Department of Ancient History & Classics Trent University AHCL 1000Y(The Trojan War and its Legacy) 2010/2011 I. INSTRUCTORS Course Co-ordinator: Professor Ian C. Storey Champlain College G 13 (705)-748-1011 x.7355 istorey@trentu.ca Office hours: Monday 1:00-3:00 p.m. Teaching assistants: Madeline Holder Champlain College madelineholde@trentu.ca Office hours: TBA Department: Other TAs will be announced. Ms Kathy Axcell Champlain College G 15 (705)-748-1011 x.7848 kaxcell@trentu.ca II. COURSE DESCRIPTION The story of the Trojan War, the ten-year-long campaign by the Greeks against the great city of Troy, ostensibly to recover a king’s wayward wife (Helen), has become one of the great stories of Western culture. The events before, during, and after that conflict have been the subject of epic poems, prose essays, dramas both serious and comic, historical fictions, fantasies, comic books and graphic novels, vase paintings, murals, sculpture, operas, feature-length movies and TV mini-series. The names of Achilles and Hector, Odysseus (a.k.a. Ulysses) and Aeneas, Paris and Helen, Penelope and Cassandra have become a familiar part of our cultural heritage, as have expressions such as “Achilles’ heel”, “Trojan horse”, or “odyssey”. The story of Troy has appealed to all ages of Western civilisation, and each society has re-interpreted Troy in its own image. When the first Roman emperor, Augustus (reign: 27 BC to AD 14), sought to establish a foundation myth for Rome, he commissioned a Roman poet, Vergil, to create a national epic (The Aeneid) that connected Rome to the events of the war at Troy. This would be Rome’s answer to the Greek national poet, Homer, and his classic epics, the Iliad and the Odyssey. The Middle Ages made the little-known story of Troilus and Cressida into a mediaeval romance of love and chivalry. In the 1930s Jean Giraudoux used the Trojan story to 2 parallel the rush of the nations of Europe towards an inevitable war in his play, The Trojan War Will Not Take Place. In 1970 the Greek film-maker Cacoiannis turned Euripides’ play Trojan Women into a film beneath which lurked the war in Vietnam. The course will introduce students to the war against Troy, and through that material to the study of ancient history and classics. We shall begin with classical literature as our knowledge of the War depends on reading and interpreting works that were meant to be heard and read. We shall be reading the three major epic poems from the classical world that tell the story of the Trojan War: Homer’s Iliad and Odyssey (8th c. BC, written originally in Greek) and Vergil’s Aeneid (1st c. BC, written in Latin). We shall introduce also the field of classical archaeology through examinations of the physical remains of Troy (and other sites of the late Bronze Age), and shall examine the historical background of the late Bronze Age (14001100 BC), against which the poems are set, and the late Archaic Age (750-720 BC), when Homer created his version of a traditional story. Finally we shall introduce students to the new field of classical reception, i.e. how later ages re-used the familiar material to speak to the issues of their own time. III. MEETINGS Lectures: Mondays, from 5:00-5:50 p.m. Wednesdays, from 11:00-11:50 a.m. Wenjack Theatre Wenjack Theatre NOTE: As the Wenjack Theatre is a large room, holding twice the size of the class, students are requested to sit in the front half of the lecture room. This will make seeing and hearing much easier, for both students and the instructors. Seminars: Students will attend one seminar roughly every two weeks. Each time slot is divided into A-weeks and B-weeks. Monday 6:00 to 6:50 p.m. Monday 7:00 to 7:50 p.m. Wednesday 12 noon to 12:50 p.m. Wednesday 1:00 to 1:50 p.m. Wednesday 2:00 to 2:50 p.m. Wednesday 3:00 to 3:50 p.m. Wednesday 4:00 to 4:50 p.m. DNA B 106 DNA B 106 Gzowski 105 Gzowski 345 Gzowski 345 Champlain G Gzowski 345 Students may register for a particular seminar by going on-line to MyLearningSystem, to the page for AHCL 1000, beginning on September 8th. Instructions will be found under “Tutorial Sign-up”. Seminars are capped at 15 students. Please make sure that you can attend the time-slot you select, as the system will not allow you to change your choice. If you do 3 need to make a change, the instructor will be available at the “Seminar Swap” on Friday 10 September, from 1:00 to 3:00 in the lower level of Gzowski College. NOTE: Regular attendance at all lectures and seminars is expected. AHCL 1000 is not a course that can be done “at a distance”. Students who miss a class