Media Journal
 What camera shots would you use to create a
5- shot sequence capturing a student walking
into this classroom and sitting down at a
desk?
Broadcast and Video Production I
SHOT SEQUENCES AND
STORYBOARDS
Shot Sequence
 The order and types of shots used to tell a
video story.
 The order in which shots are placed create the
flow of a video production.
 It should be smooth, logical and not confusing to
the viewer. This is called continuity.
Time Limits
 When creating a shot sequence, you must
think of the camera as similar to the human
eye.
 The mind will not let the eyes stay fixed on one
subject for more than 4 or 5 seconds.
 Constantly moving and focusing.
 The camera must record a variety of fast paced
single images and not one long single image.
30-3 Rule
 Most TV producers follow a rule that no shot
should last more than 30 seconds and no
scene should last longer than three minutes.
 Take one long scene and break it down into a
variety of short shots.
Order of Sequence
 A basic sequence generally begins with a wide-angle shot that
establishes in the viewer’s mind where the action is taking place.
This shot should only show what is important and relative to the
scene.
 A medium or close-up shot should follow the establish shot.
 A Cutaway is a shot of some action not taking place in the scene.
 A Cut-in is a shot of some action that is taking place in the scene.
One commonly used cut-in is the shot of the TV reporter’s face
listening to the response in an interview. A cutaway in the same
situation would be a shot of a scene, which is relevant to what
the person is talking about.
Shot Selection
 When creating a shot sequence, each new
shot, when possible, should show a change in
the size of the image and the camera angle.
 Image Size: When changing image size, you go
from wide shots, to medium shots, to close-ups.
 Camera Angles: The camera moves in an arc
about the subject. The move should always bee at
least 45 degrees. By doing this, you bring variety
and interest to the scene.
Jump Cut
 Occurs when you do not move the camera at
least 45 degrees or change the image size
enough.
 The jump cut produces a picture that seems to be
a double exposure or make the subject seem to
bounce up or down slightly.
 To Avoid the Jump Cut: Use the cut shot. (A
cutaway or cut-in)
Screen Direction
 Screen Direction: The direction in which people and
objects face and move on the TV screen.
 180 degree Rule: It helps avoid viewer confusion by
keeping the flow of action on the screen moving in the
same direction. It gets its name from the 180 degrees in
half a circle.
180 Degree Rule
 The arc: The arc that is formed in the half circle is where
the camera can be placed when shooting sequences.
 The Diameter: The straight line that is the diameter of
the circle becomes an imaginary line that should not be
crossed when shooting a sequence. If you cross that line,
viewer confusion would result because the subjects
would be looking from opposite directions.
 Example: Would apply in a football game where you want all
players to move in the same direction. It would also apply to an
interview.
180 Degree Rule
 Breaking the Rule: There are ways to break this
rule but the following techniques must be used
to avoid viewer confusion.
 The Subject Changes Direction: The camera is
filming while the subject changes direction.
 Example: A person is running in one direction and
suddenly reverses his direction and continues to run.
 Example: A person speaking to someone on the left,
turns his head and speaks to someone on the right. These
situations tell the viewer the screen direction has been
changed.
180 Degree Rule
 Cross the Line by Leaving the Camera Run: Camera is
running while the videographer moves across the line.
 Example: You are filming a person baking a cake. You want to show
how they are mixing the ingredients from the other side of the
counter. So, you leave the camera running while you carefully walk
around the counter to the new position.
180 Degree Rule
 Cross the Line by Stopping on It: Record a situation, use
a cut shot of someone or something on the line, then
cross the line.
 Example: Using the cake example, you would record the person
baking the cake from the one side of the counter, pause the recording,
take a close-up shot of the person’s face intently concentrating on
baking, pause recording, cross the line and begin recording from the
other side.
180 Degree Rule
 Point of View Shot: This is when you film a shot from the
viewpoint of what the subject would see. It is as if the
camera were the eyes of the subject. It is from the
subject’s point of view.
 In the cake example, instead of taking a close-up of the chef’s face,
you would take a close-up of the spoon mixing the ingredients.