AP Art History PowerPoint Project by Jim Henson zy_caravaggio_boy bitten_henson Alpha/#key below: zy=50 100 WELL KNOWN WORKS OF ART #50 Caravaggio, Boy Bitten by Lizard Interpreted Using The Feldman Model of Formal Analysis Feldman’s Model of Art Criticism From the work of Edmund Burke Feldman, During the late 1960’s and early 70’s 1. DescriptionList the visual qualities of the work that are obvious and immediate. “What do you see in the artwork”? Include content and subject matter in representational worksInclude abstract elements in nonrepresentational pieces. 2. AnalysisFocus on the formal aspects of elements of art, principles of design. “How does the artist create a center of interest? How does the use of color impact the painting?” 3. InterpretationPropose ideas for possible meaning based on evidence. “What was the artist trying to communicate”? 4. JudgmentDiscuss the overall strengths/success/merit of the work. How and why has this work achieved cultural value? Michelangelo Merisi da Caravaggio Boy Bitten by Lizard 1595-1600 Baroque Movement Oil painting on canvas 26”x 20” Rome, Italy Recently exhibited at the Kimbell Museum in Ft. Worth, TX Andy Warhol Eight Elvises1, 1963, Pop Art Movement, 12’ wide Silk Screen “painting” New York, NY (format for a horizontal image) 1.DESCRIPTION a. Painting b. Oil on canvas c. 26” x 20” d. Youth dramatically reacting to lizard bite e. Frozen action pose f. Shallow 3-D space with close background g. Theatrical, single source lighting h. Dark shadowy shapes- lines in fabric i. Somber, murky, colors in low light j. Tactile illusion of surface textures (realistic) k. ITALIAN- Lt 16th Cent, (c.1595- Rome) 2.ANALYSIS a. Images from advertising b. Emphasis on shape of can & color red c. Organized and stable composition d. Stacked and flat structural system e. High contrast and vibrant f. Compact shallow space-no depth g. Static and mechanical – no movement h. No shading-flat i. Balanced- symmetrical and actual size can 3. Interpretation a. Demonstrates how commercialism and advertising dominates people’s lives (“I want to be a machine”) b. Emphasizes advertising and mass production- reaction against Abstract Expressionism and continues the idea of “readymades” and collage c. Add additional commentary by the artist or critics to support the interpretation (quotes and sources or a link to your essay) 4. Judgment a. What sets this work apart and makes it worth studying? (Warhol timeline Met Museum) b. How does this work fit into the context of what came before and after it? (Development and Influence of POP) c. How have critics, historians, and the public reacted to this work? (Warhol Museum) d. How has this work changed the way art is viewed? (How Warhol Changed the World) e. Context with AP Exam: Link to AP Exam Q&A Compare and Contrast Use this slide to develop points that may be used in essays. You may also hyperlink to external essay material here: Link to British Essay Academic Essay Link Khan Academy Video Top 20 Works by Warhol Summary POP ART 1950s-1960s A style of painting and sculpture in the 1950's and 1960's; the subject matter was based on visual cliches, subject matter and impersonal style of popular mass media imagery.1 Robert Rauschenberg, Jasper Johns, Roy Lichtenstein, Andy Warhol, Claes Oldenburg, George Segal were important pop artists. Interesting Facts About Artist • • • • • • Warhol called his studio The Factory Also created experimental movies (see note below) Studied at Carnegie Institute of Technology Wrote The Philosophy of Andrew Warhol He was shot (almost to death) by one of his assistants He was very ill when he was a child and spent his time at home learning about and making art • Wanted to remove the boundaries between fine art and commercial art A still shot from the Warhol film, EMPIRE, a 1964silent, black-and-white film made by Andy Warhol. It consists of eight hours and five minutes of continuousslow motion footage of the Empire State Building . References 1. (Pop Art - Quizlet Notes-definition) http://quizlet.com/24479640/pop-art-flash-cards/