelf 65 x 510, Joseph Downs Manuscriptand MicrofilmCollection,WinterthurMuseum.) Silk Trade 41 in the diaries of 1727-29, 1734-35, 1740, and 1775-76 that cochineal, a dye component made from an insect indigenous mainlyto Mexico and Central America, was being exported to China on Britishships so it could be used for crimson and scarletdyes.50That the companyabsorbed thecosts indicates that the English found the soft Chinese vegetable reds, made from safflower(Hung hua) and madder (Ch'ienTs'ao) to be inadequate.51 Throughout the eighteenthcenturysupercargoes computed all prices in Chinese taels. "The value of the tael in relationto sterlingmoney was reckoned in the books of the East India Company at 6s. 8d., but its intrinsicvalue varies according to the price paid for dollars per ounce in London.""52 The officialexchange rate givessome appreciation for the value of Chinese silks.A supercargo noted in 1728 thattaffetacould be bought at 4 taels each and poisees stripedand floweredat 8 taels (see fig. 1). Accordingly,the wholesale price of a bolt of taffetaequaled ? 1.6.8, sterling,whilethatof poisee was ?2.13.4, sterling. Bargainingtowarda mutuallysatisfactory price is and was an accepted custom in the East. The British supercargoes became quite adept at bargaining,and notationssuch as thiswere rare: "We could not getany richStrip'dSprig'd Poisees under 12 Tales per Piece, which we thinkwe cannot answer at that price."53 Table 8. A Comparison of Silks Purchased by Supercargoes withSilks Sold at the 1740 Sale 1723-53 totals Taffeta Poisee Gorgoroon Bed damask Goshee Satin February1740 sale 36,773 11,110 6,485 2,520 2,o8o 985 Taffeta Poisee Gorgoroon Bed damask Goshee Satin 3,524* 1,150 300 150 6oo 140 *Approximate. 50 Vols. 27, 37, 48, 58, IOR. 51W. G. Sewell and C. D. Hsiung, "The Natural Dyes of Szechwan,WestChina' JournaloftheSociety ofDyersand Colorists 55, no. 8 (August 1939): 412. 52 Williams,Commercial Guide,4th ed., p. 291. 53 Vol. 27, IOR. Table 9. Totals for All Silks Date of ship return Total silk orders 1723a 1723b 1729a 1729b 1733 1734 1735 1736 1737 1739 1751a 1751b 1753 9,125 10,300 12,035 6,ooo 300* 1,400 14,350 ...t 250 223 3,020 1,810 1,8oo * Onlyoneorderoutof sevenwas associatedwith a quantity. t No quantities givenin fifteen orders. Silk merchantsand supercargoeswho dealt directlywiththe exchange were cunningmerchants, and a profitablegain was the bottom line of the entiretrade. A set of instructionsintendedto serve as a guide for buying Chinese silks in the nineteenth century aptly summarizes British buying standardsand Chinese practicesof the eighteenth centurywithregard to the China silk trade: Chinawroughtsilksare of numeroussorts,cheap and good. In chusingthem,care shouldbe takenthatthey are receiveddry,or else theywillmildewand spoil,as theyare soldbyweight,and are oftendampedto make themheavier.The finenessand priceare agreedupon bymuster. Theyshouldnothavetoomuchgumor conand makesthe gee inthem,whichincreasestheirweight, silklieclose,whereby thefineness ofitis notso wellseen, and it alwaysmildewsthem.A finelimbersilk,clearof knot,knobs,and uneventhreads,fineand glossyon the isthebest.The piecesshould back,as wellas on theright, be unrolledand measured,as theywillsometimes want a yardor twoin length,and be of twoor threecolors.54 54WilliamMilburn,OrientalCommerce; or,TheEast India TradersComplete Guide(London: Kingsbory,Parbury,& Allen, 1825), p. 496.