WS 341B -- History of American Women, 1865-Present Professor S. E. Cayleff Spring 2015 Please note: This syllabus is a contract. You are responsible for knowing its contents and fulfilling the requirements. Please read it carefully and refer to it constantly throughout the semester. Required Texts The following books are for sale at KB Books. The mandatory class Reader is for sale at KB Books (only) for use in this course. Chopin – The Awakening DuBois and Dumenil – Through Women’s Eyes (TWE), 2nd Edition Ehrenreich and English – For Her Own Good Houston – Farewell to Manzanar Plath – The Bell Jar Yezierska – Bread Givers Learning Outcomes By taking this course on “Women in American History” you will be able to: Situate women’s experiences within specific eras in American history Bring a feminist and critical gendered analysis to human experience Differentiate amongst the experiences of diverse women as their positions are affected by race, ethnicity, religion, sexual orientation, social class and so on. Understand the cultural institutions that determine the material circumstances of women’s lives (religion, law, medicine and so on...) Analyze how cultural and gendered norms and ideals impact diverse women’s lives (e.g. patriarchy, heteronormativity, shifting expectations of women’s “place” in the private and public realms and soon. Understand ways in which women have resisted and rebelled against these cultural institutions and norms See how women have formed separate institutions, ways of being and communities within these historical eras Advance your critical thinking and writing skills Enhance your ability to discern and analyze present-day gendered relations This course fulfills the American Institutions/G.E. requirement. Students are expected to think critically about the readings and to come to class prepared to have that knowledge supplemented by lecture material. On discussion/slide/film days, students will be asked to critically analyze a variety of the ideas, issues and themes that emerge in the readings and lecture material. Writing skills: SDSU Writing Center At the discretion of the professor, you may be asked to go to the Student Writing Center at SDSU. This is a wonderful place where you can learn writing skills, how to make an argument, and be a successful student. If asked to do so, you can make an appointment by emailing them at writingcenter@mail.sdsu.edu. You will be asked to bring proof when your session has been completed. If no proof is required, meaning that you did not follow through on the instructions, this will negatively impact your grade. The Writing Center is a free resource open to any SDSU faculty, staff, or student. The Writing Center staff consists of peer (student) tutors who assist students in understanding writing assignments and criteria and can help students with any stage of the writing process, from brainstorming topics to revision of rough drafts. The Writing Center’s purpose is to teach writers strategies to navigate complex situations for writing, both in and outside of the University. To make an appointment, please visit the Writing Center’s webpage, www.writingcenter.sdsu.edu. By accessing the webpage, students can schedule tutoring appointments online at their convenience, or they can simply stop by for a drop-in appointment. The Writing Center is located in the Dome, LLA 1103, next to the circulation desk. Academic Misconduct and Plagiarism: Academic Misconduct: Cheating Cheating is not tolerated in this class. Claiming that you “did not know” is not a reasonable response. Section 41301 of Title V of the California Code of Regulations defines academic misconduct as “Cheating or plagiarism in connection with an academic program at a campus.” According to the SDSU Center for Student Rights and Responsibilities, “Examples of cheating would include using unauthorized notes or study guides during an exam, unauthorized collaboration on coursework, stealing course examinations or materials, falsifying records or data, and intentionally assisting another individual in any of the above.” Some examples of plagiarism include submitting work that was written by someone else or using someone else’s ideas (verbal or written) without referencing that source in a footnote or bibliography. When using exact quotes, be sure put these quotes within quotation marks. The University of Indiana also has very helpful writing hints for students, including some on how to cite sources. Please visit http://www.indiana.edu/~wts/pamphlets.shtml for more information. Students with Disabilities: If you are a student with a disability and believe you will need accommodations for this class, it is your responsibility to contact Student Disability Services at (619) 594-6473. To avoid any delay in the receipt of your accommodations, you should contact Student Disability Services as soon as possible. Please note that accommodations are not retroactive, and that I cannot provide accommodations based upon disability until I have received an accommodation letter from Student Disability Services. Special Circumstances: Religious holidays: Anticipated absences for religious holidays must be cleared with the graduate assistant a minimum of ten days in advance. RESOURCES •SDSU’s Counseling and Psychological Services: 619-594-5220 •Family Justice Center: 619-533-6000 •San Diego Domestic Violence/Sexual Assault 24-hour Hotline: 1-888-DVLINKS or 1-888-3854657 Women's Studies