The future of a craft Publishing in the electronic age Joost Kircz School of Design and Communications University of Applied Sciences Amsterdam THIRD BLOOMSBURY CONF. ON E-PUBLISHING AND E-PUBLICATIONS, 25 & 26 JUNE 2009 Do I read a paper? NO I present an opinion in text, sound & visuals Is it a game? NO Though, it is about survival! 2 The central quest What are the differences & What are the consequences of the tension between: A Craftsperson AND / OR / NOT a Professional? Can we outsource a craft? 3 In other words: What makes publishing an industry that stays? 4 Warriors in revolting times Think of Laurence of Arabia Died in a motor cycle accident Romancing technology 5 Our 7 pillars of wisdom • • • • • • • A trusted relationship with the author Editing is the secret Getting an author’s “creation” across Collecting related “creations” in wholes Securing the legal framework A transparent integrated business plan To outsource or not to outsource 6 A trusted relationship with the author Personal versus interface Brainchildcare & Egomanagement All publishing is a human enterprise 7 A trusted relationship with the author A nice publisher?: 8 A trusted relationship with the author Trusted Friends?: 9 A trusted relationship with the author Reliable Business Partners: 10 Our 7 pillars of wisdom • A trusted relationship with the author • Editing is the secret • • • • • Getting an author’s “creation” across Collecting related “creations” in wholes Securing the legal framework A transparent integrated business plan To outsource or not to outsource 11 Editing is the secret ADDING Value Aspects: Understanding the message Prompting the author to improve (peer review) Enhancing the language (picture, sound) Indexing and layout (metadata) Abstracting (in house, freelance, external?? Who keeps control?) 12 Editing is the secret Only a foul relays sonly on a spelling chequer 13 Editing is the secret Metadata Context based content means creating relationships between (semantically) well defined units. Units that are <objectified/> by metadata Relationships that are represented by Typed Hyperlinks 14 Editing is the secret Metadata various categories 1- Backbone. The data describing the technical and physical characteristics of the original. 2- Structure of the information. To be translated in various output (device) formats 3- Content. Traditional index terms, keywords. 4- Administrative. Data describing the administrative, legal and personalised items. 5- Post-production. Metadata that are added after the creation: Number of downloads, sales, but also -and very important- data that link the product at issue to other products. 6- Super-metadata. All these interrelated metadata schemas, are badly in need for a metadata schema that enables the manipulation of all that product information. 15 Editing is the secret Metadata & Hyperlinks Typed Hyperlinks Organisational- Joining structures Discourse – Joining reasoning Bibliographic- Joining different works 16 Editing is the secret Metadata & Hyperlinks In an electronic environment we deal with information <objects/> and relationships, within a paper and between papers in a collection 17 Introduction – Methods - Datareduction - Exp-results – Discussion - Conclusions Article X Abstract y Article y 18 Editing is the secret Indexing We have to develop a fan of coherent controlled index systems per (sub)domain, genre, level, etc., in order to disambiguate (simple) search results. (Again this semantic analysis is intellectual labour) 19 Editing is the secret Indexing Botany Dentistry Crown Heraldry 20 Editing is the secret Abstracting What is an excerpt? For who? And who is the author? (remember Excerpta Medica) 21 Editing is the secret Types of Abstracts Type Balanced Information Outlines Usage Orientation Extensive All segments Substitution Characterizing Central theme Selection Orientated Specific information Various 22 Editing is the secret Functions of Abstracts 1) selection function Using the abstract for deciding which articles can be discarded and which articles warrant further inspection. 2) substitution function The abstract is aimed at presenting all information that is considered relevant for (some of) its intended readers, exempting them from reading the full document. 3) orientation function In this case, the abstract is aimed at supporting those who read (parts of) the source text. During the reading process, they can return to the abstract to regain insight in the broader coherence of the discourse.. 4) retrieval function First, "In fact, the ideal abstract from an indexer's point of view is a string of keywords linked into an easily read sentence" Second, more direct way: in full-text databases, 23 Our 7 pillars of wisdom • A trusted relationship with the author • Editing is the secret • Getting an author’s “creation” across • • • • Collecting related “creations” in wholes Securing the legal framework A transparent integrated business plan To outsource or not to outsource 24 Getting an author’s “creation” across Understanding the message Place in context Index for retrieval Metadata for retrieval & multiple presentations Abstracting for a fast digestion Understanding the reception of the market 25 Getting an author’s “creation” across Understanding the meaning It’s all about the content in context “This volume is dived into five parts. The title of the volume refers primarily to part one, which is by far the largest”. (the reference to this quote costs you some complementary drinks) 26 Getting an author’s “creation” across The context I will not discuss the intrinsic value of free text searching, probabilistic/ vector space models or other inductive methods Neither the values of the ontology research, but 27 Getting an author’s “creation” across The context It all about Garbage in ---- Garbage out. 28 Getting an author’s “creation” across The reception of the market Publisher’s /Journal’s/ Repository’s BRAND A semiotic object representing a certain value/message 29 Getting an author’s “creation” across The reception of the market One Brand, Changing owners 30 Changing brands Same owner 31 Our 7 pillars of wisdom • A trusted relationship with the author • Editing is the secret • Getting an author’s “creation” across • Collecting related “creations” in wholes • Securing the legal framework • A transparent integrated business plan • To outsource or not to outsource 32 Collecting related “creations” in wholes A journal can be defined as a recognisable item composed of coherent notions: Genre Quality Level Community “Journal Aims & Scope” Monographs & Handbooks 33 Collecting related “creations” in wholes The start in 5 January 1665 This picture the 1684 reprint by A. Wolfgang 34 Collecting related “creations” in wholes The great example: Philosophical Transactions of the Royal Society of London 6 March 1665 35 Collecting related “creations” in wholes The final write up on traditional journal publishing 1998 36 Collecting related “creations” in wholes To what extent does a huge repository represents coherence? Yes, we can find everything on a subject cross journal- in a repository (provided we know the lingo). Yes, we can only look at one journal (Brand) 37 Collecting related “creations” in wholes But who is helping in contextual clustering? How do we stumble upon the odd unknown author or the flash of inspiration by and unexpected figure, formula or……. (remember browsing a journal issue) 38 Roberto Bolaño 39 Collecting related “creations” in wholes ranking You can only compare if you know which aspects are relevant. We live in an age of metrics. All around us, things are being standardized, quantified, measured. Scholars concerned with the work of science and technology must regard this as a fascinating and crucial practical, cultural and intellectual phenomenon. Analysis of the roots and meaning of metrics and metrology has been a preoccupation of much of the best work in our field for the past quarter century at least. As practitioners of the interconnected disciplines that make up the field of science studies we understand how significant, contingent and uncertain can be the process of rendering nature and society in grades, classes and numbers. 40 Collecting related “creations” in wholes ranking Some may already be aware of the proposed European Reference Index for the Humanities (ERIH),an initiative originating with the European Science Foundation….. This initiative is entirely defective in conception and execution…….. Journals’ quality cannot be separated from their contents and their review processes. Great research may be published anywhere and in any language. Truly groundbreaking work may be more likely to appear from marginal, dissident or unexpected sources, rather than from a well-established and entrenched mainstream. 41 Collecting related “creations” in wholes ranking This joint Editorial is being published in journals across the fields of history of science and science studies as an expression of our collective dissent and our refusal to allow our field to be managed and appraised in this fashion. We have asked the compilers of the ERIH to remove our journals’ titles from their lists. 63 international journals in the field of history of science, medicine, etc. 42 Collecting related “creations” in wholes It is all about database & interface • Romancing technology MARK II 43 44 45 Our 7 pillars of wisdom • A trusted relationship with the author • Editing is the secret • Getting an author’s “creation” across • Collecting related “creations” in wholes • Securing the legal framework • A transparent integrated business plan • To outsource or not to outsource 46 Securing the legal framework Intellectual property: Yes, but to what extent, Property or personal merit? Copyright? What do we own, repack, sell? 47 Securing the legal framework The shift from selling rights as commodities (alienated frozen knowledge) 48 Securing the legal framework From: © kircz®@KRA™.nl Via: Open access 49 Securing the legal framework To: the dynamic enabling of (re) usage of reported knowledge The value of added value (a nice case of the difference between EU Intellectual ownership and US notion of copyrights of commodities) 50 Our 7 pillars of wisdom • • • • • A trusted relationship with the author Editing is the secret Getting an author’s “creation” across Collecting related “creations” in wholes Securing the legal framework • A transparent integrated business plan • To outsource or not to outsource 51 A transparent integrated business plan Changes in direct costs write-off ICT (networks, memories, etc.) Implementation costs new technologies Quality control departments Outsourcing Changes in variable costs Staff Freelancers Management perks Outsourcing 52 A transparent integrated business plan The publisher’s dilemma is: Do I sell <objects/> or Do I sell the enabling of a process ? 53 54 Our 7 pillars of wisdom • • • • • A trusted relationship with the author Editing is the secret Getting an author’s “creation” across Collecting related “creations” in wholes Securing the legal framework • A transparent integrated business plan • To outsource or not to outsource 55 To outsource or not to outsource In all the above we witness technological changes that ease and expand the real editorial work This demands standardisation - In all descriptive, logistic, storage, retrieval and presentation aspects. (Standardisation is commodification) This is a metaphor of the divorce between Publisher and Print shop 56 To outsource or not to outsource The first step is the outsourcing of well defined serial production 57 YES they can! 58 To outsource or not to outsource The next step is the understanding of the craft 59 YES they can! 60 Grounded trust why and how Genre Quality Level Community Coherence The value of human intervention in creating human knowledge. 61 Summary - Publishing is a human intellectual endeavour - Adding value to creations, creating new levels of knowledge - Technology is there to help and reshape the craft - Standardised activities complete a certain level of accomplishment - New technologies enable furthering new added human value to new stages in knowledge processing 62 To do list 63 • Understanding new presentation media and how they influence “writing”/ “communicating”. E.g. E-paper. • How to instruct and assist authors to enjoy hypermedia? • How do readers consume information and knowledge (game your way in genetics or quantum computing)? • Analysing how a textual discourse is structured and how we can use that to create alternative reading paths. • Analysing “hedging” to value data, inferences and conclusions. • How do XML tag names enhance the ranking of retrieved results? • Understanding the persuasiveness of multi-medial communications. A picture has thousand more meanings than a word. Web my lips. • Retrograde indexing (post-production metadata). • The role of editors as moderators of academic discussions. 64 An old new publishers’ task Given the conflation of all types, kinds, levels of information & Knowledge in electronic (garbage) bins Given the difficulties in keywording, metadata, structuring, information retrieval Given the fact that Abstracts are now to pinpoint the novelty for the first time (but don’t tell you why the content is eternal) 65 An old new publishers’ task I suggest: The creation of electronic journals that review, explain, notify and connect publications of a great variety of sources for a well defined audience. An electronic fusion of the traditional review journal/ “New Scientist”/ new blogs and wikis 66 Electronic Publishing is a craft 67