Discourse Analysis The Analysis of Language Longer Than a Sentence Texts May Be of Any Length… Literary Stylistics: poetry, prose, novels… Forensic Linguistics: courtroom discourse, police discourse, language of the law, etc. Critical Discourse Analysis: political texts, speeches, constitutional/civil rights issues… Methodologies for Performing Discourse Analysis 1) 2) 3) 4) 5) 6) Speech Act Theory Interactional Sociolinguistics Ethnography of Communication Pragmatics Conversation Analysis Variationist Approach Speech Act Theory Stems from the Philosophy of Language How we accomplish actions with words Knowledge of required underlying assumptions Interpretations of acts through language Contextually dependent Interactional Sociolinguistics Culturally bound Lack of shared background knowledge produces mismatched intentions/interpretations How language is situated in different areas of life Ethnography of Communication Holistic analysis of meaning/behaviour Includes world views and cultural values Focus in particularities of each communicative situation, e.g.: People Setting Context, etc. Pragmatics Inferential interpretations of speaker’s intent Assumption of cooperation (Grice) Hearers search for meaning behind adherence to or breaking of maxims Contextually bound Conversation Analysis Stems from sociological studies Sees conversation as the building of social order Interpretation is limited to the utterances themselves No preconceived categories before the analysis takes place. Variationist Approaches Search for patterns in discourse How are the patterns constrained by the discourse? Segementation of discourse (typically narrative) into sections More emphasis on text than context Uses traditional linguistic categories of analysis Data Collection Collection methods and requirements vary for each methodology. May be fragments of conversation (IS) to a wide range of texts (V). Some require close personal knowledge and/or assimilation into a society (EC), others may use hypothetical discourse of ideal speaker (P). Derivational Thinking (DT) Linguistic Postulates: number (use of singular/plural structures) sex-based gender (with the masculine form as the root and the feminine derived from the masculine) ranking comparative/absolute (e.g. better, best) e.g. Hardman (1996) Evanescence (featuring Paul McCoy) – “Bring Me To Life” (I can’t wake up) Before I come undone (Save me)Save me How can you see into my eyes, Like open doors Leading you down into my core Where I’ve become so numb Without a soul My spirit sleeping somewhere cold Until you find it there, And lead it back home (Wake me up) Wake me up inside (I can’t wake up) Wake me up inside (Save me) Call my name And save me from the dark (Wake me up) Bid my blood to run (I can’t wake up) Before I come undone (Save me) Save me From the nothing I’ve become Now that I know what I’m without You can't just leave me Breathe into me and make me real Bring me to life (Wake me up) Wake me up inside (I can’t wake up) Wake me up inside (Save me) Call my name, And save me from the dark (Wake me up) Bid my blood to run (I can’t wake up) And save me from the dark (Wake me up) Bid my blood to run From the nothing I’ve become Bring me to life (I've been living a lie, There's nothing inside) Bring me to life Frozen inside without your touch, without your love, darlin’ Only you are the life among the dead All this time I can't believe I couldn't see Kept in the dark But you were there in front of me I’ve been sleeping a thousand years, it seems Got to open my eyes to everything Without a thought, without a voice, without a soul Don't let me die here There must be something more Bring me to life (Wake me up) Wake me up inside (I can’t wake up) Wake me up inside (Save me) Call my name And save me from the dark (Wake me up) Bid my blood to run (I can’t wake up) Before I come undone (Save me) Save me From the nothing I’ve become (Bring me to life) I’ve been living a lie, There’s nothing inside (Bring me to life) Issues with ‘Bring Me to Life’ Theme song of widely popular film ‘Daredevil’ Calls for ‘hero’ to ‘Bring me to Life’ Mismatch with the movie - Elektra Export of sexism Nickelback – “Never Again” He's drunk again, It’s time to fight She must have done something wrong tonight The living room becomes a boxing ring It's time to run when you see him Clenching his hands She's just a woman Never Again I hear her scream, From down the hall Amazing she can even talk at all She cries to me, Go back to bed I'm terrified that she'll wind up Dead in his hands, She's just a woman Never Again Been there before, but not like this Seen it before, but not like this Never before have I ever Seen it this bad She's just a woman Never Again Just tell the nurse, You slipped and fell It starts to sting as it starts to swell She looks at you, she wants the truth It's right out there In the waiting room With those hands Looking just as sweet as he can Never Again Seen it before, but not like this Been there before, but not like this Never before have I ever Seen it this bad She's just a woman Never Again Father's a name you haven't earned yet You're just a child with a temper Haven't you heard "Don't hit a lady"? Kickin' your ass would be a pleasure He's drunk again, it's time to fight Same old shit, Just on a different night She grabs the gun, she's had enough Tonight she'll find out how fucking Tough is this man Pulls the trigger Just as fast as she can Never Again Seen it before, but not like this Been there before, but not like this Never before have I ever Seen it this bad She's just a woman Never Again DT and ‘Never Again’ This song tells the story of a woman suffering domestic abuse from her male partner. Denial of Agency The singer here is an onlooker, and though he attests “Haven’t you heard ‘Don’t hit a lady?’ Kicking your ass would be a pleasure,” the woman in the song does not allow him to deny her the agency required to finish this for herself. She shoots the man while he is beating her. Double Standard of Content “She’s just a woman” Examples of artists that have songs that lean towards sexism: Guns ‘n’ Roses (e.g. ‘Rocket Queen) Red Hot Chili Peppers (e.g. ‘Suck my Kiss’) Kid Rock (e.g. … most anything !) Puddle of Mudd (e.g. ‘Control’) Velvet Revolver (e.g. ‘Dirty Little Thing’) Saliva (e.g. ‘Survival of the Sickest’) The ‘Good Guys’… Do not take from this that all rock music is sexist!! Linkin Park Godsmack Metallica 3 Doors Down Audioslave Crossfade Crossfade – “Cold” Looking back at me I see That I never really got it right I never stopped to think of you I'm always wrapped up in Things I cannot win You are the antidote that gets me by Something strong Like a drug that gets me high What I really meant to say Is I'm sorry for the way I am I never meant to be so cold to you And I'm sorry about all the lies Maybe in a different light You could see me stand on my own again Cause now i can see You were the antidote that got me by Something strong like a drug that got me high I never meant to be so cold I never really wanted you to see The screwed up side of me that I keep Locked inside of me so deep It always seems to get to me I never really wanted you to go So many things you should have known I guess for me there’s just no hope I never meant to be so cold