Major or Minor: Thinking about a Major or Minor in Women's Studies? The program offers exciting courses, is committed to women's issues and social justice, and is adaptable to your interests and concerns. For more information Contact: Dr. Doreen Mattingly Undergraduate Advisor. mattingl@mail.sdsu.edu __________________________________________________________________ How to Read for this Course: Read the introductions and conclusions of the essays or books first and read them closely. When you read, read for argument. Determine the author's main themes and main argument. The editors of your books give you these in the chapter introductions, but you will learn how to extract this yourself as you read. Keep the weekly questions in mind as you read: these help you extract the most important ideas. COURSE EVALUATION CRITERIA: Total: 1000 points (plus extra credit points if applicable) -Attendance and discussion participation -Historical novel essay, 6 pages (based on one novel you select) -Exam -Primary Source Analysis -Two community involvement events -Presentation -FINAL PROJECT OPTIONS: Annotated bibliography This includes a 7 page annotated bibliography and an oral presentation: 100 200 250 100 100 50 200 (This is NOT a standard narrative paper) ---OR--- Participation in one of the Community-Based Service Learning internships, which includes a journal, final reflection paper and an oral presentation WRITTEN WORK REQUIREMENTS: •ESSAY: One 6 page analytic essay on ONE OF THE FOLLOWING THREE CHOICES: Awakening/Breadgivers (due 3/3); Farewell to Manzanar (due 3/24) or Bell Jar (due 3/26). PRIMARY SOURCE ANALYSIS: Historical Method: Primary and Secondary sources: A primary source is something from the era. This is a source that has not yet been interpreted by a scholar or anyone else. It can be a diary entry, demographic table from a census, medical record, “expert’s” writing at that time, a document from radical thinkers, poem, music, etc. A secondary source is something written by someone who has already interpreted the original (primary) materials. It is academic scholarship, etc. Community Involvements and Reflective Essays: 100 You must turn in your reflective essay within one week of the events. No late submissions will be accepted. The Women's Studies Department encourages students to explore the connections between theory and activism by offering students the option to fulfill a percentage of their course requirements through participation in community events relevant to Women's Studies. This course requires that you attend TWO such events (to be announced throughout the semester). After you attend an event you are asked to write a 3-4 page double spaced Reflective Essay. -----------------------------------------------------------------FINAL PROJECT OPTIONS All final papers and journals (if you are doing community activism) are due 5/7 at 11:00. No extensions. 1) Annotated Bibliography OR 2) Community Based Service Learning internship ANNOTATED BIBLIOGRAPHY Each student will select a topic they think would be a valuable supplement to the existing lecture material in WS341B. You will locate FOUR secondary (interpretive) and TWO primary sources ("from the era"/first-person accounts). One primary source can be your individual primary source analysis if it fits with the topic of your paper. No secondary sources can be from the Internet. Please follow this rule, as points will be deducted otherwise. COMMUNITY-BASED SERVICE LEARNING: COMMUNITY ACTIVISM Preference will be given to Women's Studies majors and minors. Students may apply to participate in one of five Community Service Learning internships. If selected, you are exonerated from the 7 page annotated bibliography assignment. You must be able to attend one of two scheduled training sessions. You must log 20 hours working with one of the following, keep a weekly journal, and write a 7 page reflective essay (prompt to be provided). Both the journal and the essay must be turned in for you to receive full credit. Your contribution/attendance/efforts will be calculated by your on-site supervisor). Details will be given the second week of class. EXTRA CREDIT OPPORTUNITIES These will be offered throughout the semester. Students may get credit for a maximum of two. These can only be done AFTER the community engagement assignment is fulfilled. PROMPT: Please address the following prompt when writing your 2 page reflection: 1) How did this event further your knowledge about information we have learned in our class? 2) What information was new to you? (Please give specifics) 3) What questions did you come away with? How inclusive of diversity was this presentation, event, etc.? How did this event demonstrate feminism? This is the only acceptable format for a response. DUE DATES: 2/26 – All primary source analyses are due (EVERYONE must do this) 3/3 – Awakening/Breadgivers essay due (CHOICE) 3/12 Annotated bibliography proposal due (if you are doing CBSL you are exonerated from this) 3/24 – Farewell to Manzanar essay due (CHOICE) 3/26 –The Bell Jar essay due (CHOICE) 4/14 –Students receive list of when they will give their final oral presentation (EVERYONE) 4/23 – Exam study guide distributed 4/28 –Exam May 7All annotated bibliographies and community-service learning reflections are due by 11:00. No electronic submissions will be accepted. April 30 and May I, May 5, May 7, and possibly May 12: Student presentations NO EXCEPTIONS. PLEASE DO NOT ASK. TEN POINTS DEDUCTED EACH DAY (NOT CLASS) IT IS LATE. If you cannot present on your scheduled day, we cannot reschedule you; it will result in a zero for that portion of your grade. COURSE SYLLABUS (Note: students are expected to come to class having completed the readings that appear for that date and ready to participate productively in discussion.) 