Felix Gonzalez-Torres
SELECTED SOLO AND TWO-PERSON EXHIBITIONS:
2005
“Felix Gonzalez-Torres and Joseph Kosuth”, Andrea Rosen Gallery, New York, January 20 – February 18
2004
Fraenkel Gallery, San Francisco, CA, April 1 – May 29
2002
Andrea Rosen Gallery, NYC, “Felix Gonzlalez-Torres”, March 30 – May 4; simultaneous exhibition at Sadie Coles HQ,
London, England, March 20 – April 20 (book), with global satellite sites of the billboard in the cities of Athens, Berlin, Bogota,
Cambridge, Dublin, Kirkwall, London, Milan, New Delhi, New York, Rio de Janeiro, Sa o Paolo, Tokyo, Warsaw, Zurich
2001
Lever House Lobby Gallery, 400 Park Avenue, NY, “Felix Gonzalez-Torres”, December 7 – February 15, 2002
Museu de Arte Moderna, Sao Paolo, Brazil, “Felix Gonzalez-Torres”, August 9 – September 9, curated by Carlos Basualdo
(third venue of exhibition)
Le Consortium, Dijon, France, “Felix Gonzalez-Torres”, November 25, 2001 – February 2, 2002
2000
Andrea Rosen Gallery, NYC, “Felix Gonzalez-Torres”, December 2 – January 13, 2001 (pamphlett)
Museo Nacional de Artes Visuales, Montevideo, Uruguay, December 14 – January 31, 2001, curated by Alejandro Cesarco
(catalogue)
Galerie Jennifer Flay, Paris, France, November 10 – December 23
Serpentine Gallery, London, England, “Felix Gonzalez-Torres”, June 1 – July 16 with satellite venues: Camden Arts Centre,
Chelsea and Westminster Hospital, Royal College of Art, Victoria and Albert Museum, Royal Geographical Society
(catalogue)
1999
Banco de la Republica Biblioteca Luis Angel Arango, Bogota, Colombia, “sin titulo, bogota”, November 10 – January 16, 2000,
curated by Carlos Basualdo (catalogue); travels to Museo Alejandro Otero, Caracas, Venezuela, “Felix Gonzalez-Torres”,
April 2, 2000 – June 25 and Museu de Arte Moderna, Sao Paolo, August 9 – September 9, 2001 (catalogue)
The Douglas Hyde Gallery, Dublin, “Felix Gonzalez-Torres”, December 9 – January 31, 2000
1998
Andrea Rosen Gallery, NYC, “Felix Gonzalez-Torres”, December 4 – January 16, 1999
Museum Moderner Kunst, Vienna, Austria, September 12 – November 1, curated by Rainer Fuchs (third venue of Sprengel
Museum travelling exhibition) (catalogue)
Comme des Garcons, Tokyo, Japan, “Felix Gonzalez-Torres”, May
1997
Sprengel Museum in Hannover, Germany, June 1 - August 24, travels to Kunstmuseum St. Gallen, St. Gallen, Switzerland,
September 6 - November 16 (catalogue)
Andrea Rosen Gallery, NYC, “‘Untitled’ (Beginning)”, January 3 - 25
1996
Musee d’Art Moderne de la Ville de Paris, France, “Felix Gonzalez-Torres (Girlfriend in a Coma)”, April 11 - June 16
(catalogue) – third venue of the Guggenheim Museum exhibition
1995
Centro Galego de Arte Contemporaneo, Santiago de Compostella, Spain, “Felix Gonzalez-Torres (A Possible Landscape)”,
December 12 - March 3, 1996 (catalogue) – second venue of the Guggenheim Museum exhibition
Andrea Rosen Gallery, New York, September 16 - October 14
Akademie der Bildende Kunst, Munich, Germany, with Roni Horn, May 16 - October 28, organized by Sammlung Goetz
(catalogue)
The Solomon R. Guggenheim Museum, NYC, March 3 - May 10, curated by Nancy Spector (catalogue)
1994
Printed Matter, NYC, “Felix Gonzalez-Torres: Details from Twenty Sculptures”, October 26 - November 24
The Museum of Contemporary Art, Los Angeles, CA, “Traveling”, April 24 - June 19, organized by Amada Cruz, Ann
Goldstein and-- Suzanne Ghez, travels to: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington
D.C., June 16 - September 11; The Renaissance Society at the University of Chicago, Chicago, IL, October 2 - November 6
(catalogue)
The Fabric Workshop, Philadelphia, PA, February 14 - March 31, in conjunction with Beaver College Art Gallery, Glenside,
PA, February 14 - March 14
Matrix Gallery, University of California, Berkeley, January 19 - March 27
1993
Museum in Progress, Vienna, Austria, December - January 1994
Galerie Jennifer Flay, Paris, France, "Travel #1", October 30 - December 1
Galerie Ghislaine Hussenot, Paris, France, "Travel #2", October 30 - December 1
Musee d'Art Moderne de la Ville de Paris, France, "Migrateurs: Felix Gonzalez-Torres", October 27 - November 28
Teweles Gallery, Milwaukee Art Museum, Milwaukee, WI, "Currents 22: Felix Gonzalez-Torres", May 28 - September 12
(pamphlet)
Andrea Rosen Gallery, NYC, April 23 - May 29
1992
Magasin 3 Stockholm Konshall, Sweden, October 15 - January 15, 1993 (catalogue)
Galerie Peter Pakesch, Vienna, Austria, October 9 - November 20
Andrea Rosen Gallery, NYC, June 18 - June 27
Museum of Modern Art, NYC “Projects 34: Felix Gonzalez-Torres”, 24 New York City locations, May 16 - June 30 (pamphlet)
1991
Luhring Augustine Hetzler, Los Angeles, October 19 - November 16
Massimo de Carlo, Milan, September 17 - October 19 (catalogue)
Andrea Rosen Gallery, NYC, "Every Week There Is Something Different", May 2 - June 1
Museum Fridericianum, Kassel, Germany, simultaneous one person exhibition with Cady Noland, February 8 - March 17
(catalogue)
Julie Sylvester Editions, NYC, "Untitled"(Implosion)
1990
Neue Gesellschaft fur Bildende Kunst, Berlin, simultaneous one person exhibition with Cady Noland, December 17 - January
30 (catalogue)
Billboard Project, NYC, 10 Manhattan locations, December - January, in cooperation with INTAR Gallery, with support from
Lannan Foundation
University of British Columbia, Vancouver, Canada, “Strange Ways, Here We Come”, simultaneous one person exhibition with
Donald Moffet, November 16 - December 22 (catalogue)
Andrea Rosen Gallery, NYC, January 20 - February 24
1989
Sheridan Square, NYC, billboard, sponsored by the Public Art Fund, March -September
Petrocino Park, NYC, sculpture project sponsored by the Lower Manhattan Cultural Council, June 7 - August 30
Brooklyn Museum, NYC, installation
1988
The New Museum of Contemporary Art, NYC, "The Workspace", September 16 - November 20, essay by Laura Trippi
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Felix Gonzalez-Torres
INTAR Gallery, NYC (catalogue)
Rastovski Gallery, NYC
SELECTED GROUP EXHIBITIONS:
2005
PaceWildenstein, New York, NY, “Distillation to Complication: 40 Years of Rule-Based Art”, February 18 – March 26
Museum of Contemporary Art, Chicago, “Universal Experience: Art, Life and the Tourist’s Eye”, January 29 – September 30,
curated by Francesco Bonami
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, “Material Matters”, January 22 – March 20 (catalogue)
2004
James Cohan Gallery, New York, NY, “Realm of the Senses”, December 11, 2004 – January 22, 2005
Frac Ile de France, Paris, France, “Ralentir Vite”, December 9, 2004 – February 20, 2005, curated by Caroline Bourgeois
Antiguo Arsenal de Marina, Old San Juan, Puerto Rico, “Trans/Migrations: Graphics as Contemporary Art – San Juan
Poly/Graphic Triennial: Latin America and the Caribbean”, December 4, 2004 – March 6, 2005, curated by Mari Carmen
Ramirez, Justo Pastor Mellado, Harper Montgomery, Jose Ignacio Roca and Margarita Fernandez Zavala (catalogue)
The Art Institute of Boston, Lesley University, Boston, MA, “Immersion”, November 10, 2004 – January 18, 1005, curated by
Gary Sangster (brochure)
deSingel, International Arts Centre, Antwerp, Belgium, “Schoner Wohnen”, October 30, 2004 – January 16, 2005, curated by
Moritz Kung (catalogue)
BAK- basis voor actuele kunst, Utrecht, Netherlands, “Cordially Invited”, one of the seven European exhibitions comprising
"Who if not we...?", the visual art program of "Thinking Forward" October 30 – December 31, curated by Maria Hlavajova and
Gerardo Mosquera (catalogue)
Terminal 5, John F. Kennedy International Airport, Queens, NY, “9/12” portion of “Terminal 5”, October 1, 2004 – January 31,
2005, curated by Tobias Wong
AR/GE Kunst Galerie Museum, Bolzano, Italy, “Entropie: uber das Verschwinden des Werkes”, September 19 – October 30,
curated by Moritz Kung (catalogue)
Kunsthalle zu Kiel, Kiel, Germany, “Portrat ohne Antlitz. Abstrakte Strategien in der Bildniskunst”, July 24 – October 17
(catalogue)
Metropolitan Museum of Art, New York, NY, “Modern Photographs from the Collection”, July 20, 2004– January 16, 2005
White Cube, London, England, “Eclipse: Towards the Edge of the Visible”, July 16 – August 21, curated by Annushka Shani
(catalogue)
Andrea Rosen Gallery, New York, NY, “Four Ply.”, July 15 – August 20
Modern Art, London, England, “Overcast”, July 8 – August 15
San Francisco Museum of Art, San Francisco, CA, “Between Art and Life: The Contemporary Painting and Sculpture
Collection” (ongoing), July 1 – ongoing, curated by Madeleine Grynsztejn
Roth Horowitz, New York, NY, “Power Corruption and Lies”, June 23 – July 23, curated by Adam McEwen and Neville
Wakefield
Stiftung Deutsches Hygiene-Museum, Dresden, Germany, “Die Zehn Gebote”, June 19 – December 5, curated by Klaus
Biesenbach (catalogue)
Marian Goodman Gallery, New York, NY, “Reflecting the Mirror”, June 14 – August 27, curated by Karina Daskalov
San Francisco Museum of Modern Art, San Francisco, CA, “Between Art and Life: The Contemporary Painting and Sculpture
Collection”, June - September
Bruce Museum of Art and Science, Greenwich, CT, “Off the Wall: Works from the JP Morgan Chase Collection:”, May 15 –
September 5 (catalogue)
Department of State, Washington DC, “Art in Embassies Program: Around the World in 40 Years”, May 6 – June 18
(pamphlet)
La Casa Encendida, Madrid, Spain,”Paisaje y Memoria”, March 31 – June 13, curated by Alicia Chillida; travls to Centro
Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain, June 30 – August 22 (catalogue)
Tucson Museum of Art, Az, “Contemporary Art and Latin America: Selections from the Diane and Bruce Halle Collection”,
March 25 – July 4 (catalogue)
La Coleccion Jumex, CMD/ Galeria, Mexico City, Mexico, “La Colmena”, March 16 – October 29, curated by Guillermo
Santamarina
Musee Departmental D’Art Contemporain de Rouchechouart, France, “La Fabrique du Sensible”, March 6 – May 23
Guggenheim Museum, New York, “Singular Forms (Sometimes Repeated): Art from 1951 to the Present”, March 4 – May 19
(catalogue)
El Museo del Barrio, New York, “MoMA at El Museo: Latin American and Caribbean Art from the Collection of The Museum
of Modern Art”, March 4 – July 25, curated by Miriam Basilio, Gary Garrels and Luis Enrique Perez Oramas from MoMA and
Fatima Bercht and Deborah Cullen from El Museo del Barrio (catalogue)
CCA Wattis Institute, San Francisco, CA, “Likeness: Portraits of Artists by Other Artists”, February 26 – May 8, 2004, curated
by Matthew Higgs, traveling exhibition organized by Independent Curators Incorporated (catalogue) until May 2006
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “If it’s not love, it’s the bomb”, February 1 – 15,
curated by Cecilia Alemani, Lyra Kilston, Jyeong Yeon Kim, Risa Puleo, Yasmeen Siddiqui and Pelin Uran (brochure)
Platform Garanti Contemproary Art Center, Istanbul, Turkey, “Last Winter Spring Never Came”, January 22 – February 28
2003
San Francisco Museum of Modern Art, San Francisco, CA, “SUPERNOVA: Art of the 1990’s from the Logan Collection”,
December 13, 2003-May 23, 2004 (catalogue)
Rubell Family Collection, Miami, FL, “Not Afraid. Rubell Familyl Collection.”, December 1 , 2003 – May 30, 2004 (catalogue)
San Francisco Museum of Modern Art, San Francisco, CA, “Primary Matters: The Minimalist Sensibility, 1959 – Present”,
November 8, 2003 – January 11, 2004
The Museum of Modern Art, New York, “Artist’s Choice: Mona Hatoum, Here is Elsewhere”, November 7, 2003 – February 2,
2004 (brochure)
Baltimore Museum of Art, Baltimore, MD, “Work Ethic”, October 12, 2003 – January 4, 2004; travels to Wexner Center for the
Arts, Columbus, OH, September 17, 2004 – January 2, 2005 (catalogue)
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Felix Gonzalez-Torres
2002
Museum of Fine Arts, Houston, TX, “The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings and
Sculptures”, September 21, 2003 – January 4, 2004, organized by John Elderfield. Travels to Neue Nationalgalerie, Berlin,
Germany, (titled: “Das MoMA in Berlin”), February 20 – September 19, 2004 (catalogue)
Dallas Museum of Art ,Dallas, TX, “Celebrating Sculpture: Modern and Contemporary Works From Dallas Collections”,
September 7, 2003 – April 25, 2004
Hirshhorn Museum and Sculpture Garden, Washington DC, “Gyroscope”, August 1, 2003 – January 4, 2004, billboard sites in
Washington DC, Maryland and Virginia, beginning July 15, including Corcoran Gallery of Art, National Gallery of Art
Artemis Greenberg Van Doren Gallery, New York, “puddle-wonderful”, July 9 – August 15, curated by Sima Familant
Dickinson Roundell Inc., New York, NY, “Aftershock: The Legacy of the Readymade in Post-War and Contemporary American
Art”, May 5 - June 20 (catalogue)
Kunstmuseum Liechtenstein, Vaduz, Germany, “Migration”, June 28 – November 2, curated by Christiane Meyer-Stoll
(catalogue)
Museum Ludwig, Cologne, Germany, “I promise it’s political”, June 20 – September 8 (catalogue)
Miami Art Museum, FL, “American Tableaux: Many Voices, Many Stories”, June 20 – September 7, organized by Walker Art
Center (pamphlet)
Henry Art Gallery, University of Washington, Seattle, WA, “Crosscurrents at Century’s End: Selections from the Neuberger
Berman Art Collection”, June 14 – September 21; travels to Norton Museum of Art, West Palm Beach, FL, October 18 –
December 28, 2003; Tampa Museum of Art, Tampa, FL, January 25 – April 11, 2004; Chicago Cultural Center, Chicago, IL,
April 24 – June 27, 2004 (catalogue)
The Contemporary Arts Center, Cincinnati, OH, “Somewhere better than this place./Nowhere better than this place.
Alternative Social Experience in the Spaces of Contemporary Art”, June 7 – November 23 (catalogue)
Art Institute of Chicago, Chicago, IL, “Past, Present, Future”, July, 2003 – December 2004
Z33, Hasselt, Belgium, “Guided by Heroes”, May 25 – August 31, 2003, curated by Raf Simons
Institute of Contemporary Art, Boston, “Pulse: Art, Healing and Transformation”, May 14 – August 31 (catalogue)
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA., “s(how)”, May 3 – July 27
Atelier Augarten, Zentrum fur zeitgenossische Kunst der Osterreichiscghen Galerie Belvedere, Vienna, Austria, “Trauer”, April
16 – July 27, curated by Thomas Trummer
The Approach, London, England, “Someone to Share My Life With”, March 31 – May 12, 2003
Kunstmuseum St. Gallen, Switzerland, "Striptease - Vom Verschleiern und Enthullen in der Kunst" March 29 – August 24
Antiguo Colegio de San Ildefonso, Mexico City, Mexico, “Eden”, March 18 – June 15, curated by Patricia Martin and Patrick
Charpenel, traveled to Biblioteca Luis Angel Arango, Bogota, Colombia, May 15, 2004 – July 5, 2004 (catalogue)
University Art Museum, University of California, Santa Barbara, CA, “Social Strategies: Redefining Social Realism”, March 18
– May 11; curated by Pamela Auchincloss and Klaus Ottman; travels toUniversity Galleries, Illinois State University, Normal,
IL, August 15 - October 19, 2003; The Richard E. Peeler Art Center, De Pauw University, Greencastle, IN, November 15,
2003 – February 15, 2004; Schick Art Gallery, Skidmore College, Saratoga Springs, NY, March 9 – April 11, 2004; The
Newcomb Art Gallery, Tulane University, New Orleans, LA, August 21 – October 1, 2004 (catalogue)
Le Coleccion Jumex, Mexico, “Killing Time and Listening Between the Lines”, March 15, 2003 – February 13, 2004, curated
by Douglas Fogle and Philippe Vergne
Vancouver Art Gallery, Vancouver, BC, Canada, “The Big Picture: Recent Acquisition from the Collection of Alison and Alan
Schwartz”, March 15 – September 1
Foundation to Life, Inc., Mt. Kisco, NY, “Presence: An Examination of the Relationship Between Abstraction and
Representation in Recent Art”, March 9, 2003 – March 9, 2004 (approximately), curated by Alan Schwartzman
Asheville Art Museum, Asheville, NC, “Self and Soul: The Architecture of Intimacy”, March 7 - May 25 (catalogue)
Fraenkel Gallery, San Francisco, CA, “Not Exactly Photographs”, March 6 – April 26
D’Amelio Terras, New York, “Stacked”, February 22 – March 22
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Space Matters”, February 17 – 24, curated by
Kazeem Adeleke, Jose Blondet, Ingrid Chu, Kate Green and na Vejzovic (brochure)
Bass Museum of Art, Miami, FL, “globe>miami>island”, December 13, 2002 – February 3, 2003 (pamphlet)
Ville de Paris, Maison de Balzac, Paris, France, “Quel meilleur endroit?”, December 11, 2002 – March 16, 2003, organized by
Cedric Aurelle (catalogue)
St. Louis Art Museum, St. Louis, MO, “A Day Without Art”, November 29 – December 3, 2002
Art Institute of Chicago, Chicago, IL, “Object, Image, Text: Contemporary Art from 1950 to the Present”, November 22, 2002 –
June 15, 2003
Centro de Arte de Salamanca, Concorcio Salamanca 2002, “Comer o no Comer”, November 20 – January 20, 2003
(pamphlet)
Museum of Contemporary Art, Chicago, IL, “Life, Death, Love, Hate, Pleasure, Pain – Selected Works from the Museum of
Contemporary Art, Chicago Collection”, November 16, 2002 – April 20, 2003 (catalogue)
San Francsico Art Institute, Walter and McBean Galleries, San Francisco, CA, “Touch: Relational Art from the 1990’s to Now”,
October 18 – December 14, 2002, curated by Nicolas Bourriaud (catalogue)
Melbourne Festival of the Arts, Melbourne, Autralia, “A History of Happiness”, October 17 – November 2, curated by Juliana
Engberg (catalogue)
Koldo Mitxelena Kulturunea, San Sebastian, Spain, “The Pons’ Archive”, October 17 – December 17
San Francisco Art Institute, San Francisco, CA; “Touch Relational Art from the 1990’s to Now”, curated by Nicolas Bourriaud
October 16 – December 14, 2002
Wadsworth Atheneum, Hartford, CT, “Structures of Difference”, October 12, 2002 – July 2, 2003
Worcester Art Museum, Worcester, MA, “Mask or Mirror: A Play of Portraits”, October 6, - January 26, 2003, curated by Susan
Stoops
Massachusetts Museum of Contemporary Art, North Adams, MA, “Mirror, Mirror”, October 5, 2002 – January 31, 2003
Worcester Art Museum, Worcester, MA, “Mask or Mirror: A Play of Portraits”, October 5 – January 26, 2003, curated by Susan
Stoops (catalogue)
The University of New South Wales, Ivan Dougherty Gallery, Sydney, Australia, “With and Without You: Re-Visitations of Art
in the Age of AIDS”, October 3 – November 9, 2002, curated by Royce W. Smith (brochure)
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Felix Gonzalez-Torres
Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, “The Arch of Desire: Women in the Marieluise Hessel
Collection”, September 29 – December 13, co-curated by Ilaria Bonacossa and Cecilia Brunson
Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, Re(f)use, September 29 – December 13, curated by
Rachel Gugelberger
Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY,”Text, Texture and Touch”, September 29 – December
13, Tobias Ostrander
Logan Galleries, CCAC San Francisco Campus, San Francisco, CA, “To Whom It May Concern”, September 5 – October 26,
2002
2001
California College of Arts and Crafts, San Francisco, CA, “To Whom it May Concern”, September 4 – October 26
United States Ambassador’s Resident, Paris, France, August 2002 – August 2005
Art Resources Transfer, NYC, “Chapter V”, August 1 – 23, curated by Aejandro Cesarco
Museum of Modern Art, NYC, “Tempo: Time Collapsed” and “Tempo: Liquid Time”, July 29 – September 9, 2002, curated by
Paolo Herkenhoff, Roxana Marcoci and Miriam Basilio (catalogue)
American Embassy in Paris, France, July 2002 – July 2005 approximately
Centre d’Art Contemporain La Synagogue de Delme, France, “Surfaces de Projections”, June 29 – September 8
Guggenheim Museum, NYC, “Moving Pictures”, June 28, 2002 – January 12, 2003 (pamphlet)
Museum of Modern Art, MoMA QNS, NY, “To Be Looked At: Painting and Sculpture from the Collection”, an ongoing
installation of works from the Museum’s collection at MoMA QNS, June, (catalogue)
City of Ieper, Belgium, “Anno 02”: “The Lost Past: Memorial Signs for the Present”, June 15 – September 15, curated by
Moritz Kung (catalogue)