should endeavour to borrow notes from a classmate, since lecturers will not post or lend their notes. IV. REQUIRED TEXTS Homer, The Iliad (tr. Fagles) Homer, The Odyssey (tr. Fagles) Vergil, The Aeneid (tr. Fitzgerald) Other translations may be used, but these are the versions that will be cited in lectures and seminars, and from which passages on the examinations will be set. V. COURSE ASSESSMENT Seminar attendance & participation (10% each term) On-line quizzes (5% each term) Library Assignment Report & Analysis Essay Mid-year Examination Final Examination 20% 10% 10% 15% 15% 15% 15% VI. SEMINARS Seminars will meet on ten occasions during the year – schedule given below. The purpose is to foster discussion in a smaller group (12-15 students) about points and themes in the three required texts, to allow students to ask questions or raise matters for clarification. The seminar is not intended to be a minilecture by the instructor – it is YOUR time to participate. Grades in this portion of the course will be determined by both attendance and participation. Before each meeting, readings and questions will be e-mailed to members of the group. Please come to the seminar with your thoughts on these topics, and have either a comment or a question for the group. If you have to miss a tutorial, you may with the leader’s permission attend another group. If this is not feasible, 4 your seminar leader may allow you to submit a three-page summary of the readings and questions, but no more often than once each term. Seminar 1: A-group: week of September 20-24 B-group: week of September 27-Oct. 1 TOPIC: Iliad books 1-6 (especially 1, 2 [first half], 3) Seminar 2: A-group: week of October 4-8 B-group: week of October 11*-15 * Groups scheduled for October 11 will meet on October 18. TOPIC: Iliad books 9, 14, 16, 18 Seminar 3: A-group: week of November 1-5 B-group: week of November 8-12 TOPIC: Iliad 22-24 Seminar 4: A-group: week of November 15-19 B-group: week of November 22-26 TOPIC: Research and Essay skills Seminar 5: A-group: week of November 29-Dec. 3 B-group: week of December 6-10 TOPIC: Domestic themes: Iliad 3, 6, 24; Odyssey 1-4 Seminar 6: A-group: week of January 17-21 B-group: week of January 24-28 TOPIC: Odyssey 5-12 Seminar 7: A-group: week of Jan. 31-Feb. 4 B-group: week of February 7-11 TOPIC: Odyssey 13-24, especially books 13, 19, 22-23 Seminar 8: A-group: week of Feb. 28-March 4 B-group: week of March 7-11 TOPIC: Aeneid 1-4, especially books 1 and 4 Seminar 9: A-group: week of March 14-18 B-group: week of March 21-25 TOPIC: Aeneid 5-8, especially 6 and 8 Seminar 10: A-group: week of March 28-Apr. 1 B-group: week of April 4-8 TOPIC: Aeneid 12 5 VII. ON-LINE QUIZZES Students will complete twelve (12) short, ‘open-book’ multiple-choice quizzes on the MyLearningSystem web-site. Each quiz may be taken at any time from the beginning of term until the cut-off time for each quiz (11:59 on the relevant Friday, essentially every other week -- see below). There is no time limit for the quiz – only that they must be completed by the Friday deadline. Extensions CANNOT be granted for the quizzes. Students are advised not to leave things to the last day. If there is a problem, please contact the IT department: it@trentu.ca. The instructors have no control over the system. QUIZ 1: cut-off date – 24 September @ 11:59 p.m. – Iliad books 1-6 QUIZ 2: cut-off date – 8 October @ 11:59 p.m. – Iliad books 7-12 QUIZ 3: cut-off date – 22 October @ 11:59 p.m. – Iliad books 13-18 QUIZ 4: cut-off date – 12 November @ 11:59 p.m. – Iliad books 19-24 QUIZ 5: cut-off date – 26 November @ 11:59 p.m. – Essay skills questions QUIZ 6: cut-off date – 10 December @ 11:59 p.m. – Odyssey books 1-4 QUIZ 7: cut-off date – 21 January @ 11:59 p.m. – Odyssey books 5-12 QUIZ 8: cut-off date – 4 February @ 11:59 p.m. – Odyssey books 13-18 QUIZ 9: cut-off date – 18 February @ 11:59 p.m. – Odyssey books 19-24 QUIZ 10: cut-off date – 11 March @ 11:59 p.m. – Aeneid books 1-4 QUIZ 11: cut-off date – 25 March @ 11:59 p.m. – Aeneid books 5-8 QUIZ 12: cut-off date – 8 April @ 11:59 p.m. – Aeneid books 9-12 VIII. EXAMINATIONS Each examination will consist of gobbet identifications (identify and comment on passages from the ancient texts), image identifications (identify and comment on certain visual images that were presented in class), and an essay question. The examination schedule will be published about halfway during each term. Students who wish to observe cultural or religious holidays during an examination period must notify the Office of the Registrar in writing by Friday 1October. Exam dates are firm cannot be moved to accommodate work or travel plans. Trent University does not schedule make-up examinations. IX. ASSIGNMENTS Further details of the assignments and the detailed grading scheme for essays will be posted on MyLearningSystem. (1) Library assignment – due Friday 1 October. Value: 10%. 