The Rhetorical Triangle LOGOS CONTEXT ETHOS PATHOS Ethos: appeal to ethics SPEAKER Logos: appeal to logic MESSAGE Establishes speaker’s credibility by Offers proof/factual evidence and appeals to reason by Demonstrating knowledge Establishing common ground Demonstrating fairness Ethical fallacies: ad hominem, guilt by association Pathos: appeal to emotions, values, and beliefs AUDIENCE Reaches audience and evokes an emotional response by Providing examples and precedents Citing authority and testimony Establishing causes and effects Using figurative language Using inductive and deductive reasoning Shapes appeals to specific audience Logical fallacies: begging the question, post hoc fallacy, non sequitur, either-or, hasty generalization, oversimplification Using description and concrete language Emotional fallacies: bandwagon, flattery, in-crowd appeal, veiled threats, false analogies, weasel words Rhetorical Appeals Appeals are how a writer/speaker tries to convince the intended audience. The three main appeals are below: logos, ethos, and pathos. Ethos These are ethical appeals based on the nature of the person making the appeal. Think about the following: Is this source/speaker credible? My Dear Fellow Clergymen: While confined here in Birmingham city jail, I came across your recent statement calling my present activities "unwise and untimely."...Since I feel that you are men of genuine good will and that your criticisms are sincerely set forth, I want to try to answer your statement in what I hope will be patient and reasonable in terms. I think I should indicate why I am here in Birmingham, since you have been influenced by the view which argues against "outsiders coming in."...I, along with several members of my staff, am here because I was invited here. I am here because I have organizational ties here. But more basically, I am in Birmingham because injustice is here. Just as the prophets of the eighth century B.C. left their villages and carried their "thus saith the Lord" far beyond the boundaries of their home towns, and just as the Apostle Paul left his village of Tarsus and carried the gospel of Jesus Christ to the far corners of the Greco-Roman world, so am I compelled to carry the gospel of freedom beyond my own home town. Like Paul, I must constantly respond to the Macedonian call for aid. - Martin Luther King, Jr., "Letter from Birmingham Jail” Logos Think about the following: Does the logic follow? Are the statistics skewed or unrepresentative? Let us begin with a simple proposition: What democracy requires is public debate, not information. Of course it needs information too, but the kind of information it needs can be generated only by vigorous popular debate. We do not know what we need to know until we ask the right questions, and we can identify the right questions only by subjecting our ideas about the world to the test of public controversy. Information, usually seen as the precondition of debate, is better understood as its by product. When we get into arguments that focus and fully engage our attention, we become avid seekers of relevant information. Otherwise, we take in information passively--if we take it in at all. - Christopher Lasch, "The Lost Art of Political Argument” There are two types of appeals to reason: deductive and inductive. Deductive argument: This begins with a generalization and moves toward a specific conclusion. All men are mortal. (Generalization) Socrates was a man. (Specific case) Socrates was a mortal. (Conclusion about the specific case) Do you notice a similarity to creating a hypothesis in science and then proving it with conclusions? AP English Language and Composition | The Rhetorical Triangle 2 Inductive argument: This begins with pieces of specific evidence and draws a general conclusion from this. Socrates was Greek. (Premise) Most Greeks eat fish. (Premise) Socrates ate fish. (Conclusion) Can you tell me what is wrong with this conclusion? MOST Greeks is the clue here…MOST, but not ALL. Also, what if Socrates was allergic to fish? It may appear that inductive arguments are weaker than deductive because there must always remain a possibility of their arriving at a false conclusion; however, this is not entirely true. With deductive arguments, conclusions are contained, even if implicitly, in our premises. This means that we do not arrive at new information, we are simply shown information which is obscured or was unrecognized previously. On the other hand, inductive arguments provide us with new ideas which may expand our knowledge about the world. Deductive arguments are mostly used with mathematics, and most other fields of research make extensive use of inductive arguments. Pathos These appeal to the emotion of the audience. Think of the following: Is the writer/speaker simply playing on my emotions? For me, commentary on war zones at home and abroad begins and ends with personal reflections. A few years ago, while watching the news in Chicago, a local news story made a personal connection with me. The report concerned a teenager who had been shot because he had angered a group of his male peers. This act of violence caused me to recapture a memory