Wall Street Rising, “Art Downtown: New York Painting and Sculpture”, 48 Wall Street, NYC, June 14 – September 15, curated
by Richard Marshall (pamphlet)
303 Gallery, NYC, “Sunday Afternoon”, May 30 – July 19, curated by Patricia Martin (pamphlet)
Museum Villa Stuck, Munich, Germany, “Hautnah – Die Sammlung Goetz”, May 29 – August 18 (catalogue)
Museum of Contemporary Canadian Art, Toronto, ON, Canada and The Koffler Gallery, Toronto, ON, Canada, “Regarding
Landscape”, May 12 – July 30, curated by Gregory Salzman
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Oral Fixations”, May 12 – 26, curated by Sandra
Firmin
Giraud Pissarro Segalot, New York, NY, “Felix Gonzalez-Torres Perfect Lovers”, May 3 – 24; traveled to Giraud Pissarro
Segalot, Paris, France, June 4 - 22
Arnolfini, Bristol, England, “Shimmering Substance”, April 27 – June 23, curated by Barry Schwabsky and Catsou Roberts
(catalogue); travels to Cornerhouse, Manchester, England, July 13 – September 1
www.e-flux.com, on-line exhibition of “Do-It”, curated by Hans-Ulrich Obrist, May
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Space Matters”, February 17 – 24, curated by
Kazeem Adeleke, Jose Blondet, Ingrid Chu, kate Green and Ana Vejzovic
Laing Art Gallery, Newcastle, England, “Life is Beautiful”, February 9 – April 7, curated by Andrew Patrizio
University Gallery, University of Massachusetts Amherst, Fine Arts Center, Amherst, MA, “Culture of Violence”, February 2 –
March 15 and April 2 – May 17, curated by Donna Harkavy and Helaine Posner; travels to Bowdoin College Museum of Art,
Brunswick, ME, September 26 – December 8, 2002; the Samuel P. Harn Museum of Art, Universiry of Florida, Gainesville,
FL, January 28 – April 27, 2003 (catalogue)
The Hudson River Art Museum, Yonkers, NY, “The Magic of Light”, February 1 – May 19, 2002 (catalogue)
Collegi Oficial d’Arquitectes de Catalunya, Barcelona, Spain, “Tencat per Obres. Els artistes s,aproprien l’arquitectura”,
January 24 – March 10 (pamphlet)
Astrup Fearnley Museet fur Moderne Kunst, Oslo, Norway, “Passenger. The Viewer as Participant”, January 19 – April 21
(catalogue)
Greene Naftali Gallery, NYC, “Pictures”, January 18 – February 23
NeugerReimscheider, Berlin, Germany, “Hell”, January 17 - February 23
D’Amelio Terras, NYC, “5 Sculptures”, January 5 – February 9
Espai D’Art Contemporani De Castello, Castello, Spain, “Lugares de la Memoria (Places of Memory), April 19 – June 10
Museum of Latin American Art, Buenos Aires, Argentina, “Politicas de la diferencia. Arte Iberoamericano fin de siglo”,
December 12 – (catalogue)
Contemporary Arts Museum, Houston, Texas, “The Inward Eye: Transcendence in Contemporary Art”, December 8, 2001 –
February 17, 2002 (catalogue)
Yale University Art Gallery, New Haven, CT, “Objective Color”, February 2 – March 25, curated by Jennifer Gross
Museum fur Gegenwartskunst Basel, Basel, Switzerland, “Weiss: Skulpturen des 20 Jahrhunderts From the Oeffentliche
Kunstsammlung Basel and the Emmanuel Hofmann Foundation”, January 18 – March 18 (catalogue)
James Cohan Gallery, NYC, “The Passions: Brueghel to Viola”, December 2 – January 12, 2002
Le College FRAC/ Fonds Regional D’Art Contemporain Champagne – Ardenne, Champagne – Ardenne, France, “Alchimie de
la Recontre”, November 23, 2001- - January 20, 2002
The Bertha and Karl Leubsdorf Art Gallery, Hunter College, NYC, “Everybody Now”, October 25 – December 8, curated by
Katy Siegel Tate Liverpool, Liverpool, United Kingdom, “At Sea”, July 14 – September 23
Dundee Contemporary Arts, Dundee, Scotland, “Trauma”, July 7 – September 2, organized by Hayward Gallery Royal
Festival Hall, London, and Dundee Contemporary Arts (catalogue), travels to First Site, Colchester, England, September 15 –
November 17, 2001; Museum of Modern Art, Oxford, England, January 25 – April 7, 2002; Castle Museum, Nottingham, April
27 – June 23, 2002 (catalogue)
San Francisco Museum of Modern Art, San Francisco, CA, “Points of Departure: Connecting with Contemporary Art”,
November 17, 2001 – June 9, 2002
The Bertha and Karl Leubsdorf Art Gallery, Hunter College, NYC, “Everybody Now”, October 25 – December 8, curated by
Katy Siegel (catalogue)
Friedrich Petzel Gallery, NYC, “Summer Lights (Electrify Me), June 23 – August 31, curated by Mark Fletcher
Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy, June 2 – September 23; travels to Candiani Centro
Culturale, Mestre, Venice, Italy, October 14, 2001 – January 6, 2002
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Felix Gonzalez-Torres
2000
Logan Galleries, California College of Arts and Crafts, San Francisco, CA, “Extra Art: A Survey of Artists’ Ephemera, 19601999”, October 12 – December 8 (catalogue)
Hamburger Kunsthalle, Hamburg, Germany, “Monet’s Legacy. Series – Order and Obsession”, September 28, 2001 –
January 6, 2002
City University of New York, Graduate Center Art Gallery, NYC, “Play’s the Thing: Critical and Transgressive Practices in
Contemporary Art”, May 25 – July 8 (catalogue)
Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, “The Absence of Presence”, April 25 – May 24, curated
by Nina Felshin (catalogue)
Yokohama Art Museum, Yokohama, Japan, “Yokohama 2001: International Triennale of Contemporary Art”, September 2 –
November 11
Susquehanna Art Museum, Harrisburg, PA, “Let’s Go To Work”, July 21 – October 20; travels to University of the Arts & Base
Kamp, Philadelphia
Pavillao Pinacoteca do Estado, Sao Paolo, Brazil, “Politicas de la diferencia. Arte Iberoamericano fin de siglo”, March; travels
to Museo De Bellas Artes, Buenos Aires, Argentina, April – May; Museo Sofia Imber, Caracas, Venezuela, August –
September; Museo Carillo Gil, Museo de Arte Moderno, Mexico City, Mexico, November – December; Museo de Arte De
Puerto Rico, San Juan, Puerto Rico, February – March, 2002; Chicago Cultural Center, Chicago, UL, June – August 2002;
Atarazanas, Valencia, Spain, October – November, 2002 (catalogue)
Jumex Centro de Distribucion, Mexico City, Mexico. “La Colleccion Jumex”, March 3
Tate Liverpool, Liverpool, United Kingdom, “At Sea”, July 14 – September 23; travels to Sainsbury Centre for Visual Arts,
Norwich, England, February 12 – April 28
Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy, “The Gift: ”, June 2 – September 23; travels to Candiani
Centro Culturale, Mestre, Venice, Italy, October 19, 2001 – January 6, 2002; Scottsdale
MAK Center for Art and Architecture, L.A., Schindler House, Los Angeles, CA,. “In Between Art & Architecture”. February 16 –
September 2 (catalogue)
Dallas Museum of Art, Dallas, Texas, “Felix Gonzalez-Torres/Joseph Beuys”, February 16 – May 6 (pamphlet)
Museum of Contemporary Art, Scottsdale, AZ, February 9 – May 5, Bronx Museum of Art, Bronx, NYC, Novemebr 27, 2002 –
March 3, 2003 (catalogue)
The Metropolitan Museum of Art, NYC, “Places in the Mind: Modern Photorgaphs from the Collection”, May 17 – November 4
Greene Naftali, NYC, “Deliberate Living”, January 12 – February 10, curated by Sima Familant
Sammlung Hauser und Wirth, St. Gallen, Switzerland, Wechsel-strom”, May 13 – October 14 (catalogue)
Museum of Modern Art, NYC, “Parkett: Collaborations & Editions Since 1984”, April 5 – June 12 (catalogue)
Centre d’Art Contemporain, Geneve, Switzerland, “The Fabric Workshop and Museum, Philadelphia, at Centre d’Art
Contemporain, Geneve”, March 8 – May 6
The Contemporary Arts Museum, Houston, TX, “Subject Plural: Crowds in Contemporary Art”, March 2 – April 29 (catalogue)
Centre national de la photographie, Paris, France, “Bruit de fond” White Noise, December 15, 2000 – February 19, 2001,
curated by Francois Piron
Miami Art Museum, Miami, FL, “Selections from the Collection”, December 13 – May 13, 2001
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, “Versiones del Sur: Cinco Propuestas en Torno al Arte en
America”: “F(r)icciones”, December 12 – March 26, curated by Adriano Pedrosa and Ivo Mesquita (catalogue)
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, “Versiones del Sur: Cinco Propuestas en Torno al Arte en
America”: “No Es Solo Lo Que Ves. Pervirtiendo el Minimalismo”, December 12 – March 26, curated by Gerardo Mosquera
(catalogue)
The New Art Gallery Walsall, West Midlands, England, “In Memoriam”, November 22, 2000 – January 21, 2001 (catalogue)
Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New
York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “Counter-Monuments and Memory”, organized by
Roxana Marcoci, November 5, 2000 – January 30, 2001 (brochure)
Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New
York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “Minimalism and After”, organized by Kirk
Varnedoe, November 5, 2000 – January 30, 2001 (brochure)
Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New
York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “The Path of Resistance”, organized by Joshua
Siegel and Susan Kismaric, November 5, 2000 – January 30, 2001 (brochure)
National Hispanic Cultural Center of New Mexico, NM, “La Luz: Contemporary Latino Art in the United States”, October 21 –
May 27, 2001, curated by Andrew Connors (exhibition brochure)
Museum fur Moderne Kunst Frankfurt am Main, Frankfurt, Germany, “Change of Scene XVIII”, September 29, 2000 – March
4, 2001, curated by Mario Kramer (catalogue)
Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibtions from the Collection of the Museum of Modern Art, New
York”: “Open Ends, 11 Exhibitions of Contemporary Art from 1960 to Now”: “Matter”, organized by September 28, 2000 –
January 2, 2001 (brochure)
Bronx River Art Center and Gallery, Bronx, NY, “Environmentally Concerned 2”, September 23 – November 25, curated by
Karen Jones
Whitechapel Art Gallery, London, “Protest and Survive”, September 15 – November 12, curated by Matthew Higgs and Paul
Noble (catalogue)
Musee d’Art Moderne de la Ville de Paris, France, “Voila: Le monde dans la tete”, June 15 – October 29 (catalogue)
DeeGlasoe, NYC, “Innuendo”, June 3 – July 22, curated by Doug Wada
Dieu Donné, NYC, “Environmentaly Concerned”, June 1 – September 15, 2000, curated by Karen Jones
America’s Society, NYC, “Icon + Grid + Void: Art of the Americas from the Chase Manhattan Collection”, May 18 – July 30,
curated by Joe Wollin (catalogue)
Wako Works of Art, Tokyo, Japan, “American Photographs”, May 17 – June 3
Neuesmuseum Staatliches Museum fur Kunst un Design in Nurnberg, Germany, “Proun ein neuer Platz”, May 16 – June
Sammlung Hauser und Wirth, St. Gallen, Switzerland, “The Oldest Possible Memory”, May 14 – October 15
Promotrice delle Belle Arti, Turin, Italy, “DIRE AIDS: Art in yhr Age of AIDS”, May 5 – June 4, curated by Gail Cochrane,
Giorgio Verzotti and Angela Vettese (catalogue)
5
Felix Gonzalez-Torres
1999
11 Duke Street, London, England, “After Life 1”, May 5 – July 7
Museum of Contemporary Art, Chicago, “Age of Influence: Reflections in the Mirror of American Culture”, April 8 – June 4,
curated by Francesco Bonami
Virginia Museum of Fine Arts, Richmond, VA, “Vanitas: meditations on life and death in contemporary art”, April 4 – June 18,
curated by John Ravenal (catalogue)
Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibitions from the Collection of the Museum of Modern Art, New
York”: “Making Choices, 24 Exhibitions of Modern Art from 1920 to 1960”: “The Marriage of Reason and Squalor”, March 30September 19 , curated by Paolo Herkenhoff (pamphlett)
Museum of Modern Art, NYC, “MoMA 2000, A Series of Exhibitions from the Collection of the Museum of Modern Art, New
York”: “Making Choices, 24 Exhibitions of Modern Art from 1920 to 1960”: “Walker Evans & Company”, March 16 – August 22,
curated by Peter Galassi (catalogue)
Museum of Contemporary Art, Chicago, IL, “Age of Influence: Reflections in the Mirror of Contemporary Culture”, March 14 –
January 21, 2001
Beaver College Art Gallery, Glenside, PA, “The Sea and the Sky”, February 17 – April 25, travels to The Royal Hibernian
Academy, Dublin, Ireland, June 15 – August 20, co-curated by Richard Torchia and Patrick Murphy
Ikon Gallery, Birmingham, England, “Lost”, February 16 – April 2, curated by Tania Kovts (catalogue)
Walker Art Center, Minneapolis, MN, “Let’s Entertain: Life’s Guilty Pleasures”, February 12 – April 30, curated by Philippe
Vergne, travels to Portland Art Museum, Portland, Oregon, July 7 – September 17; Centre National d’Art Georges Pompidou,
Paris, France, “Au-dela du spectacle”, November 22 – January 8, 2001; Museo Rufino Tamayo, Mexico City, Mexico, June 6
– August 8, 2001; Miami Art Museum, Miami, FL, September 12 – November 25, 2001 (catalogue)
Magasin Centre National d’Art Contemporain de Grenoble, Grenoble, France,”Micropolitiques”, February 6 – April 30, curated
by Paul Ardenne and Christine Macel (catalogue)
Castello di Rivoli Museo d’Arte Contemporanea, Torino, Italy, “Quotidiana. The Continuity of the Everyday in the 20th Century
Art”, February 4 – May 21, curated by David Ross, Nicholas Serota, Ida Gianelli, Jonathan Watkins (catalogue)
Casa de America, Madrid, Spain, “Territorios Ausentes”, January 28 – March 26; touring exhibition (catalogue)
Centre Georges Pompidou, Paris, France, “Le temps, vite”, January 12 – April 17; travels to Au Palazzo delle esposizioni,
Rome, Italy, July 15 – October 23; Au Centre de Culture Conemporaine de Barcelone, Barcelona, Spain, November 28, 2000
– February 25, 2001 (catalogue)
Luhring Augustine Gallery, NY, January 8 – February 12
Williams College Museum of Art, Williamstown, MA, “Permanent Change: Contemporary Works from the Collection”,
December 11, 1999 – 2001, curated by Ian Berry
Susquehana Art Museum, “I’m Not Here: Contructing Identity at the Turn of the Century”, December 2, 1999- February 24,
2000, co-curated by Sean Mellyn and Jonathan VanDyke (pamphlett)
Galerie Klosterfelde, Berlin, Germany, “Au Delà”, November 27, 1999 – January 22, 2000.
Whitney Museum of Art at Champion, Stamford, CT, “Contemporary Narrative in American Prints”, November 19, 1999 –
February 2, 2000, organized by David W. Kiehl
Musee d’Art Contemporain de Montreal, Quebec, Canada, “Culbutes Oevre d’impertinence” or “Head over Heels into the
Millenium”, November 18 – April 23, 2000 (catalogue)
Carnegie Museum of Art, Pittsburgh, PA, “Carnegie International 1999/2000”, November 6, 1999 – March 26, 2000
(catalogue)
La Criee Centre d’art Contemporain, Rennes, France, “Ex-change”, November 5 – December 30 (catalogue)
Hirshhorn Museum and Sculpture Garden, Washington DC, “Regarding Beauty: A View of the Late Twentieth Century”,
October 7, 1999 – January 17, 2000 (catalogue), travelled to Haus der Kunst, Munich, September 11 – April 30
Kunst-Werke Berlin, Berlin, Germany, “Warten” , September 30, 1999 – February 29, 2000
Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, “Felix Gonzalez-Torres: snapshots”, September 26 –
December (catalogue)
Whitney Museum of American Art, NYC, “The American Century: Art and Culture 1900-2000”, September 26, 1999 –
February 13, 2000 (catalogue)
Contemporary Museum, Baltimore, MD, “IMPACT: Revealing Sources for New Art”, September 25 – December 18 (catalogue)
Fonds Regional d’Art Contemporain de Haute-Normandie, Rouen, France, “Larmes blanches”, September 20 – November 21
(catalogue)
Trans Hudson Gallery, NYC, “The Ecstatic” Part of a three-part project: “Ain’t Nobody’s Business”, September 2 – 18
Lodge Lane, Liverpool, England, “The Liverpool Billboard Project” August 1 – 31 Entire exhibition dates: May – October,
organized by Godfrey Burke
Fundacio del Museo Guggenheim Bilbao, Spain, “International Currents in Contemporary Art”, July 23, 1999 – February 2000
(catalogue)
Massachusetts Museum of Contemporary Art, North Adams, MA, “Billboards”, May 28 – September 30
Miami Art Museum, Miami, FL, “New Acquisitions: Dream Collection…part five”, May 14 – October 31
Contemporary Arts Museum, Houston, TX, “Other Narratives”, May 14 – July 4 (catalogue)
Institut de Cultura, Barcelona, Spain, “Dobles Vides”, May 14 – September 26 (catalogue)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson. “Where Are You?”, May 9 – May 23, curated by Tatjana
von Prittwitz
Museum van Hedendaagse Kunst Antwerpen, Belgium, “Trouble Spot. Painting”, May 8 – August 22, organized by Luc
Tuymans and Narcisse Tordoir (catalogue)
Museo de Arte Carillo Gil, San Angel, Mexico. “Colección Jumex”, April 21- August 8, 1999. (catalogue)
Hara Museum of Contemporary Art, Tokyo, Japan, “Crosscurrrents: New Art from MoMA”, April 2 – May 28 (catalogue)
The Institute of Contemporary Art, Boston, MA, “Collectors Collect Contemporary: 1990-1999”, March 31 – May 28
(catalogue)
Museum Villa Stuck, Munich, Germany, ‘Dream City”, March 25 – June 20, curated by Dirk Luckow (catalogue)
Official residence of Ambassador Paul and Trudy Cejas, the US Ambassador to Belgium, Brussels, Belgium, “American Art at
the Residence of the United States Ambassador to Belgium”, March 15 – January 22, 2000
6
Felix Gonzalez-Torres
1998
1997
Kunsthalle Wien, Wien, Austria, “Cuba- Landkarten der Sehnsucht” (“Cuba- Maps of Desire”), March 12 – May 30, curated by
Dr. Gerald Matt (catalogue), travelled to Kunstraum Innsbruck, Innsbruck, Austria, June 9 – September 18; Nikolaj
Copenhagen Contemporary Art Center, Copenhagen, Denmark, June 18 – August 15
The Museum of Contemporary Art, Los Angeles, CA, “Proliferation”, March 7 – June 20
Art Institute of Chicago, Chicago, IL, “Selections from the Permanent Collection”, March 6 – September 1
Contemporary Arts Museum, Houston, TX, “Art at Work: Forty Years of The Chase Manhattan Collection”, March 3 – May 2,
curated by Robert Rosenblum (catalogue)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, “Positioning”, February 7 - 21
Rooseum, Center for Contemporary Art, Malmo, Sweden, “…on the sublime”, January 23 – March 21 (catalogue)
Birmingham Museum of Art, , Birmingham, AL, “Art at the End of a Century: Contemporary Art from the Milwaukee Art
Museum”, January 31 – April 4
Rubell Family Collection, Miami, FL, “Hanging #3”, December 30 – March 31, 1999
The Jewish Museum, NYC, “Light x Eight: The Hanukkah Project”, December 13 – January 31, 1999, curated by Heidi
Zuckerman Jacobson
Hamburger Kunsthalle, Hamburg, Germany, “ Erster Umbau in der Galerie der Gegenwart” (The First Reorganization of the
Collection), November 29 – May 31, 1999
Museum Ludwig, Koln, Germany, “I Love New York: Crossover der aktuellen Kunst” (Crossover of Contemporary Art),
November 6 – February 1, 1999 (catalogue)
Tel Aviv Museum of Art, Tel Aviv, Israel, “On the Edge: New Art from Private Collections in France”, November 2 – January
16, 1999 (catalogue)
Fisher Landau Center, Long Island City, NY, “Shared Vision: Photographs from the Collection of Emily Fisher Landau and
Anne E. and M. Anthony Fisher”, October 31 – September 15, 1999
Kunstlerwerkstatt Lothringerstrasse, Munich, Germany, “Stillehalten (keeping the stillness): Richaed Basquie, Olafur Gislason,
Felix Gonzalez-Torres, Iris Haussler”, October 30 – December 6, curated by Christiane Meyer-Stoll and Axel Jablonski
(catalogue-brochure)
Kunsthalle Zurich, Switzerland, “Auf der Spur – Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen” (Contemporary
Art in the Mirror of Swiss Collections), October 31 – December 27 (catalogue)
Camden Arts Centre, London, England, “Untitled” (America), October 26 – November 29 show postponed
Nylistasafnid - The Living Art Museum, Reykjavik, Iceland, “neithor nor”, October 24 – November 8, curated by Marina Fokidis
and Hanna Styrmisdottir
Neues Museum Weserburg Bremen, Germany, “Minimal – Maximal: Minimal Art and its influence on international art of the
1990’s”, October 11 - January 3, 1999; travels to Baden Baden (January 22 – March 3, 1999), Centro Galego de Arte
Contemporanea, Santiago di Compostela, Spain (April) (catalogue)
Museo Rufino Tamayo, Mexico City, Mexico, “PhotoSeptiembre: Felix Gonzalez-Torres: Actor de Presencia”, September 21 –
November 30, curated by Manuel Gonzalez (pamphlett)
Berlin Biennale, Germany, “Berlin/Berlin”, September 30 – January 3, 1999 (catalogue)
