A HISTORY OF EUROPEAN THEATRE Rachel Holder 6 th P e r i o d MORALIT Y PLAYS Morality plays are religious dramas that taught a lesson along with the story. The characters usually represented good and evil, and the plot normally involved a struggle for human’s soul. Late 14 th Century -16 th Century. Preformed by traveling troupes in the streets. Became much less popular during the Protestant Reformation. Most famous is Ever yman (which is still preformed today). The main character, Everyman, is summoned by death. All of his friends (Beauty, Kindred, and Worldly Goods) abandon him, except for Good Deeds. In 1558, Elizabeth I ascends the throne and bans all religious plays (except in church). COMEDIA DELL’ARTE Emerged in Italy around 1560. First public professional theatre in Italy. Designed to make the common person laugh. Slapstick comedy. Preformed by troupes. Used stock characters, most of whom wore masks. Spread through out Europe. Began to die out around 1776 Il Capitano Harlequin Pantalone COMMERCIAL THEATERS IN ENGLAND In 1576, James Burbage builds the first commercial theater just outside of London. It is called “The Theatre.” Over the next 18 years, three more theaters —The Curtain, The Rose, and The Swan are built. In 1599, The Theatre is dismantled and moved across the Thames River. It is rebuilt as The Globe. The development of commercial theaters meant common people could enjoy drama. Prior to this point, theatre had been for the aristocracy. Seeing plays became a regular form of entertainment for people of all classes. The Globe The Rose The Globe The Curtain CHRISTOPHER MARLOWE Christopher Marlowe was an English dramatist. His play, Tamburlaine the Great, introduces a blank verse that defines Elizabethan and Jacobean drama. Edward II is the first play to dramatize English history as a conflict between real characters. He died shortly before Shakespeare became popular. His career in drama only lasted 6 years, and did not carry many works. Christopher Marlowe SHAKESPEARE William Shakespeare is often considered the greatest playwright of all time. His first plays to be preformed were the three parts of Henry VI. Shortly after, London theatres are closed because of the plague, but his career accelerates afterwards. He was a part of the Lord Chamberlain’s Men, which later granted royal favor by James I and renamed the King’s Men. Some of his most famous plays are: Hamlet, Romeo and Juliet, A Midsummer Nights Dream, Othello, and Macbeth. All together, he wrote 36 plays which were published by two of his colleagues in the First Folio (1623). Shakespeare’s plays are still widely read and preformed today. NEOCLASSICAL THEATRE 17 th Century Involved melodrama and large gestures Over-the-top scenery and costumes Included the restoration period Had strict guidelines as to how plays were to be written and how actors were to preform. Important Works: Le Cid by Pierre Corneille Tartuffe by Moliere Andromaque by Jean Racine RESTORATION COMEDY In 1642, the Puritans close all English theatres. In 1660, the theatres are reopened and the Restoration Comedy emerges. The Restoration Comedy refers to the British comedies that were preformed in response to the reopening of the theatres. They were known for their sexual explicitness, encouraged by Charles II. This period also saw the first actresses and the first professional woman playwright, Aphra Behn. STURM UND DRANG A movement among German playwrights in the 18 th century Translated as “Storm and Stress” Focused on Nature, feeling, and individuality A response to the rationalism of the enlightenment Important Works: Götz von Berlichingen mit der eisernen Hand by Goethe- first success Die Räuber by Friedrich Schiller- last success REALISM 19 th Century Dealt with everyday life, and used contemporary settings. Involved science and human behavior Social problems were the main subject A lot of feminist works emerged during this time period. Important Works: A Doll’s House by Henrik Ibsen--- feminist themes; considered the father of realism Mrs. Warren’s Profession by George Bernand Shaw--- prostitution Three Sisters by Anton Chekhov A Doll’s House Mrs. Warren’s Profession Three Sisters NATURALISM Late 19 th to early 20 th century. Attempted to mimic reality. There were detailed sets, everyday speech, variety of classes, normal characters and settings, and a lack of divine intervention. More extreme version of Realism Important Works: The Power of Darkness by Leo Tolstoy--- banned in Russia until 1902 The Father by August Strindberg--- misogynistic themes Therese Raquin by Emile Zola--- "study temperaments and not characters" Therese Raquin The Father CONSTANTINE STANISLAVSKI Possibly the most famous acting theorist. Began as an actor, and was sick of seeing mechanical and over acting. Developed a system to help actors discover their characters The inspiration for his method came out of the realist and naturalist periods. Thought acting should be honest instead of over-the-top His “system” is still widely used today. EPIC THEATRE Contrasted with Stanislavski’s method Bertolt Brecht was the father of it Thought that Stanislavski was providing an escape for the audience The audiences of Epic Theatre performances always knew they were watching a play. Characters often break the “forth wall” EXPRESSIONISM Early 20 th century Began in Germany Deal with spiritual awakening and suffering A popular theme was the conflict between bourgeoisie values and established authority. Not focused on reality, but emotions. Important Works: Murderer, the Hope of Women by Oskar Kokoschka--- first expressionistic play The Beggar by Reinhard Sorge--Bourgeoisie vs. government Parricide by Arnolt Bronnen Parricide DADAISM A cultural movement that peaked around 1916-1922. Involved the visual arts, not just theatre Anti-war, anti- bourgeoisie, and anarchist. Believed the ideology of the bourgeoisie had started WWI. Some described it as “anti -art” because it was not aesthetically pleasing. Important Works: The Gas Heart and Handkerchief of Clouds(“ironic tragedy”) by Tristan Tzara The Gas Heart SURREALISM Began in 1920’s Paris was the center of the movement Developed out of Dadaism Seeks to surprise the audience by using unexpected juxtapositions. Important works: Les Mamelles de Tiresias by Guillaume Apollinaire--- first surrealist play When Five Years Pass by Frederico Garcia Lorca The Mysteries of Love by Roger Vitrac Les Mamelles de Tirestas THEATRE OF THE ABSURD Came about because of World War II Embodied meaninglessness of human existence Abandoned traditional dramatic devices Sought to convey the feelings of humans during and after the war. Important Works: Bald Soprano by Eugene Ionesco Waiting for Godot by Samuel Beckett THEATRE OF CRUELT Y Similar to the Theatre of the Absurd Sought to “assault the audience with movement and sound” Brought about an instinctive, rather than intellectual, reaction. Again, this was in response to the violence of WWII Important Works: Look Back in Anger by John Osborne Marat/Sade by Peter Weissclass struggles Marat/Sade POSTMODERNISM Mid 20 th century Reaction to modernism There is no definite truth Encourages the audience to reach their own interpretation Raises questions instead of supplying answers. Important Works: Hamletmachine by Heiner Muller--not a conventional plot 4.48 Psychosis by Sarah Kane--- No characters A Mouthful of Birds by Cheryl Churchill--- No scenes, just vignettes. A Mouthful of Birds OTHER THEATRE AFTER WWII Theatre af ter World War II took included many dif ferent styles from previous centuries. Experimental theatre emerged in the 1960’s, such as the Polish Laborator y Theatre The theme of many dramatic works focused on issues at the time Popular themes included: women’s rights and gay liberation Impor tant Works: Top Girls by Cheryl Churchill Bent by Martin Sherman Mean Tears by Peter Gill ANDREW LLOYD WEBBER An English composer He’s won seven Tony Awards, three Grammy Awards, an Academy Award, a Golden Globe award, and many others. 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