Ancient Rome ART KEY IDEAS: •ROMAN ART SHOWS THE AMBITIONS OF A POWERFUL EMPIRE •ROMAN ARCHITECTURE SHOWED ADVANCED UNDERSTANDING IN ENGINEERING THROUGH THE ARCH, THE VAULT AND CONCRETE •ROMANS ADVANCED PAINTING TECHNIQUES ROMAN SCULPTURE IS GREATLY INDEBTED TO GREEK MODELS Topic: Ancient Greco Roman Art In 211 BCE the Romans conquered the Greek city of Syracuse, Sicily and brought back works of Greek civilization to the amazement of the Romans. After, Romans wanted all things Greek Greece was completely conquered in 146 BCE, most sculptures, pottery and other treasures were removed and sent to Rome The Romans copied, learned and exceeded their influences.. Roman Republican Art - Busts Head of a Roman Patrician Upper Class Person (75-80 BCE) 3 (plebian – lower class) Bust from shoulders and head. Romans felt the head was a good enough representation of a person Expression: sincere, unwavering, resolute Knowledgeable, respected . Roman Republican Art: • 4 A Roman Patrician with Busts of His Ancestors, Late 1st Century B.C.E. Marble, life-size, Museo Capitolino, Rome Roman Republic vs. Roman Early Imperial Art Head of a Roman Patrician 75-80 BCE) Augustus of Primaporta, 20 BCE Roman Early Imperial Art Augustus of Primaporta, 1st. C. BCE Idealization of human form. Force and power Suggests a god/goddess 6 . Roman Early Imperial (dictator) Art Ara Pacis, 1st C. BCE Altar of Peace – celebrates Augustus’s biggest achievement, est. peace Altar connected w/Augustus’ homecoming after a long absence Altar reconstructed in Italy during Mussolini’s reign on the 2,000th birthday of Augustus Mussolini wanted a Modern Roman Empire . Roman Early Imperial Art Ara Pacis and Procession of the Imperial Family, 1st C. BCE Relief or Frieze Sculpture found on walls, columns, and architecture 8 Mosaic – decoration using small pieces of colored stones on a 2D surface Goal: realism perfection, movement, emotion and light Technique: Linear Perspective - the technique presenting three dimensional images on a 2D surface Subject Matter: wealth, pleasure/Gods, power Roman Architecture 11 Pantheon, Rome, 2nd century CE Built under Emperor Hadrian’s rule Considered a perfect Buildings Symmetry Dedicated to all the gods (pan – all, theo – god) Façade Inscription references 1st architect Marcus Agrippa, son of Lucius, built it (started) 8 Corinthian columns, 8 behind in porch Ancient metal roof almost gone Exterior does not give away the grand interior • Interior - 2 perfect intersecting circles (142 ft in diameter) - Interior height equals width - Symbolized an orb of the earth Hemispherical dome - Oculus, 30 ft opening - 7 Niches for statues of 7 planetary gods • Oculus allows light and air in Roman Architecture Pantheon, Rome, 2nd Century CE 12 (continued) Original dome decorated with stucco and painting Original marble walls survive Floor has drainage system • Symbolism Interior circle orb of the earth Dome the vault as the heavens Light from oculus symbolizes sun’s movement through the sky Essential Question: What ways have the Romans advanced architecture? Compare and Contrast the High Relief Sculptures Pedestal of a Column, 2nd century CE, (161 CE) Contrast of the classical and the non-classical style Roman High Imperial Art 14 Column of Trajan, 2nd c. CE, 112 CE Thumbnails of Columns Scenes http://www.historyforkids.org/learn/romans/architecture/trajanscolumn.htm http://penelope.uchicago.edu/~grout/encyclopaedia_romana/imperialfora/trajan/column.html 128ft Tall Stood in Trajan’s Forum, surrounded by buildings so that the reliefs could be read Ashes of Trajan placed at base Statue was once Trajan now it’s St. Peter Originally painted Continuous narrative around column Low relief, little shadows to enhance visibility 2,500 figures in all, 150 separate episodes Trajan’s accomplishments in War Column meant to be entered – a spiral staircase to the viewing platform at the top of the heroic statue