Milwaukee Art Museum, WI, “From Figure to Floor: Sculpture in the 20th Century”, September 11 – November 8
Gallery 400, University of Illinois at Chicago, IL, “Word Perfect”, September 1 – October 23
The Fabric Workshop and Museum, Philadelphia, PA, “Cut on the Bias: Social Projects of the 90’s from the Permanent
Collection”, July 8 – September 19, curated by Thelma Golden
Casino Luxembourg, Forum d’art contemporain, Luxembourg, “Manifesta 2: European Biennial of Contemporary Art”, June 28
– October 11, curated by Robert Fleck, Maria Lind and Barbara (catalogue)
Galerien de Stadt Esslingen, Germany, “Fotografie als Handlung (Photography as Concept): Fourth International FotoTriennale Esslingen”, June 28 – September 6 (catalogue)
The Power Plant, Toronto, Ontario, Canada, “Changing Spaces: Artists’ Projects from The Fabric Workshop and Museum,
Philadelphia”, June 26 – September 7, curated by Mary Jane Jacob
Tate Gallery Liverpool, England, “Art Transpennine 98”, May 23 – August 16 (catalogue)
Miami Art Museum, Miami, FL, “New Acquisitions: Dream Collection…part three”, May 21 – November 1 (pamphlett)
Nordiska Museum, Stockholm, Sweden, “Arkipelag: Insertions: Notes Towards the Dematerialization of the Art Exhibition”,
May 16 – July 12, this section curated by Carlos Basualdo (catalogue)
148 St. John Street, London, England, “Blue Horizon”, May 13 – June 3
Kunstverein in Hamburg, Germany, “Fast Forward: trademarks”, May 8 – August 21 (second of five-part show) (catalogue);
third of five-part show: “Fast Forward: body checks”, September 11 – November 31f
Paula Cooper Gallery, NYC, “Travel and Leisure”, May 2 – June 26, curated by Steve Henry
The Light Factory, Charlotte, NC, “(Not Pictured) The Presence of Absence”, April 4 – June 7
Art Gallery of South Australia, Adelaide, Australia, “pure”, February – April, curated by Christopher Chapman and George
Popperwell
Henry Art Gallery, University of washington, Seattle, WA, “Thinking Print Books to Billboards 1980-1995”, February 19 – May
3
Moderna Museet, Stockholm, Sweden, “Wounds: between democracy and redemption in contemporary art”, February 14 –
April 19, curated by Pier Luigi Tazzi and David Elliot
Walker Art Center, Minneapolis, MN, “100 Years of Sculpture: From the Pedestal to the Pixel”, February 22-May 22
Yuill/Crowley Gallery, South Australia, Adelaide, Australia, “Visual Arts Program, 1998 Gay and Lesbian Mardi Gras Cultural
Festival”, February 5 – March 14; “Felix Gonzalez-Torres”, Art Gallery of South Australia, Adelaide, Australia, July 4 – August
2; “Felix Gonzalez-Torres”, Art Gallery of Western Australia, July 31 – August 30, curated by Christopher Chapman
(catalogue)
Museu d’Art Contemporani, Barcelona, Spain, “Artificial. Contemporary Figures”, January 20 – March 15
Samuel P. Harn Museum, University of Florida, Gainesville, FL, “MOSAIC”, December 15, 1997 – March 31, 1998 (catalogue)
Centro Cultural Light, Rio de Janeiro, Brazil, “Fotogramas: Arte e Cinema na colecao Marieluise Hessel (Stills: Art and
Cindema in the Marieluise Hessel Collection”, November 19 - January 4, 1998, curated by Ivo Mesquita; travels to Museu de
Arte Moderna, Sao Paolo, Brazil, January 15 - March 1, 1998; Bard College Center for Curatorial Studies, Annandale-onHudson, June 14 – September 6, 1998 (catalogue)
Henry Art Gallery, University of Washington, Seattle, WA, “Simple Form”, November 13, 1997 – February 1, 1998
7
Felix Gonzalez-Torres
1996
Museum fur Gestaltung, Zurich, Switzerland, “Virus Express”, October 21 – December 14
Lehmann Maupin, “Patrick Painter Editions”, October 18 – November 29
2nd Johannesburg Biennial 1997, South Africa, October 12 - January 18, 1998, organized by AICA, Africus Institute for
Contemporary Art (catalogue)
5th International Istanbul Biennial, Istanbul, Turkey, “On Life, Beauty, Translations and Other Difficulties”, October 5November 9 (catalogue)
Museum of Modern Art, NYC, “On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection”,
September 30, 1997 – January 20, 1998 (catalogue)
Neues Museum Weserburg Bremen, Germany, “Produkt: Kunst!: Wo Bleibt das Original?”, September 28 – November 30;
travels to Kunstsammlung Gera, Germany, December 11, 1997 – February 8, 1998; Ludwig Museum Koblenz, February 28 –
May 8, 1998 (catalogue)
Kunsthaus Bregenz, Bregenz, Austria, “KunstlerInnen: 50 Positionen”, September 28 – November 30 (catalogue)
San Francisco Musuem of Modern Art, San Francisco, CA, “Present Tense: Nine Artists in the Nineties”, September 13 January 13, 1998 (catalogue)
Milwaukee Art Museum, Milwaukee, WI, “Identity Crisis: Self Portraiture at the End of the Century”, September 12 - November
16 (catalogue)
Kent, NYC, “Is There Still Life”, September 6 – October 18
Fundacio Joan Miro, Barcelona, Spain, “Lux/Lumen”, June 19 - September 14, curated by Frederic Montornes (catalogue)
Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY, “Landscape: The Pastoral to the Urban”, June 15 –
August 23
Whitney Musuem of American Art at Champion, Stamford, CT, “As Time Goes By: History, Memory and Sentimentality”, June
6 - August 20 (catalogue)
Hirshhorn Museum and Sculpture Garden The Smithsonian Institution, Washington D.C., “The Hirshhorn Collects: Recent
Acquisitions 1992-1996”, June 3 - September 7 (catalogue)
The Museum of Modern Art, NYC, “Selections from the Collection”, May 29 - August 19
GreeneNaftali Gallery, NYC, “Broken Home”, May 3 - June 7, curated by Meg O’Rourke and Caroline Schneider (catalogue)
Miami Art Museum, Miami, FL, “Words and Images”, May 2 – June 29, curated by Lorie Mertes
Kunstnernes Hus, Oslo, Norway, “Laying Low”, April 12 - May 25, curated by Asmund Thorkildsen (catalogue)
Magasin, Centre National s’Arty Contemporain de Grenoble, France, “Moment Ginza”, April 6 - September 7, curated by
Dominique Gonzalez-Foerster; travels to Fargfabriken – Centre for Contemporary Art and Architcture, Stockholm, Sweden,
October 18 – December 7 (catalogue)
Art Tower Mito, Ibaraki, Japan, “Mito Annual ‘97: Flexible Coexistence”, April 5 - June 1 (catalogue)
Galerie Jennifer Flay, Paris, France, “Skin Deep”, April 1 –May 17
Lehmann Maupin, NYC, “The Crystal Stopper”, March 22 - April 19, curated by Carlos Basualdo
The Whitney Museum of American Art, NYC, “The Whitney Biennial”, March 19 - May 1, curated by Louise Neri and Lisa
Philipps (catalogue)
Centre d’Art Contemprorain, Geneva, Switzerland, “Veronica’s Revenge”, February 28 – May 11, 1997: travels to Museum
van Hedendaagse Kunst Antwerpen, Antwerp, Belgium, November 21 – January 18, 1998; Deichtorhallen Hamburg,
Hamburg, Germany, february 15 – June 1, 1998; City of Prague Gallery, Prague, Czechoslovakia, June 15 – September 15,
1998; Het Domein, Holland, October – November 1998; Musee Nationale d’Histoire et d’Art, Luxembourg, March 15 – April
30, 1999; Greece, May – June 1999; Irish Museum of Modern Art, July – September, 1999: Centro Portugues de fotografia,
Porto, Portugal, October – December 1999; Museu d’Art Contemporani, Barcelona, Spain, January – March 2000
Index Gallery, Stockholm, Sweden, “NDXLRTE”, February 15 - March 23, curated by Karl Holmqvist and Jack Jaeger
Museu d’Art Contemporani, Barcelona, Spain, “Introversions: aspectes de la Colleccio”, February 7 - August 24
Linda Kirkland, New York, “Poetic Obsession”, January 22 - February 23
Robert Miller Gallery, NYC, “Twenty Years...almost”, January 8 - February 8
D’Amelio Terras, NYC, “Spaces Between”, January 9 - February 9
Museum of Contemporary Art, Los Angeles, CA, “A Day Without Art”, December 1
The Contemporary Arts Center, Cincinnati, OH, “Momento Mori”, November 29 - January 5, 1997, organized by Peter
Huttinger
Museo Alejandro Otero, Caracas, Venezuela, “Sin Fronteras”, November 11 – March 16, 1997 (catalogue)
Miami Art Museum. Miami, FL, “Dream Collection Gifts and just a few Hidden Desires...part one”, October 26 – April 27, 1997
(pamphlet)
The Museum of Contemporary Art, Los Angeles, CA, “Just Past: The Contemporary in MOCA’s Permanent Collection”,
September 29, 1996 - January 19, 1997, organized by Anne Goldstein
Lawing Gallery, Houston, TX, “Silence”, September 12 - October 19
Deutsche Stadtereklame, Hannover, Germany, 5 outdoor billboard locations throughout the city, organized by Lutz Hieber
Neue Gesellschaft fur Bildende Kunst, Berlin, Germany, August 3 - September 1
Wako Works of Art, Tokyo, Japan, “American Contemporary Prints”, July 9 - August 9
Musee Departmental de Rochechouart, Chateau de Rochechouart, Haute-Vienne, France, “Propositions”, June 28 - October
6 (catalolgue)
The Gunnery, Sydney, Australia, “Tenth Biennale of Sydney”, June 27 - September 22, curated by Lynn Cooke (catalogue)
The Museum of Modern Art, New York, NY, “Thinking Print: Books to Billboards, 1980-95”, June 10 - September 10,
organized by Deborah Wye (catalogue)
Milwaukee Museum of Art, WI, “Recent Acquisitions”, June 7 - August 18
Galerie Rodolphe Janssen, Brussels, Belgium, “Pictures of Modern Life”, June 7 - August 3, curated by Robert Nickas,
traveled to Ecole regionale des beaux-arts de Tours, Belgium, October 25 - December 6
Louisiana Musseum, Copenhagen, Denmark, “Walking and Thinking and Walking”, May 15 - September 8, curated by Bruce
Ferguson
Museo Jacobo Borges, Caracas, Venezuela, “Quarta Pared”, March 24 – May 12, 1996.
EV+A - Exhibition of Visual Art, Limerick, Ireland, public art exhibition, March 8 - May 4, curated by Guy Tortosa
Galerie Jennifer Flay, Paris, France, “Passage a l’Acte”, March 2 - April 20
International Center of Photography, NYC, “Pulse Art”, February 29 - March 23
8
Felix Gonzalez-Torres
1995
1994
The Museum of Contemporary Art, North Miami, FL, “Defining the 90’s: Consensus Making in New York, Miami and Los
Angeles”, February 23 - April 1996 (catalogue)
Sprengel Museum in Hannover, Germany, “Sex & Crime: Von den Verhaltnissen der Menschen”, February 18 - May 12,
Wexner Center for the Arts, Columbus, OH, “Face Value: American Portraits”, February 3 - April 21
Bloom Gallery, Amsterdam, The Netherlands, “Patrick Painter Editions Canada”, February 3 - March 3
The Art Institute of Chicago, Chicago, IL (informal installation)
Barbara Krakow Gallery, Boston, MA, “The Abstracted Image in Photography”, December 9 - Janaury 24, 1996
Feature Inc, NYC, “B/W Photos”, December 1 - January 6, 1996
Musee d’Art Moderne de la Ville de Paris, France, “Passions Privees: Collections particulieres d’art moderne et contemporain
en France”, December 14 - March 24, 1996 (catalogue)
The Felt Factory, Piqua, OH, “Open House”, November 11
Museu de Arte de Sao Paulo, Sao Paulo, Brazil, “Das Americas”, November 7 - December 10, organized by Isabella Prata
Consultoria de Arte, Galerie Luisa Strina and Museu de Arte de Sao Paulo (catalogue)
Milwaukee Art Museum, WI, “Featured Acquisition”, November 1 - 30
The New York Public Library, NYC, “The Hand of the Poet”, October 17 - April 27, 1996
Margo Leavin Gallery, Los Angeles, CA, “25 Years: An Exhibition of Selected Works”, September 23 - October 28 (catalogue)
Cabinet des estampes, Geneve, Switzerland, “Notes on Print: With and After Robert Morris”, September 21 - October 29
(catalogue)
Milwaukee Institute of Art and Design, Milwaukee, WI, “The Friendly Village”, September 19 - October 21, organized by
Michelle Grabner and Brad Killam
The McKinney Contemporary, Dallas, TX, “Gang Warfare”, September 9 - October 26; travels to The Independant Art Space,
London, England, October 19 - December 16
The Parrish Art Museum, Southampton, NY, “Face Value: American Portraiture”, July 30 - October 1, curated by Donna De
Salvo (catalogue); travels to Wexner Center for the Arts, Columbus, OH, February 3 - April 21, 1996; Tampa Museum of Art,
Tampa, FL, July 14 - September 8, 1996
The Institute of Contemporary Art, Boston, MA, “Currents ‘95: Familiar Places”, July 26 - October 1, curated by Lia Gangitano
and Milena Kalinovska
Museum of Fine Arts/Site Santa Fe, Santa Fe, NM, “Longing and Belonging: From the Faraway Nearby”, July 14 - October 8
Margo Leavin Gallery, Los Angeles, CA, “Untitled (Reading Room)”, July 8 - August 19
Paula Cooper Gallery, NYC, “Cornered”, June 9 - July 28
Feature, NYC, “The Moderns”, June 1 - July 28, curated by Tony Payne
Cahors, France, “Day and Night” in conjunction with the festival “The Printemps de Cahors”, May 12 - 26, curated by
Stephanie Moisdon and Nicolas Trembley
Tramway, Glasgow, Scotland, “Trust”, May 6 - June 18
David Winton Bell Gallery, List Art Center, Brown University, Providence, RI, “Color In Space: Pictorialism in Contemporary
Sculpture”, April 22 - June 4 (catalogue)
Forum for Contemporary Art, St. Louis, MO, “Altered States: Amercian Art in the 90’s”, March 24 - May 6, curated by Robert
Nickas and Jeanne Greenberg (catalogue)
The Art Institute of Chicago, Chicago, IL, “About Place: Recent Art of the Americas”, March 11 - May 21, curated by
Madeleine Grynsztejn (catalogue)
Museum of Contemporary Art, Finnish National Gallery, Helsinki, Finland, “Ars 95”, February 11 - May 28 (catalogue)
Feature, NYC, “Strung Into the Appolonian Dream”, January 20 - February 24
Southeastern Center for Contemporary Art, Winston-Salem, NC, “Civil Rights Now”, January 28 - April 15, curated by Bruce
Lineker; travels to Cleveland Center for Contemporary Art, Cleveland, OH, May 10 - August 13 (catalogue)
San Francisco Museum of Modern Art, San Francisco, CA, “Public Information: Desire, Disaster, Document”, January 18 April 30 (catalogue)
Pace Roberts Foundation, San Antonio, TX, “New Works for a New Space: Annette Messager, Felix Gonzalez-Torres, Jesse
Amado”, January 15 - February 26 (catalogue)
Betsy Senior Gallery, NYC, “A.R.T. Press Multiples”, January 12 - February 4
Peter Blum, NYC, “10 Years of Parkett: 63 Artists’ Editions”, December 15, 1994 - January 28, 1995
Neue Gesellschaft fur Bildende Kunst, Berlin, Germany, “GEWALT/Geschaftse (Violence/Business)”, December 10 - February
19, 1995, curated by Frank Wagner (catalogue)
Faret Tachikawa Public Art Project, Tachikawa City/Tokyo, Japan, “Urban Renewal”, December 2 (permanent installation)
The Lowe Art Museum, The University of Miami, Coral Gables, FL, “Latin American Art in Miami Collections”, December 8 February 6, curated by Giulio Blanc (catalogue)
Art Center College of Design, Pasadena, CA, “Romance”, November 20, 1994 - February 5, 1995
Exit Art, NYC, “...it’s how you play the game...”, November 5 - January 28, 1995, curated by Thelma Golden, Nancy Spector,
Robert Storr, Jeanette Ingberman and Papo Colo
Andrea Rosen Gallery, NYC, “A series of rotating installations” (Week 2: November 1 - 5: Felix Gonzalez-Torrres and On
Kawara), October 26 - November 26
Margo Leavin Gallery, Los Angeles, CA, “In the Field: Landscape in Recent Photography”, October 22 - November 26
Bard College Center for Curatorial Studies, Anandale-on-Hudson, NY, “Recent Acquisitions from the Rivendell Collection”,
October 22 - December 23
Studio Oggetto Milano, Italy, “Possibilismo Americano”, September 29 - October 27, curated by Enrico Pedrini
Metro Pictures and Petzel Borgmann Gallery, New York, NY, “Notational Photographs”, September 17 - October 15
Milwaukee Art Museum, Milwaukee, WI, “Photoconceptualism: Selections from the Permanent Collection, 1965 - 1993”,
September 16 - December 31
Deichtorhallen Hamburg, Hamburg, Germany, “Das Jahrhundert des Multiple Von Duchamp bis zur Gegenwart (The Century
of the Multiple)”, September 2 - October 30
The Museum of the City of St. Petersburg, St. Petersburg, Russia, “Edition Julie Sylvester St. Petersburg: Editions by Felix
Gonzalez-Torres, Mike Kelley, Richard Prince, David Salle and Sue Williams”, July
The Fabric Workshop, Philadelphia, PA, “Cool”, July 15 - October 3
Cohen Gallery, NYC, “Drawing on Sculpture”, June 9 - July 28
9
Felix Gonzalez-Torres
1993
Fischbach Gallery, NYC, “Absence, Activism, and the Body Politic”, June 2 - 25, curated by Joe Wolin
Inter Nos and Galerie Pasquale Leccese, Milan, Italy, “Arte in Video: 22 Inches”, May 26 - June 2, curated by Tommaso Corvi
Mora
The School of Fine Arts, Bogota, Colombia, "Do It", curated by Hans-Ulrich Obrist, traveling exhibition, traveled to Kunsthalle
Ritter Klagenfurt, Klagenfurt, Austria, September 30 - November 25, 1994;; Center for Contemporary Art, Glasgow, Scotland,
June 23 - July 29, 1995; Institute of Modern Art, Queensland, Australia, February 22 - March 23, 1996; The Reykjavik
Municipal Art Museum, Reykjavik, Iceland, March - May, 1996; Centreo Civico per l’Arte Contemporanea “La Grancia”,
Sienna, Italy, May 8 - 23, 1996; Kunsthalle Helsinki, Finland, May 29 - November 8, 1996; Forde L’uisine, Geneva,
Switzerland, May 31 - July, 7, 1996; Bangkok University Art Gallery, Bangkok, October 5 - November 2 ,1996; Palo Alto
Cultural Center, Palo Alto, CA, June 15 – July 27, 1997; Cranbrook Art Museum, Bloomfield Hills, MI, August 30 – October 26,
1997; Nikolaj, Copenhagen Contemporary Art Center, Copenhagen, Denmark, October 31, 1997 - January 4, 1998;
Freedman Galler, Reading, PA, January 23 – March 1, 1998; Surrey Art Gallery, Surrey, BC, Canada, March 8 – May 24,
1998; Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, Wooser, MA, March 18 – April 19, 1998; Lamont
Gallery, Phillips Exeter Academy, Exeter, NH, April 17 – May 9, 1998; Dunlop Art Gallery, Regina, Saskatchewan, Canada,
May 9 – June 14, 1998; Salina Arts Center, Salina, KS, May 16 – August 2, 1998; Boulder Museum of Contemporary Art,
Boulder, CO, June 12 – August 30, 1998; Pittsburgh Center for the Arts, Pittsburgh, PA September 4 – November 1, 1998;
Visual Arts Center, Boise State University, Boise, ID, September 15 – October 25, 1998; The Nickle Arts Museum, The
University of Calgary, Calgary, Alberta, Canada, September 25 – December 23, 1998; The Institute of Contemporary Art,
Maine College of Art, Portland, ME, November 12 – December 18, 1998; The Morris Museum, Morristown, NJ, January 10 –
April 4, 1999; Stedman Gallery, Rutgers University, Rutgers, NJ, January 12 – March 6, 1999; Handwerker Gallery, Ithaca
College, Ithaca, NY, October 21 – December 14, 1999; Museum of Art, Fort Lauderdale, FL, January 14 – April 2, 2000;
Colorado State University, Boulder, CO, March 24 – April 28, 2000; Memphis Brooks Museum of Art, Memphis, TN, April 23 –
Juny 2, 2000; Scottsdale Museum of Contemporary Art, Scottsdale, AZ, June 3 – August 23, 2000; Wriston Art Center
Galleries, Lawrence University, Appleton, WI, September 29 – November 11, 2000; Addison Gallery of American Art, Phillips
Academy at Andover, Andover, MA, September 15 – December 15, 2000 (catalogue)
New Museum of Contemporary Art, NYC, “Who Chooses Who Benefit Auction”, April 20-24
The Renaissance Society, Chicago, IL, "After and Before", March 13 - April 17, curated by Susanne Ghez
API Gallery, New York, NY, "Live Art", March 10 - April 7, curated by Gerald Pryor
Loyola Hall Gallery, Fairfield University, Fairfield, CT, "Public Art by Other Means: Recent Artists' Books", February 28 - March
18, curated by Nancy Princenthal
Paula Cooper Gallery, NYC, "Pictures of the Real World (In Real Time), February 10 - March 12, organized by Robert Nickas,
traveled to Le Capitou, Art Contemporain Frejus, Frejus, France; November 19 - January 6, 1995; Stadtische Galerie
Goppingen, Goppingen, Germany, January 22 - February 26, 1995; Galleria Massimo De Carlo, Milan, Italy, April 6 - May 13,
1995; Hara Museum of Contemporary Art, Tokyo, Japan, June 24 - September 3, 1995
Neue Galerie, Graz, Austria, "Felix Gonzalez-Torres, Rudolf Stingel", January 27-March 6
Thread Waxing Space, NYC, "Don't Look Now", January 22 - February 26, organized by Joshua Decter (catalogue)
Massimo Minini, Italy, "Not Quiet", January 20 - February 28
Camden Arts Centre, London, England, "Symptoms of Interference, Conditions of Possibility: Ad Reinhardt, Joseph Kosuth,
Felix Gonzalez-Torres", January 7 - March 6 (two catalogues)
Achim Kubinski Gallery, NYC, "Martin Zimmerman - (In and of Itself)..Guest Room with Andrew Ong", October 26 - December
18, curated by Andrew Ong
Florida International University, Miami, FL, "Photography by Cintas Fellows", October 29 - November 27 (catalogue)
Rhona Hoffman Gallery, Chicago, IL, "Legend in My Living Room", October 22 - November 22, curated by Terry R. Myers
(pamphlett)
Museo del Oeste, Caracas, Venezuela, "Cuarta Pared", October 16 - October 31, curated by Jesus Fuenmayor (catalogue)
The Morris Museum, Morristown, NJ, "The Ellyn and Saul Dennison Collection", October 16 - November 21 (catalogue)
White Columns, New York, "Markets of Resistance", October 7 - November 6, curated by Karen Jones
America's Society, New York, "Space of Time: Contemporary Art from the Americas", September 24 - January 2, 1994,
curated by Sandra Antelo Suarez and Alisa Tager, travels to Center for Fine Arts, Miami, FL , June 1 - August 20 (catalogue)
Sprengel Museum Hannover, Germany, "Construction Quotation: Collective Images in Photography", August 29 - October 31
(catalogue)
Hotel Carlton Palace, Room 763, Paris, France, August 22 - September 22, curated by Hans-Ulrich Obrist
Tavelli Gallery, Aspen, CO, July 15 - August 7
Marian Goodman Gallery, NYC, June 25 - August 27
Aperto 1993, in conjunction with the Venice Biennale, Italy, June 13 - October 10, section curated by Robert Nickas, An Essay
on Liberation (catalogue)
Galerie Jennifer Flay, Paris, France, "Just what is it that makes today's homes so different, so appealing?", June/July
Museum Fridericianum, Kassel, Germany, "The Nightshade Family", May 16 - August 8 (calalogue)
Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, "Personal Choice- Selections from Four Penn
Alumni Collections", May 15 -July 18, selected by Patrick T. Murphy
Sonja Henie-Niels Onstad Art Center, Hovikodden, Norway, "Tema AIDS", May 8 - July 8, curated by Kim Levin, travels to
Norway Museum, Bergen (accompanying publication)
White Columns, "The Naming of the Colors", April 30 - May 23, curated by Kirby Gookin and Bill Arning (catalogue)
Kunst-Werke Berlin, Germany, "Prints and Issues", April 24 - June 30, curated by Kim Levin
Radio Building, Brussels, Belgium, February 27 - April 30, in conjunction with Ars Musica Festival, organized by Xavier
Hufkens
The Museum of Modern Art, NYC, “Contemporary Works from the Collection”, February 27 Galerie Sophia Ungers, Project Room, "The Young Americans", Koln, Germany, February 5 - April 23
Espaces Lyonnais D'Art Contemporain, Lyon, France, "Here's Looking At Me: Contemporary Self-Portraits", January 29 - April
30, curated by Bernard P. Brunon (catalogue)
The Aldrich Museum of Contemporary Art, Ridgefield, CT, "Simply Made in America", January 24 - May 2, curated by Barry
Rosenberg (catalogue)
Art Gallery of Ontario, Toronto, Ontario, “Works on loan from the Collection of Vivian and David Campbell”, January 21 –
10
Felix Gonzalez-Torres
1992
1991
August 6
Spazio Opos, Milan, Italy, "Privacy", January 15 - 30, curated by Gianni Romano
Heiligen Kreuzerhof, Hochschule fur Angewandte Kunst, Vienna, Austria, "Lebe in Heinem Kopf" (Live in Your Head), January
8 - February 12, curated by Bob Nickas (catalogue)
Center for the Fine Arts, Miami, Florida, "Photoplay: Works from The Chase Manhattan Collection", organized by Lisa Phillips
and Manuel E. Gonzalez, travels to Museum Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey,
Monetrrey, Mexico; 1994 - Centro Cultural Consolidado, Caracas, Venezuela; MASP/Museu de Arte de Sao Paulo, Sao
Paulo, Brazil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile
Thea Westreich, New York, "Multiplicity", December 1 - December 19
Usdan Gallery, Bennington College, Vermont, "Transgressions In The White Cube: Territorial Mappings", November 17 –
December 21, curated by Joshua Decter (catalogue)
New Jersey Center for Visual Arts, Summit, "New Jersey Collects: Photography", November 15 - January 8, 1993
Centro Cultural Arte Contemporaneo, Mexico City, Mexico, "Selecciones de la Coleccion Permanente", October 30 - January
Tramway, Glasgow, Scotland, "Read My Lips: New York AIDS Polemics", October 20 - December 1 (catlogue)
Le Consortium, Dijon, France, "1968", October 17 - December 31, curated by Robert Nikas (catalogue)
The Fundacao Cultural Curitiba/Museu da Gravura, Curitiba, Brazil, "X Mostra da Gravura Cidade de Curitiba/Mostra
America", October 16 - December 6
Margo Leavin Gallery, Los Angeles, CA, "Felix Gonzalez-Torres, Albert Oehlen, Christopher Williams - theatre verite",
October 10 - December 20
Bruno Brunnet Fine Arts, Berlin, Germany, "New Deal", October 5 - November 4
Grazer Kunstverien , Graz, Austria, "America Nowhere", billboard project curated by Peter Pakesch, October 3 - November 3
(catalogue)
Wacoal Art Center, Tokyo Japan, "Three or More - A Multiple Exhibition", October 1 - October 24, curated by Daniel Bucholz
(catalogue)
Magasin - Centre National D'Art Contemporain De Grenoble, France, "I, Myself and Others", September - November
(catalogue)
Portland Art Museum, Portland, Oregon, "Dissent, Difference, and the Body Politic", August 20 - October 18, curated by
Simon Watson, travels to Otis School of Art and Design, Los Angeles (catalogue)
Paradise Europe, Copenhagen, Denmark, July, billboard project with video installation at Ny Carlsberg Glyptotek, organized
by Bizart and curated by Andrea Rosen Gallery, New York; Daniel Bucholz, Koln;
Galerie Maquina Espanola, Madrid; Stalke Out of Space, Copenhagen; and Galleria Paolo Vitolo, Rome (catalogue)
Musee D'Art Contemporain, Pully/Lausanne, Switzerland, "Post Human", June 14 - September 13, travels to Castello di Rivoli,
Rivoli, Italy, June 14 - September 13; Deste Foundation for Contemporary Art, Athens, Greece, December 3 - February 14,
1993;
Deichtorhallen Hamburg, Germany, March 12, 1993 - May 9; The Israel Museum, Jerusalem, June 21 - October 10
(catalogue)
Kunst-Werke Berlin, Germany, organizers, "37 Raume - Eine Feldforschung", June 14 - June 22 (catalogue)
Jack Hanley Gallery, San Francisco, June 4 - June 27
Monika Spruth Galerie, Cologne, "Lying on a top of a building the clouds seemed no nearer than they had when I was lying on
the street.", May 23 - July 8
Cartier Foundation, Room 209, France, "Wor(l)d", May - June, curated by Laura Cottingham
Kunstverein in Hamburg, Germany, "Gegendarstellung - Ethics/Aesthetics in Times of AIDS", May 14 - June 21, travels to
Kunstmuseum Luzern, Switzerland, October 4 - November 22 (catalogue)
Museum of Modern Art, New York, "More Than One Photography", May 14 - August 9
Galerie Jennifer Flay, Paris, "Not Quiet", March 21 - April 18 (catalogue)
Terrain Gallery, San Francisco, "A Celebration", February 25 - March 16
Wooster Gardens, NYC, "Healing", February 29 - April 25, traveled to Rena Bransten Gallery, San Francisco, May 12 - June
13
Ghislaine Hussenot, Paris, "By Appointment", curated by Lynn Gumpert, February 22 - March 21
Air de Paris, Nice, "Tattoo Collection", March - May, travels to Galerie Jennifer Flay, Paris, June - July, Galerie Daniel
Bucholz, Koln, and Andrea Rosen Gallery, New York
Luhring Augustine, NYC, February 15 - March 14
RubinSpangle, NYC, February 15 - March 14
Tanja Grunert and Michael Janssen, Koln, Germnay, "Teppiche", January 9 - 20
Walker Art Center, Minneapolis, "Portraits, Plots and Places; The Permanent Collection Revisited", January 7
Emerson Gallery, Hamilton College, Clinton, NY, "From Media to Metaphor: Art About Aids", January 20 - March 15; Center
for Contemporary Art, Seattle, WA, June 19 - August 8; Sharadin Art Gallery, Kutztown University, Kutztown, PA, September
8 - October 6; Musee d’Art Contemporain de Montreal, Montreal, Quebec, Canada, October 29, 1992- January 3, 1993; Bass
Museum of Art, Miami Beach, FL, February 12 - April 4; McKissick Museum, University of South Carolina, Columbia, SC, May
15 - July 15; Fine Art Gallery, Indiana University, Bloomington, IN, September 3 - October 23; Santa Barbara Contemporary
Arts Forum, Santa Barbara, CA, November 6 - December 23; and the Grey Art Gallery and Study Center, New York
University, New York, NY, January 18 - March 3,
1994, guest curated by Thomas Sokolowski and Robert Atkins.
Whitney Museum of American Art, NYC, "Variations on Themes: Prints Acquired for the Permanent Collection", organized by
Judith Goldman, December 13, 1991 - March 15, 1992
Randy Alexander, NYC, "At the End of the Day", December 3 - 21, curated by Michael Jenkins
Ninart Centro de Cultura, Mexico City, "Fifteen Cuban Artists: The Diaspora of the 80's", November (catalogue)
La Galerie du Mois, Paris, "L'Esprit Biblioteque" November 9 - 30
Grazer Kunstverein, Graz, Austria, "Korper und Korper", October 6 - November 14
Parrish Art Museum, Southampton, Long Island, NY, "Selections from the Elaine and Werner Dannheisser Collection: Painting
and Sculpture from the 80's and 90's", September 22 - November 17
Simon Watson Gallery, NYC, "(Dis)member: On the Hundredth Anniversary of Gericault’s Death" September 10 - October 5
Castello di Rivara, Turino, Italy, "Proiezioni", curated by Gregorio Magnioni, September 14 - October 26
11
Felix Gonzalez-Torres
1990
1989
1988
1987
Barbara Krakow Gallery, Boston, "Connected Past", September 13 - October 16
The Archives, Art Information Centre, Rotterdam, The Netherlands, "Books By Artists", September 8 - October 25
Andrea Rosen Gallery, NYC, September 7 - October 5
The Hyde Collection, Glens Falls, NY, "Just What Is It that Makes Today's Home So Different, So Appealing?, curated by Dan
Cameron August 19 - December 8
Simon Watson Gallery, NYC, "The Subversive Stitch," June 22 - July 27, curated by Maurice Berger and Simon Watson
(essay)
Castello di Rivara, Turino, Italy, "Itinerari", June 8 - July 31, curated by Benjamin Weil
Villa Arson, Nice, France, "No Man's Time", July 6 - September 30 (catalogue)
Meyers/Bloom Gallery, Santa Monica, "Someone or Somebody", curated by Simon Watson, May 21 - June 15
Barbara Farber Gallery, Amsterdam, Holland, "The Museum of Natural History", April 27 - June 15, curated by Bob Nickas
(catalogue)
Whitney Museum of American Art, Biennial Exhibition, NYC, April 9 - June 23 (catalogue)
Richard Brush Gallery, St. Lawrence University, NY, "From Desire: A Queer Diary", March 25 - April 19
Simon Watson Gallery, NYC, "Something Pithier and More Psychological", February 23 - March 23
The Renaissance Society, Chicago, "The Body", March 10 - April 21
Xavier Hufkens Gallery, Brussels, Belgium, with Michael Jenkins, March 2-June 5
Fundacion Caja de Pensiones, Madrid, Spain, "The Savage Garden", curated by Dan Cameron, January 21 - March 10
(catalogue)
The New Museum, NYC, "Rhetorical Image", December 9 - February 3, 1991 (catalogue)
Sous-Sol, Ecole Superieure d'Art Visual, Geneva, Switzerland, "Hyperbate", October - January (catalogue)
Jay Gorney Modern Art, NYC, "Felix Gonzalez-Torres, Michael Jenkins, and Tim Rollins + KOS", October - November
Andrea Rosen Gallery, NYC, "Stendhal Syndrome: The Cure", July (catalogue)
Massimo Audiello Gallery, NYC, "Loving Correspondence", June 1 - 30
Musei di Spoleto, Spoleto, Italy, “Artedomani: 1990 punto di vista”, May 27 - June, curated by Cecilia Casorati, Cornelia Lauf,
Tatiana Salzirn (catalogue)
Barbara Krakow Gallery, Boston, "Constructive Anger", May - June
Andrea Rosen Gallery, NYC, "Collaborations", back gallery, May - June
Robbin Lockett Gallery, Chicago, "Get Well Soon", May 4 - 30
Galerie Christine & Isy Brachot, Brussels, Belgium, "Red", organized by Bob Nickas, June 27 -September 29 (catalogue)
Terrain, San Francisco, "This Symphony Will Always Remain Unfinished", February 8 - March 10
Neue Gesellschaft Fur Bildende Kunst, Berlin, Germany, “Ubers Sofa - Auf Die Strasse!”, curated by Frank Wagner, February
24 - March 30 (catalogue)
Simon Watson Gallery, NYC, "The Clinic", curated by Steven Evans and Simon Watson, February
Tom Cugliani, NYC, January
New Langton Arts, San Francisco, CA, “The Word: text - object - ontology”, curated by Nayland Blake, January 25 - February
17
Terrain Gallery, San Francisco, "Information", organized by Bob Nickas, January
Museum of Modern Art, NYC, "New Acquisitions", NYC, August - November
Freedman Gallery, Albright College, Reading, PA, "Art about Aids", December - January
Paula Allen Gallery, NYC, "Tom Burr, Felix Gonzalez-Torres, Michael Jenkins, John Lindell", November
Hallwalls, Buffalo, NY, "Amerikarma", curated by Daniel Levine, November
Wessell-O'Conner Gallery, NYC, "To Probe and to Push: Artists of Provocation", October
Contemporary Arts Center, Cinncinati, "Double Take", organized by Hudson, June
Annina Nosei Gallery, NYC, "Summer Group Show: an AIDS Benefit"
Leo Castelli Gallery, NYC, "A Benefit for NEST", May
Massimo Audiello Gallery, NYC, "In the Center of Doubt", May
Longwood Arts Center/Franklin Furnace, NYC/Hallwalls, Buffalo, NY, "Cultural Literacy"
Milford Gallery, NYC, "After the Gold Rush", curated by Howard Halle, March
Terrain, San Francisco, "Matter/Anti-Matter: Defects in the Model", Janaury - February
White Columns, NYC, "Real World", October 13 - November 5
Stux Gallery, Boston, "The Text is Not Explained", curated by Bill Arning
Group Material, "Inserts", advertisement supplement inserted into the Sunday edition of The New York Times, NYC, March
Installation, San Diego, CA, "Corporate Crime/Malicious Mischief, Power and Mediation: A Fin de Siecle Tautology",
November/December, curated by Armando Rascon (catalogue)
Artists Space, NYC, "Selections", curated by Kellie Jones
Artists Space, NYC, "The Fairy Tale"
SELECTED PUBLICATIONS/BIBLIOGRAPHY:
2005
Butt, Gavin, Ed. After Criticism: New Responses to Art and Performance. Published by Blackwell Publishing, London, Essay
by Jane Blocker, pp. 54-6, 58, 60-1
Getlein, Mark. Gilbert’s Living with Art. Published by McGraw-Hill, New York. Seventh Edition, p. 49
Young, Alison. Judging the Image – Art, Value, Law Published by Routledge, London, pp. 79, 88 - 96
2004
Baker, Kenneth. San Francisco Chronicle. “Spectrums of thought that span billboards”, April 17
Benet, Carol. The Ark. “Logan Collection at SFMOMA Offers Surprises”, January 14,
Bergjord, Geir Egil. Berlin 15.02.-30.04.2003. Published by Det Norske Samlaget, Stavanger, Norway, inside cover
Bjelajac, David. American Art: A Cultural History Published by Laurence King Publishing, Ltd, London, p. 453
Coetzee, Mark. Rubell Family Collection. Not Afraid. Published by Phaidon Press. Pp. 43, 178, 184
Couturier, Elisabeth. L’Art Contemporain Mode D’Emploi. Published by Editions Filipacchi, Paris, pp. 8, 244
Depocas, Alain., Jon Ippolito and Caitlin Jones. Permanence Through Change: The Variable Media Approach. Published by
The Solomon R. Guggenheim Foundation, New York and The Daniel Langlois Foundation for Art, Science, and Technology,
Montreal., pp. 92-99
Guagnini, Nicolas. Time Out New York. “Southern Exposure” MoMA began collecting Latin American at in 1935. The mixed
12
Felix Gonzalez-Torres
2003
results are now on view at El Museo”, April 1 – 8, pp. 59-60
Heartney, Eleanor. Postmodern Heretics: The Catholic Imagination in Contemporary Art. Published by Midmarch Arts Press,
New York, pp. 99 – 103, 176
Hoban, Phoebe. The New York Times. “Open Houses, Miami Style: 7 BRs, Ocn Vu, WrldClass Art”, March 14
Hughes, Jeffrey. ArtPapers. “Reviews: Cincinnati, Ohio”, January/February, p. 50
Jana, Reena. Time Out New York. August 26 – September 2, p. 61
Johnson, Ken. The New York Times. “’Reflecting the Mirror’ at Marian Goodman Gallery”, July 16
Logan, Kent. Robert Colescott & Glenn Ligon From the Logan Collection, Published by the University of Denver Victoria H.
Myhren Gallery, CO. p. 9
Meyer, Chris. Stanford Daily. “SFMOMA’s ‘;Supernova’ burns bright”, January 16, p. 11
Moore, Patrick. Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality. Published by Beacon Press,
Boston, pp. 165-173
Petry, Michael. Hidden Histories. Published by pp. 32 – 33, 92 - 93
Powhida, William. The Antiquer. “Creative Time”, April, pp. 30 – 33
Sardar, Zahid. Western Interiors and Design. “Dialogues with Art Above the Golden Gate”, July/August, pp. 92-101
Solomon, Andrew. The Art in Embassies Program: 40 Years. Published by Art in Embassies, Program, United States
Department of State, Washington, DC.
Taylor, Brandon. Art Today. Published by Laurence King Publishing, London, p. 156
Wheelock, Katherine. Time Out New York. “Shopping Flight Club”, September 9 – 16, pp. 64-65
A Mares Olladas Oceanicas en el arte contemporaneo. Published by Museo Do Mar De Galicia, p. 14
B.T. Magazine. “Art and Appreciation”, February, Volume 56, No. 2, pp. 48-49
Le Plateau Fonds Regional d’Art Contemporain d’Ille-de-France Progammation 2004 – 2005
Milwaukee Art Museum Collection Guide. Published by Milwaukee Art Museum, Milwaukee, MN, p. 43
Museums New York. “not for sale”, Volume 10, Number 2, p. 75
Boutoux, Thomas. Ed. Hans Ulrich Obrist. Interviews. Volume I. Published by Fondazione Pitti Immagine Discovery,
Florence, Italy, pp. 308-316
Boyce, Roger. Art New England. “Neither Here Nor There: ‘Mirror Mirror’ at Mass MoCa”, February/March, pp. 16-17, 75
Brenneman, Christine. Marin Independent Journal. “Living Art: SFMOMA exhibit features works that reflect globalization,
technology and life in modern socisty”, December 11, pp. 3E, D2
Buskirk, Martha. The Contingent Object of Contemporary Art. Published by MIT Press. Pp. 154-155, 158, 198, 199
Cattelan, Maurizio. Massimiliano Gioni, Ali Subotnik. Charley. Published by Les Presses Du Reel, France. Volume 01
Danto, Arthur C. The Abuse of Beauty: Aesthetics and The Concept of Art. Published by Open Court, Carus Publishing
Company, Peru, IL, pp. 138-139
de Diego, Estrella and Marta Muñoz Recarte. La guía Caja Madrid para el arte ahora mismo. Published by Obra Social.
de Pastino, Blake. City Paper. “The Year in Art: Top Ten”, December 17
Estep, Jan.m Britt Salvesen. Subjective Realities: Works from the Refco Collection of Contemproary Art. Published by Refco
Group Ltd., 118-119
Caballero, German Rubiano. Art Nexus. “Felix Gonzalez-Torres: Writing as Metaphor in his Work”, No. 48. Volume 2, pp. 82
- 83.
Cadavid, Fresia Rodriguez. Hispanic Link Weekly Report. “Artwork Relating to Cuban’s Story to be Shown in Washington”,
July 28, p. 3
Cameron, Dan. Living Inside the Grid. Published by The New Museum of Contemporary Art, New York. p. 28
Cork, Richard. Annus Mirabilis? Art in the Year 2000. Published b y Yale University Press, New Haven and London. pp.
142-146
Cotter, Holland. The New York Times. “Where Small Shows Offer Big Ideas: Summer Epiphanies in the Boston Area”,
August 15, p B27, B29
Cross, Caroline. L’ABCdaire de la Sculpture du Xxe siecle. Published by Flammarion, Paris, France, pp. 58-59
Deitcher, David. Time Out New York. “Stacked”, March 13 – 20
Dixon, Glenn. Washington City Paper. ‘ “Untitled” (For Jeff)’, August 1, p. 48
Elrick, Laura. SKincerity. Published by Krupskaya. Cover
Fox, Larry and Michael O’Sullivan. The Washington Post. “Got Plans?”, January 10, p. 31
Garret, Craig. Flash Art. “Moving Pictures”, p. 47, March-April
Harvey, Anthony L. The Intowner. “Dupont North Graced by Temporary Outdoor Art from Hirshhorn Museum”, August, p. 1,
10
Hauser, Gerolf. Volks Blatt Medienkonferenz Nachrichten. “Mythisieren der Wirklichkeit”, June 28, p. 9
Hudson, Suzanne Perling. October. “Beauty and the Status of Contemporary Criticism”, Number 104, Spring, pp. 115-129
Hyman, James. ArtReview. “Up In Smoke”, International Edition, Volume 1, No. 6 pp. 65-66
Joselit, David. American Art Since 1945. Published by Thames and Hudson World of Art. “Chapter 7: Commodity Lifestyles:
From Appropriation to the Posthuman”, p. 211-212
Liebs, Holger. Suddeutsche Zeitung. “Weiter so, Sisyphos: Mythen in Eimern: Frankfurt zeight die Ausstellung ‘Das
lebendige Museum’”, May 17 – 18, p. 13
Lloyd, Anne Wilson. The New York Times. “The Art That’s Living in the House that Hadad Built”, June 8, p. 29
Mar, Alex. The New York Sun. “Gallery Going: ‘Puddle-Wonderful’ at Artemis Greenberg Van Doren Gallery”, August 14, p.
15
McCabe, Bret. City Paper. “Art: All In A Day’s Work: The BMA Unpacks Ideas About Artistic labor and a Whole Lot More in
‘Work Ethic’”, October 15, p. 37
Merritt, Laura. Roll Call Around the Hill. “Visual Statement: Large Outdoor Hirshhorn Exhibit Part of Museum’s 30th
Anniversary”, July 16
Monk, Jonathan. The Project Book Project. Published by Arnolfini, Bristol, UK
Nuland, Sherwin B. The New York Times. “Artist, Heal Thyself (and Then Everybody Else), Sunday, July 6, Arts & Leisure,
Section 2, first page
O’Sullivan, Michael. The Washington Post Weekend. “BMA Tests Audience’s ‘Work Ethic’”, October 27, pp. 43, 44
O’Sullivan, Michael. The Washington Post Weekend. “Putting a New Spin on the Hirshhorn”, July 11, pp. 53, 54
13
Felix Gonzalez-Torres
2002
Pace, Linda. Jan Jarboe Russell, Eleanor Heartney. Dreaming Red: Creating ArtPace. Published by ArtPace, A Foundation
for Contemporary Art, San Antonio. Pp. 58-60,61, 62, 124-127, 135, 190, 248, back jacket
Pagel, David. The Los Angeles Times. “Questions, few answers.”, April 23, p. 2 Calendar Section
Pitts, Jonathan. The Baltimore Sun. “Palm Reading”, October 16, p. 1C, 3C
Poli, Francesco. Arte Contemporanea: Le Ricerche Internazionali dalla fine degli anni ’50 a oggi. Published by Mondatori
Electa. Pp. 219, 313, 321-322,323,335
Relyea, Lane. X-Tra. “All Over and at Once”, Fall, Volume 6, Number 1, pp. 2 - 24
Rimanelli, David. Artforum. “Time Capsule – 1986 – 1990”, April, pp. 103
Rodriguez, Jack. Neues Deutschland Berlin. “Archaik und Utopien: Thema Migration im Kunstmuseum Liechtenstein”, July
31
Roelandt, Els. Actuelle Kunst. “Objecten van Idolatrie”, June 4
Schilling, Caroline. Sudkurier Singener Zeitung. “Von Menschen und anderen Menschen: Das Kunstmuseum Liechtenstein
stelt sich dem Phanomen ‘Migration’”., August 14
Spector, Nancy., Cream 3: 10 Curators, 100 Contemporary Artists, 10 Source Artists.. Published by Phaidon. “Felix
Gonzalez-Torres”, pp. 426-427
Taylor, Tess. Print Magazine. “Billboard, Distrupted”, July/August, pp. 110-113, 121-122
Watier, Eric. Revue D’Esthetique. Les artistes contemporains et la philosophie. “Un art de la reproductibilite technique. Felix
Gonzalez-Torres.”, Number 44, pp. 107 - 115
Watson, Queta Moore. Dallas Museum of Art 2001-1002 Report. Published by Dallas Museum of Art., p. 30
Wust, Karl. Der Sandbote. “’Migration’ Im Kunstmuseum Liechtenstein: Utopien, Befindlichkeit”, June 28, p. 21
Wust, Karl. Gchaffhauser Nachrichten. “Zwischen Identitat und Anpassung”, July 1, p. 13
Yanez, Isabel. Neo 2: Fashion Por Lo Nuevo. “Pero Que Arte Tienes My Broder”, pp. 76-77
Dallas Museum of Art 100 Years. “A Challenge to Shape the Future” (commemorative brochure)
El Tiempo Latino. “Exhibicion”, August 8, p. B10
Flash Art. “U.S. Summer Group Show Preview”, May/June, p. 78
Independent Curators International New Traveling Exhibitions of Contemporary Art. Published by ICI, “Te Gift: Generous
Offerings, Threatening Hospitality”, p. 8-9
Liechtensteiner Vaterland. “So vielschuchtig wie die Migration”, June 28, p. 31
Tema Celeste. “Pulse: Boston”, Number 97, p. 111
The City Paper. “Hirshhorn Museum and Sculpture Garden”, August 14, p. 79
The Washington Post. “The Hirshhorn Reaches Out”, July 16, p. B1
Vancouver Art Gallery Annual Report 2003. “The Big Picture: Recent Acquisition from the Collection of Alison and Alan
Schwartz”, pp. 22
Ault, Julie, Ed. Alternative Art New York, 1965 – 1985. A Cultural Politics Book for the Social Text Collective. Published by
University of Minnesota Press, Minneapolis. Pp. 58, 59, 98, 99, 232, 292.
Baker, Kenneth. San Francisco Chronicle. “Viewers experience artist’s loss by eating his candy”, November 2
Borbeau, Anne. Decode Magazine. “Shimmering Substance at Arnolfini”, Number 3
Burton, Johanna. Time Out New York. “’Sunday Afternoon’ at 303 Gallery”, June 27 – July 4, p. 56
Cobb, Chris. Stretcher. “’Touch – Relational Art from the 1990s to Now’”, November
Coerver, Chad, Ed. SFMoMA Painting and Sculpture Highlights. Published by the San Francisco Museum of Modern Art,
Crimp, Douglas. Melancholia and Moralism: Esssays on AIDS and Queer Politics. Published by The MIT Press. (cover)
Downey, Anthony. Contemporary. “Felix Gonzalez-Torres at Sadie Coles HQ, London, 20 March – 20- April 2002”, June,
July, August, p. 155
Evans, Gareth. Sight and Sound. “Dial T for Trauma”, March 1, p. 7
Getlein, Mark. Gilbert’s Living With Art. Published by McGraw Hill. Pp. 27, 541
Glueck, Grace. The New York Times. “Painting Exuberant Forms With a Palette of Light”, March 1
Godfrey, Marian A. Philadelphia Culture. Published by The Pew Charitable Trusts, p. 13
Grosenick, Uta and Burkhard Reimschneider. Art Now – 137 Artists at the Rise of the New Millennium. “Felix GonzalezTorres”, pp 180-183
Halle, Howard. Time Out New York. “Lite show: The Gugg’s new Conceptual exhibit is a crowd pleaser – but lacks oomph”.
September 5 – 12, p. 52
Helfand, Glen. Artforum. “’Touch: Relational Art from the 1990s to Now’”, November
Heller, Nancy G. Why a Painting is Like a Pizza: A Guide to Understanding and Enjoying Modern Art. Published by Princeton
University Press, pp. 106-8, 111, 144-47.
Herbert, Martin. Time Out London. “Felix Gonzalez-Torres at Sadie Coles HQ”, April 3 - 10
Hochfield, Syliva. ARTNews. “Sticks and Stones and Lemon Cough Drops”, September, pp. 116-122
Hunt, Ian. Art Monthly. “Shimmering Substance at Arnolfini”, June, pp. 39 - 41
James, Bruce. Sydney Morning Herald. “Between the Glitter and the gloom.”, October 30, p. 15
Kertess. Klaus. Photography Transformed: The Metropolitan Bank and Trust Collection. Published by Harry N. Abrams Inc.,
p. 95
Kinetz, Erika. The New York Times. “European Taste Lured to New York by American Money”, April 21, p. 6
Koichi, Ono. Art Mall - The Basic Study of Molding. (in Japanese) Published by Art Mall and the Musashino University of Art.
Pp. 88-89
Marien Mary Warner. Photography – A Cultural History. Published by Laurence King Publishing, pp. xiii – xiv, 496
Matsui, Midori. Art: Art in a New World. Published b y Asahi Press, p. 95
Meyer, Richard. Outlaw Representation: Censorship and Homosexuality in Twentieth Century American Art. Published by
Oxford University Press, pp. 267-271, 343
McShine, Kynaston. and Anne Umland, Ed. To Be Looked At: Painting and Sculpture from The Museum of Modern Art, New
York. Published by the Museum of Modern Art, New York. p. 142
Motoyama, Sono. Philadelphia Daily News. “Daily Plan-It for Wednesday 09/04/02: On Exhibit: Collectors’ Items”, September
4
Ottman, Klaus. Sculpture. “Spiritual Materiality: Contemporary Sculpture and the Responsibility of Forms”, April, pp. 36-41
Richard, Frances. Artforum.com. “Felix Gonzalez-Torres at Andrea Rosen Gallery”, April
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2000
Rondeau, James. The Art Institute of Chicago: Museum Studies - Notable Acquisitions at The Art Institute of Chicago..
Published by the Art Institute of Chicago. Vol. 29, No. 22. pp. 86-87
Schneede, Marina. Mit Haut und Haaren Der Korper In Der Zeitgenossischen Kunst. Published by DuMont, Literatur und
Kunst Verlag, p. 47-49
Schwabsky, Barry. Art on Paper. “London Gallery Beat”, July – August, pp. 78-79
Sheff, Jean. Westchester Family. “Let’s Go To…The Hudson River Art Museum”, April
Smith, Elizabeth A.T. Life Death Love Hate Pleasure Pain: Selected Works from the Museum of Contemporary Art, Chicago,
Collection. Published by the Museum of Contemporary Art Chicago. “Felix Gonzalez-Torres” by Julie Rodrigues Widholm. p
216 – 217, 227, 332-333.
Smith, Roberta. The New York Times. “’Five Sculptures’ at D’Amelio Terras”, February 11, p. E44
Sonkin, Rebecca. Art and Auction. “Gonzalez-Torres’ Time”, May, p. 118
Stroud, Marion Boulton. New Material as New Media: The Fabric Workshop and Museum. Published by M.I.T. Press,
Cambridge, Massachusetts and London, England, pp. 20, 44-47, 106-113, 134, 277, 311
Sumpter, Helen. The Big Issue. “Varnishing Acts”, April 15 – 21, p. 32
Tebbs, Paul. Contemporary Visual Arts, “Reviews: ‘Trauma’”, January
Tema Celeste. “Trauma”, Number 90, p. 112
Trigg, David. Decode. “Shimmering Substance”, May/June
Vanderlip, Dianne Perry., Dean Sobel, Kent and Vicki Logan, Lewis Sharp. Colorado Contemporary Arts Collaboration.,
Insights/Dialogues. P. 24
Wolf, Sylvia. Michal Rovner: The Space Between. Published by the Whitney Museum of American Art, NY, p. 102
Zimmer, William. The New York Times. “Show Turns Spotlight on Light Itself in All Forms”, February 17
American Visionaries: Selections from the Whitney Museum of American Art. Published by the Whitney Museum of American
Art, NY, 2001, Introduction by Maxwell L. Anderson, p. 121.
Campus Chronicle. January 25, p. 7
Center for Curatorial Studies Tenth Anniversary, Introduction by Amada Cruz, Essays by Cecilia Brunson and Ilaria
Bonacossa, Rachel Gugelberger, Tobias Ostrander, © Center for Curatorial Studies 2002, pp. 24-25.
Philadelphia Culture: The Pew Charitable Trusts. Published by The Pew Charitable Trusts, Philadelphia, PA. p. 13
Vancouver Art Gallery Annual Report 2002. “Acquisitions”, p. 24
Wadsworth Atheneum Museum of Art Membe’s Quarterly. October – December, p. 10
Allen, Helen. Flash Art. “Contemporary Artists Command High Prices at Recent Auctions”, January/February, pp. 47
Blumenstein, Ellen. KW Magazine. “Waiting”, Special Issue: Mediarealities. Volume 2, pp. 11-23
Brody, Jacqueline. DieuDonné pulp. “Paper: Today and Forever”. pp. 6-8
Cohen, Michael and Suzi Yoonessi. Surface. “Land Minds”, Spring, p. 226
Coomer, Martin. eat. The art or food? issue: “From palate to palette”, Number 3, pp. 52-59
Echavarria, Marcella. LatinArte Magazine. “The Collector: Leo Katz”, May/June, pp. 14-15
Ellwanger, Wolfram. Zeit: Ein Geheimis wird hinterfragt, from the Klett Thema Ethik/Philosophie series. “Du selber machst die
Zeit – Gedanken über die Uhr”, p. 70-75
Eberl, Robert. Maxi. “trend: Wie die Kunst zur Party wird”, May 2001, p. 14.
Ho. Christopher. PAJ: A Journal of Performance and Art. “Within and Beyond: Felix Gonzalez-Torres’s ‘Crowd’”, Number 67,
pp. 1 – 17
Knodler-Pasch, Margarete. Zeit. Ein Geheimnis wird hinterfragt. Thema Ethik/Philisophie. Published by Ernst Klett
Schulbuchverlag Leipzig, p. 74
Morsiani, Paola. Subject Plural: Crowds in Contemporary Art. “Subject Plural: Crowds in Contemporary Art” exhibition
catalogue published by Contemporary Arts Museum, Houston, Texas, p. 49
Moure, Gloria. Quaderns. “Felix Gonzalez-Torres: the public side of the private”, No. 228: Urban Landscapes, pp. 153 – 181
Pagel, David. Los Angeles Times. “Exhibition accents a Modern Masterpiece”, March 24, p. F18
Poli, Francesco. tema celeste. “let’s entertain”, March/April 2001, pp. 54-59
Regel, Günther, et al. Moderne Kunst: Zugänge zu ihrem Verständnis. Published by Ernst Klett Schulbuchverlag, Leipzig,
Germany, “Kunst als Basis fur Reaktionen”, p. 221
Román, David. theatre journal. “Editor’s Comment: Theatre and Visual Culture”, Volume 53, Number 1, March 2001, cover
and foreward.
Roulette, Tod. Next. “Felix Gonzalez-Torres Was Here”, January 19, pp. 26-27
Siegel, Katy. . Public Offerings. Exhibition catalogue published by The Museum of Contemporary Art. Los Angeles. “Young
Americans”, pp. 207-192
Stonard, John-Paul. New Grove Dictionary of Art. “Felix Gonzalez-Torres”.
Viso, Olga M. Robert Gober: The United States Pavillion: 49th Venice Biennale”, “Life’s Small Epiphanies”, pp. 14 - 33
Yamamura, Midori. “Art’s Report from New York”, Volume 3, No. 306, p. 129
American Federation of Arts 2001 Exhibitions Program “Free Enterprise”, pp. 66 - 69
ICI in 2001. “Beyond Preconceptions: The Sixties Experiment”, pp. 6-7, “The Gift: Generous Offerings, Threatening
Hospitality”, p. 9
MAXI. “Wie die Kunst zur Party wird”, May, p. 14 Parke
Alfonso-Sierra, Edgar. El Nacional (Caracas). “Felix Gonzalez-Torres cede todo su cuerpo al mundo”, March 29
Alfonso-Sierra, Edgar. El Nacional (Caracas). El arte contemporaneo tambien es sitio de ternuras”, April 1
Allen, Richard. Evening Standard. “Art that’s to everyone’s taste – as long as you like caramel”, June 5, p. 19
Antonelli, Paola. Laura Hoptman. MoMa: Themagazine of The Museum of Modern Art. “Matter”, November, pp. 10-13
Antoni, Brian. Smock Magazine. “Collect Call. Q & A Don Rubell”, pp. 30, 32,34, 36
Arrhenius, Sara. Nu: Nordic Art Review. No. 1, pp. 81-82
Bleys, Rudi C. Images I Ambiente: Homotextuality and Latin American Art 1810 – today”, Published by Continuum, London &
New York
Boyer, Charles-Arthur. Beaux Arts Magazine. “Hommage a Felix Gonzalez-Torres (1957-1996)”, pp. 72-73
Brockington, Horace. New York Arts. “Let’s Entertain: Life’s Guilty Pleasures”, May, p. 75
Brun, Hans-Jakob. Jutta Nestegaard, Oystein Ustvedt and Marit Woltmann, Eds. Collection: Astrup Fearnley Museet fur
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Moderne Kunst. Published by Astrup Fearnley Museet Fur Moderne Kunst, Oslo, Norway. Essay by Oystein Ustvedt. “Felix
Gonzalez-Torres”, pp. 64-65
Caplan, Nina. Metro. “Art: Felix Gonzalez-Torres”, June 5
Cooper, Emmanuel. Tribune. “Spectacles and Ideas”, July 7
Cork, Richard. The London Times. “For the Joy of life and its blue, remembered ills”, June 21, p. 21
Cumming, Laura. The Observer Review. “All sweeties and light (not to mention the go-go dancer)”, June 11
Czarnecki, Laura. The Minnesota Daily. “Lease on Leisure”, February 10
Darwent, Charles. The Independent on Sunday. “Minimalism spelt out in sweeties”, June 11, p. 5
Davies, Jennifer A., Hamstead and Highgate. “Lighting the Way”, June 16
Davies, Patricia Wynn. British Medical Journal. “The Sweetness of Lie”, July 8
Dorment, Richard. The Daily Telegraph. “Beauty and joy in the face of death”, June 7, p. 23
Dorment, Richard. The Guardian. “Richard Dorment in the Telegraph on Felix Gonzalez-Torres” June 16
Dunne, Aidan. The Irish Times. “When the sky’s not the limit”, August 12
Ellis, Samantha. Evening Standard. “Lord of the dance floor”, May 31, p. 55
Ellis, Samantha. Evening Standard. “Last Chance”, July 12
Fallon, Roberta. Philadelphia Weekly. “Of This Earth: “The Sea and the Sky” is whatever you want it to be”, March 1
Fanelli, Francesco. Il Giornale Dell’Arte. “Speciale: Castello di Rivoli; Quotidiana: Gli antieroi de ‘900”, pp. 2-3
Fischer, Barbara. Foodculture: Tasting Identities and Geographies in Art. Published by YYZ Books, Toronto, Canada and
Artlab, Canada, 171 pages. Essay by Bill Arning, “On the Loss of a Three-Letter Word”, pp. 80-87
Freedman, Cheryl. What’s On In London. “Felix Gonzalez-Torres at the Serpentine Gallery”, June 14
Gelman, Alexander. Subtraction. Published by RotoVision S.A. pp. 32-33
Giroud, Veronique. Art Press. “Le Sens de L’Histoire: La Photographie Destinee A L’Archive”, Number 21, pp. 110-115
Hartigan, Marianne. Sunday Tribune. “Where the sea meets the sky in breathtaking art”, July 23
Hunter, Sam, John Jacobus, Daniel Wheeler, Eds. Modern Art. Third Revised Edition Published by Harry N. Abrams, Inc. p.
425
Johnson, Ken. The New York Times. “Innuendo at Dee/Glasoe”, July 7
Jones, Ronald. Artforum. “’Regarding Beauty’ at the Hirshhorn Museum, Washington D.C.”, January, pp. 109-110
Joo, Eugenie. Artpress. “Let’s Entertain at the Walker Art Center”, No. 257, May, 10-12
Kent, Sarah. Time Out London. ‘Life is sweets: A taste of the late Felix Gonzalez-Torres”, June 7 – 14, p. 54
Lezcano, Juan Rene. Abitare. “Artecase : Miami Art Homes”, May, pp. 184-215
Lieberman, Claire. Sculpture. “That Food Thing You Do”, December, pp. 46-53
Low, Valentine. Evening Standard. “Choc of the new at suck it and see art show”, May 30
McEwen, John. Sunday Telegraph. “Felix Gonzalez-Torres”, July 9
Morton, Tom. The Scotsman. “Tom Morton says it may be chocolate, but is it great chocolate art?”, May 31
Nikas, Bob. Vivre libre ou mourir: Selection de texyes 1985-1999. Publshed by les presses du reel, Paris. “Felix GonzalezTorres: All the Time in the World”, pp. 67-75;
Nemeczek, Alfred. Das Bild der Kunst: 20 Jahre Art das Kunstmagazin. pp. 200, 206, 264
Neri, Louise, Lynne Cook and Thierry de Duve, Eds. Roni Horn. Published by Phaidon Press Limited. Essay by Roni Horn,
“An Uncountable Infinity (For Felix Gonzalez-Torres), 1996”, pp. 120-123
Oakley, Jason. SSI Newsletter. “Felix Gonzalez-Torres at Douglas Hyde Gallery”, January/February, pp. 24-25
Palmer, Judith. The Independent. “Art? It all boils down to a matter of taste”, June 13
Parkes, James Cary. Gay Times. “Talkin ‘Bout His Gay Generation”, June, pp. 16-17
Pedrosa, Adriano. Artforum. “Felix Gonzalez-Torres at Serpentine Gallery”, December, p. 157
Prin, Mardolei. El Nacional (Caracas). “Grandes creadores estaran al alcance del publico masivo”, January 25
Rice, Robin. Philadelphia City Paper. “Natural Wonders: Searching or sublimity in sea and sky”, March 8 – 16, pp. 38-39
Rojas, Pedro J. El Globo (Caracas). “Arte personal, esencia publica”, March 31
Rojas, Pedro J. El Diario de Caracas. “Las dinamicas artisticas en el MAO”, February 22
Russell, Emily Ed.. Art at Work: Forty Years of the Chase Manhattan Collection. Published by The Chase Manhattan
Corporation. Pp. 146-147
Sanchez, Aixa. Tal Cual (Caracas). “Plastica sin ghetto: El curador Carlos Basualdo define estrategias para mercadear el arte
latino”, April 4
Sanchez, Aixa. Talcualdigital.com. “Plastica sin ghetto”, April 4
Searle, Adrian. The Guardian. “All this, and free sweets too”, June 6, pp. 12 - 13
Sewell, Brian. Evening Standard. “How sweet reason turned to pure tosh”, June 23, pp. 34-35
Shave, Staurt. ID Magazine. “Hey Loverboy”, June
Sheets, Hilarie M. Artnews. “Baffled, Bewildered – and Smitten”, September, pp. 130 - 134
Siegel, Katy. Artforum. “Felix Gonzalez-Torres at Serpentine Gallery”, May, p. 53
Sirgado, Miguel A. El Nuevo Herald. “El universo de Felix Gonzalez-Torres”, June 11, p.2E
Sirmans, Franklin. Time out New York. “Untitled (Sculpture) at Luhring Augustine”, February 10 – 17, p. 69
Smithson, Helen. Hamspstead and Hihgate Express. “Bed and board”, June 23
Sumpter, Helen. Hot Tickets. “Choice”, May 26
Taylor, John Russell, The London Times. “The Big Show: Felix Gonzalez-Torres”, June 17
Thompson, William R. Outbound: Passages from the 90’s. Published by Contemporary Arts Museum. Houston, TX. P. 94
Verzotti, Giorgio. Artforum. “’Le Temps, Vite!’ at Centre Georges Pompidou”, May, p. 175
Villamar, Marlenys. Todoahora.com. “Felix Gonzalez-Torres or the ode to candy”, June 11
Vogel, Carol. The New York Times. “Starts of the Last 30 Years Shock and Sell at Christie’s Contemporary Sale”, November
17, p. B4
Wagner, Frank, Ed. Hannah Wilke: 1940-1993. Published by Neue Gesellschat fur Bildende Kunst Berlin, Germany. Essay by
Laura Cottingham, “Nackte Wahrheiten und ihr Vermachtnis fur die 90-er Jahre”, pp. 43-49
Wallis, Brian. Marianne Weems and Philip Yenawine, Eds. Artmatters: How the culture wars changed america. Published by
New York University Press, New York and London. Essay by David Deitcher: “What Does Silence Equal Now?, pp. 92-123
Wullschlager, Jackie. Financial Times Weekend. “Time is the Essence: Our concepts of time and space are changing faster
than everbefore. Jackie Wullschlager catches up at the Pompidou Centre”. March 25-26, p. VI
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1998
Artforum. “Millenium Bugging”, January, p. 54
Art Press. “ Changer de Mains”, Number 21, pp. 154-157
Arts. “Exhibition of the Week: Felix Gonzalez-Torres at Serpentine Gallery”, June 17, p. 22
Camden Arts Centre Events. “Felix Gonzalez-Torres”, April – May
Camden New Journal. “Christmas is coming…or is it?”, June 1
Metro. “Gallery Choice”, June 16
Renaissance Society Membership brochure.
Tate Magazine. “Play with it please”. Summer
Tema Celeste. “Gonzalez-Torres and Neshat at the Serpentine”, July – September, p. 114
The Independent. “The Independent Recommends: The Show: Felix Gonzalez-Torres”, June 6
The News Line. “Felix Gonzalez-Torres at the Serpentine Gallery”. June 9, p. 9
The New Yorker. “Felix Gonzalez-Torres”, December 25, 2000 – January 1, 2001, p. 33
Time Out London. “Critics’ Choice”, June 7 - 14
Time Out London. “Last Chance”, July 12
Arning, Bill. Honcho. “Featured Artist: Felix Gonzalez-Torres”, March, pp. 53-54
Avgikos, Jan. Artforum. “Best of the 90’s: Felix Gonzalez-Torres”, December, p 120
Birnbaum, Daniel. Artforum. “Best of t he 90’s: Felix Gonzalez-Torres”, December, pp. 114
Bokern, Anneke. Petra Gorduren. Die Letzen Dinge: Jahrhundertwende und Jahrhundertende in der Bildenden Kunst um
1500 und 2000. Pulished by Gebr. Mann Verlag, Berlin. Pp. 97-101, 135139-143
Boyer, Charles-Arthur. Beaux Arts Magazine. “Felix Gonzalez-Torres 1957-1996”, December 15, pp. 72-73
Dewan, Shaila. Houston Press. “Too Much for Words”, June 10-16
Frankel, David S., Ed. Carnegie International 1999/2000. Published by The Carnegie Museum of Art
Johnson, Ken. The New York Times. “Felix Gonzalez-Torres at Andrea Rosen Gallery”, January 8, p. E42
Johnson, Ken. The New York Times. “Turning a Museum Into a Vast Menorah”, January 1, p. E39
Kunitz, Daniel. ARTnews. “Changing faces”, March, pp. 106-111
Lawrence, Lee. Art and Antiques. “Conservation Conundrum: Preserving 20th –century art is a challenge with no easy
answers”, December, pp. 48, 50-51
Mosquera, Gerardo. 11 Once. “Comiendo” , January
Olivares, Rosa. XX!V Bienal de Sao Paolo: Nuceloe Historico: Antropofagia e Historias de Canibalismos. Published by
Fundacao Bienal de Sao Paolo, “Pieces of Ourselves, pp. 513-517
Owens, Kieran. Event Guide. “A Passion for the Truth”, December 15 – January 4, 2000
Mosquera, Gerardo. 11-once. “Comiendo”, January
Pignalosa, Marica C. El Tiempo Bogota. “Exposicion de Felix Gonzalez-Torres en las calles”, November 9, pp. 1C, 6C
Riemschneider, Burkhard & Uta Grosenick, Eds. Art at theTurn of the Millenium. Published by Taschen. Pp. 186-189
Rigney, Robert. Artnews. “Factory Outlet: Erika and Rolf Hoffmann have filled an industrial space in Berlin with art that
provokes”, Summer, pp. 118-119
Ruthe, Ingebord. Berliner Zeitung. “Atme tief, die Luft ist selten”, October 21
Schjeldahl, Peter. The New Yorker. “Beauty Contest: The Perils of Pleasure”, November 1, pp. 108-110
Spaid, Sue. Art Journal. “In the Spirit of Felix Gonzalez-Torres”, Spring, 58, No. 1, pp. 84-85
Temkin, Ann. . Mortality Immortality?: The Legacy of 20th-Century Art. Ed. by Miguel Angel Corzo, Published by The Getty
Conservation Insitute, Los Angeles. “Strange Fruit”, pp. 45-50
Widdicombe, Ben. Australian Art Collector. “Home is Where the Art Is”, January/March, p. 20
Museum Studies. Published by the Art Institute of Chicago. Edited by Britt Salvesen with Margherita Andreotti, pp. 84-85
The American Art Book. Published by Phaidon. Edited by Jay Tobler, p. 165.
The Guide. “From the Inside Out”, December 11-17, p. 32
The New Yorker. “Goings on About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery”, January 11, p. 14
Arnason, H.H., Marla F. Prather. History of Modern Art. Published by Harry N. Abrams, Inc., fourth edition, p. 786
Auty, Giles. The Weekend Australian. “Stripped Bare”, February 14-15, p. 25
Basualdo, Carlos. ArtNexus. “Felix Gonzalez-Torres at Sprengel Museum”, January/March, No. 27, pp. 124-125
Basualdo, Carlos. Artforum. “Felix Gonzalez-Torres at Sprengel Museum”, February, pp.110-111
Basualdo, Carlos. Arkipelag. (exhibtion catalogue) “Insertions: Notes Ttowards the Dematerialization of the Art Exhibition”.
Published by Stockholm – Cultural Capital of Europe ’98
Bortolotti, Maurizio. Juliet Art Magazine. “Wounds: Una Prospettiva Contemporanea”, June, pp. 30-33
Breynard, Shane. Broadsheet. “bird notes”, Vol 27, No. 2, pp. 14-15
Bright, Deborah. Editor. The Passionate Camera Photography and Bodies of Desire. Published by Routledge, London & New
York, pp. 299, 313-314
Buchhart, Dieter. Vernimage. “Dazwischen”, October
Camacho Suarez, Eduardo. Excelsior. “Canasta Cultural”, September 18, p. 6
Chapman, Christopher. Outrage. “Loverboy”, February, p. 64
Constantine, Mildred. Conservation, The Getty Conservation Institute Newspaper. “Preserving the Legacy of 20th Century
Art”, Volume 13, Number 2, pp.4-5
Edders, Otto. Volksstimme. “Ein Virus im Kulturgetriebe”, October 15
Feaver, William. The Observer. “Artranspennine: North Poles”, May
Finkel, Jori. Express. “Over There”, October 3, p. 54
Frohmann, Gunther. Salzburger Nachrichten. “Kunst zum Verzehr: Museum des 20 Jahrhunderts, Wien: felix GonzalezTorres”, October 2
George, Carl. POZ. “You Can Take This With You”, December, pp. 68-71
Gerlach, Gunnar F. Hamburger Rundschau. “Baselitz entfernt”, December 17, pp. 49-50
Gerlach, Gunnar F. I Love New York: Crossover der aktuellen Kunst” (Crossover of Contemporary Art). Exhibition catalogue
published by Museum Ludwig, Cologne, November 6 – January 31, 1999, pp. 74-79
Gould, Claudia & Valerie Smith, Eds. 5000 Artists Return to Artusts Space: 25 Years. Published by Artists Space.
Grzonka, Patricia. Stadtzeitung Wien. “Bittersusse Zuckerln”, No. 38
Hammond, David. Examiner. “Tate views are more impressive than ever!”, May 22
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Hofleitner, Johanna. Die Presse. “Liebe, Tod & Verganglichkeit”, September 11
Horny, Henriette. Kurier. “Kunst fur hungrige Besucher: Unzerstorbare Werke von felix Gonzalez-Torres im Museum des 20
Jahrhunderts”, September 13
Hunt, David. Flash Art. “Dannheisser Collection”, March/April, pp. 55, 58
James, Bruce. The Sydney Morning Herald. “How Queer This Art”, February 7, p.14s
Jenkins, Russell, The London Times. “New at the Tate: a pile of sweets and a boat wreck”, p. 37
Kinsella, Eileen. The Wall Street Journal. “Object of the week: candy is dandy”, June 5, p. W14
Krumpl, Doris. Der Standard. “Transzendenz-Bobbons: Felix Gonzalez-Torres sowie Constanze Ruhm im MMK im 20er
Haus”, September 15
Lauf, Cornelia and Clive Phillpot, Eds. Artist/Author: Contemporary Artist’s Books. Published by D.A.P./Distributed Art
Publishers Inc.and The American Federation of Arts. Essay by Cornelia Lauf, “Cracked Spines and Slipped Disks”, pp. 66-79.
Essay by Brian Wallis, “The Artist’s Book and Postmodernism”, pp. 92-101
Leon Diez, Hector. Cronica. “Felix Gonzalez-Torres en el Museo Rufino Tamayo: Fotografiasconceptuales: simbolos de la
generosidad y tributo al eclecticismo”, September 22, p. 14
MacMasters, Merry. La Jornada. “Exponen su arte conceptual en la Rufino Tamayo: Felix Gonzalez-Torres no gustaba de
‘nada que fuera acerca de nada’”, September 21, p. 31
Melchart, Erwin. Neue Kronen Zeitung. “Im 20er haus: Felix Gonzalez-Torres: Kunst fur Naschkatzen”, October 11
O’Sullivan, Aidan. Appreciation and History of Art. Published by Gill and McMillan, , Dublin, p. 164
Poerschke, Ralf. Morgenpost. “Die kunst auf dem Trimmpfad”, November 30, p. 25
Radok, Stephanie. The Adelaide Review. “Wooden heart”, Number 178, July, pp. 35-36
Ruiz, Blanca. Reforma. “Exhibition herencia de Gonzalez-Torres”, September 22, p. 40
S, K.H. Kunstzeitung. “Naschwerk: Wien: Felix Gonzlaez-Torres”, October 26, p. 9
Scully, David. The Art Newspaper. “Of noxious fumes and nails”, June, pp. 21-22
Seyfarth, Ludwig. Hamburger Rundschau. “Konzeptuelle Strickbilder: Fast Forward”, June 4, No. 23
Sotriffer, Kristian. Die Presse. “Symbole des Abschieds zum Mitnehmen”, September 21
Stafford, Amy. surface*. “Second Thought”, Issue number 12, pp. 126-132
Teitelbaum, Matthew. The Art of Betty Goodwin. “The Mourner’s Cry: Some thoughts about the early work of Betty Goodwin”.
Exhibition catalogue published by The Art Gallery of Ontario, Toronto, Canada. pp. 32-33
Tornquist, Kristine. Graz Kleine Zeitung. “Gewinnen durch Verlieren”, September 17
Ward, David. The Guardian. “gallery reopens with art to satisfy the palate”, May 20
Austria Today. “’Candy spills’ at the 20er Haus”, September 10
The Campaign Against Living Miserably. Published by Royal College of Art Gallerie for the exhibition of the same name, May
1 – 21, pp. 28 – 29
The Edge of Awareness. Exhibition catalogue published by Art for the World Association, Geneva, Switzerland.
Henry Art Gallery Newsletter. “Artists, Printers, Dealers, and Writers Gather on April 18 for Thinking Art: Issues in
Contemporary Printmaking”, April/May, p. 7
Independent Curators International. “New Traveling Exhibitions of Contemporary Art 1998-2001”, Fall, pp.8-9
Metropolis M. “De zwarte motor”, August/September
Neue Vorarlberger Tageszeitung. “Gonzalez-Torres: Kunst mit ganz personlichen Bezugen”, September 5
Villa Merkel Bahnwarterhaus Galerien der Stadt Esslingen am Neckar “1999” (museum calendar), p. 44
Arning, Bill. Time Out. “To have an to hold: MoMA goes PoMO with a gift of new art”, October 16-23, p.46
Arning, Bill. World Art. “a/drift”, No. 13, pp. 74-75
Av, Anmeldt. Bergus Tidende. “A Messy House”, May 5
Avgikos, Jan. Artforum. “’The Crystal Stopper’ at Lehmann Maupin”, September, p. 124
Baker, Kenneth. San Francisco Chronicle. “Nine Artists’; Lessons of Recalling the Past in ‘Present Tense’”. September 13, p.
B1, 7
Basualdo, Carlos. Art Nexus. “Felix Gonzalez-Torres at Andrea Rosen Gallery”, April-June, pp. 143-144
Berndt, Hans. Handelsblatt. “Todesschusse und Bonbons”, August 12
Bessling, Rainer. Syker Zeitung. And Verdener Aller-Zeitung. And Leine Deister Zeitung. “Karge Form mit voller Seele: Felix
Gonzlaez-Torres: Eine Werkschau im Sprengel Museum Hannover”, August 6
Bonetti, David. San Francisco Examiner. “Art at the millenium.”,. September 11, pp. D1,9
Boyer, Charles-Arthur. Vis-a-vi[e]s. “Vers un lieu moins sombre” Published by Presses Universitaires de Rennes for the
exhibition “Vis-a-vi[e]s: Collection Metiers de l’exposition”
Bufill, Juan. La Vanguardia. “Miedos, nacimientos y extinciones”, February 14,
Cambron, Tricia. Journal. “SF MoMA stays simple in the ‘Present Tense’”. September 15
Cotter, Holland. The New York Times. “Felix Gonzalez-Torres at Andrea Rosen Gallery: Through a beaded curtain,
conceptually”, January 17, p. C27
Dany, Hans-Christian. Springer. “Felix Gonzalez-Torres at Sprengel Museum”, March
Drolet, Owen. Flash Art. “Broken Home at Greene Naftali, New York”, December, p. 75
Elger, Dietmar, Ed. Felix Gonzalez-Torres Catalogue Raisonne. Published by Cantz for Sprengel Museum Hannover,
Germany in conjunction with the exhibition Felix Gonzalez-Torres, June 1 - August 24. Two volumes: Raisonne: 167 pages;
Text: 110
pages. Essays by David Deitcher, Dietmar Elger, Rainer Fuchs, Andrea Rosen and Roland Waspe
Farr, Sheila. Visual Arts Guide. “The Hit List”, December 3
Filler, Martin. The New York Times. “Speaking Her Mind About Art, and Giving It”, September 28, section 2, p. 35
Friedman, Roberto. Bay Area Reader. “Caldendare”, September
Glanz, Alexandra. Peiner Allgemeine Zeitung. And Hannoversche Allgemeine Zeitung. “Kunt Events im Sprengel Museum
Hannover: Felix Gonzalez-Torres”, June 2
Gonzalez, Fernando. Miami Herald. “Collecting with a civic spirit”, pp. 11, 51
Grundberg, Andy. Artforum. “Present Tense: Nine Artists in the Nineties at San Francisco Museum of Art”, February, pp. 8788
Hackett, Regina. Seattle Post-Intelligencer. “Simplicity has become more complicated”, November 18
Helfand, Glen. San Francisco Bay Guardian. “Just a moment: Nine artists quietly endure millenium tension.” September 24,
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pp. 65, 67
Helfert, Heike. Neue bildende Kunst. “Rite de Passage”, August/September
Hieber, Lutz. Tageszeitung. “Identifikation mit Trauerrand”, July 22
Holm Flach, Eva-Lotta. Material. “Oslo Report: Laying Low in the Minimal Terrain”, No. 32, Spring, p. 12
Horne, Steven. Canadian Art. “Istanbul Biennial”, Spring, p. 98
Hoyningen-Huene, Paul. Du: die Zeitschrift der Kultur. “Wissensfortschritt? Fortschritt der Skepsis”, October, pp. 1.18 – 1.36
Kokkin, Jan. Dagens Naeringsliv. “Art to Look Down At”, April 12, p. 30
Kontova, Helena. Flash Art. “From Istanbul with Love and Beauty.”, November/December, pp. 47-48
Kreibohm, Joachim. Artist Kunstmagazin. “Gesprach mit Ingvild Goetz”, Number 32, pp. 12-15
Lebovici, Elisabeth. Liberation. “L’intimite fait son lit”, June 28-29, pp. 14-15
Mack, Gerhard. St. Gallen Tagblatt. “Susse, bittere Todesbonbons”, September 6
MacMillan, Ian. Modern Painters. “I Remember You”, Spring, pp. 46-48
Marcoci, Roxana. Diana Murphy and Eve Sinaiko, Eds. new art. Published by Harry N. Abrams, Inc., pp. 57-58
Meyers, Todd. Poliester. “About Place: Recent Art of the Americas/Acerca del Lugar: Arte Reciente de America”, Summer,
Volume 4, #12, pp. 52-53
Muller, Franz. Schadelspalter. “Liebe, Lust und Tod”, June
Nilsson, Hakan. Flash Art. “NDXLRTE”, No. 195, Summer, p. 98
Obrist, Hans-Ulrich. Travelling Eye. Published by Oktagon and Museum in Progress
Olonetzky, Nadine. . Du: die Zeitschrift der Kultur. “Chronik von Chronos”, October, pp. 2.42 – 3.48
Pedersen, Victoria and Tim Griffin. Paper. “Art & Commerce”, Janaury, pp. 101-106
Poirier, Jean-Francois. Encyclopaedia Universalis. “Felix Gonzalez-Torres”, pp. 477-478
Puvogel, Renate. Kunstforum. “Felix Gonzalez-Torres”, December 1997 – March 1998, pp. 344-348
Queren, Henning. Neue Presse. “Kunst aus Bonbons, die verschwindet”, June 3
Rego, Juan Carlos Noticias de Arte. “Entrevista a Octavio Zaya: Interview with Octavio Zaya”, February, pp. 2-5
Rimanelli, David. Artforum. “On the Edge: The Werner and Elaine Dannheisser Collection”, September, p. 53
Rimanelli, David. Artforum. “A/Drift”, February, p. 83
Rummel, Ralf. C.N. “Das multiplisierte Original”, September 30
Saltz, Jerry. Time Out New York. “Felix Gonzalez-Torres, ‘Untitled’ (Beginning), 1994”, January 23 - 30, Issue No. 70, p. 41
Samuelsen, Geir Harald. Morgenbladet. “The Art of Strewing”, April 18 , No. 14, p. 11
Sanchez, George. Generation Ñ. “Felix Gonzalez-Torres”, March
Schulz, Bernhard. Der Tagesspiegel. “Bonbonhaufen in Raumecke: Das Sprengel Museum Hannover zeigt das Werke von
Felix Gonzlaez-Torres”, July 2
Schulz, Bernhard. Potsdamer Neueste Nachrichten. “Das Sprengel Museum Hannover zeigt das Werke von Felix GonzalezTorres”, July 2
Smith, Roberta. The New York Times. “The Modern’s Trendy Windfall”, October 3, p. E33
Spiegel, Olga. La Vanguardia. “El Macba abre la tercera muestra con fondos de su coleccion”, February 6
Stafford, Barbara Maria. Art Issues. “Noli me tangere”, April/May, pp. 14 - 18
Stafne, Annelise. Aftenposten. “When One Lies Low”, April 13
Stange, Raimar. Artist Kunstmagazin. "Felix Gonzalez-Torres”, Number 32, pp. 44-47
Steele, Margaret and Cindy Estes. The Art of Colors for children and adults. Published by The Museum of Contemporary Art,
Los Angeles., CA.
Storr, Robert. MoMA Magazine. “The Here and Now That’s Here To Stay”, Fall, pp.
Sundell, Margaret. Art Nexus. “The Crystal Stopper”, July - September, pp. 115-116
Updike, Robin. Seattle Times. “Minimalist sculpture in a spacious room: Poles, lights and lipstick fill the Henry”, November 14
Vogel, Carol. The New York Times. “A Night of records for 8 Contemporary Artists”, November 20, p. B12
Volle, Wenche. Dagbladet. “Conversations with Modernism”, April 20
Winter, Peter. Frankfurter Allgemeine. “Spiegel, Bonbon, Lebensuhr”, August 11
Worat, Jorg. Prinz. “Liebe, Tod and Bonbons: Die starke Kunst des Felix Gonzlaez-Torres”, July
Wustenhagen, Kathe. Mindener Tageblatt. “Lichterketten und Bonbon-Berge: Sprengel Museumzeigt erstmals den Kubaner
Felix Gonzalez-Torres”, June 24
Zaya, Octavio. Art Nexus. “Transterritorial: The Spaces of Identity and the Disaspora”, July - September, pp. 52-57
Zimmer, Klaus. Schaumberger Zeitung. And Deister-und Weserzeitung. “Was man sieht ist was man sieht”, June 3
Zimmer, Klaus. Cellesche Zeitung. “Es geht um Verletzlichkeit-Aber auch um die Moglichkeit der Erneuerung”, June 5
Alice. Volume 1, pp. 10-13
BT Magazine. November, p.33
Kunstverein Programm 1997. “Felix Gonzalez-Torres”, Published by Kunstmuseum St. Gallen, Switzerland, p. 3
Studio Voice. No. 257, May, p. 84
The New Yorker. “Goings on About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery”, Janaury 27, p. 16
Yearbook [April 1995-April 1997]. Published by Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
Ardenne, Paul. artpress. “do it: Frac des Pays de la Loire”, January, Number 208, pp. 74-75
Atkins, Robert. Art Journal. “Goodbye Lesbian/Gay History, Hello Queer Sensibility - Meditating on Curatorial Practice”,
Winter, pp. 80-85
Baltz, Lewis. l’architecture d’aujourd’hui. “(sans titre), Felix Gonzalez-Torres”, September, pp. 12-15
Breerette, Genevieve. Le Monde. “Felix Gonzalez-Torres. Un activiste doux”, January 20
Chapman, Christopher. BROADsheet: Contemporary Visual Arts. “Personal Effects: on aspects of work by Felix GonzalezTorres”, Vol. 25, no 3, spring, pp. 16 - 17
Damian, Carol. ArtNexus. “Defining the Nineties”, July - September, pp. 97-98
Deitcher, David. frieze. “Death and the Marketplace”, July/August, pp. 40-45.
Dewan, Sheila. Houston Press. “Quiet, Please”, October 3 - 9, p. 45
Felshin, Nina. Embedded Metaphor. catalogue for an exhibition curated by Independent Curators Incorporated, New York,
“Embedded Metaphor”, pp. 7 - 22
Finkel, John. SOMA: Left Coast Culture. “Food for Thought”, July/August, Volume 10, pp. 52-53
Fleck, Robert. E/W Avenue Magazine International. “Poese d’Une Fine De Siecle”, pp. 78-79
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Felix Gonzalez-Torres
Gal, Meir. Studio Art Magazine. “Felix Gonzalez-Torres 1957-1996”, No. 71, April - May, pp. 30-39
Guerra, Carles. AVUI. “Felix Gonzalez-Torres: la malaltia sostenible”, February 8, p. 16
Houdart, Celia. Verso. “Minimalisme et Guerilla Douce. Felix Gonzalez-Torres au Musee d’Art Moderne de la Ville de Paris”,
July, p. 4
Kurdsany, Michael. “Gonzalez-Torres et sa poesie lumineuse”, May 14
Larson, Kay. atelier. “Art of the Modern Century - An Introduction - Chapter 34: The Fusion of Pop and Minimalism”,
January/February, pp. 60-66
Lebovici, Elisabeth. Culture. “Felix nous a apporte des bon bons”, April 20 & 21, pp. 26-27
Maclear, Kyo. C - International Contemporary Art. “ Fashioning Care and Other Acts of Memory”, October - December, Issue
#51, pp. 24-35
Maderuelo, Javier. El Pais/Babelia. “El Arte Militante de Gonzalez-Torres”, January 20, p. 21
Maneiro Monteil, Sara. Estilo. “La Huella como matafora: Felix Gonzalez-Torres 1957-1996”, pp. 49-51
Myers, Terry. World Art. “NowHere”, Number 4, pp. 94-95
Obrist, Hans-Ulrich. Der Standard. “Felix Gonzalez-Torres: Auszug aus einem Video-Interview”, January 10, p. 8
Olveira, Manuel. O Correo Galego. “Arte viva: Caramelos e Abrigos”, January 25, p. 2
Pasternak, Ann. Bomb. “Public/Private”, Summer, pp. 48-55
Schjeldahl, Peter. The Village Voice. “Art”, January 30, p. 73
Smith, Roberta. The New York Times. “Savoring a Medium Whose Bite Has Grown With Age”, June 21, p. C28
Spector, Nancy. O Correo Galego. “Felix Gonzalez-Torres: Unha homenaxe todo o tempo do mundo”, February 1, pp. 17-20
Stange, Raimar. Flash Art. “‘Sex & Crime’ at the Sprengel Museum, Hannover”, October, p. 75
Storr, Rob. Art in America. “Setting Traps for the Mind and Heart”, January, pp. 70-77, 125, cover
Tallman, Susan. The Contemporary Print from Pre-Pop to Postmodern. Published by Thames and Hudson Inc. pp. 212, 213214, 240
Taylor, John Russell. The London Times. “A question of lights and death”, January 9, p. 31
Wylie, Charles. On Paper. “Books in Review: The Contemporary Print: From Pre-Pop to Postmodern. By Susan Tallman.”,
September - October, Vol. 1, No. 1, pp. 40-41
Der Standard. “Felix Gonzalez-Torres: Auszug aus einmen Video-Interview” (an interview with Hans-Ulrich Obrist), January
10, p. 8
Kunstforum. “Curtain-Plakat”, No. 135, p. 532
La Voz de Galicia/Suplemento. “CGAC”, Janaury 18, No. 47, pp. 14-15
On Paper. September-October, Vol. 1, No. 1, p. 4
Plakat/Journal. “Eine Plakataktion mit Felix Gonzalez-Torres”, April, p. 24
profil. bird photograph project for Museum in Progress, Vienna, four issues: February 5, pp. 5, 52-53; February 12, pp. 54-55;
February 19, pp. 50-51, February 26, pp. 56-57
STUD: Architectures of Masculinity. Ed. Joel Sanders, Princeton Architectural Press, NJ. “Untitled by Felix Gonzalez-Torres”,
pp. 304-307
The Contemporary - The Museum of Contemporary Art Los Angeles, Fall, cover
The Print Collector’s Newsletter. “Multiples & Objects & Books”, March-April, p. 29
1995
Amor, Monica. Art Nexus. “Felix Gonzalez-Torres: Towards a Postmodern Sublimity”, January - March, pp. 56-61
Amor, Monica. Third Text. “Felix Gonzalez-Torres: Towards a Postmodern Sublimity”, Spring, pp. 67-78
Artner, Alan G. The Chicago Tribune. “What’s it all about?”, February 12, Sec. 13, pp. 14-15
Azen, Karla. Flash Art. “Flash Mundo: International Latin American Art Exhibitions in Brief”, May/June
Baker, Kenneth. San Francisco Chronicle. “Mortality Theme Runs Through Guggenheim”, Saturday, March 4, pp. E1, E6
Bensley, Lis. The New Mexican. “SITE Santa Fe: Mixed-media visual circus stretch Santa Fe’s imagination”, July 9, pp. E1,
E4
Bleckner, Ross. Bomb. “Felix Gonzalez-Torres”, Spring, pp. 42-47
Bonami, Francesco. Flash Art. “Felix Gonzalez-Torres/Ross Bleckner”, May/June, p. 108
Bravo, Armando Alvarez. El Nuevo Herald. “arte de regalo”, April 30, pp. 4E, 8E
Carvalho, Mario Cesar. Fohla de Sao Paulo. “Arte brasileira parte para a globalozacao”, March 28, p. 1
Castro, Jan Garden. River Front Times. “New Alterations”, April 26 - May 2,
Chuvieco, Quique. El Ideal Gallego. “Dos exposiciones se inauguran hoy en el CGAC”, December 12, p. 9
Cotter, Holland. The New York Times. “Also of note”, October 13, p. C23
Crump, James. THE Magazine. “Site Santa Fe: Nearby or So Faraway?”, August, pp. 65-67
Cullinen, Helen. The Plain Dealer. “Bold show throws civil rights issues in viewer’s face”, June 10, p. 10E
Damian, Carol. Artnews. “Rosa and Carlos de la Cruz - A Burlap Bag, Plaster Shirts and a String of Lights”, May, pp. 87, 88,
90
Damian, Carol. Art Nexus. “Miami: Latin American Art in Miami Collections: The Lowe Art Museum”, April/June, pp. 123-124
Decter, Joshua. Flash Art. “Mesa Vanguardism, SoHo Alternatives”, November/December, No. 185, pp. 66-69.
Deitcher, David. Parkett. “Cumulus: Sense and Sentimentality”, No. 44, pp. 212-216
Demos, T.J. Flash Art. “The Aesthetics of Mourning: Christian Boltanski, Ross Bleckner and Felix Gonzalez-Torres”, October,
No. 184, pp. 65-67
Dougherty, Linda Johnson. Art Paper. “‘Civil Rights Now’ at Southeastern Center for Contemporary Art”, July/August, p. 57
Duffy, Robert. St. Louis Post-Dispatch. “Art Today, Gone Tomorrow: Gonzalez-Torres makes city his canvas”, April 23, pp. 3,
8
Duffy, Robert. St. Louis Post-Dispatch. “Art of the 90’s”, April 2, pp. 1, 11
Folland, Tom. Art Issues. “‘In the Field’ at Margo Leavin”, January/February, p. 44
Garcia, Angeles. El Pais. “Boltanski y Gonzalez-Torres exponen en Santiago su vision sobre la muerte”, December 13, p. 38
Gary, Roy. Art Lies. “New Works for a New Space: Annette Messager, Felix Gonzalez-Torres, Jesse Amado”,
Feburary/March, p. 35
Gennari, Flaminia. Il Manifesto. “Controtendenze USA: Gonzalez-Torres, forza politica di un’arte effimera”, April 25
Giuliano, Charles. The Improper Bostonian. “Fresh Paint”, August 30 - September 12
Heller, Fran. Cleveland Jewish News. “Confontational exhibit focuses on civil rights”, June 2, p. 29
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Felix Gonzalez-Torres
1994
Hemphill, Clara. New york Newsday. “New York Forum: About Museum Exhibits: Is It Art, or Is It Candy?”, April 18
Ippolito, Jon. Flash Art. “Out of the Darkness and into the Loop”, March/April, pp. 69-70
Kimmelman, Michael. The New York Times. “Bleckner’s Melodrama; A Minimalist’s Quietude”, Friday, March 10, p. C23
Kinoshita, Kyoko. BT Magazine. “Site Santa Fe”, December, pp. 114-121
Kirschner, Judith Russi. Artforum. “About Place: Recent Art of the Americas”, October, p. 106
Kuns, Armin. Neue Zurcher Zeitung. “Talmiglanz und denkanregung: Ross Bleckner und Felix Gonzalez-Torres in New York”,
April 4
Kuspit, Donald. Artes & Leiloes. “Sintomas de decadencia nos Museus de Nova York”, May
Levin, Kim. The Village Voice. “Voice Choices: Felix Gonzalez-Torres at the Guggenheim Museum”, March 14, p. 2
Lewis, Jim. Harper’s Bazaar. “Master of the Universe”, January, 130-135
McQuaid, Cate. The Boston Phoenix. “‘Home alone: ‘Currents’ should remember there’s no place like it”, August 11
Merewether, Charles. Atlantica. “El pasado por venir: En Torno a la Obra de Felix Gonzalez-Torres” (Felix Gonzalez-Torres:
The past is yet to come), Number 9, Winter, pp. 40-45, English: pp. 148-151
Meyers, Todd. Poliester. “‘About Place: Recent Art of the Americas’ at the Art Institute of Chicago”, Summer, Vol. 4, No. 12,
pp. 52-53
Morgan, Susan. Elle. “Private Messages: Felix Gonzalez-Torres Makes Art That Speaks to You As Intimately As a Friend”,
February, pp. 62, 68
Otero, Fatima. O Correo Galego. “Galeria de arte: Sen titulo”, p. 4
Pacheco, Patrick. The Los Anegels Times/ Calendar. “SITE Specific”,. July 30, pp. 53, 56
Pacheco, Patrick. Art & Antiques. “America’s Top 100 Collectors”, March, pp. 63 - 92, 100 - 111
Patterson, Tom. Winston-Salem Journal. “Eye on Art: Powerful civil-rights exhibition is one of the best ever at SECCA”, March
19, p. E2
Patterson, Tom. Charlotte Observer. “Powerful Civil Rights’ worth the trip”, March 26, pp. 1F-2F
Pedersen, Victoria. Paper. “Gallery Go’Round: Felix Gonzalez-Torres at Andrea Rosen Gallery”, October, p. 132
Pedersen, Victoria. Paper. “Gallery Go’Round: Felix Gonzalez-Torres at the Guggenheim Museum”, March, p. 105
Pedrosa, Adriano. Frieze. “Longing and Belonging: From the Faraway Nearby”, November/December, pp. 73-74
Porges, Tim. New Art Examiner. “Felix Gonzalez-Torres at the Rennaisance Society”, January, pp. 36-37, cover
Reeve, Charles. Parachute. “Felix Gonzalez-Torres at The Solomon R. Guggenheim Museum, New York”,
October/December, Number 80, pp.62-63
Samangela, A. Ritzi. Diario 16 Cultura. “Vaciamiento y pasion de las formas”, December 30, p. 9
Schjeldahl, Peter. The Village Voice. “Tender Sentience”, March 21, p. 76
Schmerler, Sarah. Art & Auction. “Gonzalez-Torres Spills into the Guggenheim”, February, p. 98
Shearin, Margaret. Triad. “Civil Rights Now”, March 15, pp. 8-9
Silver, Joanne. Boston Herald. “ICA exhibit shatters traditional ideas of home”, July 28
Smith, Roberta. The New York Times. “The New, Irreverent Approach to Mounting Exhibitions”, January 6
Sonna, Birgit. Suddeutsche Zeitung. “Muncher Kultur: Aktuell in Munchner Galerien”, No. 129, June 7, p.13
Spector, Nancy. O Correo Galego. “Dous artistas para a fin do milenio”, December 12, p. 35
Storr, Robert. artpress. “Felix Gonzalez-Torres: entre un espion”, January, pp. 24-32, cover
Temin, Christine. The Boston Globe. “‘Familiar Places’ at ICA: all over the map”, July 28
Twardy, Chuck. What’s Up. “Art: Civil Rights Now”, March 17, p. 21
Tyson, Janet. Fort Worth Satr-Telegram. “Restrained Representations
Ursprung, Philip. Daidalos. “The Seige of Materials Against Art”, June, pp. 80-87
Wakefield, Neville. Artforum. Felix Gonzalez-Torres at the Guggenheim Museum”, September, pp. 88-89
Wallach, Amei. New York Newsday. “Two Artists in Conflict: A sculptor and painter responding to AIDS”, Friday, March 10, p.
B26
Waters, Jack. Lesbian and Gay New York. “Homo Economics”, May 8, p. 18
W.B. TZ. “Suche nach der inneren Geographie: Gonzalez-Torres/Roni Horn in der Sammlung Goetz”, May 16
Weinstein, Matthew. Trans. “Felix Gonzalez-Torres”, November, Vol 1, No 1, pp. 143-146
Wiedemann, Christoph. Suddeutsche Zeitung. “Zwiegesprach der Gesten”, No. 139, June 20, p. 12
Wiens, Ann. The New Art Examiner. review of group inaugural exhibition at ArtPace. March, p. 36
Zaya, Octavio. Diario #16. “Experiencia, Ausencia, Memoria”, March 25
Bijutsu Techo Magazine (B.T.). January, Vol 47, pp. 162-163, & p. 78-81
Brasil Vogue. “Uma v+iagem na luz”, No. 213, pp. 110-113, 132
Civilization. “Sweet Revenge”, March/April, p. 15
E Il Topo. project organized by Tommaso Corvi Mora, Volume 5, N. 7, inside covers
El Ideal Gallego. “El CGAC presenta este mes una seleccion de la obra de Boltanski”, December 3, p. 10
Freie Zeitung. “Kunst ‘zum Mitnehmen’ - Italienische Renaissance Bucher und...vieles mehr!”, March 31
International. “felix Gonzalez-Torres”, Winter
La Voz de Galicia. “El Centro de Arte Contemporanea apuesta por la creation exterior”, December 13, p. 4
La Voz de Galicia. “El CGAC acogeria una retrospecitva del artists cubano Felix Gonzalez-Torres”, November 9, p. 41
La Voz de Galicia. “Boltanski y Gonzalez-Torres, dos artistas con puntos de contacto, en Compostela”, December 12, p. 42
Le Journal des Arts. “Gonzalez-Torres et Bleckner uptown, Tapies downtown”, March
Museums New York. “Public/Private”, March/April
O Correo Galego. “Fraga e Alborch abren as novas mostras do CGAC”, December 13, p. 44
Santiago 7 Dias. “Galerias”, November 16/ December 15, p. 20
Sun-News. “Painter explores the light and darkness”, April 29
The New Yorker. “Goings On About Town: Sentimental Journeys”, March 20, p. 24
The New Yorker. “Goings On About Town”, September, p. 25
Amor, Monica. Art Nexus. "The Space of Time: America's Space", January - March, pp246-247
Artner, Alan G. Chicago Tribune. “Moving Minimalism: ‘Travling’ takes viewers to a world where public-private distinctions slip
away.”, October 23, p. 23
Batchelor, David. artpress. “Symptomes d’interferences, conditions de faisabilite”, April, pp.24-25
Behr, Martin. Salzburger Packricker. “Licht am Ende der Black Box Flausch-Teppich und Tranen”, February 2
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1993
Berg, Els van den. Metropolis M. “AIDS Related Art”, June, Number 3, pp. 42-47
Bevan, Roger. Il Giornale Dell'Arte. "Londra", January, No. 118
Bravo, Armando Alvarez. El Nuevo Herald. “Felix Gonzalez-Torres: El arte es dulce y mas”, August 27, pp. 1E, 3E
Cottingham, Laura and Felix Gonzalez-Torres. Blocnotes Art Contemporain. “Letter to Oscar Wilde (After W.H. Auden)”,
Numero 5, Winter, pp.38-43
Davidson, Susan. The Washingtonian. “Art & Museums: Lighting Up Summer at the Hirshhorn”, June, p. 21
Donahoe, Victoria. The Philadelphia Inquirer. "Felix Gonzalez-Torres at Beaver College", February 27, Main Line section
Donohue, Marlena. Outlook. “Cutting-edge photographers featured in exhibit.”, April 29,
Feaver, William. The Observer. "The real frame of reference", Sunday January 23, p.6
Fuenmayor, Jesus. Poliester. “Curator: Jesus Fuenmayor”, Summer, Vol. 3, Num. 9, pp. 54-59
Fuenmayor, Jesus. Art Nexus. “The Museo del Oeste: A New Museum for Caracas”, October - December, pp. 82-84
Grant, Simon. What's On. "Reinhardt, Kosuth, Gonzalez-Torres: Camden Arts Centre", February 9
Greene, David A. Los Angeles Reader. “No Confidence: The Gorgeous Politics of Felix Gonzalez-Torres”, May 6, p.
Gutierrez, Begona. El Tiempo Latino. “Escultor cubano lleva ‘De Viaje’ al Smithsonian”, June 24, p. A12
Hollander, Kurt. Art in America. “The Caracas Connection”, July, pp. 78-83
Januszczak, Waldemar. The Sunday London Times. "Video niceties", January 16, ART, p.9
Jones, Garth. Flash Art, “Symptoms of Interference, Conditions of Possibility at Camden Arts Centre”, March/April 112
Karcher, Eva. art. “Die nuenziger jahre: Kunstler als Forscher”, July, pp. 50-59
Kent, Sarah. Time Out. "Three's Company: Symptoms of Interference", January 19-26
Knaff, Devorah. Press Enterprise. “The complex feeling of loss”, May 22, p.
Knight, Christopher. The Los Angeles Times. “Gonzalez-Torres Evokes a Poetry of Interaction”, May 5, section F, pp.1, 7
Kornblau, Gary. Art Issues, “Sweet Dreams on the work of Felix Gonzalez-Torres”, September/October, p. 52
Kornbluth, Elena. Avenue. “Penny from Heaven”, November, pp. 60-65
Kraft, Martin. Das Kunst-Bulletin. “Ausstellungshinweise. Graz: Rudolf Stingel und Felix Gonzalez-Torres in der Neuen Galerie
Graz”, January/Februqry, p. 50
Levin, Kim. The Village Voice. “Voice Choices: Felix Gonzalez-Torres at Printed Matter”, November 22, p. 8
Lewis, Jo Ann. Washington Post. “‘Traveling’ Light: Installation Artist Felix Gonzalez-Torres Shines at the Hirshhorn”, July 10,
p. G4
Lewis, Jo Ann. Washington Post. “Wresting deep feelings about life and love and loss from mere lightbulbs”, June 26, p.
Lynn Mac Ritchi. Financial Times. “A history lesson in contemporary paint”, Friday February 4
Manor, Dalia. Studio, Israel Art Magazine. “Symptoms of Interferance, Conditions of Possibility”, June-July, No. 54,
Mesch, Claudia. Chicago Reader. “Politically Direct: Felix Gonzalez-Torres: Traveling”, October 21, p. 27
Niegelhell, Franz. Flash Art. “Felix Gonzalez-Torres and Rudi Stingel at Neue Galerie Graz”, Summer, pp. 65-66
Pacheco, Patrick. Art and Antiques. "House of the Spirits", March, pp.86-91
Pacheco, Patrick. Art and Antiques. "America's Top 100 Collectors", March, pp. 47-52, 60-63, 72-76, 80-84, 92-97, 104-105
Palmer, Andrew. The Independant. “The Image Problem”, Tuesday, October 11
Patner, Andrew. Art & Antiques. “On the Edge with Suzanne Ghez”, December, p. 28
Princenthal, Nancy. Art+Text. “Multiple Choice”, May, Number 48, pp.40-45
Relyea, Lane. Artforum. “Best & Worst 1994”, December, pp. 64-75
Relyea, Lane. Frieze. “What’s love got to do with it?”, September/October, pp. 46 - 51
Romer, Stefan. Kunstforum. “Markets of Resistance - White Columns, New York”, January/February, pp. 384-385
Sewell, Brian. Evening Standard. "Wall-to-wall gibberish", January 27, p.28
Schwartzman, Allan. Artforum. “The Informers”, December, pp. 58 - 61, 105
Smith, Roberta. The New York Times. “The Annotated Calendar: Art”, September 11, p. H61
Sozanski, Edward J. The Philadelphia Inquirer. "Art with a message, needing an explanation", March 4, p.32e
Spector, Nancy. Parkett. “Felix Gonzalez-Torres: Travelogue”, Number 39, pp. 24 - 37
Stallabrass, Julian. Art Monthly. “Discrete Images”, November, p. 35
Tallman, Susan. Parkett. “Felix Gonzalez-Torres: Social Works”, Number 39, pp. 58-66
Tanguy, Sarah. Sculpture. “Reviews: Washington D.C.”, September/October, pp.49
Thorp, David. Untitled. “Symptoms of Interference, Conditions of Possibility at Camden Arts Centre”, No. 4, Spring
Troncey, Eric. Flash Art. “It’s Alive! Live Wires in Art’s Body Eclectic”, Summer, pp. 105-108
Viteri, Patricio. Foro. “Traveling, de Felix Gonzalez en el Museo Hirshhorn”, June 23
Walker, Hamza. The Renaissance Society at The University of Chicago newsletter. Fall, pp. 2-5, cover
Watney, Simon. Parkett. “In Purgatory: The Work of Felix Gonzalez-Torres”, Number 39, pp. 38 - 57
Watson, Simon. Art Das Kuinstmagazin. “Kampfen, klagen und auch hoffen”, December, pp;. 52-55
Bijutsu Techo Magazine (B.T.). December, Vol 46, p. 137
Das Kunst-Bulletin. “Graz: Rudolph Stingel und Felix Gonzalez-Torres in der Neuen Galerie Graz”, January /February
documents sue l’art contemporain., February, p. 3
Financial Times. "A history lesson in contemporary paint", February 4
Focus. “Rangliste der 100 Aufsteiger”, June 13, Nr. 24, pp. 104-1105
Guggenheim Magazine. “The Tradition of the New: Postwar Masterpieces from the Guggenheim Collection”, Spring/Summer,
pp. 22-29
Ham & High. "Kosuth - concept or con?", January 21
Hirshhorn Museum and Sculpture Garden Calendar, “Felix Gonzalez-Torres: June 16 - September 11, 1994”, Spring/Summer,
p. 3
Hispanic. “Hispanic Calendar”, June, p. 76
The Pink Paper. "Art", January 14
Sky Lines. "Austrian Airlines News: Portrait of Austrian Airlines", January, p. 90
The Washington Blade. July 1, p. 56
Town and Country. “Cultural Calendar”, April, p.
University Art Museum Calendar. "Matrix Gallery: Felix Gonzalez-Torres", January - February, p. 4 and insert
Babias, Marius. Zitty. "Politically Corrupt", October, pp.38-39
Bartman, William S., Ed. Felix Gonzalez-Torres. Published by Art Resources Transfer. Interview by Tim Rollins, Essay by
22
Felix Gonzalez-Torres
1992
Susan Cahan, Short Story by Jan Avgikos.