from my own adolescence because of an instructive parallel in my own life with this boy who had been shot. When I was a teenager some thirty-five years ago in the New York metropolitan area, I wrote a regular column for my high school newspaper. One week, I wrote a column in which I made fun of the fraternities in my high school. As a result, I elicited the anger of some of the most aggressive teenagers in my high school. A couple of nights later, a car pulled up in front of my house, and the angry teenagers in the car dumped garbage on the lawn of my house as an act of revenge and intimidation. - James Garbarino, "Children in a Violent World: A Metaphysical Perspective" Analyzing Rhetorical Appeals When you read a text, begin asking yourself three basic questions. These will help you further identify the use of rhetoric. Who is the author of the text? Who is the intended audience for this text? What is the message/ purpose of this text? Ethos/Speaker: When you read a text, try to discover as much about the author as you possibly can. Who is the author? What do you know about the author? Is the author trustworthy? WHY? AP English Language and Composition | The Rhetorical Triangle 3 What else has the author written on the particular subject? TIP: When you write your own papers, you will need to convince your reader about your own trustworthiness and credibility the same way that you need to satisfy your own curiosity about the author of a text your read. Logos/Message: When reading, identify what a writer wants from you. Writers can have numerous purposes which change from situation to situation and audience to audience. Does the writer propose something? Does the writer convey specific information? Does the writer convince you (or wants to convince you) of something? Does the write try to sell something? TIP: When writing, address your audience for a specific purpose and develop the necessary strategies to get what you want. Pathos/Audience: There are many different types of audiences. When you read a text, it is important to know and understand the intended audience. Identify the audience based on the following questions: Who is the intended audience? What is their interest in the subject? What is their knowledge on the subject? How do they feel about the subject? How does the writer expect them to respond to the subject? TIP: When you write a text, it is integral that you know your audience. The Reader’s Rhetorical Triangle When reading non-fiction writing, carefully consider the language chosen to establish these three appeals. Ethos Pay attention to how the author establishes a persona. Pay attention to how the author establishes credibility. Pay attention to any revelation of the author’s credentials or personal history. Logos Pay attention to the claims the author makes, the exigency (a difficult situation requiring urgent action). Pay attention to the data the author provides in support of the claims. Pay attention to the conclusion the author draws. Pathos Pay attention to the primary audience meant for the text. Pay attention to the emotional appeals the author makes to that audience. Pay attention to the author’s expectations of the audience. AP English Language and Composition | The Rhetorical Triangle 4 The Writer’s Rhetorical Triangle Below are a few questions to ponder while you create your own argumentative paper. Remember, you should try to use all three appeals in your paper. Logos Have I established the purpose for my text, and have I utilized the most effective genre? Have I established a clear, reasonable, logical progression of my ideas? Have I addressed opposing arguments or perspectives? Ethos Have I established the appropriate persona? Have I established my credibility? Have I expressed my knowledge and expertise of the topic? Pathos Have I considered the primary audience and the background they have? Does my audience agree with me or will I have to persuade them of the validity of my argument? To respect my opinion even though it differs? How will I make my text appeal to my audience? Verbal/Language Elements of the Rhetorical Triangle Ethical Appeals (Ethos) Language appropriate to audience and subject Restrained, sincere, fair-minded presentation Appropriate level of vocabulary Logical Appeals (Logos) Theoretical, abstract language Emotional Appeals (Pathos) Vivid, concrete language Denotative meanings/reasons Emotionally charged language Literary and historical analogies Connotative meanings Standard English and correct grammar Restrained, sincere, fair minded presentation Definitions Emotional examples Factual data and statistics Vivid descriptions Quotations/paraphrases from experts and authorities Informed opinions Narratives of emotional events Figurative language Emotional tone Visual Elements of the Rhetorical Triangle Ethical Appeals (Ethos) Well-dressed, affluent-looking person displayed in an advertisement Logical Appeals (Logos) Pie charts, graphs, and other visual displays of “hard data” Emotional Appeals (Pathos) Bright, vibrant colors, especially those used as conventional symbols, that evoke emotional responses AP English Language and Composition | The Rhetorical Triangle 5