Handbook of Literary Terms A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Handbook of Literary Terms Abstract Language—A term used to describe language that deals with generalities and intangible concepts. Allegory—A story or poem in which the characters, settings, and events stand for other people or events or for abstract ideas or qualities. Handbook of Literary Terms Alliteration—The repetition of the same or similar consonant sounds in words that are close together. Example Allusion—A reference to someone or something that is known from literature, history, religion, mythology, politics, sports, science, or some other branch of culture. Handbook of Literary Terms Ambiguity—A technique by which a writer deliberately suggests two or more different, and sometimes conflicting, meanings in a work. American Dream—A uniquely American vision of the country consisting of three central ideas. Analogy—A comparison made between two things to show how they are alike. Handbook of Literary Terms Anapest—A metrical foot that has two unstressed syllables followed by one stressed syllable. The word coexist (˘˘’) is an anapest. Anecdote—A very brief story, told to illustrate a point or to serve as an example of something. Antagonist—The opponent who struggles against or blocks the hero, or protagonist, in a story. Handbook of Literary Terms Anthropomorphism—Attributing human characteristics to an animal or inanimate object. Aphorism—A brief, cleverly worded statement that makes a wise observation about life. Archetype—A very old imaginative pattern that appears in literature across cultures and is repeated through the ages. An archetype can be a character, a plot, an image, a theme, or a setting. Handbook of Literary Terms Argument—A form of persuasion that appeals to reason, rather than emotion, to convince an audience to think or act in a certain way. Assonance—The repetition of similar vowel sounds followed by different consonant sounds, especially in words close together. Example Handbook of Literary Terms Atmosphere—The mood or feeling created in a piece of writing. Autobiography—An account of the writer’s own life. Handbook of Literary Terms Ballad—A song or poem that tells a story. More about ballads Folk and literary ballads Biography—An account of someone’s life written by another person. Blank Verse—Poetry written in unrhymed iambic pentameter. Handbook of Literary Terms Cadence—The natural, rhythmic rise and fall of a language as it is normally spoken. Caesura—A pause or break within a line of poetry. Some pauses are indicated by punctuation; others are suggested by phrasing or meaning. Example Catalog—A list of things, people, or events. Handbook of Literary Terms Character—An individual in a story or play. The process of revealing the personality of a character is called characterization. Direct and indirect characterization Static vs. dynamic character Flat vs. round character Cliché—A word or phrase, often a figure of speech, that has become lifeless because of overuse. Handbook of Literary Terms Climax—The point in a plot that creates the greatest intensity, suspense, or interest. Comedy—In general, a story that ends with a happy resolution of the conflicts faced by the main character or characters. More about comedy Handbook of Literary Terms Conceit—An elaborate metaphor or other figure of speech that compares two things that are startlingly different. Concrete Language—A term for language that uses specific words and details to describe a particular subject. Handbook of Literary Terms Confessional School—A group of poets who wrote in the 1950s. The confessional poets wrote frank and sometimes brutal poems about their personal lives. Conflict—The struggle between opposing forces or characters in a story. Internal and external conflict Handbook of Literary Terms Connotation—The associations and emotional overtones that have become attached to a word or phrase, in addition to its strict dictionary definition, or denotation. Consonance—The repetition of the same or similar final consonant sounds on accented syllables or in important words. Handbook of Literary Terms Couplet—Two consecutive rhyming lines of poetry. Closed couplet Handbook of Literary Terms Dactyl—A metrical foot of three syllables in which the first syllable is stressed and the next two are unstressed. The word tendency (’˘˘) is a dactyl. Dark Romantics—A group of nineteenth-century writers who explored the dark side of human nature. Deism—An eighteenth-century philosophy based on rationalism. Handbook of Literary Terms Denouement—The conclusion (or resolution) of a story. Description—One of the four major forms of discourse, in which language is used to create a mood or an emotion. Description does this by using words that appeal to our senses: sight, hearing, touch, smell, and taste. Handbook of Literary Terms Dialect—A way of speaking that is characteristic of a certain social group or the inhabitants of a certain geographical area. More about dialect Dialogue—The directly quoted words of people speaking to one another. Diction—A speaker’s or writer’s choice of words. More about diction Handbook of Literary Terms Dramatic Monologue—A poem in which a character speaks to one or more listeners, whose responses are not known. Handbook of Literary Terms Elegy—A poem of mourning, usually about someone who has died. Enjambment—The running on of sense from the end of one line of verse into the next, without a punctuated pause. Handbook of Literary Terms Epic—A long narrative poem, written in heightened language, that recounts the deeds of a heroic character who embodies the values of a particular society. Epithet—A descriptive word or phrase that is frequently used to characterize a person or a thing. For example, the epithet “the father of our country” is often used to characterize George Washington. Handbook of Literary Terms Essay—A short piece of nonfiction prose in which the writer discusses some aspect of a subject. Essays are sometimes classified as formal or informal (or personal). Exposition—One of the four major forms of discourse, in which something is explained or set forth. Handbook of Literary Terms Fable—A very short story told in prose or poetry that teaches a practical lesson about how to succeed in life. Farce—A type of comedy in which ridiculous and often stereotypical characters are involved in silly, far-fetched situations. Handbook of Literary Terms Figure of Speech—A word or phrase that describes one thing in terms of something else and that is not meant to be taken literally. The most common figures of speech are • simile • metaphor • personification • symbol Handbook of Literary Terms Fireside Poets—A group of nineteenth-century poets from Boston including Henry Wadsworth Longfellow, John Greenleaf Whittier, Oliver Wendell Holmes, and James Russell Lowell. Flashback—A scene that interrupts the normal chronological sequence of events in a story to depict something that happened at an earlier time. Handbook of Literary Terms Foil—A character who acts as a contrast to another character. Foot—A metrical unit of poetry. An iamb is a common foot in English poetry. Meter Foreshadowing—The use of hints and clues to suggest what will happen later in a plot. Handbook of Literary Terms Frame Story—A literary device in which a story is enclosed in another story, a tale within a tale. Free Enterprise—The practice of allowing private businesses to operate competitively for profit with little government regulation. Free Verse—Poetry that does not conform to a regular meter or rhyme scheme. Handbook of Literary Terms Haiku—A short, unrhymed poem developed in Japan in the fifteenth century. More about haiku Harlem Renaissance—A cultural movement of the early 1920s led by African American artists, writers, musicians, and performers, located in the Harlem neighborhood in New York City. Handbook of Literary Terms Hyperbole—A figure of speech that uses an incredible exaggeration, or overstatement, for effect. Example Handbook of Literary Terms Iamb—A metrical foot in poetry that has an unstressed syllable followed by a stressed syllable, as in the word protect. Iambic Pentameter—A line of poetry that contains five iambic feet. The iambic pentameter is most common in English and American poetry. Example Handbook of Literary Terms Idiom—An expression particular to a certain language that means something different from the literal definitions of its parts. “I lost my head” is an idiom of American English. Imagery—The use of language to evoke a picture or a concrete sensation of a person, a thing, a place, or an experience. Handbook of Literary Terms Imagism—A twentieth-century movement in European and American poetry that advocated the creation of hard, clear images, concisely expressed in everyday speech. Impressionism—A nineteenth-century movement in literature and art that advocated recording one’s personal impressions of the world, rather than attempting a strict representation of reality. Handbook of Literary Terms Incongruity—The deliberate joining of opposites or of elements that are not appropriate to each other. Interior Monologue—A narrative technique that records a character’s internal flow of thoughts, memories, and associations. Internal Rhyme—Rhyme that occurs within a line of poetry or within consecutive lines. Example Handbook of Literary Terms Inversion—The reversal of the normal word order in a sentence or phrase. Irony—In general, a discrepancy between appearance and reality. There are three main types of irony: • verbal irony • situational irony • dramatic irony Handbook of Literary Terms Lyric Poem—A poem that does not tell a story but that expresses the personal feelings or thoughts of a speaker. Handbook of Literary Terms Magic Realism—A genre developed in Latin America that juxtaposes the everyday with the marvelous or magical. Marxism—The political and economic philosophy developed by Karl Marx and his followers in the mid-nineteenth century. Handbook of Literary Terms Memoir—A type of autobiography, or account of the writer’s own life, that often focuses on a specific time period or historical event. Handbook of Literary Terms Metaphor—A figure of speech that makes a comparison between two unlike things without the use of such specific words of comparison as like, as, than, or resembles. • Directly stated metaphor • Implied metaphor • Extended metaphor • Dead metaphor • Mixed metaphor Handbook of Literary Terms Meter—A pattern of stressed and