Toward the Modern Era: 1870-Early 1900’s The Growing Unrest Belle époque Was a period in European history that began during the late 19th century and lasted until World War I. Occurring during the time of the French Third Republic and the German Empire, the Belle Époque was considered a "golden age" as peace prevailed between the major powers of Europe, new technologies improved people's lives, and the commercial arts adopted modern forms Growing frustration, restlessness Economic disparity, resentment Population growth Capitalism vs. Socialism Loss of religious security Liberty Enlightening the World (French: La liberté éclairant le monde), known more commonly as the Statue of Liberty (Statue de la Liberté), is a large statue that was presented to the United States Dedicated on October 28, 1886, by France in 1886 commemorates the centennial of the United States and is a gesture of friendship from France to the U.S. Frédéric Auguste Bartholdi sculpted the statue and obtained a U.S. patent useful for raising construction funds through the sale of miniatures. Alexandre Gustave Eiffel (designer of the Eiffel Tower) engineered the internal structure. Eugène Viollet-le-Duc was responsible for the 1889 choice of copper in the statue's construction and adoption of the repoussé technique. New Movements in the Visual Arts Édouard Manet (1832-1883) Le Déjeuner sur l’Herbe (1863) A Bar at the Folies-Bergére (1882) Break from tradition View of the artist Characteristics of Impressionism Style •Not too much structure •Ephemeral moment that is captured •Moment captured as it fades from site •Reflection of light on water, like sunrise/sunset •An illusion •Visible brushstrokes •Inclusion of movement Turner – 1834-fire Monet - 1903 Sunrise by Monet, Impressionism Monet’s Water Lillies (The Clouds) Edgar Degas Orchestra Musicians 1870 Self Portrait with Bandaged Ear 1869 Van Gogh New Movements in the Visual Arts Impressionism Realism of light, color Fidelity to visual perception, “innocent eye” Devotion to naturalism Claude Monet (1840-1926) Impression: Sunrise (1872) New Movements in the Visual Arts Impressionism Pierre Auguste Renoir (1841-1919) Beauty of the world, happy activity Women as symbols of life Le Moulin de la Galette (1876) Edgar Degas (1834-1917) Intimate moments as universal experience Psychological penetration “Keyhole visions” New Movements in the Visual Arts Impressionism Female Impressionist painters Mary Cassatt (1844-1926) Berthe Morisot (1841-1895) Rodin’s Impressionist sculpture The Kiss (1886) New Movements in the Visual Arts Post-Impressionism Rejection of Impressionism Personal artistic styles Georges Pierre Seurat (1859-1891) Paul Gauguin (1848-1903) New Movements in the Visual Arts Post-Impressionism Paul Cézanne (1839-1906) Impose order on nature Priority of abstract considerations Mont Sainte-Victoire (1904-1906) van Gogh’s Starry Night (1889) Autobiographical, pessimistic art Social, spiritual alienation New Movements in the Visual Arts Fauvism “Les Fauves” Loss of traditional values of color, form Distortion of natural relationships Henri Matisse, The Red Studio (1911) New Movements in the Visual Arts Expressionism Alarm and hysteria Edvard Munch, The Scream (1893) Autobiographical, social, psychological Antonio Gaudí, Casa Milá (1907) Die Brücke, Der Blaue Reiter Emotional impact, alienation and loneliness Heckel (1883-1970), Nolde (1867-1956) New Styles in Music Early Nineteenth-Century Orchestral Music Communication beyond musical values New treatment of melody, harmony, rhythm Composer’s inner emotions, autobiography Program music Symphonic, tone poems Narrative + musical interests Silhouettes / calling cards / camera lucida Silhouette portraits were fashionable around the year 1800 The term comes from Etienne de Silhouette. Artists – Love/Hate Relationship with Photography, like Gaugin - copied native art from travel photography – very famous 1891 and 1892 paintings - Tahiti "Photography" is derived from the Greek words photos ("light") and graphein ("to draw") The word was first used by the scientist Sir John F.W. Herschel in 1839. It is a method of recording images by the action of light, or related radiation, on a sensitive material. On a summer day in 1827, it took eight hours for Joseph Nicéphore Niépce to obtain the first fixed image. About the same time a fellow Frenchman, Louis Jacques Mandé Daguerre was experimenting to find a way to capture an image, but it would take another dozen years before he was able to reduce the exposure time to less than 30 minutes and keep the image from disappearing… ushering in the age of modern photography. Alfred Stieglitz The Terminal, New York , 1892 Alfred Stieglitz Winter on Fifth Avenue, New York 1893 Ansel Adams – 1927 and 1932 Galloping Horse – All four legs in the air? Eadweard Muybridge Ascending Stairs 1884-85 Étienne-Jules Marey, French physician, inventor Motion Photography – around 1888. Lumiere Brothers – French Auguste and Louie Arrival of A Train – 12/28/1895. Grand Café Screening – people terrified. http://www.youtube.com/watch?v=1dgLEDdFddk A Trip to the Moon – Melies http://www.youtube.com/watch?v=aI0BmQaIIR4&NR=1 Lumiere Brothers - More “Cinema is an invention without any future” and declined to sell their camera to other filmmakers such as Georges Méliès. Consequently, their role in the history of film was exceedingly brief. They turned their attentions to color photography and in A Trip to the Moon by Melies-The Father of Special Effects Part I http://www.youtube.com/watch?v=ZI9OaZHxk64&feature=related Part II http://www.youtube.com/watch?v=NjjTAuh2ACY New Styles in Music Early Nineteenth-Century Orchestral Music Richard Strauss (1864-1949) Don Juan Till Eulenspiegel Alpine Symphony Operas Autobiographical compositions New Styles in Music Impressionism in Music Claude Debussy (1862-1918) Changing flow of sound, shifting tone colors Ethereal, intangible, refined Natural atmospheres, Der Mer Maurice Joseph Ravel (1875-1937) Classical form, balance Daphnis and Chloe New Styles in Music Search for a New Musical Language Arnold Schönberg (1874-1951) Expressionistic atonal music Pierrot Lunaire (1912), Sprechstimme Twelve-tone technique (serialism) Row, inversion, retrograde, retrograde inversion http://www.youtube.com/watch?v=F-WVtoAykS4&feature=related http://www.youtube.com/watch?v=7HlFZlLprMw New Styles in Music Search for a New Musical Language Igor Stravinsky (1882-1971) The Rite of Spring (1913) “the destruction of music as an art” Russian folk subjects Changing, complex, violent rhythms http://www.youtube.com/watch?v=Oe9_bszUQQs New Subjects for Literature Psychological Insights in the Novel Nature of individual existences The subconscious and human behavior Fyodor Dostoyevsky (1821-1881) Concern for psychological truth Human suffering, salvation Crime and Punishment New Subjects for Literature Psychological Insights in the Novel Anton Chekhov (1860-1904) Irony and satire, passivity and emptiness Marcel Proust (1871-1922) Remembrance of Things Past Evocation of memory Stream of consciousness style Responses to A Changing Society: The Role of Women Family life, society at large Right to vote, marriage ties Henrik Ibsen’s A Doll’s House (1879) Criticism of anti-feminist social conventions Kate Chopin’s The Awakening (1899) Sexuality as liberation from oppression