6 (2) Report & analysis – due Friday 19 November. Value: 15%. (3) Essay – due Monday 28 February. Value 15%. Length: 8 pages (c. 2500 words), not including title page, notes, and bibliography. Topics will posted on MyLearningSystem for AHCL 1000 in the first week of second term. Essays must be double-spaced, with a title page, bibliography, either footnotes or endnotes, and numbered pages (do not number the title page). Footnotes and bibliography must be consistently formatted and follow the style set out in the document “Essay Formatting Style” (in the essay folder on MyLearningSystem). Essays deal with a problem arising from some aspect of the ancient material. Imagine that you are entering a debate or seeking the answer to an intriguing question. Thus merely narrating the events of an ancient text is not scholarship – the instructors already know what happened in the Iliad or the Odyssey. The key word is “analysis”. Pose the question or the problem, summarise the issues and approaches to a solution, add your own discussion, and then present your conclusions. Essays MUST demonstrate use of both primary material (the ancient poems) and secondary discussions (the modern critics). You are expected to seek out, read, and cite from book chapters or journal articles, many of which are available on line. Website and encyclopaedic entries (such as Wikipedia) or on-line data bases are NOT acceptable secondary sources. There are some that are acceptable (e.g, Perseus), but check with your seminar leader. Quite a number of heavily used items have been placed on reserve. Essays are to be submitted to your seminar leader. The default method of submission is through the Essay Drop-box on MyLearningSystem, but your seminar leader will inform you of their preference. Essays submitted on line should be a Word document, in either .doc or .docx (.rtf is also allowed), but please DO NOT submit .pdf documents, as they cannot be edited by the instructor. NOTE: If your instructor prefers submission by hard copy, papers may be handed in at the lecture or seminar, or to the drop-box outside the Department office (CC G 15), but no later than 4:00 p.m. on the due date. Please DO NOT disturb the Departmental Assistant to hand in your paper; just put it in the drop-box yourself. All paper are due on the date indicated. Late work will be penalised at the rate of 5% per day, and no paper will be accepted after seven days beyond 7 the due date. At this point a grade of 0 will be entered. Extensions will be granted only for exceptional and properly documented circumstances, and must not be requested on the actual due date. Failure to organise your work schedule or meet deadlines will NOT be considered an exceptional circumstance. In order to be fair to all students, make-up or bonus assignments are not available. X. MYLEARNINGSYSTEM (sometimes known as “WebCT”) This service is available for all students through MyTrent. Log into your MyTrent account, and click “MyLearningSystem” in the menu on the upper left. When you reach the home page for AHCL 1000, you will find a variety of links and folders to assist you with the course: • a copy of the syllabus • announcements and matters of ‘housekeeping’ within the course • illustrative material from the lectures • an essay folder, with a document on formatting essays, suggested bibliographic links, and an explanation of the essay grading scheme • the folder for on-line quizzes • a calendar of lectures and due dates for quizzes and assignments • a link to the Departmental policy on Student Academic Conduct XI. STUDENT RESPONSIBILITIES Successful participation in this course (or indeed in any course at Trent) involves regular attendance at lectures and seminars, doing the assigned readings, the timely completion and submission of the assignments, and appropriate preparation for the examinations. If you encounter difficulties or if you need assistance at any time, it is your responsibility to contact your seminar-leader or the instructor as early as possible, and in any case before the deadlines. Remember: IF YOU RUN INTO TROUBLE, THE WORST THING YOU CAN DO IS NOTHING. A word of advice: last year in the course, only three students managed to pass the course who did not submit the essay. All