ARTICULATION DOCUMENT T223 Stage Management MODULE STRUCTURE Module Category: Specialisation Level (year of study): Year 2 Credit Units: 4 Modular Credits Curriculum Hours: 90 Contact Hours: 60 over 15 weeks (4 hours per week) Module Assessment: Continuous Assessment: 40% - 15 Daily Grades Summative Assessment: 60% Understanding Test 1: 25% (online) Understanding Test 2: 25% (online) Understanding Test 3: 50% (online) SECTION 2: MODULE OVERVIEW The module T223 Stage Management prepares students with the fundamental principles and working vocabulary for managing and coordinating productions*. Students will be introduced to key roles and responsibilities of the stage management team – usually consisting of a production stage manager, several assistant stage managers, and any number of production assistants – in ensuring the seamless management of both the technical as well as human aspects of a production. This module will also encourage students to explore and begin to articulate individual as well as collective stage management skills, practices, and cultures, as to enable the students to recognize, and learn to adapt to, the varied needs and demands of the different and various: School of Technology for the Arts, Republic Polytechnic T223 Site-Specific Art Page 1 i. ii. iii. iv. v. departments and designations within the production genres and disciplines in theatre, performing arts and live events production scales (technical, logistic, administration, budget, talent, artistic, etc) work culture and ethics social-political climate Students will engage scenario-based and simulated real-time stage management responsibilities and engagements, supplemented by fundamental knowledge, skills, and tools of theatre and performance production, and of people management, as an integral part to their understanding and learning processes in the module. * A production would refer to theatrical productions and live events not excluding concerts, musicals, public speeches, community events, etc. MODULE OUTCOMES AND LEARNING OUTCOMES Manage and coordinate various aspects of productions: rehearsals, talents, artistic considerations, budget expenditure, performance, technical set-up, etc. Understand the process of how a production is conceived, rehearsed and performed Aware of various types of organizational structure in different types of productions, and understand how they function Inculcate and demonstrate effective and strategic leadership, management and communication skills during a production Understand how to effectively manage and coordinate productions in different rehearsals and performances spaces. Acquire and understand basic terminology and vocabulary of performance and theatre practice, production and spaces Learn to prepare, apply and adapt various fundamental stage management skills and tools in a production Understand the key roles and responsibilities of the stage management team, and how to effectively apply and adapt these in a production School of Technology for the Arts, Republic Polytechnic T223 Site-Specific Art Page 2 Allocated time per day Module Coverage Lesson 1: Preparing for the Production I: Understand the organizational structure of a production and how it operates, learn the roles and responsibilities of the stage management team, and familiarize with the stage manager’s kit that is required in any production. Lesson 2: Preparing for the Production II: Appreciate the work relationship between the stage management team and the producer, and understand how the scale of the production – budget, technical, talents, logistic, admin, etc – informs the planning and strategizing of the production process – setting of datelines, drawing rehearsal schedules, acquire and manage resources, coordinate communications between various departments in the production, etc. Lesson 3: Preparing for the Production III: Understand how to support and assist the director and the artistic team in pursuing and translating the artistic vision and decisions in the rehearsal space and the production. Lesson 4: Studying the Artistic Vision: Learn and understand the purpose of the prompt book and how to prepare and apply this tool during the process/rehearsal and in the production. Lesson 5: Analysing the text: Understand the potential and constraints of the rehearsal space with regards to the scale of the production, and learn how to prepare and manage the rehearsal space to ensure a safe, productive and creative working environment. Lesson 6: Conducting Rehearsals I: Learn how to coordinate with the technical managers and production team in sourcing, setting-up, maintaining and operating appropriate sound and light equipment for the rehearsal space. Instill a resourceful and initiative attitude and work ethics in the Stage Manager in providing for the logistics of the production. Lesson 7: Conducting Rehearsals II: Learn how to coordinate with wardrobe and props master/mistress in sourcing, School of Technology for the Arts, Republic Polytechnic T223 Site-Specific Art Resource Discussions gathering in Study and team Cluster work Skills acquisition and practice 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 Page 3 consolidating, maintaining and coordinating costumes and props for the rehearsal and performance within the constraints of the production budget. Understand how to be economical and resourceful with the available production budget. Lesson 8: Conducting Rehearsals III: Learn how to apply the prompt book and blocking notations, how to manage the performance flow and sequence during rehearsals, and how to apply cue notation and calling when working with actors during rehearsals. Lesson 9: Conducting Rehearsals IV: Learn how to coordinate with the technical managers and production team in negotiations with the director, artists and designers on translating and realizing the artistic needs and designs into the limited space. Lesson 10: Conducting Rehearsals V: Understand the roles and responsibilities of the production crews and casts, and learn how to design and coordinate seamless and economical scene changes and transitions for both the traditional and contemporary performance spaces. Lesson 11: Preparing for Production Week: Learn how to schedule, coordinate with the production team, and conduct final checks and preparations for, the crucial production week at the performance venue. Understand key issues in programming and scheduling for a performance. Lesson 12: Bumping-In and Technical Set Up: Learn the technical – light, audio, multi-media – capacity of the performance space and how to conduct and manage technical set-up and rehearsals with the technical team. Lesson 13: Conducting Technical Rehearsal: Learn how to commit to the production week schedule and conduct productive, efficient and economical set-up, checks and rehearsals with the support of the production team. Lesson 14: Conducting Dress Rehearsal: Learn how to manage the actual performance, and coordinate with all key production members to ensure a safe, professional and successful performance, and a satisfying theatre experience for the audience. Lesson 15: Show Time and Bumping-Out: Understand how to manage a performance and how to control and work with the natural and unpredictable environment to ensure a successful event. Learn the bumping-out procedure. School of Technology for the Arts, Republic Polytechnic T223 Site-Specific Art 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 4 1 1 60 15 15 Page 4 Total = 15 Problems = 90 hours TEACHING AND LEARNING Module T223 Stage Management triggers that are scenario-based or of simulated events unique to the progression and developments of production up to the stated week. This practical approach aims to enable students to critically understand, appreciate and engage what would be an actual process of a production through RP’s PBL pedagogy. To ensure that students are trained to be both critical and reflective practitioners, each trigger will be supplemented with fundamental stage management skills and tools, as well as readings on related matters. Students will be given homework, tasks and projects to be completed after school hours to enhance their learning and exploration in Stage management. Students are required to obtain a SM (Stage manager) kit, which should consist of: 1. 1 Measuring tape (30m) 2. 1 pencil 3. 1 two-scale ruler 4. I roll of masking tape 5. 1 cutter 6. 5 rolls of marking tapes of different colors. (red, blue, green, yellow & black) A pair of safety boots. All students are required to put on safety boots to class. LEARNING RESOURCES Gail Pallin Lawrence Stern Scott Palmer Francis Reid Doris Schneider Stage Management: The Essential Handbook Stage Management (8th Edition) London: Nick Hern Books 2003 Boston: Pearson Allyn & Bacon 2006 Stage Management Lighting and Sound The Staging Handbook (Third Edition) The Art and Craft of Stage Management London: Hodder & Stroughton 2005 London: A & C Black Limited 2001 Orlando: Harcourt Brace and Company 1997 School of Technology for the Arts, Republic Polytechnic T223 Site-Specific Art Page 5