unstressed syllables in poetry. More about meter Metonymy—A figure of speech in which a person, place, or thing is referred to by something closely associated with it. Referring to a car as “wheels” is an example of metonymy. Handbook of Literary Terms Modernism—A term for the bold new experimental styles and forms that swept the arts during the first third of the twentieth century. Mood—The overall emotion created by a work of literature. Mood can usually be described in one or two adjectives, such as bittersweet, playful, or scary. Handbook of Literary Terms Motivation—The reasons for a character’s behavior. Myth—An anonymous traditional story that is basically religious in nature and that serves to explain a belief, ritual, or mysterious natural phenomenon. Handbook of Literary Terms Narrative—One of the four major forms of discourse in which a series of events is related. Narrative Poem—A poem that tells a story—a series of related events with a beginning, a middle, and an end. Narrator—In fiction the one who tells the story. Types of narrators Handbook of Literary Terms Naturalism—A nineteenth-century literary movement that was an extension of realism and that claimed to portray life exactly as if it were being examined through a scientist’s microscope. Handbook of Literary Terms Octave—An eight-line poem, or the first eight lines of a Petrarchan, or Italian, sonnet. Ode—A lyric poem, usually long, on a serious subject and written in dignified language. Onomatopoeia—The use of a word whose sound imitates or suggests its meaning. The word buzz is onomatopoetic; it imitates the sound it names. Handbook of Literary Terms Oxymoron—A figure of speech that combines opposite or contradictory terms in a brief phrase. Sweet sorrow, deafening silence, and living death are common oxymorons. Handbook of Literary Terms Parable—A relatively short story that teaches a moral, or lesson, about how to lead a good life. Paradox—A statement that appears selfcontradictory but that reveals a kind of truth. Parallel Structure—The repetition of words or phrases that have similar grammatical structures (also called parallelism). Handbook of Literary Terms Parody—A work that makes fun of another work by imitating some aspect of the writer’s style. Pastoral—A type of poem that depicts country life in idyllic, idealized terms. Personification—A figure of speech in which an object or animal is given human feelings, thoughts, or attitudes. Handbook of Literary Terms Persuasion—One of the four major forms of discourse in which reason and emotional appeals are used to convince a reader to think or act in a certain way. Plain Style—A way of writing that stresses simplicity and clarity of expression. Handbook of Literary Terms Plot—The series of related events in a story or play; sometimes called the story line. Basic elements of plot Plot in dramas and novels Handbook of Literary Terms Point of View—The vantage point from which the writer tells a story. In broad terms there are four main points of view: • first person • third person limited • omniscient • objective Handbook of Literary Terms Postmodernism—A term for the dominant trend in the arts since 1945 characterized by experiments with nontraditional forms and the acceptance of multiple meanings. Protagonist—The central character in a story, the one who initiates or drives the action. Proverb—A short, pithy statement that expresses a common truth or experience. Handbook of Literary Terms Psychoanalysis—A method of examining the unconscious mind, developed primarily by the Austrian physician Sigmund Freud (1865–1939). Pun—Play on the multiple meanings of a word or on two words that sound alike but that have different meanings. Handbook of Literary Terms Quatrain—A poem consisting of four lines, or four lines of a poem that can be considered a unit. Handbook of Literary Terms Rationalism—The belief that human beings can arrive at truth by using reason, rather than by relying on the authority of the past, on religious faith, or on intuition. Realism—A style of writing, developed in the nineteenth century, that attempts to depict life accurately, as it really is, without idealizing or romanticizing it. Handbook of Literary Terms Refrain—A word, phrase, line, or group of lines that is repeated, for effect, several times in a poem. Regionalism—Literature that emphasizes a specific geographic setting and that reproduces the speech, behavior, and attitudes of the people who live in that region. Handbook of Literary Terms Repetition—A unifying property of repeated words, sounds, syllables, or other elements that appear in a work. Resolution—The conclusion of a story, when all or most of the conflicts have been settled. Rhetorical Question—A question that is asked for effect and that does not actually require an answer. Such questions assume the audience agrees with the speaker on the answers. Handbook of Literary Terms Rhyme—The repetition of vowel sounds in accented syllables and all succeeding syllables. Example Types of rhyme Rhyme scheme Rhythm—The alternation of stressed and unstressed syllables in language. Meter Handbook of Literary Terms Romance—In general, a story in which an idealized hero or heroine undertakes a quest and is successful. In a