KEISER UNIVERSITY Course Control Document American Literature AML1000 Residential / Online DELIVERY FORMAT: None PREREQUISITES: 3.0 semester credit hours CREDIT HOURS: 48 CONTACT HOURS: 48 LECTURE HOURS: The Norton Anthology of American Literature, Shorter 8th edition TEXTBOOK TITLE: W.W. Norton PUBLISHER’S NAME: Nina Baym, ed. AUTHOR’S NAME: 9780393930573 ISBN: Gregory Ruppert INSTRUCTOR: gruppert @keiseruniversity.edu Keiser Receptionist: 941-907-3900 course website: http://gruppertclass.wordpress.com/ Office hours:1:00 – 3:00 pm M. T. Th. and by appointment Earned doctorate or master’s degree in literature or a master’s degree with INSTRUCTOR 18 graduate credit hours in subject taught. QUALIFICATIONS: This is a Gordon Rule course requiring a minimum of 4000 written words. GORDON RULE: Students enrolled in AA, BA or BS programs must earn a grade of “C” or higher to receive credit Explores select American authors and literary texts. Topics include historical COURSE background, social forces, literary genres and elements. DESCRIPTION: Why study literature COURSE TOPICS: Elements of literature Literary genres Survey of American authors American literary movements and periods COURSE OBJECTIVES: Upon completion of this course, students are able to: 1. Demonstrate an understanding of American authors and works through the twentieth century. 2. Demonstrate an understanding of the major literary periods and genres in American literature within social and historical contexts. 3. Demonstrate an understanding of the elements of poetry, drama, and fiction. 4. Evidence interpretive and critical thinking skills through oral and written literary analyses. COURSE TITLE: COURSE NUMBER: Method of Course Delivery: The subject matter in this course is presented in various forms which may include lectures, class discussion, demonstrations, collaborative activities, computer assignments, student projects and presentations, on-line research, guest speakers and field trips. Course Evaluation Strategies (Methodologies) 20% 55% 20% 5% 100% Student performance is evaluated as follows: Examination(s), Midterm Assignments (quizzes, writing assignments, discussions, standing assignments, presentations) Final examination/project Post-test Final score Grade Breakdown Standing Assignments 9*4% and Poetry 1*4% Final Exam 10% and Book Review 10% Reading Tests 2*5% Midterm 1*10% Class participation and discussion Post Test 1*5% Oral Presentation 1*5% Total 40 points 20 points 10 points 10 points 10 points 5 points 5 points 100 points Grading Scale A grade is determined using the following grading scale 90-100 % A 80-89.99 % B 70-79.99 % C 65-69.99 % D Less than 65 % F Standing Assignments: These reading responses are the class homework and consist of a few questions, juxtapositions, and a paragraph response. A handout explaining the assignment and giving and example is available on day 1 and on the course website. We will also do one standing assignment that will instead focus on composing poetry. All standing assignments must be completed by the end of the term, but standing assignments must be typed and be on a poem, play, story, or essay (not history sections or author biography) that we have not yet discussed in class. Midterm and Final exam: Both the midterm and final will test your knowledge of American Literary History, Literature Terminology, and your ability to write literary analysis. Novel Review: You will be reading an American Novel (there will be a selection to choose between) throughout the semester. You will need to write a novel review of 500 words or more. You will also need to present your novel review to the class in an oral report of 3 - 5 minutes. A handout explaining the assignment and giving an example will be available in class and on the course website. Attendance Policy Class attendance is important to your classmates, especially during group workshops and classroom discussion. It is vital to achieve a good grade; in fact, it is part of your overall grade for professionalism. Each student receives 100 points for activities done in class; each student loses 10 points from the final grade for each excused or unexcused absence. To retain these points, it is imperative that you call the Keiser receptionist if there is going to be a problem in attending a class session, or circumstances force you to arrive late or leave early. Please leave a message as to the reason for your arriving late or missing class with the receptionist. The number is listed at the top of this syllabus. Please note that in the student handbook, if you have three full days of excused or unexcused absences (12 hours), you may not be able to take the final. Dress code Keiser University requires business casual dress. This means shirt and tie are required for men. For women there is to "be no exposed bellies or cleavage" (Faculty Memo 3). Jeans and flip flops are not allowed. Food and Drink No food is allowed in the classroom. Drinks are only allowed in your bag or securely on the floor. You will be given breaks during the course period. Acceptable Classroom Behavior Students are expected to behave professionally. You're expected to be able to monitor your own behaviour (hmm has anyone guessed yet that I do a lot of British lit?) and no one will be looking over your shoulder to make sure you keep up with class. I will warn you if you are having any trouble with absences or lateness, but it is your responsibility to be in on time, prepared, and ready for class. I'm happy to schedule extra office hours for people working on papers, but don't try to do this the last minute. Procrastination is not an excuse for anything, though it is understandable. If something does come up though that will impact your ability to be in class or to turn in assignments let me know as soon as possible, as I am generally sympathetic and willing to work