1/22 Introduction: no readings required for the first class What is Women’s History? How do its methods differ from “traditional” history? Unit One: The 19th Century Legacy: Woman's Culture and Transforming the Public Sphere 1/27 19th Century Legacy: Limitations, Rewards and Widening HorizonsTWE: “Introduction for Students” pp. xxvii-xxxv; “Late Nineteenth-Century Immigration…” pp. 403421. Unit Two: The New Woman and the Progressive Era 1/29 The Progressive Era and the "New Woman" Defined: The Settlement House Movement Ehrenreich and English, For Her Own Good, Chapter 4. ** Begin reading The Awakening** Everyone must read this novel whether you choose to write this essay or not. 2/3 Urban Working Women: Immigrant Women and Their Families Visuals TWE: “Jacob Riis’s Photographs,” pp. 434-440; “Female Wage Labor and the Triumph of Industrial Capitalism.” pp.337-342; “The Female Labor Force,” pp. 455-462. 2/5 Women's Strikes and Trade Unions; Socialist Women ***Continue reading The Awakening TWE: “Parades, Picketing…”pp. 490 through the document on Lawrence, Mass. Ehrenreich and English, For Her Own Good, Chapter 6. 2/10 Women's Organizations: Race and Class Dimensions, 1890-1940 TWE: “The Female Dominion,” pp. 462-469; “Women’s Networks…” pp. 563-569; Visuals, “Women in Public Space: Uncle Sam Wants You,” pp. 498-502; and “Women’s Networks in the New Deal,” pp. 563-569. 2/12 Race Activism: TWE: “African –American Women and the Great Migration,” pp. 509-516; Ida B. Wells, “Race Woman,” pp. 358-362. 2/17 “Restlessness” and the Middle Class Discussion: Chopin, The Awakening Ehrenreich and English, For Her Own Good, “Microbes and the Manufacture of Housework,” Chapter 5. **Begin reading: Yezierska, Bread Givers** Everyone must read this novel whether you choose to write this essay or not. 2/19 New Morality and Feminism: Youth, Flappers and the New “Sex Freedom” All in the READER: D’Emilio & Freedman, “Morals and Manners in the 1920s;” “Singing the Blues” lyrics; Peiss, “Charity Girls;” Blee, “The Ku Klux Klan in Indiana.” 2/24 DISCUSSION: Breadgivers 2/26 ALL PRIMARY SOURCE ANALYSES MUST BE TURNED IN TODAY The Birth Control Movement: Margaret Sanger and Reproductive Freedom TWE: “Modernizing Womanhood,” pp. 503-507; and “Prosperity Decade: The 1920s,” pp. 521535. Unit Three: Social Class, Ethnicity and Women’s Opportunities and Limitations 3/3 Essay on The Awakening and The Breadgivers due today; prompt will be in your possession prior to this date 3/3 (CONTINUED) Cross-Class Solidarity: The Struggle to Become Full Citizens by Gaining the Vote Film: Iron Jawed Angels (partial) TWE: “Votes for Women” pp. 469-475; and Visuals, pp. 490-498. 3/5 Film: conclude Iron Jawed Angels 3/10 Women in the Great Depression TWE: “African American Women and the Great Migration,” pp. 509-516; “Depression Decade,” pp. 535-545. Unit Four: Individual Milestones and Cultural Demand: Opportunities for Women at MidCentury 3/12 DISCUSSION: Farewell to Manzanar (40 minutes) “Babe” Didrikson Zaharias: The Modern Woman Personified; Conflict and Opportunity TWE: “Young Women Speak Out…” pp. 556-562; Visual Sources 3/17 Women and World War II FILM: The Life and Times of Rosie the Riveter TWE: “Working for Victory: Women and War,” pp. 1941-1945, pp. 545-555; 3/19 The 1950s Toll: A brief insight into “The Feminine Mystique” DISCUSSION: S. Plath, The Bell Jar TWE: “The Limits of the Feminine Mystique,” p. 626 3/24 Film: Making Sense of the Sixties Ehrenreich and English, “Motherhood as Pathology,” For Her Own Good, Chapter 7. TWE: “Family Culture and Gender Roles” 3/26 The 1960s and Cultural Revolution Film: Seeds of the Sixties Ehrenreich and English, “The Fall of the Experts,” For Her Own Good, 295-340. TWE: Visual Sources, “Television’s Prescriptions for Women,” pp. 628-642; “Women's Liberation and the Sixties Revolution” pp. 670-674. SPRING BREAK MARCH 30 through APRIL 3 4/7 Civil Rights and the New Left TWE: “A Mass Movement for Civil Rights,” pp. 610-622; 653-658 4/9 Women's Liberation: The Problems and Potential for Unity: TWE: “The Impact of Feminism” pp. 685-694; and “Women and Public Policy,” pp. 694-700. 4/14 Film: Chicano Park READER: Ruiz, “Out of the Shadows.” Unit Six: Critical Issues since the Women’s Liberation Movement: Diversity and Struggle 4/16 Daughters of the Earth: Native American Women; the Mashpee Wampanoag Language reclamation project Film: We are Still Here Green, “Women in American Indian Society.” Chapter 7. 4/21 Women-Committed Women: Lesbian Life and Struggles LGBTQI Speakers READER: Davis and Kennedy, “Oral History…Lesbian Community,” Faderman, “Lesbians in the ‘80s” 4/23 Challenges in the 21st Century Reader: Articles on women’s health- “Women Are Different;” “Minorities Are Underserved,” “Dying to Win;” and “Who Isn’t on a Diet” Women and Work: Includes Discussion of Female Headed Households TWE: “Women's Lives in Modern America and the World” pp. 754-762 and “Feminist Revival of the 1990s,” pp. 766-777. 4/28 Final Exam 4/30 Student presentations: instructions already distributed May 5, 7 8 and possibly 12th Student presentations: