The Springs
Public Art Strategy
Endorsed by Council at the Ordinary
Council Meeting held on the 24/9/2013
Public Art Strategy- The Springs Precinct
City of Belmont
Contents
PART 1 – THE BACKGROUND
1.1 City of Belmont Public Art Directions and Masterplan ...................................................... 3
1.2 Funding ........................................................................................................................... 4
1.3 Public Art Locations ......................................................................................................... 4
1.4 Commissioning Process .................................................................................................. 6
1.5 Artwork Approval Process ............................................................................................... 6
1.6 Management of public art ................................................................................................ 7
PART 2 – THE PLAN
2.1 Background ................................................................................................................... 10
2.2 The Springs Precinct Vision........................................................................................... 10
2.3 Historical Context .......................................................................................................... 11
2.4 Themes, Locations and Opportunities ........................................................................... 13
APPENDIX 1 ................................................................................................................... 18
Front Cover (from left to right):
‘Transit Story’ by Jill Anholt (Calgary)
‘Light Drift’ by J. Meejin Yoon (The Schuylkill River, Philadelphia)
Page 2 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Introduction
The Springs Public Art Strategy seeks to build on the City’s Public Art Directions and
Masterplan 2010-2014 by providing a framework for the development of public art within The
Springs precinct. The strategy aims to contribute to the quality and amenity of the public
realm and open space in the precinct through the incorporation of public art.
1.0 Background
1.1 City of Belmont Public Art Directions and Masterplan
The City of Belmont ‘Public Art Directions and Masterplan 2011-2015’ (Masterplan) was
adopted by Council on the 27 April 2011. The Masterplan ensures the City develops its own
signature identity and creates a reputation as a champion of contemporary art and culture.
The incorporation of Public Art will showcase the history, innovation, diversity and change
which defines the City of Belmont, as well as its progressive and futuristic vision.
The Masterplan was developed in order to improve the City’s management of public art in
both public and private sector developments and to implement superior design of public art
in the community. The intent of the Masterplan is to work towards achieving the following key
objectives and provides a foundation in the development of the Public Art Strategy for The
Springs Precinct.
Objective:
Develop a collection of distinct and diverse public artworks
Objective:
Position the City of Belmont as a leader in innovative public art practice
Objective:
Achieve an integrated approach to public art
Objective:
Increase awareness of public art as a significant cultural asset
This document should be read in conjunction with the Masterplan.
What is Public Art?
Public art is the artistic expression of a contemporary art practitioner presented within the
public arena. The public arena refers to both indoor and outdoor spaces that are accessible
to the wider public and includes parks, open plazas, road reserves, civic centres and library
foyers. Public art and design projects are generally site specific and can include:




stand-alone sculptural works of art
the involvement of artists working on integrated elements within urban infrastructure
or the fabric of a building
artworks that may be integrated within landscaping projects or may be the
landscaping or earthworks themselves
artwork that serves a function within the built environment such as seating, lighting
and bike racks
Page 3 of 23
Public Art Strategy- The Springs Precinct



City of Belmont
interactive artworks that responds to the public through sound, lighting or movement
that responds
Aboriginal Art that are specifically commissioned to be created by an Aboriginal artist
or to have the involvement of the local Aboriginal community
temporary works that are designed to be installed for short periods of time due to the
nature of the project or with materials that last a limited time.
1.2 Funding
As stated in the City of Belmont’s Masterplan, there are a number of funding resources to
commission artworks that are applicable for The Springs.
Council Funded Artworks
A public art reserve has been established to fund future acquisitions of public art in the City.
Funds allocated for public art will be guided by the 10 year public art program.
Private Developer Contributions and Cash in Lieu
Where any private development within specified precincts of the City (including The Springs)
exceeds $4.5 million, the developer will be required to make contribution of 1% of the total
development value to provide public art in accordance with City of Belmont Local Planning
Policy No. 11 (Public Art Contribution Policy).
Artwork can either be provided on site by the developer, or alternatively the developer may
choose to provide a cash-in-lieu contribution to the City of 1% of the total development value.
A combination of both provisions may also be considered where appropriate..
In regard to the execution of expenditure of such funds, should the developer choose to fund
the artwork in its entirety, the process detailed in ‘Public Art in Private Developments –
Developer Procedure’ fact sheet (Attachment 1) will be followed.
Where the developer chooses to pay cash in lieu of providing public art as part of the
development, the funds accumulated will be managed by the City of Belmont and held in an
account for the purpose of public art. The fund will continue to accrue until such time
sufficient funds are accumulated to enable the City of Belmont to commission permanent
significant artwork within The Springs or the immediate river foreshore as detailed in Part 2
of this document.
1.3 Public Art Locations
Artwork on Public Land
Public Art plays an important role in the City of Belmont by providing the following benefits:

Environmental – regeneration, creation of a sense of place and identity. Public Art
can enhance roadsides, gateways, creating and renewing a sense of place in the
built and natural environments by using physical, spatial and topographical designs.
Page 4 of 23
Public Art Strategy- The Springs Precinct
City of Belmont

Economic – encourages inward investment, promotes a sense of confidence and
positivity, adding value to civic reputation and community image, providing
opportunities and funding for Western Australian artists and innovation in visual art,
encouraging private and business partnerships in the arts.

Social – promotes civic and personal pride, encourages the community to rediscover
and interact with their environment, celebrating the urban character, diverse cultural
heritage and local cultural identity and fostering pride.

Cultural – community development tool, raises the profile of the arts and offers
opportunities for people to participate in the arts.
Artwork on Privately Owned Land
The developer can choose to satisfy their public art requirement by providing artwork on the
subject development site. This is likely to be of benefit to the developer as public art is
expected to enhance the visual amenity and value of the development.
The artwork requires approval from the City of Belmont prior to installation, in accordance
with the City’s processes. These are outlined in Part 3 of this document.
Locations
Public art on privately owned land needs to be visible and/or accessible from the public
realm. These may include:




Artwork integrated into front facades of buildings
Artwork integrated into walls that would otherwise remain void or uninteresting
Artworks that serve a function that are unique such as fences, grills and balustrades
Stand alone works that are located in setback areas.
Principles
The following principles are to be considered by developers as part of the public art
development process. The City via the Public Art Advisory Panel will use the principles
below to guide them in approving public art on private land:
 Concept Innovation - the artwork is to be designed by a professional artist that shows
strong vision, craftsmanship, choice of materials, uniqueness and public
engagement.
 Context (sensitive to its surroundings) - the artwork is to be designed for the specific
site and considers the relevant themes, architectural, historical, geographical and/or
socio-cultural context of the site and community identity.
 Public Domain - the artwork must be clearly seen and/or accessible from the public
realm and must positively impact the visual amenity of the development.
 Public Safety - the artwork is designed, constructed and installed with best practice
risk management and the artwork does not present a hazard to public safety
 Longevity - the artwork is designed to be structurally sound and resistant to theft,
vandalism, weathering, and excessive maintenance.
 Diversity - artworks should be diverse in style, scale and media, ranging from
experimental to established art forms. This may also refer to artists from assorted
backgrounds and ranges of experience.
Page 5 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
1.4 Commissioning Process
City of Belmont Commissioning Process
The City of Belmont adheres to the Western Australia Percent for Art Scheme which
allocates up to one percent of the estimated construction cost of capital works projects
(valued at $2 million and over) to commission public artworks.
All public art projects coordinated by the City of Belmont will follow the City’s Masterplan
process as described in Item 4.
Private Developer Commissioning Process
All developments within The Springs valued greater than $4.5 million will be required to
provide a provision for public art in accordance with the City of Belmont Local Planning
Policy No.11.
The Policy requirements can be met by the following options:


The developer may choose to commission artwork for the development site that is
either located in or clearly seen from the public realm.
The developer may provide a cash in lieu payment equivalent to the required public
art contribution to be spent on public art within The Springs and adjacent river
foreshore as stated in Part 2 of this document.
Developers should refer to the ‘Public Art in Private Developments Developer Procedure
Fact Sheet’ (refer to Attachment 1) to assist in the commissioning of public art on private
land.
Procurement Process
It is important that the procurement process attracts West Australian Artists in a fair, open,
transparent and accountable process.
Artists will be procured through an open tender process, whereby artists will submit an
Expressions of Interest (EOI). The commissioning organisations will shortlist a minimum of 3
artists. Commission opportunities may be advertised via the Artsource website, local or
national newspapers and journals.
1.5 Artwork Approval Process
Development approval (planning approval)
Where public art is provided on a development site in fulfilment of a condition of Planning
Approval, the developer shall not require further development approval.
All other instances will require planning approval before it is installed on public or private
land at least 3 months prior to installation.
The Proposal will be assessed against the Public Art Assessment Principles as stated on
page 5 of this document.
Page 6 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Public Art Assessment and Principles
Public Art Advisory Panel
All developer public art proposals are referred to the Public Art Advisory Panel for
assessment.
The Panel ensures overall consistency in procurement and approaches to the installation of
public art throughout the City.
The panel consists of:







The Mayor, City of Belmont
A nominated Councillor, City of Belmont
Manager Community Lifestyle and Learning, City of Belmont
Coordinator Community Wellbeing, City of Belmont
Manager Parks and Environment, City of Belmont
A community representative who is recognised as an authority on Art
City’s nominated Art Consultant.
Principles
The Public Art Advisory Panel will refer to the Public Art Assessment Principles as stated on
page 5 of this document to guide them in approving public art on private land.
Additional evidence
The developer will provide evidence of the following to assist in approving public art
applications:





Artwork Design Brief
The Artwork proposal: Include the design, composite streetscape elevations,
locations, size and materials
Artists Contract, CV and Artist Statement
Copy of the maintenance schedule (if located on public open space or land vested in
the City of Belmont)
Developer statement explaining how they believe their approach reflects the
requirements identified in this document and how the artwork addresses the Public
Art Assessment Principles.
1.6 Management of public art
Artwork Copyright and Moral Obligation
Legislation requires all original public art to be credited to the artist. An artwork plaque must
be installed by the developer next to the artwork/s to acknowledge the artist. Artists are also
to be acknowledged when images of their work are published.
Artworks should only be modified by the artist unless consent has been given for conservation
or restoration reasons. Reasonable steps must be taken to contact the artist ahead of any
relocation, sale, removal or destruction of any works.
Page 7 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Ownership
Ownership of the artwork is dependent on the commissioning process, contract and the land
it is located in.
It most cases, the contract with the artist(s) identifies the artwork to be owned by the
commissioning body once the artwork is installed and paid for.
Artwork located on private land is owned and maintained by the land owner.
Artwork located on public land is owned and maintained by the City of Belmont unless
arranged otherwise.
Maintenance
Artworks have differing maintenance requirements to ensure the safety, longevity and the
visual amenity is maintained. Upon installation of the artwork, it is important that the owner
obtains the information below to assist in maintenance requirements. These include:



Agreement of ownership and maintenance responsibility, this may include specific
time lines for handover
Expected lifespan
Maintenance manual including:
 Title
 Artist/s name an contact details
 Brief description of artwork
 List of subcontractor, fabricator and contract details
 Details of construction materials
 Drawings for the artwork and related equipment eg. Lights
 Maintenance program and associated costs.
Artwork decommissioning
Decommissioning of artwork may be necessary for a number of reasons including:





The artwork has reached its intended lifespan
The security of the work cannot be guaranteed against constant documented
damage or criminal damage
The work requires excessive maintenance due to design or workmanship faults,
material use or other environmental factors
The work has deteriorated and is a public safety risk
Significant changes in the use, character or design of the site have impacted
considerably on the integrity of the work in its present location.
Should there be sufficient reason to decommission, the owner of the artwork may:




Modify the artwork
Relocate the artwork
Remove the artwork
Destruct the artwork.
Page 8 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
The Public Art Advisory Panel will make a formal recommendation to Council for the
decommissioning of all Council owned artworks. Private developers are required to inform
the City of its intention of decommissioning artwork and its reasons for doing so.
In the event of decommissioning, reasonable steps must be taken to contact the artist at
least 28 days ahead of any relocation, sale, removal or destruction of an artwork.
Artist Plaques
As stated in the Masterplan, a plaque is to be developed and the details of the wording are to
be established at the time of the commission contract.
Plaques for public artwork are to include:





The name of the artwork (most prominent text)
The artist’s name
The year the artwork was commissioned
The name of the commissioner (eg. City of Belmont and logo)
Details of any partner organisation (external funding bodies).
In some instances, an artist statement may be required to assist in interpretation of the
artwork.
Public Awareness
Artworks located in The Springs may form part of the City’s public art walking trail and may
be listed in associated material such as brochures, maps and the website. Walking trails
provide an excellent opportunity to promote public art and help to contribute to the public’s
understanding of Western Australian contemporary art practice.
Page 9 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
2.0 The Plan
2.1 Background
Located 5km from the Perth City Centre, The Springs is a 12.5ha estate that is within
walking distance to public transport routes and linked to the Perth City Centre by cycle and
walking paths. These features assist in enhancing The Springs as a riverside community.
The potential redevelopment for higher residential use and commercial use was first
recognised as early as 1993 and planning with this objective commenced at that time. The
Springs therefore is one of Perth’s first inner suburban urban renewal projects to
accommodate mixed use and higher density housing development to be delivered under the
State Government’s Directions 2031 and Beyond initiative, addressing urban sprawl and
promoting jobs, connectivity, community and environmental benefits; creating places where
people want to work, live and play.
LandCorp (Western Australian Land Authority) is the State Government’s land and property
development agency and are the developer of The Springs. Approximately 67% of the land
within the Springs was purchased by LandCorp to allow redevelopment to occur, with the
remaining 33% remaining in private ownership.
As part of the development, LandCorp’s contribution to public art within the precinct was
through the commissioning of artist Lorenna Grant titled ‘The Springs’ located at Leslie
Deague Park.
2.2 The Springs Precinct Vision
LandCorp’s Design Guidelines state the following vision for The Springs:
‘The Swan River and Perth skyline provide a stunning backdrop to what will become a
revitalised, connected community at Springs Rivervale.
Once complete, the existing stretch of underutilised land will be transformed into an urban
riverside community. A diverse mix of apartments, townhouses, offices and commercial
buildings are planned.
A ‘green link’ from the pedestrian underpass and along Hawksburn Road will be designed to
promote pedestrian activity and improve access to Cracknell Park and the Swan River
foreshore.’
Aerial view of The Springs site context
Page 10 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
The Springs – built form vision (Landcorp Design Guidelines)
2.3 Historical Context
The Springs’ site has a significant history, particularly along the Swan River. These known
sites are described below. A number of historical photos of the site have been collated and
attached, refer to Appendix 1.
Cracknell Park
The Belmont Young Men's Club formed in 1919 purchased some land at the end of
Hawksburn Road, Rivervale, known as ‘The Springs’. The Club intended to develop this site
into a major swimming and rowing venue, but were unable to raise the funds. In 1926 they
presented the land to the Belmont Road Board on condition it be reserved for public use.
The flame trees along Hawksburn Road were planted by the members of this Club, possibly
as an entry to their planned venue.
‘The Springs’ had always been a popular bathing site for the people of Belmont and Victoria
Park. This local bathing centre is referred to as ‘The Springs’ because of its natural
formulation at the riverside. In many local government documents the site is also known as
the Hawksburn Road Swimming Baths and Riversdale Baths.
The site served as a popular bathing place well before the turn of the century. Bathing sheds
were erected in early 1912 in time for the Burswood Swimming Club’s carnival held on
March 2, 1912.
During World War I, the area served as a social centre, for picnics, regattas, swimming clubs
and competitions. Special distance markers for swimmers (consisting of spaced poles
embedded into the mud bottom of the river) were constructed in 1919 and the area was
partially sectioned off by a makeshift jetty. As the place became a frequented venue for
Page 11 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
sporting and social events, the change sheds were updated and a proper path to the
swimming area was laid.
The Belmont Young Men’s Club had acquired the land in early 1919, and had been intent on
developing it as a major metropolitan swimming site. The club found it difficult to raise funds
to maintain the venue, and so by 1927, the Belmont Young Men’s Club transferred the land
permanently into the hands of the Belmont Park Road Board. The Club stipulated one
condition to the Board, that being, that the land be maintained exclusively for recreation
purposes.
During the 1920s and 1930s, ‘The Springs’ was a popular site for rowing competitions and
regattas. ‘The Springs’ was also used by local Scouts who frequented the area as the
starting point for their annual Swan tikis.
The Road Board began to update the facilities rather substantially by the 1930s. The
documents and Minutes of the Board meetings determine that by June 30, 1931 the land on
the foreshore had been levelled, cleaned and listed as the newly constructed Riversdale
Park. In addition, new swimming lanes were constructed in 1938 and an additional jetty
added in 1955, in order to assist the Belmont Swimming Club, which conducted frequent
competitions and carnivals at ‘The Springs’.
At a Board meeting on April 10, 1964 it was resolved to change the title of the reserve to
Cracknell Park in honour of a local family, of which Mr R.Cracknell served on the Board.
This historic location is presently equipped with cycle ways, which were added during
1974/75 (Minutes of Shire, November 1974 to July 1975), for more contemporary sporting
enthusiasts and is linked to a system of cycle tracks along the Swan River.
Street names
Street names in The Springs have varied historical and social histories as follows:
Riversdale Road
The name was derived from a theme of Melbourne's southern and eastern road system and
suburbs/localities. Around 1900, 'Riversdale' was also the name for this area of Belmont, the
only other two areas being 'New London' (near the racecourse) and 'Redcliffe'.
Lauterbach Way
The Lauterbach family is a pioneering family in the Belmont district. A Lauterbach family also
currently owns and lives at 36 Riversdale Road.
Hallam Way
Jack (or John) Hallam was a local businessman who owned a used car sales yard on the
corner of Great Eastern Highway and Kooyong Road. He lived at 67 Riversdale Road from
the late 1930s until 1982. The Character Residence at 67 Riversdale Road is listed in the
City’s Municipal Heritage Inventory and recognised as ‘Jack Hallam’s Residence’. The name
‘Hallam’ is identified in recognition of a historical landowner and district identity.
Page 12 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Regatta Terrace
During the 1920s and 1930s, The Springs was a popular site for rowing competitions and
regattas. The name ‘Regatta’ is identified in recognition of this historical connection with the
area.
Hawksburn Road
The name of this road was derived from a theme of Melbourne's southern and eastern road
system and suburbs/localities.
Homelea Court
Homelea Convalescent Home operated as a nursing home at 48 Riversdale Road from
approximately 1948 - 1968 (after which it became occupied by St Columban’s Mission).
St Columbans Lane
St Columban’s Mission operated from 48 Riversdale Road from 1968. The building is listed
on the City’s Municipal Heritage Inventory, however planning approval for the demolition of
the building has been granted. The name ‘St Columbans’ is identified in recognition of this
historical land use and heritage building within The Springs.
Aboriginal significance
The Swan River is a registered Aboriginal Site (known as Derbal Yarragan) and is very
significant to the Aboriginal community. Aboriginal people have a long and continuing
relationship with the river and nearby sites. Within The Springs, the Department of Aboriginal
Affairs has identified a registered Aboriginal Heritage site on Riversdale Road (towards
Graham Farmer Freeway) identified as an archaeological deposit.
2.4 Themes, Locations and Opportunities
Public art in The Springs is to contribute positively in the creation of a vibrant contemporary
riverside community and promote a sense a place for the community members residing,
working and recreating in this precinct.
Themes
Artwork is required to enhance the local environment and artworks may celebrate one or all
of the following themes, which are relevant to the site:



The interpretation of the Swan River
Significance or interpretation of a ‘spring’ such as:
 to rise, leap, move, or act suddenly and swiftly
 being suddenly released from a coiled or constrained position
 to spring into the air
 to come into being by growth, as from a seed or germ, bulb, root, etc.
The history and heritage of the site, incorporating Aboriginal and non-Aboriginal
culture.
Page 13 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Locations and Opportunities
In addition to public art located on private developments, a number of potential locations for
public art within public open space have been identified. As stated at Item 1.2, developer
cash in lieu contributions will accrue, until such time sufficient funds are accumulated to
enable the commissioning of a permanent significant artwork within the locations identified
and explained below.
(1) Shortland Jones Park (Abutting Finbar Development – Lot 1020)
The City of Belmont and LandCorp have agreed that Shortland Jones Park, located in front
of Lot 1020 (mixed use), is to be completed by the developer (Finbar) and LandCorp as part
of the development of Lot 1020.
There is an opportunity for the integration of public art as part of the development of
Shortland Jones Park. The design concept must be submitted to the City of Belmont for final
approval.
(2) Hawksburn Road
Hawksburn Road is identified as a ‘green link’ from
the pedestrian underpass from Surrey Road (under
Great Eastern Highway) through to Cracknell Park
and the Swan River. The road has been designed to
promote pedestrian activity and improve access for
residents and businesses located on the eastern
side of Great Eastern Highway.
Flame Tree Park – steps and corten retaining walls
Page 14 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Hawksburn Road has the following features:







Approximately 17 mature ornamental
Flame Trees (Erythrina indica) lining the
street that grow to a medium size and
bear clusters of scarlet flowers. In flower
they are almost leafless, allowing the
sprays of scarlet red bell shaped flowers
to dominate the view, and can be seen
from a distance.
The public open space located in front of
6-14 (Lot 1009) Hawksburn Road has
been named Flame Tree Park (after the
numerous flame trees planted by the
Belmont Young Men’s Club). It has been
designed for passive activities and
included seating, shaded trees, bike
racks, water fountain and BBQ’s.
An
approved
3-storey
residential
apartment development integrated with a
direct interface with Flame Tree Park to
the west, as well as the opportunity for
development of up to 5-storeys along
both sides of the remainder of the street.
Dual use path made of a light grey
aggregate.
‘The Springs’ artwork by Lorenna Grant is
located in Leslie Deague Park at the
entrance of the underpass. The artist was
inspired by the name of the development,
which the artist considers to conjure and
represent “lightness, upwardly emanating,
ascendance, health and transformation”.
At the end of Hawksburn Road is a large
reserve called Cracknell Park, which may
be redeveloped in the next 5 to 10 years.
A mix of structures from mixed use
located near the underpass, to high
density residential from Rowe Avenue to
the Swan River.
Due to its pedestrian and cycle friendly design,
there is opportunity for small scale integrated
artworks and a feature artwork to be located
throughout this area. A free standing artwork
within the public open space could include
sensory and tactile artworks and a larger
wayfinding artwork located at the intersection of
Hawksburn and Riversdale Road. This artwork
could aid in creating sightlines through the
development.
Page 15 of 23
Flame Tree Park – View looking east toward Great
Eastern Hwy
Flame Tree Park – landscaping
Flame Tree Park – bike racks and bin enclosure
Pedestrian access between Hawksburn Rd and St
Columbans Lane. The 3-storey apartment
development site is located to right of the footpath.
Public Art Strategy- The Springs Precinct
City of Belmont
(3) Cracknell Park
Cracknell Park is the feature park within The Springs and is located on the foreshore at
Riversdale Road, Rivervale. Currently the park includes a playground, picnic tables, 19 car
bays plus 2 disabled car bays and a path leading down to the river and jetty.
It is one of the very few parks in Perth that provides a vast elevated view of the Swan River.
The design of the park is challenged by the steepness of its location and is identified to be
redesigned to maximise its location and view, providing a destination for nearby residents
and businesses.
Cracknell Park marks the meeting point between the built form of high density living and the
Swan River. The park is accessible from the dual use path along the river foreshore and
from Riversdale Rd.
There are opportunities for small to medium integrated and/or functional artworks in the dual
use path or on the jetty.
It is recommended that an Art Consultant be engaged during the redesigning of Cracknell
Park to ensure the consistency between public art and landscape design is achieved.
View of park from car park
Cracknell Park signs near car park
View from higher level of Cracknell Park to river level
View of path network from high level of Cracknell Park
Page 16 of 23
Public Art Strategy- The Springs Precinct
View of slope from Cracknell Park to car park
City of Belmont
View of Cracknell Park looking to car park
(4) Swan River Foreshore
The City of Belmont has 11km of Swan River foreshore. The immediate foreshore of The
Springs is linked by a dual path creating a connection between Perth City Centre and the
City of Belmont. The path is predominantly used by cycle commuters and for passive
exercise.
A 38m jetty is located at the base of Cracknell Park, but it is unknown as to the extent of its
use. Due to the location of the jetty and its accessibility, it is presumed that the jetty is
predominantly used for recreational fishing. A structural assessment of the jetty was
undertaken in 2010 which stated that the jetty is in relatively good condition and with regular
maintenance, should serve for many years to come.
It is anticipated that potential artworks located on the
river foreshore will be part of a walking trail
encompassing the Swan River from Goodwood
Parade boat ramp to Ascot Waters Marina. This
presents an opportunity for both small scale
integrated artworks and a landmark artwork exploring
the above stated themes.
To connect the land to the Swan River, artworks may
be located on the jetty to encourage more
recreational activity on the jetty.
Potential public art walking trail
Page 17 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
APPENDIX 1
Page 18 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
St Columbans
St Columbans
Page 19 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
During Cracknell Park development, building just completed.
Regatta at the Springs, 1926 jetty visible
Page 20 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Front of Riversdale Hall c. 1919
Riversdale Hall c. 1919 with 3 young men
Page 21 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
View of Cracknell Park from the river, c. 1950s
Regatta at the Springs, 1926
Page 22 of 23
Public Art Strategy- The Springs Precinct
City of Belmont
Regatta at the Springs, 1926 with rowing
Cracknell Park
Page 23 of 23