with you. It is required and indeed expected that students will treat each other with respect and professionalism during class discussions. If you disagree with someone don't attack them but explain why you disagree. If you catch a classmate, or perhaps more likely me, making a mistake be nice about how you point it out. If you cannot do this you will be asked to leave and be considered absent. Again along the lines of common sense, if you need to use the restroom please just make sure to leave and return quietly. We will have two scheduled breaks during the class period. Please turn off all cell phones, pagers, and other electronic devices before class begins. We will be using computers frequently within the course, but there will be times I ask you to turn your monitors off. Also do not do schoolwork for other classes or visit non-course related websites during this class or you will be considered absent. Calendar – AML 100 Readings in The Norton Anthology: American Literature are due before the class in which they are noted. For example, you should read pages 157-169, 326-332, and http://www.bartleby.com/96/164.html before Tuesday’s class on November 26th. Monday, 11/25, 2013 Pre-Test Syllabus American Literature to 1700 pp. 3-19 “The Iroquois Creation Story” pp. 20-23 Pima Stories John Smith, from New England’s Trials pp. 69-72 Introduction of standing assignment “Conversations with My Father” Introduction of classic or contemporary American Novel Assignment -- www.pbs.org/wnet/americannovel Book Review Guide Tuesday, 11/26, 2013 Why Read Literature (Importance of Literature.doc) American Literature from 1700-1820 pp. 157-169 American History Timeline Thomas Paine “Introduction” and “From III: Thoughts on the Present State of American Affairs” pp. 323 – 331 (activity) Sarah Wentworth Morton “The African Chief” http://www.bartleby.com/96/164.html Book Review Guide Arthur Miller pp. 2416-2418; and The Crucible Thursday, 11/28, 201 Thanksgiving – No Class Monday, 12/2, 2013 American Literature from 1820-1865 pp. 445-466 The Elements of Fiction (Plot, Character, Point of View) Edgar Allan Poe pp. 683-687 (activity) “The Tell-Tale Heart” pp. 714-718 “The Black Cat” pp. 718-724 “The Raven pp. 688-691 Henry Wadsworth Longfellow pp. 656-658 “A Slave’s Dream” pp. 659-660 http://www.yourenglishclass.com/the-simpsons-raven/ Practice Reading test You should complete 1-2 standing assignments by today Tuesday, 12/3, 2013 Arthur Miller pp. 2416-2418; video The Crucible Henry David Thoreau pp. 839-842 Reading Test 1 Emily Dickinson pp. 1189-1193 Emily Dickinson Poems 236,359, 372, 479, 1096 (Using the top number) The Elements of Fiction (Figurative Language, Rhyme, and Meter) The Crucible historical inaccuracies Nathaniel Hawthorne pp. 603-606 “Young Goodman Brown,” pp. 619-628 (activity) You should complete 3 standing assignments by today Thursday, 12/5, 2013 American Literature 1865-1914 pp. 1265-1281 Kate Chopin pp. 1604-1605 “Desiree’s Baby” pp. 1605-1609 Charlotte Perkins Gilman pp. 1668-1669 “The Yellow Wallpaper” pp. 1169-1681 Mark Twain “The War Prayer” handout and on e-companion The Elements of Fiction (Setting, Symbol, Theme) Continue reading chosen American novel. Midterm review You should complete 4 standing assignments by today Monday, 12/9, 2013 American Literature 1914-1945 pp. 1837-1856: Introduction to modernism Robert Frost pp. 1911-1912 and Mending Wall, The Road Not Taken, and Desert Places William Carlos Williams pp. 1961-1963 and The Widow's Lament in Springtime and This is Just to Say e.e. cummings pp. 2135-2136 and “next to of course god america i and O sweet spontaneous MIDTERM EXAM You should complete 5 standing assignments by today Tuesday, 12/10, 2013 Susan Glaspell “Trifles” pp. 1927-1936 T.S. Elliot “The Love Song of J. Alfred Prufrock” pp. 2006-2008 William Faulkner “Barn Burning” pp. 2188-2199 Drama Terminology You should complete 7-8 standing assignments by today Thursday, 12/12, 2013 F. Scott Fitzgerald pp. 2147-2149 Video: The Great Gatsby Ernest Hemingway pp. 2203-2205 “The Snows of Kilimanjaro” pp. 2205-2221 Langston Hughes pp. 2221-2222 and I, Too and Note on Commercial Theater Richard Wright pp. 2244-2245 “The Man Who Was Almost a Man” pp. 2245-2271 Extra credit assignments presented You should complete 6-7 standing assignments by today Monday, 12/16, 2013 American literature since 1945 pp. 2255-2271; Introduction to postmodernism Theodore Roethke pp. 2272-2273 and Cuttings (later), My Papa’s Waltz, and The Waking Flannery O’Connor pp. 2523-252537 “Good Country People” pp. 2569-2583 Sylvia Plath pp. 2600-2602 and Daddy and Child Anne Sexton’s poem “Sylvia’s Death” pp. 2559-2560 Further discussion of themes in The Great Gatsby Reading Test 2 You should complete 8-9 standing assignments by today Tuesday, 12/17, 2013 Toni Morrison pp. 2585-2587 “Recitatif” pp. 2587-2600 Alice Walker pp. 2714-2715 “Everyday Use” pp. 2715-2721 Gwendolyn Brooks pp. 2496 (We Real Cool) Lucille Clifton pp. 2664- 2665 (the Mississippi river empties into the gulf) by Li Young Lee pp. 2798-2801 (Persimmons and Eating Together) Early Novel Review Oral Presentations for 1 point extra credit Final Review You should complete 9 standing assignments and your poetry assignment by today Thursday, 12/19, 2013 Post Test Final Exam Novel Reviews Oral Presentations cont. Novel Reviews due KEISER UNIVERSITY Course Control Document – Evidence of Understanding Course: AML1000 American Literature By signing below I affirm that I have received, read and understand the information provided in the above course control document; and the grade which I must achieve to pass the course. Print Name: ____________________________________________ Signature: _____________________________________________ Date: __________________________________________________ Instructor: _____________________________________________