Beck, Martin. Texte zur Kunst. "Osterreich geht fremd Ein Beitrag zum Diskurs des Anderen", June, pp. 127-131
Bonami, Francesco. Flash Art. "Felix Gonzalez-Torres at Andrea Rosen", November/December, p. 111
Bourriaud, Nicolas. Flash Art. "Modelized Poltics", Summer, p. 142
Bravo, Armando Alvarez. El Nuevo Herald. "Una imagen vale mas que mil palabras", October 29
C., P.. Liberation. "En formes. Felix Gonzalez-Torres", November 6-7, p. 31
Campitelli, Maria. Juliet Art Magazine. "Gonzalez-Torres", April/May, p.44
Christoph, Horst. Profil. "Die Geschichte der AUA", December, pp. 96-97
Coleman, A.D. Juliet Art Magazine. "Gonzalez-Torres - On Photography", Feburary/March, No. 16, pp. 56-57
Cuvelier,.Pascaline. Liberacion. "En Formes: Felix Gonzalez-Torres", November 1993
Cuvelier, Pascaline. Liberation, "En Formes: Felix Gonzalez-Torres at Jennifer Flay", November 7
Czoppan, Gabi. Focus. "Aufsteiger des Jahres: Rangliste der 100 Besten", July 5, No. 27, pp. 63 - 67
Gimmelson, Deborah. Mirabella. "Paintings by Numbers", February, pp.40-43
Gonzalez-Foerster, Dominique and Olivier Zahm. Purple Prose. "It's More like Post-Art", Number 3, p. 22
Grabner, Michelle. New Art Examiner. "Felix Gonzalez-Torres at Milwaukee Art Museum", November, pp.41-42
Heartney, Eleanor. Art Press. "Galleries: The Emerging Generation - New York, The Art of Survival", October, No. 184, pp 24
- 28; E7 - E10
Heyler, Joanne. Flash Art. "Felix Gonzalez-Torres, Albert Oehlin and Christopher Williams: Margo Leavin, Los Angeles",
January/February, p.131
Hofleitner, Johanna. ArtForum. "Felix Gonzalez-Torres at Galerie Peter Pakesch", May, p. 112
Killam, Brad. Art Muscle. "Felix Gonzalez-Torres: A Conversation With Strangers", page 17
Kimmelman, Michael. The New York Times. A Few Artless Minutes on '60 Minutes'", October 17, p. 39
Kohen, Helen L. The Miami Herald. "Photos are linked by Cuban heritage", October 29
Krumpf, Doris. Donnerstag. "Destinationder Geschichte", December 23
Levin, Kim. . "Voice Choices - Felix Gonzalez-Torres", May 25, p. 67
Levin, Kim. The Village Voice. "Art in Brief - Felix Gonzalez-Torres/Christopher Wool", April 20, p. 76
Maillet, Florence. Le Jour. "Un passeport et des bonbons", November 9, Number 105, p.111
Moser, Ulli. Kunstforum Internatiional. "Felix Gonzalez-Torres - Republikanische Jahre", Bd. 121, pp. 441 - 442
Myers, Terry R. Lapiz. "Felix Gonzalez-Torres at Andrea Rosen Gallery", Summer, p.84
Risaliti, Sergio. Flash Art. "Flash Art News: I, Myself, and Others", May, p. 123
Scanlon, Joseph, Ed. A History of the Rennaissance Society: The First Seventy-five Years. Published by The Renaissance
Society, Chicago, IL
Smith, Roberta. The New York Times. "The Naming of the Colors", May 14, p.C26
Sobel, Dean. Currents 22: Felix Gonzalez-Torres. Published by the Milwaukee Art Museum, May
Steihaug, Jon Ove. Billedkunstneren. “New York Fragmenter 1992-93”, September/October, pp. 40 - 43
Troncy, Eric. art press. "Felix Gonzalez-Torres Placebo", June, pp. 32 - 36 & E16 - E19
Troncy, Eric. Flash Art. "Wall Drawings and Murals", May/June, pp. 68-70
Art & Antiques. "America's Top One Hundred Collectors", March 1993, pp. 43-78
Flash Art News. "Nightshade Family Show", May, p. 99
Galeries Magazine. "The News: New York", Summer, p.13
Kunstbeeld. "Het is alleen maar een kwestie van tijd", December 1, pp.32-34
Kunstmuseum Luzern 1992. p. 25
Milwaukee Art Museum News. "Currents 22: Felix Gonzalez-Torres", May/June, p.3
Purple Prose. "Just what is it that makes today's home so different, so appealing? at Galerie Jennifer Flay", Number 3, p.89
Sky Lines: The Magazine of Austrian Airlines. "Museum in Progress: Felix Gonzalez-Torres", Number 6, p. 39
The New Yorker. "Goings On About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery", May 17, p. 20
Aletti, Vince. The Village Voice. "Voice Choices", September 8, p. 70
Avgikos, Jan. Tema Celeste. "Seeing With Our Bodies", Autumn, pp.38-43
Bogh, Mikkel. Information. "Problemer i paradis", June 22
Bonetti, David. San Francisco Examiner. review of "Healing" at Rena Bransten Gallery, Friday, May 29, p. D11
Borgstrom, Peter. Dagens Nyheter. "Infiltrator med uppdrag att bedra - Gonzalez-Torres gor sig fortrolig", October 11, p. B3
Borgstrom, Peter. Dagens Nyheter. "Hellre en kopp kaffe an Europa: Paradise Europe, Kopenhaumn", June 9
Bourriaud, Nicolas. Flash Art. "Catalogue Briefs: 'Not Quiet', Jennifer Flay, Paris", Summer, p. 154
Bourriaud, Nicolas. Documents. "Slits" (review of "Post Human"), October, pp.30-33
Bryant, Elizabeth. Artweek. "Missing Persons: Dissent, Difference and the Body Politic" at the Portland Museum of Art",
October 8, p. 21
C., P.. Liberation. "Jeunes Artistes Americains: Post-Sixties", April 5
Cameron, Dan. Frieze. "Before and After: Dan Cameron Enters the World of Post Human", September/October, pp. 16 - 19
Castenfors, Marten. Svenska Dagbladet. "I detta rum ar festen over", October 24
Cottingham, Laura. QW. "Art Attack", July 5, pp. 77-78
Dahlqvist, Dennis. Expressen. "Tillbaka till framtiden", November 24, p.5
Ehrnrooth, Catharina, Carl-Fredrik Harleman and Sven-Olov Wallenstein. Material. November, pp. 1, 3
Ericsson, Lars O. Fredag. "Pa gransen mellan offentligt och privat", October 23, p.21
Flinn, Jason B. Tema Celeste. "'Not Quiet' at Galerie Jennifer Flay", Summer, p.87-88
Giger, Romeo. Neue Zuercher Zeitung. "Junge Kunst in Zeitalter von AIDS, November 4
Hirsch, David. Bay Area Reporter. "An Impulse Toward Healing", May 14, p.31
Janus, Elizabeth. Artforum. "Post Human" at FAE Musee D'Art Contemporain, Pully/Lausanne", p. 119
Jouannais, Jean-Yves. Art Press International. "1968: Divers lieux", p. 74
Kandel, Susan. The Los Angeles Times. review of exhibition at Margo Leavin Gallery curated by Christopher Williams,
October 15, p. F7
Kandel, Susan. Arts Magazine. "LA in Review", January, pp. 90-91
Kerte, Jens. Politiken. "Kunst pa reklame-tavlerne", June 3
Heartney, Eleanor. New Art Examiner. "The Politics of Protest", pp. 14-17
23
Felix Gonzalez-Torres
1991
Hirsh, David. Bay Area Reporter. "An Impulse Towards Healing", May 14, p.31
Hofmann, Isabelle. Morgenpost. "AIDS lasst keine Zeit fur Nabelschauen", May 12
Knyphausen, A. zu. Abendblatt. "Kunstverein: Austellung zum Thema AIDS", May 15
Kontova, Helena. Flash Art. "Spotlight: 'Post Human'", October, p.93
Kruger, Barbara. Le Monde (Rhone-Alpes). "A vous et a moi: 'I, Myself and Others' au Le Magasin (Grenoble)", October 2, p.
25
Loers, Veit. Museum Fridericianum. promotional pamphlett
Mesquita, Ivo. Guidas Artes. "Nova York Gonzalez-Torres no MOMA", November - December, pp.45-46
Messler, Norbert. Artforum. "The Carpet Project at Tanja Grunert", May, pp. 130-131
Meyer, Peter S. Kristeligt Dagblad. "Kunst pa reklamernes plads", June 11
Meyer, Peter S. Nordic Art Review. "Bizart in Copenhagen", March
Michelsen, Anders. Art & Text. "Paradise Europe, Bizart, Copenhagen", September
Morrison, Ewan. Variant. "Read My Lips-An Interview with Simon Watney",pp.4-7
Moser, Ulli. Kurier/Kulture. "Felix Gonzalez-Torres' Installation Republikanische Jahre: Besser auf der Strasse", October 25,
Setie 13
Nesbitt, Lois. Tema Celeste. "When Art Is Not Enough", Autumn, pp. 50-52
Pagel, David. Shift. "Art & Eroticism", Vol. 6, No. 1, pp.20-29
Politi, Giancarlo and Helena Kontova. Flash Art. "Post Human - Jeffrey Deitch's Brave New Art", November/December, pp. 66
- 68
Romano, Gianni. Zoom. "Felix Gonzalez-Torres: Projects 34 at MOMA", September/October, pp.74 - 79
Savan, Leslie. The Village Voice. "Op Ad: Adblisters", June 30
Schollhammer, Georg. Der Standard/Kultur Mittwoch. "Unbeschriebene Gesellschaft-Galerie Peter Pakesch: Felix GonzalezTtorres, Politiker des Minimalismus", November 1992, No. 11, p. 10
Schulze, Von Karin. Szene Hamburg. "Bush! Wir leben noch", May, pp.24-25
Shottenkirk, Dena. Art in America. "Felix Gonzalez-Torres at MOMA Projects Room", November, p. 132
Spector, Nancy. Guggenheim Museum: A to Z., p. 100
Troncy, Eric. Art Press. "'Not Quiet' at Galerie Jennifer Flay", June
Ubl, Ralph. Presse. "Engagement und Dekadenz"
Umland, Anne. Essay for pamphlet for MOMA Project 31
Urbach, Marina. Art Nexus. "Felix Gonzalez-Torres", October, No.6, pp. 152- 153 and pp. 212-213
Weil, Benjamin. Flash Art. "Felix Gonzalez-Torres - Projects:MOMA", October, pp.97-98
Weil, Benjamin. Flash Art. "Remarks on Installations and Changes in Time Dimensions", January/February, pp. 104-109
Vogel, Maria. Deinstag. "Gegen das Totschweigen von AIDS", October 6, p.27
Zahm, Olivier. Purple Prose. "Indian Summer", Fall, pp. 27 - 29
Flash Art. "News: Copenhagen - Paradise Europe", Summer, p. 132
Flash Art. "News: MOMA Projects", Summer, p. 135
Flash Art. "In Brief", Summer, p. 138
Harper's. September, p. 21 (photo of bed billboard)
Parkett. December 1992, No. 34, pp.6-7 (photo accompanying editorial page)
Portland Art Museum Newsletter. July/August, "Dissent, Difference and the Body Politic", p. 3
The New Yorker. "Goings On About Town", June 8, p. 12
The New Yorker. "Shades", June 29, p. 6
The New Yorker. "Goings On About Town", June 29, p. 10
The New Yorker. "Goings On About Town", July 6, p. 9
The Scotsman. "Redefining the fine art of life-or-death camapigning", Thursday, November 19
Umbrella. "Felix Gonzalez-Torres at Massimo De Carlo, Milano", review of catalogue, October, Vol. 15, Nos. 2/3, p. 40
Adcock, Craig. Tema Celeste. "Pop Into Agit-Pop", March/April, pp. 74-79
Aletti, Vince. The Village Voice. Voice Choice, May 14
Arnter, Alan. Chicago Tribune. "Our Bodies, Our Cells", arts section, Sunday, March 31
Avgikos, Jan. Artforum. "This is My Body: Felix Gonzalez-Torres" February pp. 79-83
Babias, Marius. Zitty, Stadtmagazine. "Gewalt, Macht, Rhetorik", January
Berger, Maurice. The Village Voice. "Open Art" review of book "Out There: Marginalization and Contemporary Cultures",
August 6, p. 67
Blase, Christoph. Quelle?? (unbekanpt). "Gesellschaftskritik leicht gemacht" p. 10
Braff, Phyllis. The New York Times. "The Treasures of A Private Collector Inspired by Acute Instinct", October 6, Long Island
section, p. 19
Bravin, Karin. New York Connection. "SOHO: Untitled '92", Volume 40, pp. 44-48
de Bustos, Clara Isabel. ABC. "Once creadores muestran en Madrid su vision particular del arte de los noventa," January 22
Colombo, Corrado. a StampaL. "Esposizioni: Opere e ambienti a confronto nel Castello di Rivara", July 5
D., W.. Hessisch/Niedersachsische Allgemeine. Kassel "Neue Kunst aus New York", Kassel-Program, February (30.01.91)
Danvila, Jose Ramon. Diario 16. "El posible arte que viene", January 23
Decter, Joshua. Arts. review of "The Rhetorical Image", March p. 100
Di Pietrantonio, Giacinto. Flash Art. "Benjamin Weil: Art Critic and Curator", November/December, p. 156
Evans, Steven. Flash Art. "Felix Gonzalez-Torres at Massimo de Carlo, Milan", November/December, p. 160
Faust, Gretchen. Arts. January
Gross, Molly. Prinz. "American Way of Life", January 16
Heft, Max, Termin. "Kultur in Deutschland", March
Herrrmanns, Ralph. Dagens Industri. "God Kunst", June 24, p. 26
Hixson, Kathryn. New Art Examiner. "...and the Object is the Body", October 1991, pp. 20-24
Iannacci, Anthony, Artforum. "Felix Gonzalez-Torres at Massimo De Carlo, Milan", December, pp. 111-112
Jimenez, Pablo. ABC. "Un Jardin entre la vida y el arte", January 24
Johnson, Ken. Art In America. "Report from New York, Generational Saga", June, pp. 44 - 50
Jouannais, Jean-Yves. . "No Man's Time", October
24
Felix Gonzalez-Torres
1990
1989
Kuijken, Ilse. De Standard. "Gonzalez-Torres: Beelden Van Angst en Isolatie", April 14
Lambrecht, Luk. Knack Weekend. "Aids", No. 17, April, pg. 17
Larson, Kay. New York Magazine. "A Shock to the System", April 29, p. 86
Larson, Kay. Galeries Magazine. "New York: Whitney Biennial", June/July, pp. 68-71
Larson, Kay. Atelier. "Six Threads", October, pp. 4-5, 14-17, 32-33, 39-44
Lemaitre, Isabelle. Tema Celeste. "Felix Gonzalez-Torres and Michael Jenkins", May/June, p. 105
Levin, Kim. The Village Voice. "Art That Intervenes", January 15
Levin, Kim. The Village Voice. Choices, January 8, p. 86
Merril, R.J. Artweek. "Rituals and Allegories: Felix Gonzalez-Torres at Luhring Augustine Hetzler", November 14, p. 12
Muller, Katrin Bettina. Tageszeitung. "Gott in der Gewehrkugel", January 25
Nickas, Robert. Flash Art. "Felix Gonzalez-Torres: All the Time In the World", November/December, cover story, pp. 86-89
Pagel, David. The Los Angeles Times. "World of Felix Gonzalez-Torres Teeters on Joy and Despair", November 7
Passon, Michael. Ausstellungen. Kassel Kulturell, "Der Aufstand der Massen(ware)", No. 3, p. 23
Schipp, Renee. Morgenpost Berlin. "Mit Kunst Gegen Konsun und Luxus", January 8
Schmitz, Rudolf. Frankfurter Allgemeine Zeitung. "Bazooka-Kaugummis und ein Grabhugel aus Bonbons", February 2
Schwarze, Dirk. HNA. "Im Zeichen der Gewalt", February 19
Serraller, F. Calvo. El Pais. "El jardin de los salvajes", January 26
Smith, Colin. Parachute. "Felix Gonzalez-Torres and Donald Moffet", April, May, June
Smith, Roberta. . "Mimimalism On the March: More and More, Less and Less", January 26
Smith, Roberta. The New York Times. "Group Exhibition", September 20
Spector, Nancy. Galeries Magazine. "Felix Gonzalez-Torres", April/May, pp. 80-81
Tallman, Susan. Arts Magazine. "The Ethos of the Edition", September, p. 13
Troncy, Eric. Flash Art. "No Man's Time", November/December, pp. 119-122
Troncy, Eric. Artscribe. "Soft Touch", September, pp. 54-57
Van de Sompel, Ronald. De Morgen. "Felix Gonzalez-Torres and Michael Jenkins", March 2
Verzotti, Giorgio. Artforum. "No Man's Time, Villa Arson", review, November, pp. 148-149
Wye, Deborah. The Print Collector's Newsletter. "'Untitled'(Death by Gun) by Felix Gonzalez-Torres", Vol. XXII, No.4,
September - October, p. 117 (cover)-119
Die Welt. "Kunst Zum Mitnehmen", March 8
El Independiente. "El jardin salvaje', una colectiva insolita en la Caixa," January 21
Extra Tip. "Neue politische Kunst aus New York", Kassel, February 2
Flash Art. "Projections at the Castello di Rivara", October, p. 156
Fuldaer Listing. "Aus Amerikas Kunstszene", February
he New YorkerT. January 14, p. 10
The New Yorker. May 20
The New Yorker. September 20
he Print Collector's NewsletterT. "Multiples & Objects & Books" (review), Vol. XXII, No. 4, September - October, p. 143
Tagesspiegel Der Berlin. "Amerikanischer Alltag", January 20
Radio Broadcast Program. "Les Editions Nul Par...", April 2, Iam JS
Atkins, Robert. 7 Days. "New This Week", February 21
Avgikos, Jan. Artscribe. "Nurse!...The Screens!!", review of "Artedomani" in Spoleto, Italy, November/December
Barckert, Lynda. Chicago Reader. "New Humanism", May 25, sec. 1, pp. 30, 33
Chiodi, Stefano. Contemporanea. No. 22, “Spoleto. Art Tomorrow” (review of "Arte Domani"), November
Chua, Lawrence. Flash Art. review of "To Probe and to Push", January/February
Cyphers, Peggy. Arts Magazine. New York in Review, April
Deitcher, David. Art Issues. September/October
Heartney, Eleanor. Art in America. "Felix Gonzalez-Torres", review, May
Hirsh, David. The Native. "Personal Monuments", February 12
Kalin, Tom. Apeture. "Prodigal Stories", Fall
Kalin, Tom. Views. "Towards an AIDS Activist Aesthetic: Four Artists Who Invent, Intervene, and Inform", Summer, pp. 16-19
Levin, Kim. Village Voice. "Choices", February 27, p. 46
Lippard, Lucy. "Mixed Blessings", p. 121, MIT Press
Mahoney, Robert. Flash Art. May/June
McCoy, Pat. Tema Celeste. "Felix Gonzalez-Torres", April/June
Myers, Terry. Arts Magazine. "From the Junk Aesthetic to the Junk Mentality", February
Smith, Roberta. The New York Times. "The Group Show as Crystal Ball", review of "Stendhal Syndrome: The Cure", July 6
Smith Roberta. The New York Times. review of group exhibition at Tom Cugliani Gallery, January 19
Spector, Nancy and Steven Evans. Parkett. No.22, "Double Fear"
Wood, William. . Volume 7, Fall
Wulffen, Thomas. Kunstforum. "Kunst und schwule Kultur in den USA", April/May
The New Yorker. "Goings on about Town", Feb. 5 & 12, July 3
Shiny. No. 5
Atkins, Robert. 7 Days. "Art=Life", May 24, pp. 67-68
Brenson, Michael. The New York Times. "Felix Gonzalez-Torres", July 28
Cameron, Dan. Shift. "The Look of Love", Vol.3 No. 6pp. 4-11
Deitcher, David. Village Voice. "How Do You Memorialize a Movement that Isn't Dead?", June 27
Evans, Steven. Artscribe. "Real World", Summer
Hess, Elizabeth. Village Voice. "NY to Helms: Drop Dead", October 24
Silver, Lisa. The Daily Californian. “Political Art?”, February 10, pp. 7-9
Spector, Nancy. Contemporanea. "Felix Gonzalez-Torres", Summer
Spector, Nancy and Steven Evans. Parkett. “Double Fear”, No. 22, pp. 129-130.
Wagner, Frank. Magnus. "Ubers Sofa!", December
The Daily Californian. "Political Art?", February 10
25
Felix Gonzalez-Torres
1988
1987
The Print Collector's Newsletter. Vol. XX, July-August
Real Life, "Untitled, 1988:Detail of Sculpture (Endless Copies) by Felix Gonzalez-Torres", Winter 1988/89, pp. 34-35
Indiana, Gary. Village Voice. "Vile Days", June 28
Liu, Catherine. Flash Art. "Felix Gonzalez-Torres", October
Trippi, Laura. "Installation by Felix Gonzalez-Torres", essay for the exhibition at The New Museum of Contemporary Art,
September 16-November 20
Group Material. The New York Times. advertising supplement, March 22
Ollman, Leah. Los Angeles Times. "At the Galleries", December 4
Pincus, Robert L. San Diego Union. "Is Installation Exhibit the end-of-an-age art?", November 22
WORK:
1992
Adjunct Art Instructor, New York University
1990
CALARTS, L.A., California
1987-89 Adjunct Art Instructor, New York University, NY
PROJECTS:
1993
Collaboration with Christopher Wool for Printed Matter Bookshop at Dia, NYC
1990
Real Life Magazine. Number 20, p. 52
Catalogue, Ralph Wernicke, Stuttgart, June - July
New Museum of Contemporary Art, Book, organized visual material for "Out There: Marginality and Contemporary Culture"
GRANTS:
1993
National Endowment for the Arts - Artist Fellowship
1992
Deutscher Akademischer Austauschdienst Fellowship (DAAD) Artists-in-Residence Program, Berlin, Germany
1991
Gordon Matta-Clark Foundation Award
1989
Artists Fellowship, National Endowment for the Arts
Cintas Foundation Fellowship
Pollock-Krasner Foundation Grant
Artists Fellowship, Art Matter, Inc.
1988
Artists Fellowship, Art Matters, Inc.
EDUCATION:
1987
MFA International Center of Photography/New York University
1983
IIndependent Study Program, Whitney Museum of American Art, New York
BFA Pratt Institute, Brooklyn, NY
1981
Whitney Museum Independent Study Program
26