electronic communication devices (cell-phones, pagers, beepers, blackberry) must be turned off before entering a classroom. Laptops may be used for taking notes, but all sounds must be muted. Students found using laptops for on-line surfing, doing e-mail, or playing games will be asked to turn them off. 8 CONTACT: Most of the frequently raised issues in the course will be dealt with in the syllabus or on the AHCL 1000 page in MyLearningSystem. Start there if you have any questions. If you do need to raise something with an instructor, in the first instance contact your seminar leader. They will pass the matter on to the course instructor if it is outside their purview. Contact Professor Storey only if he is your seminar leader. Please use ONLY your Trent e-mail account to send and receive correspondence in this course, as the instructor may have blocked domains such as gmail, hotmail, yahoo, simpatico, nexicom etc. Your official address at Trent is your Trent e-mail account; please use only that account. Any requests that you make to an instructor is much more likely to be sympathetically received if it is written with proper punctuation and capitalisation, and in grammatical English. Please do not write in netspeak. XII. ACADEMIC INTEGRITY Academic dishonesty, which includes plagiarism and cheating, is an extremely serious academic offence, and carries penalties varying from a grade of 0 on an assignment to expulsion from the University. Definitions, penalties, and procedures for dealing with plagiarism and cheating are set out in Trent’s Academic Integrity Policy. You have a responsibility to educate yourself – unfamiliarity with the policy is not an excuse. You are strongly encouraged to visit Trent’s Academic Integrity website to learn more – this can be found at www.trentu.ca/academicintegrity. XIII. ACCESS TO INSTRUCTION It is Trent University’s intent to create an inclusive learning environment. If a student has a disability and/or health consideration and feels that he or she may need accommodations to succeed in this course, the student should contact the Disability Services Office (BL Suite 109, 748-1721; disabilityservices@trentu.ca) as soon as possible. The complete text can be found under “Access to Instruction” in the Academic Calendar. XIV. SCHEDULE OF LECTURES 1. 2. 3. 4. 5. 6. 7. Sept. 13 Sept. 15 Sept. 20 Sept. 22 Sept. 27 Sept. 29 Oct. 4 AHCL 1000: Troy & the Trojan War Introduction to the Ancient World The Nature of the Material Evidence The Nature of the Literary Evidence Homer & ‘Primary’ Epic Helen & the Origins of the War Travel & Sea-Faring ICS Hugh Elton Sean Lockwood ICS ICS ICS Jennifer Moore 9 8. Oct. 6 9. Oct. 11 10. Oct. 13 11. Oct. 18 12. Oct. 20 Schliemann I (‘boon’) THANKSGIVING HOLIDAY Schliemann II (‘bane’) Troy after Schliemann Heroism in the Iliad Jennifer Moore ---Jennifer Moore Guest lecturer ICS 13. Nov. 1 14. Nov. 3 15. Nov. 8 16. Nov. 10 17. Nov. 15 18. Nov. 17 19. Nov. 22 20. Nov. 24 21. Nov. 29 22. Dec. 1 23. Dec. 6 24. Dec. 8 Mycenae (and Pylos?) The Hundred Cities of Crete Michael Ventris& Linear B The Gods of the Iliad Greek Gods and Worship The War from the Trojan Side The Hittites, Kadesh& Chariots The Fall of Troy Crises of the Late Bronze Age Kings and Aristocrats Homer as ‘evidence’ for the Late Bronze Age Nostoi Sean Lockwood 25. Jan. 10 26. Jan. 12 27. Jan. 17 28. Jan. 19 29. Jan. 24 30. Jan. 26 31. Jan. 31 32. Feb. 2 33. Feb. 7 34. Feb. 9 35. Feb. 14 36. Feb. 16 Homer’s Odyssey Heroism in the Odyssey The gods in the Odyssey Odysseus the wanderer Colonial Expansion Metamorphosis of a Monster Troy on Greek Vases The Persian Wars & Troy Troy in Tragedy On the Trail of Odysseus Introduction to Rome Vergil and ‘Secondary’ Epic ICS ICS ICS ICS ICS ICS Sean Lockwood ICS George Kovacs ICS Jackie Tinson ICS 37. Feb. 28 38. March 2 39. March 7 40. March 9 41. March 14 42. March 16 43. March 21 44. March 23 45. March 28 46. March 30 47. April 4 48. April 6 Troy in Etruscan Art Heroism in the Aeneid Trojan Rome The gods in the Aeneid Aeneas & Dido Carthage Vergil and Homer The ‘two voices of Vergil’ Assault on Homer Troy in Late Antiquity& Christian Epic Troy in Mediaeval Culture Troy in Modern Popular Culture Sean Lockwood ICS Jennifer Moore ICS ICS Jennifer Moore ICS Guest ICS Hugh Elton Guest George Kovacs Hugh Elton ICS George Kovacs ICS Hugh Elton ICS Sean Lockwood ICS While Professor Storey will be the course co-ordinator and principal lecturer for AHCL1000, one of the purposes of the course is that students will be hearing from as many of the faculty in the Department as possible.