romance, beauty, innocence, and goodness usually prevail over evil. Romanticism—A revolt against rationalism that affected literature and the other arts, beginning in the late eighteenth century and remaining strong throughout most of the nineteenth century. Handbook of Literary Terms Romantic Novel—A novel with a happy ending that presents readers with characters engaged in adventures filled with courageous acts, daring chases, and exciting escapes. Handbook of Literary Terms Satire—A type of writing that ridicules the shortcomings of people or institutions in an attempt to bring about change. Scanning—The analysis of a poem to determine its meter. More about scanning Sestet—Six lines of poetry, especially the last six lines of a Petrarchan, or Italian, sonnet. Handbook of Literary Terms Setting—The time and location in which a story takes place. More about setting Short Story—A brief work of prose fiction. More about the short story Simile—A figure of speech that makes an explicit comparison between two unlike things, using a word of comparison, such as like, as, than, or resembles. Handbook of Literary Terms Slant Rhyme—A rhyming sound that is not exact. Follow/fellow and mystery/mastery are examples of slant, or approximate, rhyme. Soliloquy—A long speech made by a character in a play while no other characters are onstage. Handbook of Literary Terms Sonnet—A fourteen-line poem, usually written in iambic pentameter, that has one of the two basic structures. Petrarchan sonnet Shakespearean sonnet Sound Effects—The use of sounds to create specific literary effects. More about sound effects Handbook of Literary Terms Speaker—The voice that addresses the reader in a poem. Speech—A formal address delivered to an audience, or the printed version of the same address. Spondee—A metrical foot consisting of two syllables, both of which are stressed. The words true-blue and nineteen are made of spondees. Handbook of Literary Terms Stanza—A group of consecutive lines that forms a single structural unit in a poem. Stereotype—A fixed idea or conception of a character or a group of people that does not allow for any individuality and is often based on religious, social, or racial prejudice. Handbook of Literary Terms Stream of Consciousness—A style of writing that portrays the inner (and often chaotic) workings of a character’s mind. Style—The distinctive way in which a writer uses language. More about style Handbook of Literary Terms Subjective and Objective Writing— Subjectivity, in terms of writing, suggests that the writer’s primary purpose is to express personal experiences, feelings, and ideas. Objectivity suggests that the writer’s purpose is to report facts, avoiding personal judgments and feelings. Handbook of Literary Terms Surrealism—A movement in art and literature that started in Europe during the 1920s. Surrealists wanted to replace conventional realism with the full expression of the unconscious mind, which they considered to be more real than the “real” world of appearances. Suspense—A feeling of uncertainty and curiosity about what will happen next in a story. Handbook of Literary Terms Symbol—A person, a place, a thing, or an event that has meaning in itself and that also stands for something more than itself. Types of symbols Symbolism—A literary movement that originated in late-nineteenth-century France, in which writers rearranged the world of appearances in order to reveal a more truthful version of reality. Handbook of Literary Terms Synecdoche—A figure of speech in which a part represents the whole. The capital of the nation, Washington, for example, is often spoken of as though it were the government: “Talks are now ongoing between Moscow and Washington.” Synesthesia—The juxtaposition of one sensory image with another image that appeals to an unrelated sense. In “sweet laughter” an image of sound is conveyed in terms of an image of taste. Handbook of Literary Terms Tall Tale—An outrageously exaggerated, humorous story that is obviously unbelievable. Theme—The insight about human life that is revealed in a literary work. More about theme Handbook of Literary Terms Tone—The attitude a writer takes toward the subject of a work, the characters in it, or the audience. Tone is conveyed through the writer’s choice of words and details. Tragedy—In general, a story in which a heroic character either dies or comes to some other unhappy end. More about tragedy Handbook of Literary Terms Transcendentalism—A nineteenth-century movement in the Romantic tradition, which held that every individual can reach ultimate truths through spiritual intuition, which transcends reason and sensory experience. Trochee—A metrical foot made up of an accented syllable followed by an unaccented syllable, as in the word taxi. Handbook of Literary Terms Understatement—A statement that says less than what is meant. Understatement, paradoxically, can make us recognize the truth of something by saying that just the opposite is true. Handbook of Literary Terms Vernacular—The language spoken by the people who live in a particular locality. Villanelle—A nineteen-line poem consisting of five tercets (three-line stanzas) with the rhyme scheme aba and with a final quatrain (four-line stanza) of abaa.